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    Marathon

    Page 3
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      hundred men of Plataea, and Ares himself must have watched us.

      Older men – the archon, the lawmakers – clasp my hand. My

      back is slapped so often that I worry they are puling the laces on

      my scale armour.

      Good to have you back, they al say.

      I am happy.

      Ting-ting.

      Ting-ting.

      Ting-ting.

      The day after the feast of Ares, and I was back at work –

      planishing. Planishing is when you use a hammer to smooth out

      finished work – tap-tap, tap-tap. The hammers need to be

      polished, and the anvil needs to be crisp and wel surfaced, and

      you need a stake of just the right shape with a polished surface,

      and your strokes need to be perfectly placed, crisp and al the

      same strength. It was not my strong point.

      I remember it wel, because I was making myself a new

      helmet, and thinking of Miltiades. Al my other orders were

      completed, winter was coming and there was no reason that I

      shouldn’t play with my equipment. My barns were ful, my

      people fed and I had a sack of silver buried under the shop floor

      – without having to send to Miltiades for my gold. I had decided

      I would not go back to Miltiades.

      Miltiades of Athens – the tyrant of the Chersonese – was my

      father’s patron, and sometimes mine. I’d fought and kiled for

      him, but I’d left him when the kiling became a habit I had to

      break. And when Briseis said she would not have me. Hah! One

      of those is the true reason.

      But Athens, mighty Athens – the bulwark of the Helenes

      against the Persians – was deeply divided. Miltiades was no hero

      back then. Most Athenians saw him as a fool and a tyrant who

      was bringing the wrath of the Great King of Persia down on

      Greece. Rumour came over the mountains from Attica and

      Athens that he was to be declared atimos and lose his citizen

      Athens that he was to be declared atimos and lose his citizen

      rights – that he would be exiled – that he would be murdered.

      We heard that the faction of the tyrant-slayers – the

      Alcmaeonids – was ascendant.

      I have to tel you, as an aside, that caling the Alcmaeonids

      tyrant- slayers is both incorrect and laughable, but a fine example

      of how easily fooled mortal men are by good orators. The mighty

      Alcmaeonids, the richest family in Attica and perhaps al of

      Greece – one of their many scions kiled one of Pisistratus’s sons

      in Athens. It was a private quarrel, but we stil cal the overhand

      sword cut the ‘Harmodius blow’, and most men think that the

      dead man was the tyrant of Athens.

      In fact, the only reason that the Alcmaeonids would have

      arranged the death of the Pisistratids was so that they could seize

      the city and rule themselves. They were al in the game – al the

      great men of Athens. They prated about democracy, but what

      they wanted was power.

      In the early days of the Long War, I was bitter –

      disilusioned, even – to find that the heroic Miltiades was a pirate

      and a thief, not a freedom fighter. Oh, he was brave as Achiles

      and wily as Odysseus, but beneath his aristocratic manners

      lurked a man who would kil a beggar for an obol if it would

      finance his schemes. After a while, I took to hating him for his

      failure to be the man I wanted him to be. But I’l tel you this, my

      children – he was a better man than any of the Pisistratids or the

      Alcmaeonids. When he wanted something, he reached for it.

      At any rate, it was late summer and the rumours of open

      conflict in Athens, our aly, had begun to disturb even sleepy

      conflict in Athens, our aly, had begun to disturb even sleepy

      Plataea. As the saying went, when Athens caught a cold, Plataea

      sneezed.

      I recal al this, because I was thinking of Miltiades while I

      was working on my helmet. I thought about him a lot. Because,

      to tel the truth, I was already bored.

      I’d shaped the helmet twice – first, I’d made the bowl far too

      deep, and the result looked so odd that I’d melted the bronze,

      added a little more tin and poured a new plate on the slate where

      Pater had done the same. I made a wine bucket from that

      bronze. I didn’t trust twiceforged stuff for armour.

      The second time I was more careful with my prayers and I

      made a real invocation to Hephaestus, and I took time to draw

      the curve in charcoal on a board as part of the invocation. I

      raised the bowl of the helmet carefuly, for an hour or two each

      day after propping the vines and gathering olives with my slaves

      and my household, and this helmet grew like a child in a mother’s

      bely. Like a miracle. So on that day, I remember I was growing

      afraid – I, who feared no man in the meeting of the spears, was

      afraid. Because the object I was making was beautiful, and

      better than I ever expected of my own work, and I was scared

      that I might ruin it.

      So I planished slowly.

      Ting-ting.

      Ting-ting.

      The anvil rang like a temple bel with every blow. My

      apprentice, Tiraeus, held the work and rotated it as I requested.

      apprentice, Tiraeus, held the work and rotated it as I requested.

      He was older than me, and in some ways better trained, but he’d

      never settled with one master, and before he met me, he’d never

      even learned the signs that any man can learn who dedicates to

      the smith god. I’d had him a month, and he’d changed. Just like

      that – like molten metal settling into the mould. He’d been ready

      to take a new shape, and he was no work of mine, but it stil felt

      odd to have an older man – and in many ways a better smith –

      as my apprentice.

