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    Pictures From Italy

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      course, on this occasion. As they carried him along, he blessed

      the people with the mystic sign; and as he passed them, they

      kneeled down. When he had made the round of the church, he was

      brought back again, and if I am not mistaken, this performance was

      repeated, in the whole, three times. There was, certainly nothing

      solemn or effective in it; and certainly very much that was droll

      and tawdry. But this remark applies to the whole ceremony, except

      the raising of the Host, when every man in the guard dropped on one

      knee instantly, and dashed his naked sword on the ground; which had

      a fine effect.

      The next time I saw the cathedral, was some two or three weeks

      afterwards, when I climbed up into the ball; and then, the hangings

      being taken down, and the carpet taken up, but all the framework

      left, the remnants of these decorations looked like an exploded

      cracker.

      The Friday and Saturday having been solemn Festa days, and Sunday

      being always a DIES NON in carnival proceedings, we had looked

      forward, with some impatience and curiosity, to the beginning of

      the new week: Monday and Tuesday being the two last and best days

      of the Carnival.

      On the Monday afternoon at one or two o'clock, there began to be a

      great rattling of carriages into the court-yard of the hotel; a

      hurrying to and fro of all the servants in it; and, now and then, a

      swift shooting across some doorway or balcony, of a straggling

      stranger in a fancy dress: not yet sufficiently well used to the

      same, to wear it with confidence, and defy public opinion. All the

      carriages were open, and had the linings carefully covered with

      white cotton or calico, to prevent their proper decorations from

      being spoiled by the incessant pelting of sugar-plums; and people

      were packing and cramming into every vehicle as it waited for its

      occupants, enormous sacks and baskets full of these confetti,

      together with such heaps of flowers, tied up in little nosegays,

      that some carriages were not only brimful of flowers, but literally

      running over: scattering, at every shake and jerk of the springs,

      some of their abundance on the ground. Not to be behindhand in

      these essential particulars, we caused two very respectable sacks

      of sugar-plums (each about three feet high) and a large clothesbasket

      full of flowers to be conveyed into our hired barouche, with

      all speed. And from our place of observation, in one of the upper

      balconies of the hotel, we contemplated these arrangements with the

      liveliest satisfaction. The carriages now beginning to take up

      their company, and move away, we got into ours, and drove off too,

      armed with little wire masks for our faces; the sugar-plums, like

      Falstaff's adulterated sack, having lime in their composition.

      The Corso is a street a mile long; a street of shops, and palaces,

      and private houses, sometimes opening into a broad piazza. There

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      Dickens, Charles - Pictures From Italy

      are verandahs and balconies, of all shapes and sizes, to almost

      every house - not on one story alone, but often to one room or

      another on every story - put there in general with so little order

      or regularity, that if, year after year, and season after season,

      it had rained balconies, hailed balconies, snowed balconies, blown

      balconies, they could scarcely have come into existence in a more

      disorderly manner.

      This is the great fountain-head and focus of the Carnival. But all

      the streets in which the Carnival is held, being vigilantly kept by

      dragoons, it is necessary for carriages, in the first instance, to

      pass, in line, down another thoroughfare, and so come into the

      Corso at the end remote from the Piazza del Popolo; which is one of

      its terminations. Accordingly, we fell into the string of coaches,

      and, for some time, jogged on quietly enough; now crawling on at a

      very slow walk; now trotting half-a-dozen yards; now backing fifty;

      and now stopping altogether: as the pressure in front obliged us.

      If any impetuous carriage dashed out of the rank and clattered

      forward, with the wild idea of getting on faster, it was suddenly

      met, or overtaken, by a trooper on horseback, who, deaf as his own

      drawn sword to all remonstrances, immediately escorted it back to

      the very end of the row, and made it a dim speck in the remotest

      perspective. Occasionally, we interchanged a volley of confetti

      with the carriage next in front, or the carriage next behind; but

      as yet, this capturing of stray and errant coaches by the military,

      was the chief amusement.

      Presently, we came into a narrow street, where, besides one line of

      carriages going, there was another line of carriages returning.

      Here the sugar-plums and the nosegays began to fly about, pretty

      smartly; and I was fortunate enough to observe one gentleman

      attired as a Greek warrior, catch a light-whiskered brigand on the

      nose (he was in the very act of tossing up a bouquet to a young

      lady in a first-floor window) with a precision that was much

      applauded by the bystanders. As this victorious Greek was

      exchanging a facetious remark with a stout gentleman in a doorway -

      one-half black and one-half white, as if he had been peeled up the

      middle - who had offered him his congratulations on this

      achievement, he received an orange from a house-top, full on his

      left ear, and was much surprised, not to say discomfited.

      Especially, as he was standing up at the time; and in consequence

      of the carriage moving on suddenly, at the same moment, staggered

      ignominiously, and buried himself among his flowers.

