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    1927 and the Rise of Modern America

    Page 29
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      Dreiser, Theodore, 107

      Driggs, Elsie, 23, 24

      Dumenil, Lynn, 8

      Dunn, Jack, 129

      Durant, Will, 103

      Earl, Harley, 20

      “East St. Louis Toodle-Oo” (Ellington), 170

      Edison, Thomas, 148

      Eighteenth Amendment, 33, 34

      Elizabeth Ann Guild, 97, 98

      Elizabeth Ann League, 97

      Ellington, Duke, 132, 169–72, 182

      Elmer Gantry (Lewis), 14, 39–40, 48

      “Empire” (Lippmann), 191

      Erenberg, Lewis A., 9

      Eriksson, Leif, 48

      Espionage Act (1917), 30, 33

      ethnic societies, 48

      Evans, Wainwright, 61

      evolution, 33–34

      Fairbanks, Douglas

      the Academy and, 148, 149

      film roles of, 141–42, 143, 149

      Pickford and, 10–11, 135 (photo), 137, 138–39, 141, 145, 146

      traditional values and, 10–11, 137, 138–39

      Fansteel Products Company, 187

      Farrell, Charles, 149

      Federal Communications Commission (FCC), 173

      Federal Farm Loan Board, 87

      Federal Intermediate Credit Corporations, 87

      Federal Radio Commission (FRC), 173, 176, 180, 181, 184, 195–96

      Feiker, Frederick M., 94

      Felix, Edgar H., 185–88

      feminism, 53–55

      Ferber, Edna, 70, 71, 73

      Ferriss, Hugh, 26

      Fields, Dorothy, 169

      films. See motion picture industry; movies

      Firpo, Luis Angel, 116–17

      Fisher, Rudolph, 168

      Fisk Jubilee Singers, 164

      Fitzgerald, F. Scott, 8, 55, 56, 107, 155

      5 O’Clock Girl (play), 66

      Flannery, Vaughn, 20–21

      flappers, 53–54, 55, 56

      Fleming, Victor, 60

      Fletcher Henderson Orchestra, 158, 159, 162, 170

      Flood Control Act (1928), 75, 85

      Flood Credits Corporation, 87

      Flynn, Billy, 108

      Folk Song of the American Negro (Work), 165

      Fonck, René, 2

      football, 122–27

      Ford, Henry, 10, 14, 27, 48, 112

      extended credit and, 16–17

      industrial philosophy of, 15, 18, 19, 20, 26

      Fordism, 15, 17, 18, 20, 26

      Ford Motor Company

      advertising/marketing and, 15–16, 20–21

      Model A, 17–18, 19, 20, 26

      Model T, 15–16, 17, 20, 195

      production methods of, 15, 17–18, 19, 20, 26

      River Rouge Plant, 12, 14, 17–18, 21–22

      Frankfurter, Felix, 30–31

      Frazee, Harry, 129

      Friede, Donald, 27

      “From the Land of Dreams” (Still), 165

      Fugitives (poets), 85

      Fuller, Alvan, 31, 32

      Gaertner, Belva, 107, 108

      Gallico, Paul, 114–15, 116

      Gardella, Tess, 73

      Gaucho, The (film), 141–42, 143, 149

      Gaynor, Janet, 149

      Gehrig, Lou, 128, 130, 132–33

      General Motors, 17, 19–20, 26, 35

      Gershwin, George, 162

      Get Your Man (film), 56, 58–59

      Giants of the Earth (Rolvaag), 44–45, 196

      Gibbons, Cecil, 148

      Gibbons, Tommy, 117

      Gibson Girl, 53, 55

      Glazer, Benjamin, 149

      Glyn, Elinor, 56

      God’s Trombones, 163–64

      Good News (film), 127

      Gorn, Elliott J., 121, 122

      Gosden, Freeman, 137, 182, 183–84

      “Grand Canyon Suite” (Grofé), 163

      Grandmothers, The: A Family Portrait (Wescott), 44, 46–47

      Grant, Robert, 31

      Grauman, Sid, 145–46, 147

      Grauman’s Chinese Theater, 145–46

      Gray, Henry Judd, 7, 10, 99–103, 104, 105, 111, 112, 134. See also Snyder-Gray trial

