ALSO BY CHRISTOPHER PAUL CURTIS
The Watsons Go to Birmingham—1963
CHRISTOPHER PAUL CURTIS
a division of Random House, Inc.
New York, New York 10036
Copyright © 1999 by Christopher Paul Curtis
Lyrics from “Mommy Says No” copyright © 1999 by Cydney McKenzie Curtis. Used by permission of the author.
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the written permission of the Publisher, except where permitted by law.
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Library of Congress Cataloging-in-Publication Data
Curtis, Christopher Paul.
Bud, not Buddy / Christopher Paul Curtis.
Summary: Ten-year-old Bud, a motherless boy living in Flint, Michigan, during the Great Depression, escapes a bad foster home and sets out in search of the man he believes to be his father—the renowned bandleader, H. E. Calloway of Grand Rapids.
[1. Runaways—Fiction. 2. Afro-Americans—Fiction. 3. Depressions—1929—Fiction.] I. Title.
I dedicate this book to the following people:
Leslie and Herman Curtis Jr.,
Sarah and Earl Lewis,
Hazel and Herman E. Curtis Sr.,
Joan and George Taylor, Nina and Sterling Sleet,
Gloria and Frederick “Bud” Curtis,
Virginia and F D. Johnson, Paul Lewis,
Donna and Eugene Miller,
Johnnie and Don Ricks,
Rosemary and Willie Swan,
Carol and Lawrence Anderson,
Laverne and James Cross Sr.,
Carolyn and Dan Evans,
Willie Frances and Robert James,
Dorothy and Theodore Johnson,
Tommie and Robert Epps Sr.,
Mr. and Mrs. Small of Liberty Street, James Wesley Sr.,
Harrison Edward Patrick,
James Cross Jr.,
LaRon Williams, Douglas Tennant,
Margaret Davidson, Roland Alums, John Nash,
Suzanne Henry Jakeway
and Alvin Stockard—
all of whom led and lead by example, all of whom have been models of compassion, strength and love, all of whom I’ll remember forever.
I am so fortunate to have been welcomed into the world of literature for young people, I want to give heartfelt thanks to everyone at Delacorte Press for all they have done to make this experience so memorable, especially Mary Raymond, Andrew Smith, Melanie Chang, Terry Borzumato, Melissa Kazan and Craig Virden. Thank you to my agent extraordinaire, Charlotte Sheedy, and Neeti Madan and David Forrer; to the people who preread Bud, Not Buddy, for their insights: Pauletta Bracy, Joanne Portalupi, Joan Kettle, Manjuli Kodagoda, Ashly Flannery, Melanie Morrison, Jordan MacNevin and Rose Matte; and to the many teachers and librarians I’ve met who are on the front lines every day, giving so much of themselves to young people, among them John Jarvey, Ray Kettle, Terry Fisher, Janet Brown, Jean Brown, Elaine Stephens, Teresa Jindo, Kylene Beers, Ten Lesesne and Duane Brown. What an unheralded, beautiful job these people do.
I also wish to thank a group of authors who have generously given encouragement at every opportunity: Jacqueline Woodson, Ralph Fletcher, James Ransome, Arnold Adoff, Graham Salisbury, Jerry Spinelli, Ashley Bryan and Robert Cormier; and special thanks to two writers who have no idea how important their shoulders and words have been to me: Paula Danziger and Chris Crutcher.
There is also a group of people whose friendship, support and encouragement are such an integral part of my life that there is no need to mention them. However, to avoid any unpleasant scenes, dirty looks and general disruption of my home life, I know I’ve got to do it anyway: Special thanks to Steven Curtis, Cydney McKenzie Curtis, Leslie Curtis, Cydney Eleanor Curtis, Joan Taylor, Lynn Guest, Maureen Flannery, Celestine Crayton, Kathleen Small and Liz Ivette Tones.
My gratitude as well to Flint’s Betty Carter, the musical inspiration for Miss Thomas.
Finally, eternal thanks to the two people who have contributed the most to my writing: my editor, Wendy Lamb, who has been kind enough never to say “I told you so,” and my rock, my wife, Kaysandra Sookram Curtis.
HERE WE GO AGAIN. We were all standing in line waiting for breakfast when one of the caseworkers came in and tap-tap-tapped down the line. Uh-oh, this meant bad news, either they’d found a foster home for somebody or somebody was about to get paddled. All the kids watched the woman as she moved along the line, her high-heeled shoes sounding like little firecrackers going off on the wooden floor.
Shoot! She stopped at me and said, “Are you Buddy Caldwell?”
I said, “It’s Bud, not Buddy, ma’am.”
She put her hand on my shoulder and took me out of line. Then she pulled Jerry, one of the littler boys, over. “Aren’t you Jerry Clark?” He nodded.
“Boys, good news! Now that the school year has ended, you both have been accepted in new temporary care homes starting this afternoon!”
