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    She Must Be Mad


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      she must be mad

      Charly Cox

      A mental coming-of-age documented through poetry and prose written by someone who’s still in the thick of it

      copyright

      An imprint of HarperCollinsPublishers Ltd.

      1 London Bridge Street

      London SE1 9GF

      First published in Great Britain by HQ 2018

      Copyright © Charly Cox 2018

      Charly Cox asserts the moral right to be identified as the author of this work.

      A catalogue record for this book is available from the British Library.

      The names, characters and incidents portrayed in this work are of the author’s imagination. Any resemblances to actual persons, living or dead, events or localitites is entirely coincidental.

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

      Ebook edition © July 2018 ISBN 9780008291679

      Version: 2018-09-17

      contents

      title page

      copyright

      For the men who broke my heart...

      she must be in love

      love part 1

      to you

      she moves in her own way

      mourning routine

      mesh of kisses

      anatomical astrologist

      otters

      weight of you

      lipstick

      lovebites

      with his assistants

      doubletree by hilton

      porn

      evolution

      snapple lid facts

      kaleidoscope

      rosie cheeks

      app cheats

      first west service

      you sit with your tongue...

      the first time

      love part 2

      she must be mad

      mind part 1

      ‘she must be mad’

      @saintrecords

      doctor, doctor, don’t help me

      selective feeling

      I wish I’d not spent so long crying in bed

      rapid cycling

      funny

      I prescribe you this

      I know that truth is always beautiful

      all I wanted was some toast

      a voice I know

      wonder of worry

      amber meal

      unidentified businessman

      mind part 2

      inner gold

      resilience

      dysthymia

      wrong spaces

      kindness

      your mind is biased

      she must be fat

      body part 1

      stuff

      shoreditch house

      kale

      kale reprised

      wrigley’s extra

      trump

      filters

      london pervs

      women’s tea

      imposter

      hunger

      gift for a man

      sobriety

      cellulite (sells you heavy)

      fat

      body part 2

      bodies

      sexy

      she must be an adult

      age

      goldman sachs

      I’ll be home in the morning

      too young

      say you’re sorry

      they came out and I stayed in

      E1W 3SS/Billy

      pint-sized

      whatsapp

      roots of them/sorry, jacob

      kids

      forever

      baby ella

      adult

      seaweed – for grandad

      expectations

      yellow cabs

      hospital visits

      you will choose...

      acknowledgements

      about the author

      about the publisher

      For the men who broke my heart, for the beta-blockers that slowed it, and a chunk of what is left to the sisterhood with a gift tag wrapped around it reading: let’s try and figure this all out together.

      I owe this all to my madness and those who have suffered it. I never thought I’d be a poet. I never knew one day I’d slap a title on a cover that encased sometimes lonely and sometimes excited thoughts and say, ‘Here it is! A book of poems! By me, Charly … The Poet!’ But life shocks you and here we all are. In that never tense, I didn’t know a thing – I just knew how to feel. I took to feeling like a sport and I exercised every one of those achy heartstrings that had festered in cliché drivel until they snapped and aortic wells poured and shouted, ‘For god’s sake woman, can you just write these feelings down so we can have a break?’ And so I did. For years in silence and secrecy. I wrote these poems and letters to my past self and in every sort of melodramatic, romantic, ridiculous way, these are what saved me. Saved me from an intensity I was afraid to share until I morphed them into something to share with you now. Some of these were written at sixteen, others at twenty-two; they were all written growing and lost and sad sunk, but they were also all written with eventual hope. A hope that I clung to in the most intense way that only a girl desperate to take a peek at womanhood, battling a wealthy portfolio of mental health issues nervously, could. Finding strength in the contention of such frustrated confusion, in odd and debilitating sadness, in jubilant first kisses and clangs of clarity – in the words of our lord saviour Britney Spears, ‘I’m not a girl – not yet a woman’. And there is something truly quite almighty in that in-between … either that or, I must truly just be mad.

      she must be in love

      love part 1

      Nobody ever tells you that there’ll be comedians and poets, actors and academics, college students and forty-year-old men to fall in love with.

      That you will fall in love with them all.

      Their charm and their poise, their anecdotes and foreign phrases, even the stray scratchy hairs on their cheeks and chins that will tickle like an acrylic yarn against your youth.

      They first come soft. Soft and slow and ethereal, these perfumed clouds of promise that smell new but hang old, and then before a single tendril has had time to make itself at home on your collar, they exit loud and angry and too early.