      Great Gatsby, The (Fitzgerald), 107

      Green, Curtis, 81

      Greenville, Mississippi, 76–77

      Grey, Zane, 107

      Griffith, D. W., 103, 139, 150

      Grofé, Ferde, 162–63, 196

      Guinan, Texas, 10, 66–68

      Hall, Edward, 105

      Hammerstein, Oscar, 70, 196

      Hardin, Lil, 158, 159

      Harding, Florence, 98

      Harding, Warren G., 89, 96–98

      Hardwick, Otto, 171

      Harlem, 163, 167–68, 169, 172

      Harlem Renaissance, 11, 138, 155, 163, 164, 166, 167, 170, 172, 188, 196

      Hart, William S., 146

      Haskell, Barbara, 197

      Hayes, Helen, 68

      Hays, William H., 143

      Hays Office, 143

      Headin’ Home (film), 131

      Heap, Jane, 25

      Hearst, William Randolph, 103

      Hemingway, Ernest, 8, 150

      Henderson, Fletcher, 158, 159, 162, 165, 170

      Herbst, Josephine, 28–29, 33

      Her First Affaire (play), 66

      Hermann, John, 28

      High Tide of the Twenties (Leinwald), 7

      Hofstadter, Richard, 43

      Hollingworth, Leta, 55

      Hood, Raymond, 26

      Hoover, Herbert, 7

      Mississippi River flood and, 75, 79, 80, 86–90, 95

      political support for, 89, 95

      publicity and, 10, 86, 89–90, 93, 94–96, 110, 112, 134

      radio regulations and, 173, 175–77

      as Secretary of Commerce, 75, 79, 86, 94–95, 173, 175

      Hoover v. Intercity Radio Company, 175

      Hounshell, David, 26

      Howard, Thomas, 104

      Hoyt, Waite, 128

      Huggins, Nathan Irvin, 9

      Hughes, Langston, 166–67

      Hula (film), 56, 60

      Hunter, Alberta, 158

      illegitimate children, 96–97, 98

      I’ll Take My Stand, 85

      immigrants, 33, 44–46

      imperialism, American, 191–92

      individuality, 4, 14, 29–30, 195

      individual rights, 29–30

      International News Service, 83

      It (film), 50, 56–58

      It (Glyn), 56

      Jannings, Emil, 149

      jazz

      African American, 11, 137, 155–56, 157–61, 165, 166–67, 169

      authentic, 160, 169

      Chicago, 157–58, 169

      “hot,” 158, 159, 160, 162, 169

      New Orleans, 157, 158, 159, 160

      New York–style, 157–58, 169

      origin of, 155, 157, 161, 163

      white musicians and, 11, 156, 157, 162–63, 165, 169, 172

      Jazz (Whiteman and McBride), 163

      Jazz Singer, The (film), 7, 137, 151, 152, 153–55, 156, 158

      Jesus

      portrayal of, as businessman, 36, 37, 38

      portrayal of, in movies, 143–44, 154–55

      Jews, portrayal in movies of, 153–54, 156

      Johnson, Jack, 168

      Johnson, James Weldon, 163–64, 165, 172

      Jolson, Al, 76, 151, 152, 153, 155

      Jones, Bobby, 113

      Joughin, Louis, 32

      Joyce, Peggy Hopkins, 103

      Kalstedt, Harry, 107

      Kellogg, Frank, 176

      Kern, Jerome, 70, 196

      Kieran, John, 120

      King of Kings, The (film), 143–45, 146, 153, 154

      Knudsen, William, 18

      Kobler, John, 102, 103

      Ku Klux Klan, 33, 34, 47–48

      Landis, Kenesaw Mountain, 127, 129

      Larrimore, Francine, 103

      Lasky, Jesse, 147

      Law, Walter, 107

      Lazzeri, Tony, 128

      Le Corbusier, 197

      Lee, John, 78

      Leinwald, Gerald, 7


      Levine, Lawrence, 8

      Lewis, Sinclair, 14, 39–40, 48, 49, 197

      Lincoln Motors, 20

      Lindbergh, Charles, xi (photo), xii, 1–7, 11, 27, 48, 112

      Lindsey, Ben, 61–65, 68

      Lippmann, Walter, 34, 109–10, 111–12, 191–92

      Lipsyte, Robert, 113, 114

      literature

      on American character, 193–94

      crime fiction, 106–7

      history in, 15, 42–46

      religion and, 14–15, 40–42

      Lloyd, Harold, 146, 148

      Locke, Alain, 164, 165, 167

      Lohof, Bruce, 86–87

      Lonardo, Joseph, 104

      Long, Huey, 76

      Lopez, Vincent, 165

      Loring, Hope, 59

      Lowell, Abbott Lawrence, 31

      Lozowick, Louis, 23, 24–25, 26

      Lytle, Andrew, 85

      Machine-Age Exposition, 24, 25–26

      Macpherson, Jeanie, 147

      Madden, Owen “Owney,” 168

      Main Street (Lewis), 39

      Man Nobody Knows, The (Barton), 36

      Man o’ War, 113

      Marchand, Roland, 9

      Marconi, Guglielmo, 179