Jerry asked the same thing I was thinking. “Together?”
She said, “Why, no. Jerry, you’ll be in a family with three little girls . . .”
Jerry looked like he’d just found out they were going to dip him in a pot of boiling milk.
“. . . and Bud . . .” She looked at some papers she was holding. “Oh, yes, the Amoses, you’ll be with Mr. and Mrs. Amos and their son, who’s twelve years old, that makes him just two years older than you, doesn’t it, Bud?”
She said, “I’m sure you’ll both be very happy.”
Me and Jerry looked at each other.
The woman said, “Now, now, boys, no need to look so glum. I know you don’t understand what it means, but there’s a depression going on all over this country. People can’t find jobs and these are very, very difficult times for everybody. We’ve been lucky enough to find two wonderful families who’ve opened their doors for you. I think it’s best that we show our new foster families that we’re very . . .”
She dragged out the word very, waiting for us to finish her sentence for her.
Jerry said, “Cheerful, helpful and grateful.” I moved my lips and mumbled.
She smiled and said, “Unfortunately, you won’t have time for breakfast. I’ll have a couple of pieces of fruit put in a bag. In the meantime go to the sleep room and strip your beds and gather all of your things.”
Here we go again. I felt like I was walking in my sleep as I followed Jerry back to the room where all the boys’ beds were jim-jammed together. This was the third foster home I was going to and I’m used to packing up and leaving, but
it still surprises me that there are always a few seconds, right after they tell you you’ve got to go, when my nose gets all runny and my throat gets all choky and my eyes get all sting-y. But the tears coming out doesn’t happen to me anymore, I don’t know when it first happened, but it seems like my eyes don’t cry no more.
Jerry sat on his bed and I could tell that he was losing the fight not to cry. Tears were popping out of his eyes and slipping down his cheeks.
I sat down next to him and said, “I know being in a house with three girls sounds terrible, Jerry, but it’s a lot better than being with a boy who’s a couple of years older than you. I’m the one who’s going to have problems. A older boy is going to want to fight, but those little girls are going to treat you real good. They’re going to treat you like some kind of special pet or something.”
Jerry said, “You really think so?”
I said, “I’d trade you in a minute. The worst thing that’s going to happen to you is that they’re going to make you play house a lot. They’ll probably make you be the baby and will hug you and do this kind of junk to you.” I tickled Jerry under his chin and said, “Ga-ga goo-goo, baby-waby.”
Jerry couldn’t help but smile. I said, “You’re going to be great.”
Jerry looked like he wasn’t so scared anymore so I went over to my bed and started getting ready.
Even though it was me who was in a lot of trouble I couldn’t help but feel sorry for Jerry. Not only because he was going to have to live around three girls, but also because being six is a real rough age to be at. Most folks think you start to be a real adult when you’re fifteen or sixteen years old, but that’s not true, it really starts when you’re around six.
It’s at six that grown folks don’t think you’re a cute little kid anymore, they talk to you and expect that you understand everything they mean. And you’d best understand too, if you aren’t looking for some real trouble, ’cause it’s around six that grown folks stop giving you little swats and taps and jump clean up to giving you slugs that’ll knock you right down and have you seeing stars in the middle of the day. The first foster home I was in taught me that real quick.
Six is a bad time too ’cause that’s when some real scary things start to happen to your body, it’s around then that your teeth start coming a-loose in your mouth.
You wake up one morning and it seems like your tongue is the first one to notice that something strange is going on, ’cause as soon as you get up there it is pushing and rubbing up against one of your front teeth and I’ll be doggoned if that tooth isn’t the littlest bit wiggly.
You tell some adult about what’s happening but all they do is say it’s normal. You can’t be too sure, though, ’cause it shakes you up a whole lot more than grown folks think it does when perfectly good parts of your body commence to loosening up and falling off of you.
Unless you’re as stupid as a lamppost you’ve got to wonder what’s coming off next, your arm? Your leg? Your neck? Every morning when you wake up it seems a lot of your parts aren’t stuck on as good as they used to be.
Six is real tough. That’s how old I was when I came to live here in the Home. That’s how old I was when Momma died.
I folded the blanket and sheet and set them back on the mattress. Then I reached under the bed to get my suitcase. Most of the kids in the Home keep their things in a paper or cloth sack, but not me. I have my own suitcase.
I set it on the mattress and untied the twine that held it together. I did what I do every night before I go to sleep, I checked to make sure everything was there. The way there’re more and more kids coming into the Home every day, I had to make sure no one had run off with any of my things.
First I pulled my blanket out and saw that everything was where it was supposed to be. At the bottom of my suitcase were the flyers. I took the blue flyer out and looked at it again.
The paper was starting to wear out from me looking at it so much but I liked checking to see if there was anything I hadn’t noticed before. It was like something was telling me there was a message for me on this flyer but I didn’t have the decoder ring to read what it was.
