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    Marathon

    Page 29
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    sun was lower in the sky.

      We sat and drank wine until the sun set, wine that went

      straight to my head, and we ate a big tuna that Melaina’s father

      caught. He came and clapped me on the shoulder. ‘Stephanos

      loved you,’ he said. ‘You’re a good man.’

      That made me cry. I cried easily in those days.

      It was harder to abandon Chios than it had been to leave

      Miletus, because unlike these cheerful fisherfolk, I knew what

      was coming to them. The light hand of Persia was about to be

      was coming to them. The light hand of Persia was about to be

      replaced by an iron fist. I watched the sun set, and I knew that it

      would be a long time before I saw it rise here, in the east.

      Melaina came into my bed that last night, while I lay looking

      at the rafters. I didn’t send her away, although our lovemaking

      had more grief to it than lust. But she left before dawn, and she

      was a proper daughter again on the beach when she poured a

      libation and washed Harpagos’s shield in wine.

      Then my keel was in the water, and I ceased to think of her,

      because we went to sail an ocean ful of enemies.

      We ran north, evading everything we saw, until we entered

      the Bosporus.

      Kalipolis was stil free. We beached, and I embraced

      Miltiades.

      I’l make this brief. We wintered there. In the spring,

      Histiaeus – Istes’ brother, who left him to die – came to us,

      asking that we folow him to make a pre-emptive attack on the

      coast of Phoenicia – to show that the East Greeks weren’t

      beaten. It was a strategy that was a year too late.

      ‘I’l stay and defend the Chersonese,’ Miltiades said. ‘It is

      mine. But I wil lose no more men in Asia.’

      Histiaeus was captured in Phrygia a month later, trying to

      forage for food for his oarsmen. Datis executed him for treason.

      It was a cheap death for a man who had led the Ionian Revolt.

      He should have died on the wals with his brother.

      Less than a week later, Datis flooded the Chersonese with

      Scythian and Thracian mercenaries. He outspent Miltiades, ten

      to one, and in a week we lost four of our towns.

      to one, and in a week we lost four of our towns.

      We expected it, though. The east was lost. We loaded our

      ships, taking every Greek man and woman – the survivors of

      Miletus, and Methymna and Teos, and al of Miltiades’ men and

      their women. We filed ten triremes and as many Athenian grain

      ships, and we sailed away. The Scythians burned Kalipolis

      behind us, but we left it empty.

      Datis landed an army on Lesbos, and he swept the island

      with a chain of men al the way across, looking for rebels. He

      crucified those he caught, and he took the best of the boys and

      al of the unmarried girls, and sold them as slaves or took them

      for the harem. Then he went to Chios and did the same.

      There was no force in the world that could stop him. He

      harried the Aeolians, seling their children to brothels, and then he

      harried the Ionians, and humiliated them, island by island, until

      there was no longer the sigh of a girl or the worship of Aphrodite

      from Sardis to Delos. He broke the world of my youth. He

      destroyed it. I grew to manhood in the world of Alcaeus and

      Sappho. He destroyed Sappho’s school and sold the students to

      satisfy the lusts of his soldiers.

      You children know the world Athens made, and you think it

      good. I love Athens – but there was a fairer world once, a

      brighter place, with better poets and freer ways. Where Greeks

      and Persians could be friends with each other, with Aegyptians

      and Lydians.

      Datis kiled it, to break the spirit of the Greeks and reduce

      them to servitude. Truly, it was the rape of the islands that taught

      us Greeks what the Persians were capable of, and showed us

      us Greeks what the Persians were capable of, and showed us

      why we would have to fight, or see our culture die.

      Artaphernes resisted Datis, of course. But Datis was the

      Great King’s nephew and had won the great battle, and

      Artaphernes was considered soft on Greeks.

      Datis raped the islands, and we sailed away and left them. I

      sailed Black Raven into Corinth and unloaded the refugees,

      While Black took him back to sea as a paid ship, for Athens, I

      brought them north, to Plataea.

      Idomeneus was a bastard, for al I loved him, and when the

      treasure had gone over the side, none of it was mine or his – so I

      stil had riches, and I spent them that summer. I settled forty

      families in the vale of Asopus, and when I was finished, the

      money of my piracy was gone, washed clean in rescuing them

      from poverty, or so I hoped.

      And then I was just another farmer with a forge, for my gold

      was gone.

      While I was spending money like a drunken sailor, I heard

      the rumours – that I was a murderer, that I was accursed of

      Apolo. Al my father’s friends spoke up for me, as wel as al my

      own friends – Hermogenes and Epictetus the Younger, and

      Myron and his sons – but my absences, my riches and the

      constant murmurs of the sons of Simon, from Thebes, had their

      effect. Men pushed me away, in the little ways that men use

      when they are afraid. And to my shame, I responded with

      arrogance and let the distance grow.

