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    The Captain's Dol

    Page 5
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    frail flowered silk. Imagine it, that little lady! Perhaps in a

      chic little boudoir cap of punto di Milano, and this slip of frail

      flowered silk: and the man, perhaps, in his braces! Oh, merciful

      heaven, save us from other people's indiscretions. No, let us be

      sure it was in proper evening dress--twenty years ago--very low

      cut, with a full skirt gathered behind and trailing a little, and a

      little leather erection in her high-dressed hair, and all those

      jewels: pearls of course: and he in a dinner-jacket and a white

      waistcoat: probably in an hotel bedroom in Lugano or Biarritz. And

      she? Was she standing with one small hand on his shoulder?--or was

      she seated on the couch in the bedroom? Oh, dreadful thought! And

      yet it was almost inevitable, that scene. Hannele had never been

      married, but she had come quite near enough to the realization of

      the event to know that such a scene WAS practically inevitable. An

      indispensable part of any honeymoon. Him on his knees, with his

      heels up!

      And how black and tidy his hair must have been then! and no grey at

      the temples at all. Such a good-looking bridegroom. Perhaps with

      a white rose in his button-hole still. And she could see him

      kneeling there, in his new black trousers and a wing collar. And

      she could see his head bowed. And she could hear his plangent,

      musical voice saying: 'With God's help, I will make your life

      happy. I will live for that and for nothing else.' And then the

      little lady must have had tears in her eyes, and she must have

      said, rather superbly: 'Thank you, dear, I'm perfectly sure of

      it.'

      Ach! Ach! Husbands should be left to their own wives: and wives

      should be left to their own husbands. And NO stranger should ever

      be made a party to these terrible bits of connubial staging. Nay,

      thought Hannele, that scene was really true. It actually took

      place. And with the man of that scene I have been in love! With

      the devoted husband of that little lady. Oh God, oh God, how was

      it possible! Him on his knees, on his knees, with his heels up!

      Am I a perfect fool? she thought to herself. Am I really just an

      idiot, gaping with love for him? How COULD I? How could I? The

      very way he says: 'Yes, dear!' to her! The way he does what she

      tells him! The way he fidgets about the room with his hands in his

      pockets! The way he goes off when she sends him away because she

      wants to talk to me. And he knows she wants to talk to me. And he

      knows what she MIGHT have to say to me. Yet he goes off on his

      errand without a question, like a servant. 'I will do whatever you

      wish, darling.' He must have said those words time after time to

      the little lady. And fulfilled them, also. Performed all his

      pledges and his promises.

      Ach! Ach! Hannele wrung her hands to think of HERSELF being mixed

      up with him. And he had seemed to her so manly. He seemed to have

      so much silent male passion in him. And yet--the little lady! 'My

      husband has ALWAYS been PERFECTLY SWEET to me.' Think of it! On

      his knees too. And his 'Yes, dear! Certainly. Certainly.' Not

      that he was afraid of the little lady. He was just committed to

      her, as he might have been committed to gaol, or committed to

      paradise.

      Had she been dreaming, to be in love with him? Oh, she wished so

      much she had never been. She WISHED she had never given herself

      away. To him!--given herself away to him!--and so abjectly. Hung

      upon his words and his motions, and looked up to him as if he were

      Caesar. So he had seemed to her: like a mute Caesar. Like

      Germanicus. Like--she did not know what.

      How had it all happened? What had taken her in? Was it just his

      good looks? No, not really. Because they were the kind of staring

      good looks she didn't really care for. He must have had charm. He

      must have charm. Yes, he HAD charm. When it worked.

      His charm had not worked on her now for some time--never since that

      evening after his wife's arrival. Since then he had seemed to her--

      rather awful. Rather awful--stupid--an ass--a limited, rather

      vulgar person. That was what he seemed to her when his charm

      wouldn't work. A limited, rather inferior person. And in a world

      of Schiebers and profiteers and vulgar, pretentious persons, this

      was the worst thing possible. A limited, inferior, slightly

      pretentious individual! The husband of the little lady! And oh

      heaven, she was so deeply implicated with him! He had not,

      however, spoken with her in private since his wife's arrival.