Across the top of the flyer writ in big black letters were the words LIMITED ENGAGEMENT, then in little letters it said, “Direct from an S.R.O. engagement in New York City.” Underneath that in big letters again it said, “HERMAN E. CALLOWAY and the Dusky Devastators of the Depression!!!!!!”
Those six exclamation points made it seem like this was the most important news anyone could think of, seems like you’d have to be really great to deserve all of those exclamation points all stacked up in a row like that.
Next the paper said, “Masters of the New Jazz,” then in the middle of the flyer was a blurry picture of the man I have a real good suspicion about. I’ve never met him, but I have a pretty good feeling that this guy must be my father.
In the picture he’s standing next to a giant fiddle that’s taller than him. It looks like it’s real heavy ’cause he’s leaning up against it trying to hold it up. He looks like he’s been doing this for a long time and he must be tired ’cause he has a droopy, dreamy look on his face. There are two men beside him, one playing drums and the other one blowing a horn.
It wasn’t hard to see what the guy who must be my father was like just by looking at his picture. You could tell he was a real quiet, real friendly and smart man, he had one of those kind of faces. Underneath the picture someone had writ with a black fountain pen, “One Night Only in Flint, Michigan, at the Luxurious Fifty Grand on Saturday June 16, 1932. 9 Until ?”
I remember Momma bringing this flyer with her when she came from working one day, I remember because she got very upset when she put it on the supper table and kept looking at it and picking it up and putting it back and moving it around. I was only six then and couldn’t understand why this one got her so upset, she kept four others that were a lot like it in her dressing table, but this one really got her jumpy. The only difference I could see between the blue one and the others was that the others didn’t say anything about Flint on them.
I remember this blue one too ’cause it wasn’t too long after she brought it home that I knocked on Momma’s bedroom door, then found her.
I put the blue flyer back in the suitcase with the four older ones and put everything back in its place.
I went over to the big chest of drawers and took my other set of clothes out and put them in the suitcase too. I tied the twine back around my bag, then went and sat on Jerry’s bed with him. Jerry must’ve been thinking just as hard as I was ’cause neither one of us said nothing, we just sat close enough so that our shoulders were touching.
Here we go again.
THERE COMES A TIME when you’re losing a fight that it just doesn’t make sense to keep on fighting. It’s not that you’re being a quitter, it’s just that you’ve got the sense to know when enough is enough.
I was having this thought because Todd Amos was hitting me so hard and fast that I knew that the blood squirting out of my nose was only the beginning of a whole long list of bad things that were about to happen to me.
Todd’s next punch crashed into the side of my ear and I fell on the floor and pulled my knees up to my chest and crossed my arms in front of my head like a turtle in a shell. I started scooching toward the bed hoping I could get under it.
Todd started kicking me but his slippers couldn’t hurt me near as much as his fists had. The bedroom door opened and his mother, Mrs. Amos, came in. It seemed like she was having a hard time figuring out what was going on because Todd’s
right leg got tired from kicking me and he switched over to his left one while she watched.
Finally Mrs. Amos said kind of soft, “Toddy?”
Todd looked up, fell on his knees and put his hands on his throat. He started huffing and puffing with his eyes bucking out of his head and his chest going up and down so hard that it looked like some kind of big animal was inside of him trying to bust out. This was my chance to get under the bed and pull the covers down so they couldn’t see me.
Mrs. Amos ran over to her son and fell on her knees. She put her arms around his shoulders.
“Toddy? Toddy boy, are you all right?” She looked over to where I was peeking from under the bed. “You little cur, what have you done to Toddy?”
Todd coughed out, “Oh, Mother . . .” He took in two jumbo breaths. “I was only trying to help . . .”—he was sounding like a horse that had been run too hard in the winter—“and . . . and look what it’s gotten me.”
Todd pointed at his jaw and Mrs. Amos and me could both see a perfect print in the shape of my hand welted up on Todd’s blubbery cheek.
With one quick snatch she had me from under the bed and out on the floor laying down next to Todd.
“How dare you! This is how you choose to repay me? Not only have you struck him, you have provoked his asthma!”
Todd said, “I just tried to waken him to make sure he’d gone to the lavatory, Mother. I was just trying to help.” He aimed his finger dead at me and said, “And look at him, Mother, this one’s got ‘bed wetter’ written all over him.”
I’m not bragging when I say that I’m one of the best liars in the world but I got to tell you, Todd was pretty doggone good. It seemed like he knew some of the same things I know, the things I think of all the time and try to remember so I don’t make the same mistake more than seven or eight times. Shucks, I’ve got so many of them rememorized that I had to give them numbers, and it seemed like Todd knew Number 3 of Bud Caldwell’s Rules and Things for Having a Funner Life and Making a Better Liar Out of Yourself.