      marriage, 55, 57–60, 61–64, 65–66, 68, 70, 72

      mass production, 17, 26, 35, 194–95

      materialism, 40, 190. See also consumerism

      May, Elaine Tyler, 9

      May, Lary, 9

      Mayer, Louis B., 147

      McBride, Mary Margaret, 163

      McFadden, Bernard, 103, 105

      McHugh, Jimmy, 169

      McPherson, Aimee Semple, 65, 67, 103

      “Meaning of Lindbergh’s Flight, The” (Ward), 3

      Means, Gaston, 98

      media. See press; radio

      Melville, Louisiana, 80–81

      Mencken, H. L., 95

      Men of Destiny (Lippmann), 111

      Merz, Charles, 104

      Michigan Stadium, 124

      Milbank, Jeremiah, 146

      Miley, Bubber, 171

      Miller, Nathan, 7–8

      Mills, Eleanor, 105

      Mills, Irving, 169–70

      minstrel shows, 184

      Minter, Mary Miles, 142

      Mississippi River flood, 7, 74

      African Americans and, 52–53, 76–81, 88–89

      media and, 83, 89–90

      Red Cross and, 78–80, 81, 82, 83–84, 86–87, 89

      U.S. government’s role and, 75, 78, 79–80, 82, 83, 84–85, 86–89, 95

      “Mississippi Suite” (Grofé), 162–63, 196

      Mix, Tom, 146

      Modern Temper, The (Dumenil), 8

      Moore, Colleen, 146

      Moore, Wilcy, 128

      Moreno, Antonio, 56

      Morgan, Anne, 115

      Morgan, Edmund M., 29, 32

      motion picture industry

      celebrity culture of, 138

      censorship and, 142–43, 147, 151

      respectability of, 10, 137, 138–39, 147

      traditional values and, 10–11, 137, 138–39, 141, 196

      unionization in, 147

      See also movies

      Motion Picture Producers and Distributors of America (MPPDA), 143, 147, 151

      Moton, Robert R., 80, 81, 88

      Mountbatten, Lord and Lady, 139

      movies

      Bow in, 50, 56, 57–60, 69, 72–73, 149, 150

      Fairbanks in, 141–42, 143, 149

      marriage portrayed in, 58–60, 61–64, 65–66

      Pickford in, 139–41, 142, 149

      religion in, 143–44, 154–55, 197

      silent, 152–53

      sound technology and, 151–52, 153, 155

      sports and, 127

      war, 149–50

      women portrayed in, 55–56, 59, 68–72

      See also motion picture industry

      murder trials

      popularity of, 104–6

      See also Sacco-Vanzetti case; Snyder-Gray trial

      music

      black folk and spiritual, 164–65

      celebration of technology in, 27–29

      classical, 160, 163, 179

      See also jazz

      My Best Girl (film), 140–41, 149

      My Egypt (Demuth), 189, 190, 197

      My Own True Story—So Help Me God! (pamphlet), 102

      NAACP, 10, 79, 80

      Nagel, Conrad, 147

      Nanton, Joe, 171

      Nash, Roderick, 8

      National Football League, 122

      National Guard, 84, 87

      National Origins Act (1924), 33, 34

      Native Americans, 42

      Navy, U.S. Department of, 176

      NBC (National Broadcasting System), 173, 177, 178

      “Negro and the Flood, The” (White), 81

      Negro Hour, The, 184

      Nervous Generation, The (Nash), 8

      Neue Sachlichkeit movement, 23

      New Deal, 82

      New Negro, The (Locke), 164, 165

      New Orleans

      flood and, 76, 89

      jazz, 157, 158, 159, 160

      New Republic, 179

      newspapers. See press

      “new woman,” 10, 52, 53, 55, 58, 61, 65, 66, 67, 89, 109, 138, 196

      New World Coming (Miller), 7–8

      New York

      boxing in, 115–16, 119

      jazz, 157–58, 169

      night clubs, 67, 161–62

      radio in, 173, 178, 179, 183, 189

      Snyder-Gray trial in, 91, 99–104

      See also Harlem; Harlem Renaissance

      New York Daily Mirror, 103, 105, 195

      New York Daily News, 91, 104, 105

      New York Evening Graphic, 103, 105, 195

      New York Herald Tribune, 123

      New York Illustrated Daily News, 103, 105, 195

      New York Times, 104, 120

      New York World, 17

      New York Yankees, 128–29, 130–31

      Niblo, Fred, 147

      Nilsson, Anna Q., 131

      No No Nanette! (play), 129

      Normand, Mabel, 142

      Norse-American Immigration Centennial Celebration, 45

      Norwegian Americans, 44–45

      Notre Dame University football, 113, 123, 124–25, 126

      Nungesser, Charles, 2

      O’Brien, W. W., 108

      Ogren, Kathy, 156