      Probably he would never speak with her in private again. She hoped

      to heaven, never again. The awful thing was the past, that which

      had been between him and her. She shuddered when she thought of

      it. The husband of the little lady!

      But surely there was something to account for it! Charm, just

      charm. He had a charm. And then, oh, heaven, when the charm left

      off working! It had left off so completely at this moment, in

      Hannele's case, that her very mouth tasted salt. What DID it all

      amount to?

      What was his charm, after all? How could it have affected her?

      She began to think of him again, at his best: his presence, when

      they were alone high up in that big, lonely attic near the stars.

      His room!--the big white-washed walls, the first scent of tobacco,

      the silence, the sense of the stars being near, the telescopes, the

      cactus with fine scarlet flowers: and above all, the strange,

      remote, insidious silence of his presence, that was so congenial to

      her also. The curious way he had of turning his head to listen--to

      listen to what?--as if he heard something in the stars. The

      strange look, like destiny, in his wide-open, almost staring black

      eyes. The beautiful lines of his brow, that seemed always to have

      a certain cloud on it. The slow elegance of his straight,

      beautiful legs as he walked, and the exquisiteness of his dark,

      slender chest! Ah, she could feel the charm mounting over her

      again. She could feel the snake biting her heart. She could feel

      the arrows of desire rankling.

      But then--and she turned from her thoughts back to this last little

      tea-party in the Vier Jahreszeiten. She thought of his voice:

      'Yes, dear. Certainly. Certainly I will.' And she thought of the

      stupid, inferior look on his face. And the something of a servant-

      like way in which he went out to do his wife's bidding.

      And then the charm was gone again, as the glow of sunset goes off a

      burning city and leaves it a sordid industrial hole. So much for

      charm!

      So much for charm. She had better have stuck to her own sort of

      men. Martin, for instance, who was a gentleman and a daring

      soldier, and a queer soul and pleasant to talk to. Only he hadn't

      any MAGIC. Magic? The very word made her writhe. Magic?

      Swindle. Swindle, that was all it amounted to. Magic!

      And yet--let us not be too hasty. If the magic had REALLY been

      there, on those evenings in that great lofty attic. Had it? Ye
    s.

      Yes, she was bound to admit it. There had been magic. If there

      had been magic in his presence and in his contact, the husband of

      the little lady--But the distaste was in her mouth again.

      So she started afresh, trying to keep a tight hold on the tail of

      that all-too-evanescent magic of his. Dear, it slipped so quickly

      into disillusion. Nevertheless. If it had existed it did exist.

      And if it did exist, it was worth having. You could call it an

      illusion if you liked. But an illusion which is a real experience

      is worth having. Perhaps this disillusion was a greater illusion

      than the illusion itself. Perhaps all this disillusion of the

      little lady and the husband of the little lady was falser than the

      illusion and magic of those few evenings. Perhaps the long

      disillusion of life was falser than the brief moments of real

      illusion. After all--the delicate darkness of his breast, the

      mystery that seemed to come with him as he trod slowly across the

      floor of his room, after changing his tunic--Nay, nay, if she could

      keep the illusion of his charm, she would give all disillusion to

      the devils. Nay, only let her be under the spell of his charm.

      Only let the spell be upon her. It was all she yearned for. And

      the thing she had to fight was the vulgarity of disillusion. The

      vulgarity of the little lady, the vulgarity of the husband of the

      little lady, the vulgarity of his insincerity, his 'Yes, dear.