      He raised his head, as if listening.

      Ting-ting.

      Ting-ting.

      Like a temple bel, my anvil caled aloud to the gods.

      I was deep into it – the focus that the gods send to a man

      intent on a task – when I heard what Tiraeus heard. The same

      focus, to be honest, that comes in combat. How Aristides would

      writhe to hear me suggest a link between the two.

      I ramble. I heard a horse in the yard.

      ‘Don’t stop,’ my apprentice ordered. That’l give you an idea

      of his actual status. He gave me orders.

      Behind me, Bion, my father’s former slave apprentice and

      now almost a master smith in his own right, was rewelding a pot.

      His hammer rang on his own anvil – heavier blows than mine.

      ‘What the man says,’ Bion grunted. ‘Never stop once you’re

      in a task.’

      That was a long speech, for Bion. But I was young, and a

      horse in the yard promised adventure. As I said, months of

      farming and smithing had left me – bored.

      farming and smithing had left me – bored.

      I took water from the bucket by the door and saw a young

      man in a fine wool chlamys slip off his horse’s neck, showing a

      lot of leg and muscle, as pretty young men are wont to do.

      ‘I have a message for Lord Arimnestos,’ he said

      portentously. His disappointment showed in every line of his

      bo
    dy. He’d expected better.

      Pen – my sister, Penelope – came down the steps from her

      eyrie with the women, and Hermogenes, Bion’s son and my best

      friend, came in from the fields, both drawn by the horseman. I let

      Pen have the boy. He was handsome, and Pen needed some

      suitors or my life was going to become very difficult indeed.

      My mother stayed in the women’s porch and didn’t emerge –

      probably because she was drunk. Hades – for a certainty she

      was drunk. She was the only child of the basileus of Hispae – a

      smal place west of Plataea. She ran off with my pater – a smith,

      but a powerful man in his own right. She thought he’d become a

      great man. He did – but not in the way she wanted. He became

      a great smith. She became a drunk. Did I say this was a pretty

      story?

      Back to it, then. The handsome boy with al the muscles paid

      me no attention at al. I had a rag wrapped around my groin and

      was otherwise naked. I was covered in soot and looked like a

      slave, and he’d have had to be a careful observer – not

      something usualy found in handsome boys – to note that I had

      the muscles of an athlete, not a farrier.

      ‘I am Lord Arimnestos’s sister, Penelope,’ she told the young

      ‘I am Lord Arimnestos’s sister, Penelope,’ she told the young

      sprig. ‘My brother is busy. May I take your message, sir?’

      That flustered young Paris, I can tel you. ‘My message – is

      for the lord himself.’ He looked around for a social equal –

      someone to punish al these slaves and women.

      I laughed and left Pen to the enjoyment of his discomfiture.

      My helmet was caling me. I drank another dipper of water and

      got my hammer back in my hand.

      Ting-ting.

      Ting—

      I realized that there was a boy in my workshop. Where in

      Hades had he come from? He was Styges – the dark boy from

      the hero’s tomb. No one was clear whether he’d been a prisoner

      or a bandit – he’d become part of Idomeneus’s retinue. I think

      he’d been a thief – he was silent as the grave.

      So much to explain! Idomeneus was Cretan – a soldier and

      archer who had been my hypaspist – my squire – in the fighting

      for years. When I cleared out my father’s house, Idomeneus

      made himself priest of the hero’s tomb. I had trained at that tomb

      as a boy, and it was my place – my sacred place. And

      Idomeneus, for al his madness and his delight in kiling and his

      debauchery, was my friend. And a member of my oikia, my

      household, my own retinue of trusted men and women.

      Styges was in Idomeneus’s oikia. He was the Cretan’s lover,

      his eromenos and his hypaspist too, as they do things in Crete.

      ‘My master needs you, lord,’ the young man whispered, his

      eyes downcast.

      My hand hesitated, the head of the iron hammer high in the

      My hand hesitated, the head of the iron hammer high in the

      air. I let it fal – tang – and cursed. A clear mis-stroke, and I’d

      left a smal flaw in the surface of the helmet.

      Tiraeus put his hand to my mouth. ‘Curses won’t change the

      metal,’ he said.

      See? He had ten more years than I had. In many ways, I was

      an overgrown boy with a talent for ripping men’s souls from their

      bodies. He was a mature man – a man who’d seen enough

      hardship to learn to make better choices.

      ‘Fuck,’ I said. But I didn’t throw the helmet across the shop.

      I’d learned that much. Nor did I gut Styges with the heavy knife

      I always wore – even in the shop, or lying with a slave girl –

      although the red rage flashed over my eyes.

      Instead, I placed it on a leather bag, washed my hands in the

      basin and nodded to Styges.

      ‘I need a cup of wine, and I’l be happy to give you one as

      wel.’ I did my best to imitate Achiles and be a man of warm

      hospitality. Even to a catamite-thief who had just caused me to

      miss a hammer stroke. I was growing up.

      Styges bowed. ‘I am honoured, lord.’ Of course, in Crete,

      men who were caled ‘lord’ were seldom covered in soot and

      bronze scale, with hands so black that the skin couldn’t be seen.