      It was a dark winter, with one beam of light. For when I was

      It was a dark winter, with one beam of light. For when I was

      settling my Milesians, I met Antigonus of Thespiae, the young

      basileus of that town. He took ten of my families and made them

      citizens, and we became friends quickly – and as quickly, he

      courted my sister. He was a wealthy man, and he might have had

      any maiden in the valey of the Asopus, but he courted Pen, and

      in the spring he wed her, and men came to that wedding who

      had whispered about me, and my life was the better for it.

      My mother stayed sober until the priest was gone, and I

      kissed her, and she cried. Then I folded my finery away and

      went back to the forge, and she went back to drinking, and men

      went back to whispering that the Corvaxae were al accursed.

      There were other fights, that last year. But the Ionian Revolt

      died with Istes, as he fel, shouting ‘Miletus’.

      I suppose we thought that the Long War was over. And I

      had forgotten my slave girl. I tried to forget Briseis, and Melaina.

      I tried to forget al of it. I ignored my armour and my helmet and

      I worked on bronze kettles and drinking cups.

      Until the archon came and asked me to return to teaching the

      Pyrrhiche.

      My calf throbbed and burned, and my hips hurt when we

      danced, but they al admired my splendid Persian scale shirt and

      my rich red cloak, and Myron came and embraced me.

      ‘Your new citizens have made us richer by a thousand gold

      darics,’ he said.

      ‘And fifty shields in the phalanx,’ Hermogenes said.

      The men of Plataea came to me, and clasped my arm. Glad

      to have you back, they said, but now I sensed the hesitation in

      their grips and the
    tendency of their eyes to wander when they

      spoke. Plataeans didn’t just take off to fight in other people’s

      wars. Or show up with a passel of foreigners.

      But I was the devil they knew. And by then, thanks to the

      word-fame of my role at Lade, I was famous – so famous that it

      was hard for my neighbours to accept me as a man who danced

      and sweated and had trouble with his grape vines. Fame makes

      you different – ask any man who has won the laurel at Olympia

      or Nemea.

      May none of you ever experience defeat, and the death of al

      your friends. Idomeneus remained, back at the tomb of the hero,

      but he was as mad as a wild dog. Black was fighting against

      Aegina for Athens. Hermogenes was like another man – a good

      man, but a farmer and a husband. Al the rest of them were

      dead. Even Archilogos was dead. And I didn’t dare alow my

      mind to think about Briseis. In some way, I let her be dead, as

      wel.

      But one of the saddest truths of men is that no grief lasts for

      ever.

      My helmet was waiting, just where I had left it, on a leather bag

      on the great square bench that Pater had built. I had to hobble

      around the shop – my calf never healed, and as I said, I never

      ran wel again – and I was angry al the time. Hermogenes forced

      me to work, and Tiraeus fired the forge, and after mending a few

      me to work, and Tiraeus fired the forge, and after mending a few

      pots, my hands remembered their duty.

      I think it was a month after the Pyrrhiche, and perhaps three

      months after Pen’s wedding, before I looked at the helmet. I was

      surprised by what a good helmet it was, how far along I had left

      it. It seemed like ten years – like a lifetime. There was the ding

      where I’d mis-struck when the boy came to me with news from

      Idomeneus. I blinked away tears. Then I took out the ding with

      careful, methodical planishing, which seemed more restful than

      dul.

      When the bowl was as smooth as Briseis’s breasts, I turned

      the helmet over and looked at the patterns I’d incised.

      I had started the ravens on the cheekplates before I left. I did

      not love Lord Apolo any more. But the ravens seemed apt. If I

      ever stood in the phalanx again, I wanted to wear ravens.

      Instead of going to work on the helmet, I took a piece of

      scrap, pounded it out flat and tapped the ravens to life on a

      practice piece. I made a dozen errors, but I worked through

      patiently, reheating as I went. It was two days before I was

      satisfied, and then I went back and put the ravens on the

      cheekplates in an afternoon. I had time left to go and help my

      slaves prop the grape vines. Then I went back, looked my work

      over carefuly and polished it as the sun set behind the hils of

      home. I filed the ravens with lead on the inside, planished a little

      more.

      Tiraeus kept an eye on me while he put a new bail on an old

      bronze bucket for the temple. And then he looked at my work.

      bronze bucket for the temple. And then he looked at my work.

      ‘You’ve grown up,’ he said. And then, his voice rough, he

      pointed at the back of the skulpiece. ‘Little rough there.’

      I picked up the hammer.

      Ting-ting.

      Ting-ting.

      Part II

      Marathon

      Beneath this stone lies Aeschylus, son of Euphorion, the

      Athenian,

      who perished in the wheat-bearing land of Gela;

      of his noble prowess the grove of Marathon can speak,

      and the long-haired Persian knows it well.

      Epitaph on the Stele of Aeschylus the Playwright

      9

      It was late autumn, and the rains lashed the farm, and my slaves

      stayed in by the fire and made baskets for the next year’s crop. I

      was in the forge, hammering out the face of a new aspis – I

      needed a shield.

