"Two days ago," said Carvel. "And from Lac Bain it is—"
"He will be here tomorrow," Nepeese answered him.
"Tomorrow, as the sun goes down, he will enter the clearing. I know. My blood has been singing it all day. Tomorrow—tomorrow—for he will travel fast, Ookimow Jeem. Yes, he will come fast."
Carvel had bent his head. The soft tresses gripped in his fingers were crushed to his lips. The Willow, looking again into the fire, did not see. But she FELT—and her soul was beating like the wings of a bird.
"Ookimow Jeem," she whispered—a breath, a flutter of the lips so soft that Carvel heard no sound.
If old Tuboa had been there that night it is possible he would have read strange warnings in the winds that whispered now and then softly in the treetops. It was such a night; a night when the Red Gods whisper low among themselves, a carnival of glory in which even the dipping shadows and the high stars seemed to quiver with the life of a potent language. It is barely possible that old Tuboa, with his ninety years behind him, would have learned something, or that at least he would have SUSPECTED a thing which Carvel in his youth and confidence did not see. Tomorrow—he will come tomorrow! The Willow, exultant, had said that. But to old Tuboa the trees might have whispered, WHY NOT TONIGHT?
It was midnight when the big moon stood full above the little opening in the forest. In the tepee the Willow was sleeping. In a balsam shadow back from the fire slept Baree, and still farther back in the edge of a spruce thicket slept Carvel. Dog and man were tired. They had traveled far and fast that day, and they heard no sound.
But they had traveled neither so far nor so fast as Bush McTaggart. Between sunrise and midnight he had come forty miles when he strode out into the clearing where Pierrot's cabin had stood. Twice from the edge of the forest he had called; and now, when he found no answer, he stood under the light of the moon and listened. Nepeese was to be here—waiting. He was tired, but exhaustion could not still the fire that burned in his blood. It had been blazing all day, and now—so near its realization and its triumph—the old passion was like a rich wine in his veins. Somewhere, near where he stood, Nepeese was waiting for him, WAITING FOR HIM. Once again he called, his heart beating in a fierce anticipation as he listened. There was no answer. And then for a thrilling instant his breath stopped. He sniffed the air—and there came to him faintly the smell of smoke.
With the first instinct of the forest man he fronted the wind that was but a faint breath under the starlit skies. He did not call again, but hastened across the clearing. Nepeese was off there—somewhere—sleeping beside her fire, and out of him there rose a low cry of exultation. He came to the edge of the forest; chance directed his steps to the overgrown trail. He followed it, and the smoke smell came stronger to his nostrils.
It was the forest man's instinct, too, that added the element of caution to his advance. That, and the utter stillness of the night. He broke no sticks under his feet. He disturbed the brush so quietly that it made no sound. When he came at last to the little open where Carvel's fire was still sending a spiral of spruce-scented smoke up into the air it was with a stealth that failed even to rouse Baree. Perhaps, deep down in him, there smoldered an old suspicion; perhaps it was because he wanted to come to her while she was sleeping. The sight of the tepee made his heart throb faster. It was light as day where it stood in the moonlight, and he saw hanging outside it a few bits of woman's apparel. He advanced soft-footed as a fox and stood a moment later with his hand on the cloth flap at the wigwam door, his head bent forward to catch the merest breath of sound. He could hear her breathing. For an instant his face turned so that the moonlight struck his eyes. They were aflame with a mad fire. Then, still very quietly, he drew aside the flap at the door.
It could not have been sound that roused Baree, hidden in the black balsam shadow a dozen paces away. Perhaps it was scent. His nostrils twitched first; then he awoke. For a few seconds his eyes glared at the bent figure in the tepee door. He knew that it was not Carvel. The old smell—the man-beast's smell, filled his nostrils like a hated poison. He sprang to his feet and stood with his lips snarling back slowly from his long fangs. McTaggart had disappeared. From inside the tepee there came a sound; a sudden movement of bodies, a startled ejaculation of one awakening from sleep—and then a cry, a low, half-smothered, frightened cry, and in response to that cry Baree shot out from under the balsam with a sound in his throat that had in it the note of death.
In the edge of the spruce thicket Carvel rolled uneasily. Strange sounds were rousing him, cries that in his exhaustion came to him as if in a dream. At last he sat up, and then in sudden horror leaped to his feet and rushed toward the tepee. Nepeese was in the open, crying the name she had given him—"OOKIMOW JEEM—OOKIMOW—JEEM—OOKIMOW JEEM—" She was standing there white and slim, her eyes with the blaze of the stars in them, and when she saw Carvel she flung out her arms to him, still crying:
"Ookimow Jeem—Oo-oo, Ookimow Jeem—"
In the tepee he heard the rage of a beast, the moaning cries of a man. He forgot that it was only last night he had come, and with a cry he swept the Willow to his breast, and the Willow's arms tightened round his neck as she moaned:
"Ookimow Jeem—it is the man-beast—in there! It is the man-beast from Lac Bain—and Baree—"
Truth flashed upon Carvel, and he caught Nepeese up in his arms and ran away with her from the sounds that had grown sickening and horrible. In the spruce thicket he put her feet once more to the ground. Her arms were still tight around his neck. He felt the wild terror of her body as it throbbed against him. Her breath was sobbing, and her eyes were on his face. He drew her closer, and suddenly he crushed his face down close against hers and felt for an instant the warm thrill of her lips against his own. And he heard the whisper, soft and trembling.
"Ooo-oo, OOKIMOW JEEM—"
When Carvel returned to the fire, alone, his Colt in his hand, Baree was in front of the tepee waiting for him.
Carvel picked up a burning brand and entered the wigwam. When he came out his face was white. He tossed the brand in the fire, and went back to Nepeese. He had wrapped her in his blankets, and now he knelt down beside her and put his arms about her.
"He is dead, Nepeese."
"Dead, Ookimow Jeem?"
"Yes. Baree killed him."
She did not seem to breathe. Gently, with his lips in her hair. Carvel whispered his plans for their paradise.
"No one will know, my sweetheart. Tonight I will bury him and burn the tepee. Tomorrow we will start for Nelson House, where there is a missioner. And after that—we will come back—and I will build a new cabin where the old one burned. DO YOU LOVE ME, KA SAKAHET?"
"OM'—yes—Ookimow Jeem—I love you—"
Suddenly there came an interruption. Baree at last was giving his cry of triumph. It rose to the stars; it wailed over the roofs of the forests and filled the quiet skies—a wolfish howl of exultation, of achievement, of vengeance fulfilled. Its echoes died slowly away, and silence came again. A great peace whispered in the soft breath of the treetops. Out of the north came the mating call of a loon. About Carvel's shoulders the Willow's arms crept closer. And Carvel, out of his heart, thanked God.
End of Project Gutenberg's Baree, Son of Kazan, by James Oliver Curwood
*** END OF THIS PROJECT GUTENBERG EBOOK BAREE, SON OF KAZAN ***
***** This file should be named 4748-h.htm or 4748-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/4/7/4/4748/
Produced by Diane Bean. HTML version by Al Haines.
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and
without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee
or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he