      Certainly! Certainly!'--this was what she had to fight. He WAS

      vulgar and horrible, then. But also, the queer figure that sat

      alone on the roof watching the stars! The wonderful red flower of

      the cactus. The mystery that advanced with him as he came across

      the room after changing his tunic. The glamour and sadness of him,

      his silence, as he stooped unfastening his boots. And the strange

      gargoyle smile, fixed, when he caressed her with his hand under the

      chin! Life is all a choice. And if she chose the glamour, the

      magic, the charm, the illusion, the spell! Better death than that

      other, the husband of the little lady. When all was said and done,

      was he as much the husband of the little lady as he was that queer,

      delicate-breasted Caesar of her own knowledge? Which was he?

      No, she was NOT going to send her the doll. The little lady should

      never have the doll.

      What a doll she would make herself! Heavens, what a wizened jewel!

      VI

      Captain Hepburn still called occasionally at the house for his

      post. The maid always put his letters in a certain place in the

      hall, so that he should not have to climb the stairs.

      Among his letters--that is to say, along with another letter, for

      his correspondence was very meagre--he one day found an envelope

      with a crest. Inside this envelope two letters.

      Dear Captain Hepburn,

      I had the enclosed letter from Mrs Hepburn. I don't intend her to

      have the doll which is your portrait, so I shall not answer this

      note. Also I don't see why she should try to turn us out of the

      town. She talked to me after tea that day, and it seems she

      believes that Mitchka is your lover. I didn't say anything at all--

      except that it wasn't true. But she needn't be afraid of me. I

      don't want you to trouble yourself. But you may as well KNOW how

      things are.

      JOHANNA Z. R.

      The other letter was on his wife's well-known heavy paper, and in

      her well-known large, 'aristocratic' hand.

      My dear Countess,

      I wonder if there has been some mistake, or some misunderstanding.

      Four days ago you said you would send round that DOLL we spoke of,

      but I have seen no sign of it yet. I thought of calling at the

      studio, but did not wish to disturb the Baroness. I should be very

      much obliged if you could send the doll at once, as I do not feel

      easy while it is out of my possession. You may rely on having a

      cheque by return.

      Our old family friend, Major-General Barlow, called on me

      yesterday, and we had a most interesting conversation on our

      Tommies, and the protection of their morals here. It seems we have

      full power to send away any person or persons deemed undesirable,

      with twenty-four hours' notice to leave. But of course all this is

      done as quietly and with the intention of causing as little scandal

      as possible.

      Please let me have the doll by tomorrow, and perhaps some hint as

      to your future intentions.

      With very best wishes from one who only seeks to be your friend.

      Yours very sincerely,

      EVANGELINE HEPBURN.

      VII

      And then a dreadful thing happened: really a very dreadful thing.

      Hannele read of it in the evening newspaper of the town--the

      Abendblatt. Mitchka came rushing up with the paper at ten o'clock

      at night, just when Hannele was going to bed.

      Mrs Hepburn had fallen out of her bedroom window, from the third

      floor of the hotel, down on to the pavement below, and was killed.

      She was dressing for dinner. And apparently she had in the morning

      washed a certain little camisole, and put it on the window-sill to

      dry. She must have stood on a chair, reaching for it when she fell

      out of the window. Her husband, who was in the dressing-room,

      heard a queer little noise, a sort of choking cry, and came into

      her room to see what it was. And she wasn't there. The window was

      open, and the chair by the window. He looked round, and thought

      she had left the room for a moment, so returned to his shaving. He

      was half-shaved when one of the maids rushed in. When he looked

      out of the window down into the street he fainted, and would have

      fallen too if the maid had not pulled him in in time.

      The very next day the captain came back to his attic. Hannele did

      not know, until quite late at night when he tapped on her door.

      She knew his soft tap immediately.

      'Won't you come over for a chat?' he said.

      She paused for some moments before she answered. And then perhaps

      surprise made her agree: surprise and curiosity.

      'Yes, in a minute,' she said, closing her door in his face.

      She found him sitting quite still, not even smoking, in his quiet

      attic. He did not rise, but just glanced round with a faint smile.

      And she thought his face seemed different, more flexible. But in

      the half-light she could not tell. She sat at some little distance

      from him.