      But in Boeotia, things were different. Besides, I had a great deal

      more respect for Styges than for the perfumed boy in my

      courtyard.

      My sister, Penelope, came out of the house with wine. She

      poured a libation to Artemis, as was right for her, and then to

      Hephaestus, for me, before serving the rest of the pitcher of wine

      Hephaestus, for me, before serving the rest of the pitcher of wine

      to Tiraeus, Bion, Hermogenes, Styges and my guest. Of the

      crowd, only the guest and Pen could be said to be wearing

      clothes. I just want you to see this in your heads.

      Only when Styges had a cup of wine in his fist did I question

      him.

      ‘Why does Idomeneus need me?’ I asked.

      ‘He kiled a man,’ Styges replied.

      ‘What man?’ I asked. ‘A Plataean?’ By which I meant: A

      citizen? Or a man of no account?

      ‘No, lord,’ Styges said. ‘In fact, we kiled two men. One, a

      soldier at the shrine, the other,’ and Styges smiled, ‘I kiled

      myself, one of the bandits, lord. They knew each other – were

      planning to escape or perhaps take the shrine. Lord Idomeneus

      thinks they meant to kil al of us.’

      He had a fresh cut, I realized, running from his shoulder to the

      middle of his side. He saw me looking at it and nodded, beaming

      with pride. ‘He had a knife and I did not.’

      This sort of heroic understatement was the rule of the Greeks,

      and Idomeneus, for al his blood-madness, ran a tight ship up

      there on the mountain.

      ‘The soldier we kiled was Athenian,’ Styges said, his smile

      fading. ‘My master is afraid that he was a man of consequence.’

      That got my attention.

      ‘My lord, is it nothing to you that I have traveled here from

      Sardis?’ the beautiful young man asked. In truth, they were both

      quite handsome – the aristocrat like a statue of an athlete, and

      quite handsome – the aristocrat like a statue of an athlete, and

      Styges a more practical, down-to-earth set of muscles, scars and

      smooth skin.

      I could tel that Pen was pleased by both.

      I smiled at the aristocrat. ‘Young man, I apologize for my

      rude dress and quick welcome, and I ask that you stay a day or

      two. This matter concerns my honour, and must be dealt with

      immediately.’

      He blushed – I hid a smile – and his eyes flickered to Pen’s.

      ‘I would be honoured to be a guest here. But I have an

      important message—’

      ‘Which I’l hear when I return.’ I nodded to him. The gods

      were blinding me. If I had paused a moment to listen to him . . .

      But I thought my duty was caling me, and I didn’t like him or his

      airs.

      ‘Mind that they don’t put you to work in the forge,’ Pen

      muttered.

      ‘I’l be back by midday,’ I said, and ordered the slaves to

      saddle my horse.

      The god
    s were laughing. And Moira spun her thread so fine .

      . .

      It was the edge of darkness by the time I rode up the hil to the

      shrine. It may seem comic to you lot, to hear that I rode a horse.

      Now I’m lord of a thousand shaggy Thracian ponies and half a

      hundred Persian beauties, but in Boeotia in those days, the

      ownership of a horse was a matter for some remark, and I had

      four. Laugh if you like – four horses made me one of the richest

      four. Laugh if you like – four horses made me one of the richest

      men in Plataea.

      Styges ran by my side. He’d fought a mortal combat, run

      thirty stades to fetch me, drunk a horn of wine and now he’d run

      thirty stades back to the shrine. Later, when I tel you of the

      deeds of arms my people performed, think on this – we made

      hard men then. We bred them to it, like dogs to the hunt. In

      Sparta, they trained aristocrats to be superb. In Attica and

      Boeotia, we trained every free man to be excelent. Calculate the

      difference if you like.

      I could smel the blood at the tomb, even over the night air. I

      took the leather bottle off my shoulder and poured a libation to

      old Leitos, who’d gone to windy Troy from green Plataea – and

      come back alive, to die in old age. Now that, my friends, is a

      hero.

      At the tomb, we have a tradition – that it was Leitos who

      stopped bold Hector’s rush at the ships, not by clever fighting or

      mad courage, but by getting lesser men to lock their shields and

      stop his god-sent kiling rage. Not a mighty kiler, but a man who

      led other men as a shepherd tends sheep. Who kept his men

      alive and brought them home.

      So men come to the tomb from al over Greece – men who

      have seen too much war. Sometimes they are broken past

      repair, but if they are not, the priest feeds them wine, listens to

      them and gives them work, or perhaps a smal mission. And the

      completion of that work makes them clean, so that they can go

      back to the world of men who are not kilers.

      Sometimes, though, a man comes to the tomb with the mark

      Sometimes, though, a man comes to the tomb with the mark

      on him. How can I tel this? It is the mark of evil, or of a soul

      past saving. And then the priest, who is always a retired kiler

      himself, must face the man and kil him on the precinct wal, so

      that his shade screams as it goes down to nothing, lost for ever,

      and his blood waters the souls of the dead and feeds the hero.

     


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