      They will always exit too early.

      Little-to-no explanation, a hole so deep you lose your feet to the black and bleak of self-assumed guilt, he flings the door on its hinges for another man to oil and mend.

      You’ll re-imagine hope until he leaves too, tarnishing his very own handiwork.

      Nobody ever tells you of these good-looking silhouettes because they have stood in their cast before. They relished in the same way you will but they cowered in the flood.

      They sunk with weakened limbs until they no longer knew of that initial burst and lay themselves down to surrender. You, however, will not allow yourself to be a casualty to love. You will grow stronger in it, if you try.

      It’s six minutes past midnight, Facebook has updated Messenger, video now available, you have no one to call.

      Soon, it’s twenty-one minutes past twelve and an unfamiliar noise rings through the hard plastic of your first laptop, it starts to screech. You look up and to the side, a rerun of the news now only important to your periphery.

      A boy. It’s a boy.

      A boy you’ve never met but whose life you know the lengths of. Holidays, parties, girlfriends, new friends, birthdays, likes, lunches – all arranged int
    o bite-sized books you’ve read and torn pages from time and time again. The boy. The boy from the holidays and the parties, with the girlfriends and the new friends, he’s calling you.

      You answer.

      Spanking new anticipation twirling twines that tie knots in your chest, frayed ends tickling your stomach to stir hot queasy butterfly soup.

      ‘Hello.’ He says, monotone. Northern.

      Eyes thinning to an embarrassed sleepy squint.

      ‘Hey?’ You say, a question. Southern.

      Smile curving to bunch the bags from under your eyes to pillows.

      ‘Just wondered what your voice sounded like.’ He says, he smiles back.

      ‘Same. Now we know.’

      Lights dim in both screens, you dissolve into the silence of each other’s nights, minds reaching out to touch the other, tousle hair, feel skin. Talk. Talk. Laugh. Smile.

      Embarrassment has gone.

      It’s five thirty-six in the morning four years later. Lights still dim, faces still rounded in the glow of the laptop. Girlfriends once stalked are now ex-girlfriends discussed. Holidays, planned as fleeting dreams of train journeys across the country to finally meet. Likes, shared. Sometimes agreed.

      ‘Do we know, or at least think, that if you lived down the road from me we’d be in love?’ He wrote.

      ‘Yes.’ You reply.

      A life starts to lead along a parallel secret line, a life that’s yours and a line of fibre optics. Two years pass. You meet in a newsagent at a train station. He’s smaller than you thought. You’re fatter than he’d seen. Geography offers different greetings. Kiss, hug, release. You share pancakes but struggle to look at each other. You walk across Battersea Bridge, he lights a spliff, you sit facing away from each other and imagine you’re still just on the phone. Better.

      Three years later and it has never happened again. You never found out if he became the poster boy for postmen in Salford. You never got to tell him of the new bosses and the trips to America. You never got to tell him all the things he was right about. You never got to tell him how your heart held out, how it still occasionally chooses to hold out. How in a life lived on a parallel secret line you never unplugged the receiver. But now you do. Now you get to tell him somewhere he might find it and can only hope he does, before he finds someone else.

      to you

      This feels silly to write

      For in doing so

      The sentiment fractures

      And goes back full circle

      But I’ve kissed plenty of boys

      Most of them charming

      I’ve kissed plenty of boys

      And I’ve been on plenty of arms and

      I’ve loved plenty of boys

      And they’ve made me feel soft

      And I’ve seen plenty of boys

      And plenty I’ve lost

      I’ve had plenty of evenings

      In dimly lit bars

      And I’ve had plenty of fumbles

      In the backs of their cars

      I’ve written plenty of letters

      And received plenty of emails

      I’ve kissed plenty of boys

      And one or two females

      I’ve traced plenty of hips

      With eager touch

      And I’ve kissed plenty of lips

      That made me feel too much

      And in the plenty I’ve gathered

      I’ve garnered plenty of words

      But once put all together

      They don’t sound like firsts

      They all sort of sound similar

      As though each man wasn’t new

      Which is why it’s important to say

      Not everything I write is about you.