      The world was moving. I could feel it. The last cities of

      Lesbos were faling to the Persians, and in Athens, the stasis –

      the conflict – between the aristocrats and the demos was so bad

      that it had come to murder in the streets, or so men said, and

      Persian gold flowed like water to buy the best men. Closer to

      home, Thebes had begun agitating to take our city, or at least

      reduce our boundaries. And one voice carried clear from their

      agora to ours – Simon, son of Simon, loud in condemnation of

      our archon, Myron, and eager for my blood. Smal traders

      bought us this news.

      Empedocles the priest came out from Thebes in the last

      Empedocles the priest came out from Thebes in the last

      golden light of autumn, while the hilside of Cithaeron was a glow

      of red oak leaves. When he had given the blessing of Hephaestus

      to my forge and relit our fires after we swept the shop, he raised

      Tiraeus to the rank of master, as the man deserved. Then he

      looked at my helmet, running his thumb over the eyebrows and

      using calipers to pick out the measurements of the ravens on the

      cheekpieces.

      ‘This is master work,’ he said. He handed it to Tiraeus, and

      Tiraeus handed it to Bion. ‘And you are the master in this shop,

      so it is right that you too should be raised.’

      I think that the fires in my heart relit that day. I had not

      expected it, although in retrospect there were a thousand little

      signs that my friends had made plans for me to be raised to the

      rank of master. Other pieces were brought out by Tiraeus –

      things I’d forgotten, like a set of bronze pins I’d made for my

      sister’s wedding guests – and Empedocles laughed with joy to

      see them, and that laughter went through me like lightning on a

      summer’s day. I was, you know, for a time, the master warrior

      of al Helas – but it never gave me the joy that making gave me.

      Oh, there’s a lie. Kiling can be a joy. Or merely a job, or

      worse.

      So, because two of us had been raised, we gave a special

      sacrifice at the Temple of Hera, where my sister, now a matron,

      had just been anointed as a priestess. She was two months

      pregnant, just starting to show, and she officiated with the dignity

      of her new status. And Antigonus of Thespiae saw nothing

      of her new status. And Antigonus of Thespiae saw nothing

      wrong with having a master smith as a brother-in-law, so he

      came with a train of aristocrats to my sacrifice, and Myron

      arrived with the best men of Plataea, and I saw the wine of a

      whole crop drained in a few hours – but I reckoned it wine wel

      spent, because my heart was beating again.

      The next day, I took ten more amphorae of wine up the hil to

      the tomb of the hero, and I gave a smaler feast for Idomeneus

      and his men, and many of our Milesians as wel. We drank and

      we danced. Idomeneus had built a great bonfire, five trees’

      worth of wood, and we alternated between too hot and too

      cold, drank the wine and sang.

      It was late in the evening, and the fire burned high, and the

      younger men and women were piling my straw into a great bale

      – the better to share other warmths.

      I was twenty-seven, an
    d I had never felt so old. But I was

      happy, pleasantly tired from dancing – the first good dancing

      since my leg was wounded. I was a master smith, and men came

      to my forge to talk about the affairs of the city. I might have been

      content.

      Idomeneus came and leaned against me in the warm-chil of

      the fire’s edge.

      ‘What ever happened to that slave girl you took away to

      Athens?’ he asked. ‘Did you sel her?’

      I had forgotten.

      The gods sometimes work al together, and the next day, when

      my head rang like my forge from the wine, Hermes sent me a

      my head rang like my forge from the wine, Hermes sent me a

      messenger from Athens, with payment for a load of finished

      bronze. He brought news that Miltiades had been arrested for

      wishing to restore the tyranny. And he brought a letter from

      Phrynichus, and a copy of his play, the famous Fall of Miletus.

      When I read it, I wept.

      In the letter, Phrynichus explained that the play had been

      written to awaken the men of Athens to what the Persians were

      up to. He said that he had written it so that men might recognize

      Miltiades for his role in trying to save the East Greeks.

      And he asked me to come to the opening of the play.

      In Athens, they have a different form of theatre to what we

      have in Boeotia, and I think I should explain. Once, in my

      grandfather’s time, I suppose, drama was about the same

      everywhere – much like a rhapsode singing the Iliad, except that

      the poet or a professional musician performed works of praise to

      the gods, or sometimes the story of a hero. In Athens, there was

      always a set of plays – at least three – and the best of the three

      received a prize in honour of the god Dionysus. Athens was

      certainly not the only city to give praise to the god of wine, nor to

      offer a prize for the finest poems in his honour, but Athens has a

      tendency to take things to extremes.

      The tyrant Hippias was a great worshipper of Dionysus, and

      men say that he inaugurated the practice of using a chorus – a

      group of singers – to support the main line of the play. So the

      dramas became more like a team sport – the poet or singer and

      his team of chorus members competed. It was demanding, both

      physicaly and mentaly, and that competition fired men to make

      physicaly and mentaly, and that competition fired men to make

      it better, more complex, more vivid.

     


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