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    Shark Dialogues

    Page 59
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      Her heart pounded so violently, she felt her hair shiver. Skin stood up on her neck and arms.

      “Vanya! Oh, Vanya ...” Then she remembered Simon Weir. “Do you know what happened to the haole? The man who was with her?”

      The boy turned and looked at her. His eyes were sad. He raked a stick across the sand, drawing a cross.

      “He dreamin’ now in soil of Waipi‘o.”

      Jess cried again, her head still, but her body shaking. Vanya had hinted at Simon’s past and now Jess thought, Maybe death for him wasn’t the end of life. Maybe it was the end of guilt. After a while the sobbing subsided to a deeper place. When her eyes cleared, when she was calm, the boy said one more thing.

      “She send one word for you.” Very casually he raked the stick across the sand again.

      IMUA. Go forward! Press on!

      It was as if he had raked a coal across her brain, the word imbedded there forever. After a while he strolled back to the water. She sat very still, so full of the moment, she could not move, did not know what the next move was. Time passed, it was the hour of tides, the ocean seemed to moan. Then, by a play of light, Jess saw countless images spring up before her in the waves, the light like a well chain drawing up not water, but faces, all, each of them, faces from other eras, and those more recent, their history more beautiful in remembering. She spoke their names, Kelonikoa, and Emmaline, and Lili, Pono, Duke, and Emma, Mina, Hernando, Ming, even Hiro, lives still attached and flowing, in myths, dreams, imaginings. Lives permanent because someone, Jess, was there to pass them on.

      From the water’s edge the boy waved, pointing to an old woman far in the distance, casting her fishing net. The net flew up and spread out of her hands, a bird opening its wings. Jess wondered why she was there, net-casting in dangerous shark waters. The old woman worked patiently and slowly with her net, drawing it in, untwisting and unfolding. Then she cast it out again, leaping, billowing, the four corners stretched, the center slack, like a great suspended awning. It hung in the air a long time, an eternity.

      The old woman raised her arms, praising her mastery, the haiku of net-casting. She clasped her breast, then raised her arms again, as if flinging her heart up to join the net, still floating beyond the pull of gravity, of logic. Then the old woman turned her head and gazed at Jess. Their look held, steadfast, for the longest time. Jess felt such sudden peace, she closed her eyes, and for a while she dozed. When she looked again, the net had fallen to the water, floating now like moving skin. The old woman had disappeared. But one single fin huge, dark and brilliant, bladed toward the horizon.

      “PONO!”

      They were all out there watching, assembled, in formation, in ancient dialogues. She was not abandoned, she would never be alone. As long as they lived, she lived. She looked down at the sand. Wind had blown it clean. And yet the simple, potent word remained.

      IMUA.

      It hovered in the air round her, a sound of spirits soaring, a sound ringing and pure. A sound that echoed ancestral beliefs that would flow on forever, beyond the measure of human life. Beyond the measure of time.

      Slowly, as in a trance, Jess drew from her bag a pen and sheet of paper. She would start with the story she knew best. Pono and Grandfather. She would work her way backward. What she did not know, they would tell her. They would come from other eras, other generations, each and each, they would come to her in dreams. She clutched the black pearl in her hand, rubbing it like a heart she had to keep beating. She felt its warmth reflected in her palm. Her pen was poised.

      And she began:

      “. . . Peacocks skittered on polished floors . . . He was dark, and tall and noble .. . She was dark and beautiful . . . She wore a Paris gown . .. they waltzed. Soon they would be running through green fire . . .”

      IMUA

      Glossary

      Hawaiian-English Glossary

      * * *

      ‘A‘Ā (ah-ah) . . . Sharp, rough hunks of lava

      ‘AHI (ah-hee) ... Tunafish

      Ā (ein-ah) . . . Land, earth

      AKAMAI (ah-kah-my) . . . Smart, clever

      AKU (ah-koo) . . . Skipjack tuna

      ALI‘I (ah-lee-ee) . . . Noble, royal, former kings and queens

      ALOHA (ah-lo-hah) . . . Love, mercy, greetings

      ALOHA ‘OHANA (o-hah-nah) ... Love for the family

      ANIANI (ah-nee-ah-nee) . . . Mirror

      ‘AUMAKUA (ow-mah-ku-ah) . . . Family or personal god (Plural: ‘AU-MĀKUA)

      AUWVĒ (ow-we) . .. Alas!