      she moves in her own way

      It was sticky in your apartment

      I stuck my eyes to every corner

      Where you’d stuck up old postcards

      An entire museum of your life and more a

      Window

      Framed the shrilling stuck-up summer silhouettes in the pub down below

      You stuck a scratched record on

      That played the once smooth staccato

      You poured me a glass of wine

      That slipped sticky to my sides

      That slipped your fingers across my thighs

      I felt stuck

      This time I promised myself I wasn’t giving up

      You said stick around

      And I cleared off the dark sediment red wine muck

      From my lips

      And kissed you in a way

      That begged to reverse ownership

      But instead it sellotaped my wrists

      Together tight around your hips

      Whilst my internal monologue screamed:

      You’re hopeless at this

      You don’t want to do this

      You always do this

      You don’t have to be this

      Person

      You don’t have to quench your thirst on

      Him

      Tell your body its anxiety isn’t a passion to burst on

      Him

      Don’t try and fill the void with empty consumption

      This moment in time that you’ll lie and say was sweet seduction

      Was another episode of you orchestrating a personality reduction

      Into a girl you have no business being

      No pleasing being

      Stop teasing feeling

      From an inner drought

      That only dried to be that way

      Because you gave all your kindness out

      Instead of spending it on yourself.

      I stop as your eyes unstuck from mine

      You swig from the bottle of wine

      And I muster up the courage to say

      I don’t want to be just tonight

      I’ve said it before and let it be denied

      And you laugh with a cocksure sigh

      And hit me with another line like

      Why can’t you just be a girl for a good time?

      And it’s the just that juts

      And ricochets

      And it slaps stuck

      To my ongoing conflict with myself

      I reach for a souvenir placed on your shelf

      Throw it between my palms

      Imagine what false comfort I’d find within your arms

      And put it back

      I give learning from lessons a crack

      I stop myself from telling you that you’re such a twat

      When you text me the next morning

      To say my excuse as a woman is appalling

      For leaving in a rush

      It was sticky in your apartment

      And it was there that I realised

      I was bored of being stuck

      As a girl whose muchness amounted to just

      The night.

      mourning routine

      He is unsmoked cigarettes

      And lukewarm tea

      A morning routine

      (He’s) not consumed by me

      A craving that will fade

      Left unfinished in the sink

      Until my wine-stained lips

      Call the next round of drinks

      I’ll wake up in the morning

      Next to someone new

      But I still fell asleep

      Hoping that someone would be you.

      mesh of kisses

      Find the contented without the contention of giving away half of yourself

      And see that letting go isn’t giving in

      But a spiritual commodity of wealth

      My best teachers were disguised as lovers

      Unmasked when I untangled their mesh of kisses

      And smothered myself instead with the notion that they were knowledgeable near misses

      And Mr Brave

      The future without the listless lustful nights

      Replaced with a silhouette of love

      That was bred from moulding a mistreated wrong into its rightful right.

      anatomical astrologist

      Your body became so fam
    iliar

      I touched your skin the same way I’d fumble down the side of the TV in the dark and know the difference between the

      <off switch> and the <volume button>

      Each line and freckle a constellation on your torso

      I could read backwards like an anatomical astrologist.

      We intertwine and I sigh softly

      a shared unspoken bedtime language that

      screamed

      to the gods for just

      five

      more

      minutes

      Time stopped to matter and the matter of us across your old mattress pulled apart until your stars dimmed down to flickering filaments and I chose to switch them off.

      otters

      It is what it is until it isn’t

      Quite it anymore

      Makes perfect logical sense, sure

      But in eleven short words I don’t think you swirl the score

      Of what I’m on about

      I could mutter an uttering of offers

      Words that cling to syllables as tightly as otters

      In love

      Did you know they never let go once they’ve found a mate?

      Did you know that my slithering of truth wasn’t yours to emanate

      Dissipate, dissolve upon your lips

      As my truth became a movement and your hands became my hips

      In a haze of a few Sundays

      Of what I thought was it

      But didn’t know that it could be something just one of us could quit

      And that’s quite exactly it

      It was what it wasn’t

      Instead of a smattering of emails that will one day be forgotten

      Instead of a flattering string of inhales that sung kindly until coughed out rotten.

      Again these are all just words

      Silly sold sentiments aren’t that tough

      I could rhyme anything together and it’d still be enough

      For you to know what I’m wittering on about is love

      It is what it is until it isn’t

      Quite it anymore

      It’s tracing your finger on a back

      That will soon traipse out the door

      It’s wine on a Saturday and lies that you learn as foreplay

      It’s lust in its golden hour

      It’s kissing goosebumped in the shower

      It’s handing over innocence to a dastardly power

      Of frightening fragile fragments that someone can stack in their own tower

     


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