      Some quarter of an hour of this sort of progress, brought us to the

      Corso; and anything so gay, so bright, and lively as the whole

      scene there, it would be difficult to imagine. From all the

      innumerable balconies: from the remotest and highest, no less than

      from the lowest and nearest: hangings of bright red, bright green,

      bright blue, white and gold, were fluttering in the brilliant

      sunlight. From windows, and from parapets, and tops of houses,

      streamers of the richest colours, and draperies of the gaudiest and

      most sparkling hues, were floating out upon the street. The

      buildings seemed to have been literally turned inside out, and to

      have all their gaiety towards the highway. Shop-fronts were taken

      down, and the windows filled with company, like boxes at a shining

      theatre; doors were carried off their hinges, and long tapestried

      groves, hung with garlands of flowers and evergreens, displayed

      within; builders' scaffoldings were gorgeous temples, radiant in

      silver, gold, and crimson; and in every nook and corner, from the

      pavement to the chimney-tops, where women's eyes could glisten,

      there they danced, and laughed, and sparkled, like the light in

      water. Every sort of bewitching madness of dress was there.

      Little preposterous scarlet jackets; quaint old stomachers, more

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      Dickens, Charles - Pictures From Italy

      wicked than the smartest bodices; Polish pelisses, strained and


      tight as ripe gooseberries; tiny Greek caps, all awry, and clinging

      to the dark hair, Heaven knows how; every wild, quaint, bold, shy,

      pettish, madcap fancy had its illustration in a dress; and every

      fancy was as dead forgotten by its owner, in the tumult of

      merriment, as if the three old aqueducts that still remain entire

      had brought Lethe into Rome, upon their sturdy arches, that

      morning.

      The carriages were now three abreast; in broader places four; often

      stationary for a long time together, always one close mass of

      variegated brightness; showing, the whole street-full, through the

      storm of flowers, like flowers of a larger growth themselves. In

      some, the horses were richly caparisoned in magnificent trappings;

      in others they were decked from head to tail, with flowing ribbons.

      Some were driven by coachmen with enormous double faces: one face

      leering at the horses: the other cocking its extraordinary eyes

      into the carriage: and both rattling again, under the hail of

      sugar-plums. Other drivers were attired as women, wearing long

      ringlets and no bonnets, and looking more ridiculous in any real

      difficulty with the horses (of which, in such a concourse, there

      were a great many) than tongue can tell, or pen describe. Instead

      of sitting IN the carriages, upon the seats, the handsome Roman

      women, to see and to be seen the better, sit in the heads of the

      barouches, at this time of general licence, with their feet upon

      the cushions - and oh, the flowing skirts and dainty waists, the

      blessed shapes and laughing faces, the free, good-humoured, gallant

      figures that they make! There were great vans, too, full of

      handsome girls - thirty, or more together, perhaps - and the

      broadsides that were poured into, and poured out of, these fairy

      fire-shops, splashed the air with flowers and bon-bons for ten

      minutes at a time. Carriages, delayed long in one place, would

      begin a deliberate engagement with other carriages, or with people

      at the lower windows; and the spectators at some upper balcony or

      window, joining in the fray, and attacking both parties, would

      empty down great bags of confetti, that descended like a cloud, and

      in an instant made them white as millers. Still, carriages on

      carriages, dresses on dresses, colours on colours, crowds upon

      crowds, without end. Men and boys clinging to the wheels of

      coaches, and holding on behind, and following in their wake, and

      diving in among the horses' feet to pick up scattered flowers to

      sell again; maskers on foot (the drollest generally) in fantastic

      exaggerations of court-dresses, surveying the throng through

      enormous eye-glasses, and always transported with an ecstasy of

      love, on the discovery of any particularly old lady at a window;

      long strings of Policinelli, laying about them with blown bladders

      at the ends of sticks; a waggon-full of madmen, screaming and

      tearing to the life; a coach-full of grave mamelukes, with their

      horse-tail standard set up in the midst; a party of gipsy-women

      engaged in terrific conflict with a shipful of sailors; a manmonkey

      on a pole, surrounded by strange animals with pigs' faces,

      and lions' tails, carried under their arms, or worn gracefully over

      their shoulders; carriages on carriages, dresses on dresses,

      colours on colours, crowds upon crowds, without end. Not many

      actual characters sustained, or represented, perhaps, considering

      the number dressed, but the main pleasure of the scene consisting

      in its perfect good temper; in its bright, and infinite, and

      flashing variety; and in its entire abandonment to the mad humour

      of the time - an abandonment so perfect, so contagious, so

      irresistible, that the steadiest foreigner fights up to his middle

      in flowers and sugar-plums, like the wildest Roman of them all, and

      thinks of nothing else till half-past four o'clock, when he is

      suddenly reminded (to his great regret) that this is not the whole

      business of his existence, by hearing the trumpets sound, and

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      Dickens, Charles - Pictures From Italy

      seeing the dragoons begin to clear the street.