      O’Keeffe, Georgia, 23, 24

      Okeh Records, 159

      Oliver, King, 158

      “Ol’ Man River,” 73–74

      Only Yesterday (Allen), 7, 8

      Oriard, Michael, 122

      Original Dixieland Jazz Band, 157

      Orteig, Raymond, 2

      Orvell, Miles, 25

      Ory, Kid, 159

      Paddock, Charlie, 113

      Padlocks of 1927 (Broadway show), 67

      Paley, William, 178

      Palmer, A. Mitchell, 33

      Palmer Raids, 33

      patriotic organizations, 47–48

      Paul Whiteman Orchestra, 160, 161–63, 165, 169, 170

      Pay Day (Asch), 32

      Peder Victorious (Rolvaag), 45

      Pennock, Herb, 128

      Percy, LeRoy, 77, 78

      Peyton, Dave, 161, 167

      Philco (Philadelphia Storage Battery Company), 174–75

      Phillips, H. I., 128

      photography, industrial, 12, 20–22

      Pickford, Charlotte, 141

      Pickford, Jack, 141

      Pickford, Lottie, 141

      Pickford, Mary

      the Academy and, 148, 149

      Fairbanks and, 10–11, 135 (photo), 137, 138–39, 141, 145, 146

      film roles of, 139–41, 142, 149

      traditional values and, 10–11, 137, 138–39, 141, 196

      pioneer spirit, 46–47

      Pittsburgh Pirates, 128

      plantation system, 77, 82, 85–86, 88, 89

      Pomeroy, Roy, 148

      Ponce de Leon, Charles L., 9

      Pop Question Game, The, 186


      Pound, Ezra, 28

      precisionists, 22, 23–24, 25–27

      President’s Committee on Relief, 79, 83, 86

      President’s Daughter, The (Britton), 97–98

      press

      crime reporting and, 102–5, 106, 107–9, 195

      Hoover and, 10, 86, 89–90, 93, 94–96, 112

      Mississippi River flood and, 83, 89–90

      role of, 130, 195

      sensationalism and, 108–11, 112

      Snyder-Gray trial and, 102–5, 109

      sports writing, 112–14, 120, 122–23, 124–26, 195

      tabloid, 93–94, 103, 105, 109, 195

      “Progress and Nostalgia” (Levine), 8–9

      Progressive movement, 111

      Prohibition, 33

      publicity

      created by the press, 93–94, 108–11, 112

      Ford and, 15, 16, 20

      Hoover and, 10, 86, 89–90, 93, 94–96, 110, 112, 134

      Lippmann on, 109–10

      Pupin, Michael I., 179–80

      purism movement, 23

      racism, 42, 73–74, 75, 77–82, 88–89, 167

      radio

      advertising, 174–75, 177–78, 180–81, 184–88

      Babe Ruth on, 132

      commercial, 180, 181, 185–86

      educational role of, 11, 138, 178–79, 180, 188

      government regulation of, 173, 175–77, 180, 188, 195

      independent, stations, 181, 195

      licensing, 175, 176, 180, 181, 195–96

      Mississippi River flood and, 83

      national, 177, 180–88

      networks, 173, 177–78, 181, 195

      nonprofit, 180

      number of listeners, 178

      programming, 174, 181

      racial stereotypes on, 137, 182–84, 188

      respectability of, 10, 137–38

      sports on, 116, 119

      technology, 173, 174–75

      Radio Act (1912), 175, 176

      Radio Act (1927), 173, 176, 180, 181, 184, 188, 195

      Radio Group Network, 177, 178

      Rainey, Ma, 158

      Ralston, Esther, 59

      Ralston, Jobyna, 150

      Ransom, John Crowe, 85

      Rappe, Virginia, 142

      RCA (Radio Corporation of America), 173, 174, 177, 178, 182

      Red Cross, 74, 78–80, 81, 82, 83–84, 86–87, 89

      Redmond, Sidney Dillon, 79

      Reid, Wallace, 142

      Reiner, Fritz, 179

      religion

      business and, 35–40, 197

      in film, 143–44, 154–55, 156, 197

      industrial age and, 14–15

      literature and, 14–15, 40–42

      Republican Party, 75, 89

      Revelry (Adams), 98, 108

      Revolt of Modern Youth, The (Lindsey), 61, 63

      “Rhapsody in Blue” (Gershwin), 162

      Rice, Grantland, 112–14, 123, 128, 132

      Rickard, Tex, 115, 119, 121

      Riesenfeld, Hugo, 153

      Rise of American Civilization, The (Beard and Beard), 43–44

      Robeson, Paul, 182

      Rockne, Knute, 124–26, 127

      Rogers, Charles “Buddy,” 140, 150

      Rogers, J. A., 165, 166, 167

      Rogers, Merrill, 66

      Rogin, Michael, 156

      Roland, Gilbert, 60

      Rolvaag, Ole Edvart, 44–46, 47, 49, 196

     


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