      ‘AWA (ah-vah) . . . Slightly narcotic tea from kava root

      BRAH (bra) . . . Pidgin-English for “brother”

      CALABASH (cal-a-bash). . . Mixing bowl. Also people not blood-related, but “family” because they eat from the same bowl.

      DA KINE (da-kine) ... Pidgin-English for “the kind”

      E PŪPŪKAHI (ay-poo-poo-kah-hee) ... We are one

      FLIP (flip) ... Slang for Filipino

      HA‘AHEO (hah-ah-he-o) ... Pride

      HALE MAKE (hah-le-mah-ke) ... House of death

      HALENANI (hah-le-na-ne) ... House of Splendor

      HĀNĀI (ha-ni) .. . Foster child, adopted child

      HANA MAKE (hah-nah-mah-ke) ... Killer, thing of destruction

      HANOHANO (hah-no-hah-no) ... Dignified

      HAOLE (how-lee) ... White, Caucasian, foreigner

      HAOLEFIED (how-lee-fied) ... Made white

      HAPA (hah-pah) ... Of mixed blood

      HAPA HAOLE (hah-pah-how-lee) ... Half white, half Hawaiian

      HAPA-PĀKĒ (hah-pah-pah-ke) ... Half Chinese

      HĀPU‘U (hah-poo-oo) ... Medicinal tree fern

      HAU‘OLI MAKAHIKI HOU (hey-oo-lee-mah-kah-he-ke-ho)... Happy New Year

      HAWAI‘I PONI‘Ī (hah-vy-ee-po-no-ee) .. . Hawaii’s own people

      HE‘E (hey-ey) . .. Octopus

      HEIAU (hey-ee-ow) ... Ancestral temple of worship

      HIKIE‘E (hee-kee-e) ... Large movable Hawaiian couch

      HILAHILA (hee-la-hee-la) ... Bashful, shy, embarrassed

      HŌHĒ (ho-he) ... Coward

      HOLOKŪ (ho-lo-koo) ... Long formal dress with train

      HO‘OMAKE (ho-o-mah-ke) ... To kill

      HO‘OMANA‘O (ho-o-mah-nah-o) ... Remember, commemorate

      HOWZIT (how-zit) ... Pidgin-English, Hi! How are things?

      HUHŪ (hoo-hoo) ... Angry

      HUKIHUKI (hoo-kee-hoo-kee) ... Disagree, quarrel

      HUKILAU (hoo-kee-lau) ... fish with a seine, fishing feast

      HULI (hoo-lee) ... Short for ho‘auhuli, revolution, to overthrow

      IKAIKA (ee-kah-ee-kah) ... Psychologically strong, powerful

      IKI (ee-kee) ... Little

      ‘ILI‘ILI (ee-lee-ee-lee) . . . Stone

      ‘IMI ŌLELO (ee-me-o-lay-lo) .. . Slander

      I MUA (ee-moo-ah) ... Go forward! Press on! Spoken as one word

      KAHIKO (kah-hee-ko) . . . Old, ancient person (Plural: KĀHIKO)

      KAHUNA (kah-hoo-nah) . .. Prophet, seer, priest (Plural: KĀHUNA)

      KAIKU‘ANA (ki-koo-ah-nah) ... Sister, formal

      KALAHALA (kah-la-hah-la) ... To forgive

      KALAIMA (kah-leem-a) ... Criminal

      KALIKIMAKA (kah-lee-kee-mah-ka) ... Christmas

      KĀLUA (kah-loo-ah) . .. Bake in ground oven

      KAMA‘ĀlNA (kah-mah-ein-ah) ... Old-timer, native-born

      KAMALI‘I (kah-mah-lee-ee) .. . Children, plural of child

      KANAKA (kah-nak-ah) ... Slang, for Hawaiian (Plural: KĀNAKA)

