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    Storm for the Living and the Dead

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    quite young and neat

      going out for food and

      toilet paper

      they are one of the loveliest

      couples in the

      neighborhood.

      “Texsun”

      she’s from Texas and weighs

      103 pounds

      and she stands before the

      mirror combing strands and

      strands of reddish hair

      which falls all the way down

      her back to her ass.

      the hair is magic and shoots

      sparks and I lay on the bed

      and watch her combing her

      hair. she’s like a nymph

      out of the movies but she’s

      actually there. we make love

      at least once a day and

      she can make me laugh

      with any sentence she cares

      to say. Texas women have always

      been immensely beautiful and

      healthy, and besides that she’s

      cleaned my refrigerator, my sink,

      the bathroom, and she cooks and

      feeds me healthy foods

      and washes the dishes to top

      that.

      “Hank,” she told me,

      holding up a can of grapefruit

      juice, “this is the best of them

      all.”

      it says “Texsun—unsweetened

      PINK grapefruit juice.”

      she looks like Katharine Hepburn

      must have looked while she was

      in high-school, and I watch those

      103 pounds

      combing a yard and some change

      of glinting reddish hair

      before the mirror

      and I can feel her inside of my

      wrists and at the backs of my eyes,

      and the toes and legs and belly

      of me feel her and

      the other part too,

      and all of Los Angeles falls down

      and weeps in joy,

      the walls of the love parlors shake,

      the ocean rushes in and she turns

      to me and says, “damn this hair!”

      and I say,

      “yes.”

      warm water bubbles

      what I like

      is when I’m in the bathtub

      and I fart

      and that fart is so bad

      that I can smell the stink

      of it

      up through the water.

      the pleasure of power:

      Mahatma Gandhi dying.

      the iris in drag.

      love is wonderful

      but so is the stench of the

      innards,

      the coming forth of the hidden

      parts.

      the fart. the turd. the death of

      a lung.

      bathtub rings, shit-rings in toilets

      dying bulls dragged across Mexican dirt

      Benito Mussolini and his whore Claretta

      being hung by their heels

      and torn to pieces by the mob—

      these things have more gentle glory

      than any Christ with His

      perfectly-placed wounds.

      I read (and I no longer know which side

      did it) that in the Russian revolution

      they’d catch a man, cut him open, nail

      part of his intestine to a tree

      then force him to run around and around

      that tree, rolling his intestines about

      the trunk. I’m no sadist. I’d probably

      weep if I had to see it, probably go mad.

      but I do know that we are much more than

      we think we are

      even though the romantics

      concentrate upon the hate/and or/love of

      the heart.

      a fart in the bathtub contains a whole

      essential history of the human race.

      love is so wonderful.

      so is the fart.

      especially mine.

      dying bulls being dragged across the Mexican

      dirt and me in the bathtub

      looking up at a 60-watt bulb and feeling all right.

      a corny poem

      we lived in a hotel next to a

      vacant lot

      where somebody was growing a

      garden

      which included these long

      cornstalks

      and we came out of the corner bar

      at 2 A.M.

      and started walking

      toward our place

      and when we got to the vacant

      lot she said, “I want some

      corn!”

      and I followed her out and

      I said, “shit, this stuff

      isn’t ripe yet . . .”

      “yes, it is . . . I’ve got to

      have some corn . . .”

      we were always hungry and

      she started ripping off

      these ears of corn and

      stuffing them into her purse

      and down her blouse and

      I looked up the street and

      saw the squad car coming

      and I said, “it’s the cops,

      run!”

      they had the red lights on

      and we ran toward our

      apartment house, down the

      front walk . . .

      “HALT OR I’LL FIRE!”

      and down the stairway to

      the basement elevator

      which happened to be there

      and we closed the doors and

      hit the button #4

      as they stood down there

      pushing buttons. we got

      out and left the elevator

      doors open, ran down to our

      apartment, got in, locked the door

      and sat in the dark

      listening and drinking cheap

      wine. we heard them out there

      walking around. they finally

      gave up but we left the lights

      out and she boiled the ears of

      corn, we sat in the dark a

      long time listening to the ears

      of corn boil and drinking the

      cheap wine. we took the corn

      out and tried to eat it. it

      was undeveloped, we were nibbling

      at murders, at miscarriages of

      nature.

      “I told you this shit wasn’t ready,”

      I said.

      “it’s ready,” she said, “for Christ’s

      sake, eat it!”

      “I’ve tried,” I said, “Lord God knows

      how I’ve tried . . .”

      “be glad you’ve got this corn,” she said,

      “be glad you’ve got me.”