      'I suppose you've heard,' he said.

      'Yes.'

      After a long pause, he resumed:

      'Yes. It seems an impossible thing to have happened. Yet it HAS

      happened.'

      Hannele's ears were sharp. But strain them as she might, she could

      not catch the meaning of his voice.

      'A terrible thing. A VERY terrible thing,' she said.

      'Yes.'

      'Do you think she fell quite accidentally?' she said.

      'Must have done. The maid was in just a minute before, and she

      seemed as happy as possible. I suppose reaching over that broad

      window-ledge, her brain must suddenly have turned. I can't imagine

      why
    she didn't call me. She could never bear even to look out of a

      high window. Turned her ill instantly if she saw a space below

      her. She used to say she couldn't really look at the moon, it made

      her feel as if she would fall down a dreadful height. She never

      dared to more than glance at it. She always had the feeling, I

      suppose, of the awful space beneath her, if she were on the moon.'

      Hannele was not listening to his words, but to his voice. There

      was something a little automatic in what he said. But then that is

      always so when people have had a shock.

      'It must have been terrible for you too,' she said.

      'Ah, yes. At the time it was awful. Awful. I felt the smash

      right inside me, you know.'

      'Awful!' she repeated.

      'But now,' he said, 'I feel very strangely happy about it. I feel

      happy about it. I feel happy for her sake, if you can understand

      that. I feel she has got out of some great tension. I feel she's

      free now for the first time in her life. She was a gentle soul,

      and an original soul, but she was like a fairy who is condemned to

      live in houses and sit on furniture and all that, don't you know.

      It was never her nature.'

      'No?' said Hannele, herself sitting in blank amazement.

      'I always felt she was born in the wrong period--or on the wrong

      planet. Like some sort of delicate creature you take out of a

      tropical forest the moment it is born, and from the first moment

      teach it to perform tricks. You know what I mean. All her life

      she performed the tricks of life, clever little monkey she was at

      it too. Beat me into fits. But her own poor little soul, a sort

      of fairy soul, those queer Irish creatures, was cooped up inside

      her all her life, tombed in. There it was, tombed in, while she

      went through all the tricks of life that you have to go through if

      you are born today.'

      'But,' stammered Hannele, 'what would she have done if she HAD been

      free?'

      'Why, don't you see, there IS nothing for her to do in the world

      today. Take her language, for instance. She never ought to have

      been speaking English. I don't know what language she ought to

      have spoken. Because if you take the Irish language, they only

      learn it back from English. They think in English, and just put

      Irish words on top. But English was never her language. It

      bubbled off her lips, so to speak. And she had no other language.

      Like a starling that you've made talk from the very beginning, and

      so it can only shout these talking noises, don't you know. It

      can't whistle its own whistling to save its life. Couldn't do it.

      It's lost it. All its own natural mode of expressing itself has

      collapsed, and it can only be artificial.'

      There was a long pause.

      'Would she have been wonderful, then, if she had been able to talk

      in some unknown language?' said Hannele jealously.

      'I don't say she would have been wonderful. As a matter of fact,

      we think a talking starling is much more wonderful than an ordinary

      starling. I don't myself, but most people do. And she would have

      been a sort of starling. And she would have had her own language

      and her own ways. As it was, poor thing, she was always arranging

      herself and fluttering and chattering inside a cage. And she never

      knew she was in the cage, any more than we know we are inside our

      own skins.'

      'But,' said Hannele, with a touch of mockery, 'how do you know you

      haven't made it all up--just to console yourself?'

      'Oh, I've thought it long ago,' he said.

      'Still,' she blurted, 'you may have invented it all--as a sort of

      consolation for--for--for your life.'

      'Yes, I may,' he said. 'But I don't think so. It was her eyes.

      Did you ever notice her eyes? I often used to catch her eyes. And

      she'd be talking away, all the language bubbling off her lips. And

     


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