      KANE (kah-ne) ... Man

      KAPU (kah-poo) .. . Forbidden, taboo

      KEIKI (kee-kee) ... Child

      KEIKI KĀNE (kee-kee-kah-ne) ... Boy, male child

      KEIKI MANUAHI (kee-kee-mah-noo-ah-hee) .. . Illegitimate child

      KĪKEPA (kee-ke-pah) ... Sarong, also pa‘u

      KINIPŌPŌ (kee-nee-po-po) . . . Baseball

      KOA (ko-ah) . .. Fearlessness, also a type of Hawaiian wood

      KOALI (ko-ah-lee) ... Kind of morning glory

      KŌKUA (ko-koo-a
    h) ... Helper, assistant

      KŌKUA ‘OHANA (ko-koo-ah-o-hah-nah) ... Help the family

      KONAKONA (ko-nah-ko-nah) ... Strong, muscled

      KUKUI (koo-koo-ee) ... Candlenut used for oil, cooking, jewelry

      KUMU (koo-moo) ... Base, foundation, beginnings

      KUPUNA (koo-poo-nah)... Ancestor, grandparent (Plural: KŪPUNA)

      KUPUNA KĀNE (koo-poo-nah-kah-ne) . . . (Formal) grandfather

      KUPUNA WAHINE (koo-poo-nah-va-hee-ne) ... (Formal) grandmother

      LĀNAI (lah-ny) . . . Porch, veranda, balcony

      LANI (lah-nee) . . . Sky, heaven, highborn

      L‘Π(lah-ee) ... Ti leaf

      LAULAU (lau-lau) . .. Meat wrapped in steamed ti leaf, banana leaf

      LEI (lay) ... Flowered necklace, wreath for the neck

      LELE KOKE (le-le-ko-ke) ... Quick to fight

      LEPOLEPO (lepo-lepo) ... Filthy, contaminated

      LILIKO‘I (lee-lee-koy) ... Passion fruit, the juice

      LOKAHI (lo-kah-ee) . . . Unity, agreement

      LOKO ‘INO (lo-ko-ee-no) ... Evil

      LŌLŌ (lo-lo) ... Feeble-minded

      LOMI (lo-mee) . . . Pressed raw salmon, tomato, and onion

      LŪ‘AU (loo-ow) ... Hawaiian feast

      LUNA (loo-nah) ... Foreman

      MAHALO (mah-hah-lo) ... Thank you

      MAHIMAHI (mah-hee-mah-hee) ... Sweet dorado fish

      MAILE (my-le) . . . Native twining shrub for lei

      MA‘I PĀKĒ (my-pah-kee) . . . Leprosy (literally, Chinese sickness)

      MAKA (mah-kah) ... Eye

      MĀKA‘! (mah-kah-ee) ... Police

      MAKAPŌ (mah-kah-po) .. . Blind

      MAKA‘U (mah-kah-oo) ... Afraid

      MAKA‘U WALE (mah-kah-oo-wah-lee) ... Coward

      MAKE (mah-ke) ... To die

      MAKIKA (mah-kee-kah) . .. Mosquito

      MALIHINI (mah-lee-hee-nee) ... Newcomer to the islands

      MĀLAMA ‘AINA (mah-lah-mah-ein-ah)... Preserve, care for, the land

      MALO (mah-lo) .. . Loincloth worn by men

      MANA (mah-nah) .. . Divine power

      MANAKĀ (mah-nah-ka) ... Boring

      MANA PĀLUA (mah-nah-pah-loo-ah). . . Doubly endowed with divine power

      MANŌ (mah-no) ... Shark

      MANè ‘AUMĀKUA (mah-no-ow-mah-koo-ah) ... Shark ancestors

      MEA HUNA (me-ah-hoo-nah) . .. Possessor of a secret

      MELE KALIKIMAKA (may-lay-kah-lee-kee-mak-ah) ... Merry Christmas

      MENEHUNE (mee-nee-hoo-nee) ... Legendary race of small people

      MIKANELE (me-kah-ne-le) ... Missionary

      MILIMILI (mee-lee-mee-lee) ... Dearest, beloved

      MIMI (mee-mee) ... Urine

      MOAMAHI (mo-ah-mah-ee) ... Fighting bird

      MO‘O (mo-o) ... Lizard, dragon, reptile

      MU‘UMU‘U (moo-oo-moo-oo) ... Long, shapeless Mother Hubbard dress

      NĀ MANAWALE‘A (na-mah-nah-way-lee-ah) ... The caring hearts

      NELE (ne-le) ... Lacking, without

      NIU (nee-oo) ... Coconut

      NONI (naw-nee) ... Medicinal roots and fruit of mulberry tree

      NUI LOA (noo-ee-lo-ah) ... With very much (love, thanks)