      How it ever IS cleared for the race that takes place at five, or

      how the horses ever go through the race, without going over the

      people, is more than I can say. But the carriages get out into the

      by-streets, or up into the Piazza del Popolo, and some people sit

      in temporary galleries in the latter place, and tens of thousands

      line the Corso on both sides, when the horses are brought out into

      the Piazza - to the foot of that same column which, for centuries,

      looked down upon the games and chariot-races in the Circus Maximus.

      At a given signal they are started off. Down the live lane, the

      whole length of the Corso, they fly like the wind: riderless, as

      all the world knows: with shining ornaments upon their backs, and

      twisted in their plaited manes: and with heavy little balls stuck

      full of spikes, dangling at their sides, to goad them on. The

      jingling of these trappings, and the rattling of their hoofs upon

      the hard stones; the dash and fury of their speed along the echoing

      street; nay, the very cannon that are fired - these noises are

      nothing to the roaring of the multitude: their shouts: the

      clapping of their hands. But it is soon over - almost

      instantaneously. More cannon shake the town. The horses have

      plunged into the carpets put across the street to stop them; the

      goal is reached; the prizes are won (they are given, in part, by

      the poor Jews, as a compromise for not running foot-races

      themselves); and there is an end to that day's sport.

      But if the scene be bright, and gay, and crowded, on the last day

      but one, it attains, on the concluding day, to such a height of

      glittering colour, swarming life, and frolicsome uproar, that the

      bare recollection of it makes me giddy at this moment. The same

      diversions, greatly heightened and intensified in the ardour with

      which they are pursued, go on until the same hour. The race is

      repeated; the cannon are fired; the shouting and clapping of hands

      are renewed; the cannon are fired again; the race is over; and the

      prizes are won. But the carriages: ankle-deep with sugar-plums

      within, and so be-flowered and dusty without, as to be hardly

      recognisable for the same vehicles that they were, three hours ago:

      instead of scampering off in all directions, throng into the Corso,

      where they are soon wedged together in a scarcely moving mass. For

      the diversion of the Moccoletti, the last gay madness of the

      Carnival, is now at hand; and sellers of little tapers like what

      are called Christmas candles in England, are shouting lustily on

      every side, 'Moccoli, Moccoli! Ecco Moccoli!' - a new item in the

      tumult; quite abolishing that other item of ' Ecco Fiori! Ecco

      Fior-r-r!' which has been making itself audible over all the rest,

      at intervals, the whole day through.

      As the bright hangings and dresses are all fading into one dull,

      heavy, uniform colour in the decline of the day, lights begin


      flashing, here and there: in the windows, on the housetops, in the

      balconies, in the carriages, in the hands of the foot-passengers:

      little by little: gradually, gradually: more and more: until the

      whole long street is one great glare and blaze of fire. Then,

      everybody present has but one engrossing object; that is, to

      extinguish other people's candles, and to keep his own alight; and

      everybody: man, woman, or child, gentleman or lady, prince or

      peasant, native or foreigner: yells and screams, and roars

      incessantly, as a taunt to the subdued, 'Senza Moccolo, Senza

      Moccolo!' (Without a light! Without a light!) until nothing is

      heard but a gigantic chorus of those two words, mingled with peals

      of laughter.

      The spectacle, at this time, is one of the most extraordinary that

      Page 79

      Dickens, Charles - Pictures From Italy

      can be imagined. Carriages coming slowly by, with everybody

      standing on the seats or on the box, holding up their lights at

      arms' length, for greater safety; some in paper shades; some with a

      bunch of undefended little tapers, kindled altogether; some with

      blazing torches; some with feeble little candles; men on foot,

      creeping along, among the wheels, watching their opportunity, to

      make a spring at some particular light, and dash it out; other

      people climbing up into carriages, to get hold of them by main

      force; others, chasing some unlucky wanderer, round and round his

      own coach, to blow out the light he has begged or stolen somewhere,

      before he can ascend to his own company, and enable them to light

      their extinguished tapers; others, with their hats off, at a

      carriage-door, humbly beseeching some kind-hearted lady to oblige

      them with a light for a cigar, and when she is in the fulness of

      doubt whether to comply or no, blowing out the candle she is

      guarding so tenderly with her little hand; other people at the

      windows, fishing for candles with lines and hooks, or letting down

      long willow-wands with handkerchiefs at the end, and flapping them

      out, dexterously, when the bearer is at the height of his triumph,

      others, biding their time in corners, with immense extinguishers

      like halberds, and suddenly coming down upon glorious torches;

      others, gathered round one coach, and sticking to it; others,

      raining oranges and nosegays at an obdurate little lantern, or

     


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