      ‘OHANA (o-hah-nah) ... Family, extended family

      ŌKOLE (o-ko-le) .. . Behind, the buttocks

      ‘ŌKOLEHAO (o-ko-le-how) . . . Liquor from fermented rice, pineapple

      ŌKOLE MALUNA (o-ko-lee-mah-loo-nah) ... Bottom‘s up! A drinking toast

      ‘OLE (oh-le) ... Nothingness

      OLE KINE (ol-kine) ... Pidgin-English for old-fashioned

      ONE-FINGAH POI (one-fing-ah-poy) ... Pidgin-English, poi thick enough to scoop with one finger

      ONE MIMIKI (own-ee-mee-mee-ke) ... Quicksand

      ‘ONIPA‘A (oh-nee-pah-ah) ... Steadfast, determined

      ‘ONO (oh-no) ... Good, delicious

      ‘ŌPAE (oh-pay-ee) ... Prawns

      ‘ŌPAKAPAKA (oh-pah-ka-pah-ka) ... Snapper

      ‘ŌPIHI (oh-pee-hee) ... Limpet

      ‘ŌPŪ (oh-poo) . .. Belly, stomach

      PA‘A (pah-ah) . . . Strong, firm, solid.

      PĀHOEHOE (pah-hoy-hoy) ... Smooth, unbroken lava

      PAHU HULA (pah-hoo-hoo-lah) ... Hula drum

      PĀKĒ KANAKA (pah-ke-kah-nak-ah) ... Chinese-Hawaiian (slang)

      PANIOLO (pan-ee-o-lo) .. . Hawaiian cowboy, derived from Español

      PANIPANI (pah-nee-pah-nee) .. . Sexual intercourse (vulgar, slang)

      PAU (pow) . .. Finished

      PAU HANA (pow-hah-nah) .. . Finished work

      PAU MANŌ (pow-mah-no) ... Eaten by shark

      PELE (pe-le) ... Goddess of volcanoes, of fire

      PĪKAKE (pee-kah-kee) . . . Jasmine

      PILAU (pee-lau) ... Rotten, contaminated

      PILIKUA (pee-lee-koo-ah) . . . Powerful, from manual labor

      POI (poy) .. . Pudding of taro root

      POMELO (po-me-lo) ... Hawaiian grapefruit

      PONO (po-no) .. . Goodness, morality, excellence

      PŌPOLO (po-po-lo) ... Nightshade plant

      PRIMO (pree-mo) ... Brand of beer

      PUA KALA (poo-ah-ka-la)... Prickly poppy, juice of which is narcotic

      PŪ‘ALI (poo-ah-lee) ... Warrior

      PUMEHANA (poo-me-hah-nah) ... Warmth, affection

      PŪNANA LEO (poo-nah-nah-le-o) ... The Language Nest, Hawaiian-language immersion preschool program.

      PUPULE (poo-poo-le) ... Crazy

      PUPULE HAPA (poo-poo-lee-hah-pah) . .. Crazy mixed-blood

      PU‘U ‘O‘Ō (poo-oo-o-o) ... Leaping, bleeding peak

      SHAKA (sha-kah) .. . Greeting by wriggling little finger and thumb

      SOAH (so-ah) . . . Pidgin-English, sore

      TITA (tee-ta) ... Sister (informal)

      TŪTŪ (too-too) . .. Grandmother (informal)

      ‘UKULELE (oo-koo-le-le) . . . Hawaiian guitar, literally “leaping flea”

      VOG (vog) ... Volcanic ash and fog mixed

      WAIWAI (why-ee-why-ee) ... Rich, wealth

      WAHINE (va-hee-nee) .. . Woman (Plural: WĀHINE)

      WELA (we-lah) ... Hot, fiery

      WIKIWIKI (wee-kee-wee-kee) .. . Hurry, quick!

      Japanese-English Glossary

      * * *

      FUGU ... Poisonous puffer fish

      GAMAN SURU .. To endure

      GANBARU ... To presevere

      GETA ... Clogs

      GOMEN NASAI ... I am sorry

      HAI (hi) ... Yes!

      HARIGATA ... Artificial penis

      HIGOZUKI ... Cage put between the legs

      HOSHIDANA ... Sun-drying roof for coffee beans

      ISSEI ... First-generation Japanese, immigrant to United States

      KIBEI . .. Japanese-American born in Hawai‘i

      KOI ... Carp fish

      MIZU SHOBAI ... The low life, underworld

      OKONOMI MAME . . . Rice and nut snacks

      SAIMIN . .. Type of noodle soup

      SENSEI ... Master teacher

      SHODO ... Superior art of writing

      SHOYU ... Soy sauce

      TABI ... Toed socks (often of rubber for fishing on rocks)

      TATAMI ... Rush mats

      TSUNAMI . . . Tidal wave

      YAKUZA ... Japanese Mafia

      YUKATA ... short jacket

      Chinese-English Glossary

      * * *

      BAIJIU ... Rice liquor

      CHEONGSAM ... Mandarin-collared, form-fitting dress

      DIM SUM ... Assorted steamed or fried dumplings

      GWAI GOO ... Ghost stories

      KOWTOW ... Bow in a servile way

      MI YAO ... Stupefying powder

      Personal Acknowledgments

      Mahalo ‘a nui to the people whose assistance, love and faith made writing this novel possible.

      On the U.S. mainland: Kaye Burnett and Morris Shaxon, Peter Dee and Ed Nemeth, Kimiko Hahn and Ted Hanna, Camille Hykes, Edith Konecky, Florence Ladd and Bill Harris, Richard Miller, Joyce and John McGinnis, Nancy Nordhoff, Elizabeth Nunez-Harrell, Tillie Olsen, Kathrin Perutz, Patricia Powel
    l and Teresa Langle, Alix Kates Shulman and Scott York, Mary TallMountain. And my mainland family, Mary and Braxton B. Davenport, Anita Bergin, Braxton R. Davenport, Denise Davenport, and Pauline Kreitz.

      In the South Pacific: Peau Lomu, Momata, and Suliana Fifita, Vava‘u, Tonga; Peter Kafcaloudis, Brisbane, Australia; Jeanette and Sanele Mageo, Pago Pago, American Samoa; Papu and Alofa Va‘ai, Savai‘i, Western Samoa; Captain John Sloane, Papua New Guinea; and Buffer Joe and Jim Jim, singing their Dreaming through Arnhem Land.

      In Honolulu: Marie Hara, and Esther Kiki Mo‘okini.

      On the Big Island of Hawai‘i: Lana and Lorenzo Aduca of Honaunau; Gus and Flo Beckldund of Kailua; Paul Gomes of Kapa‘au; Jill Olsen, Kona Historical Society; Fusao Sugai and Lee Sugai of Sugai Kona Coffee, Kealakekua; Luke and Ron of the Ocean View Inn, Kailua; the Manago family of Captain Cook.

      Special alohas to my ‘Ohana in Honolulu for guidance and assistance in tracing our family genealogy: Lucille and Daniel True Houghtailing, Jr., Helene and Calvin Bailey, Hazel Stone, Evelyn and Richard Liu, Pearly and George Kam, Jr., Leinaala and Arthur Kam, Rosemond Aho, Teddy and Mary Houghtailing, Raenette Ing, Aileen Rodriques, George Stone, Vernon Stone, Marshell and Richard Raymond, Dannette and Bill Gardner, Kathleen Viela, Pat and Clifford Everett, Carrie and Sonny Chang.

      And to Uncle George Ayau Kam, Sr., ninety-three years old, husband of Minnie Kelomika for sixty-eight years. A love story.

      E Pūpūkahi

      Author’s Note

      While some of the characters in this book are based on historical figures, and while many of the areas described—such as Kalaupapa on the island of Moloka‘i, and Waipi‘o Valley on the Big Island—exist, this is a work of fiction. Portraits of the characters who appear in it are fictional, as are some of the events.

      Conversely, it is important to stress that the overthrow of our queen, Lili‘uokalani, in 1893, by forces seeking an American alliance, and the illegal annexation of the Hawaiian Islands by the U.S. government in 1898, is documented fact. The tragic history of leprosy in Hawai‘i, and the development of the Kalaupapa Settlement on Moloka‘i, is historically accurate.

     


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