      “the corn is green,” I said, “green as

      caterpillars in April . . .”

      “it’s good, it’s good, this corn is good,”

      she said

      and started throwing ears of it at me.

      I threw the ears back.

      we finished the wine and went to sleep.

      in the morning when we awakened here were

      these tiny little ears of corn all over the

      rug and on the sofa and on the chairs.

      “where’d this crap come from?” she asked.

      “the Jolly Green Giant,” I said, “shit us

      a tubful.”

      “in this world,” she said, “a girl can

      never tell what she’s going to wake up

      with.”

      “something hard,” I answered, “is better

      than nothing.”

      she got up and took a shower and I turned

      over and went back to sleep.

      the ladies of the afternoon

      no more ladies knock on my door

      at 3 A.M.

      with ready bottle and ready body;

      they arrive at 2:30 in the afternoon

      and talk about the soul,

      and they look better than the old girls


      did, but the understanding is clear—

      no one-night stands,

      I must buy the whole package;

      they know Manet from Mozart, they know all the

      Millers, and will sip on a bit of wine

      but just a bit, and their breasts are vast and

      firm

      and their asses are sculptured by

      sex-fiends;

      they know the philosophers, the politicians and

      the tricks;

      they have minds and bodies,

      and they sit and look at me and say,

      “you seem a little nervous. is everything

      all right?”

      “o yes,” I say, “fine,” thinking what the hell is

      this?

      I’m not going to waste a month to get a pinch of

      buttock;

      and such terribly beautiful eyes, o yes,

      the witches!

      how they smile, knowing what you are

      thinking—

      to place them on a bed and be done with it—

      fuck yes!—

      but this is an inflationary age

      and with them

      you must pay first, during and

      afterwards. it’s

      the emancipated female, and I am no longer a

      schoolboy, and I allow them to leave

      untouched, most of them with a wrecked man or two

      behind them already,

      and still in their 20’s, and a meeting is arranged for later

      in the week, and they leave

      dangling their eternal price

      behind them

      like their beautiful asses,

      but I find myself writing,

      the next day,

      “Dear K . . . : Your beauty and youth are simply too

      much for me. I do not deserve

      you, so therefore I ask that we break our relationship,

      as small as that may have

      been . . .

      yours,

      . . .”

      then I smile, fold the letter, put it in the envelope, lick it

      closed, add stamp,

      and I walk down the street

      to the nearest mailbox

      keeping the emancipated woman as free as she

      should be, and not doing too badly

      toward myself

      either.

      tongue-cut

      he lives in the back and comes to my door

      carrying his shotgun in one hand.

      “listen,” he says, “there was a guy sitting

      on your couch on the porch while you were

      gone. he didn’t act right. I asked him what

      he wanted, he said he wanted to see you.

      I told him you weren’t in. do you know a

      tall black guy named ‘Dave’?”

      “I dunno nobody like that . . .”

      “I saw this guy on the street later and I

      asked him what he was doing in the neighbor-

      hood.”

      “I don’t know no tall black named ‘Dave.’”

      “I’ve been watching your place. I ran off a couple

      of those Germans. you don’t want to see any Germans,

      do you?”

      “no, Max, I don’t like Germans, Frenchmen and especially

      I don’t like Englishmen. Mexicans and Greeks are all

      right but there is something I don’t like about the looks on their

      faces.”

      “there have been more Germans than any other kind.”

      “run them off . . .”

      “o.k., I will . . . when you leaving town again?”

      “tomorrow.”

      “tomorrow . . . ?”

      “tomorrow, yes, and if you find some fucker sitting on

      my porch couch, blow his god damned head off . . .”

      “o.k., I will . . .”

      “thanks, Max . . .”

      “it’s all right . . .”

      he walks back to his court in the back with his

      shotgun and

      goes inside.

      “my god,” says Linda Lee, “you know what you’ve

      done?”

      “yes,” I say.

      “he believes in you. when we come back there’ll be

      a dead body on the porch.”

      “all right . . .”

      “don’t you remember when I took my day of silence?

      you told him you had cut my tongue out . . . and he

      accepted it matter of factly . . .”

      “Max is the only real buddy I’ve

      got . . .”

      “you’re an accessory to the fact . . .”

      “I don’t like uninvited guys sitting around on my porch

      couch waiting for me . . .”

      “suppose it’s some poet, some guy who admires your

      work?”

      “like I said, ‘Max is the only real buddy I’ve got.’

      let’s start packing . . .”

      “what happened to my green dress?”

      she asks.

      Venice, Calif., nov. 1977:

      leary’s long gone and the drop-out area he created:

      the junkies, the crazies, the fanatics, the general

      rush of idiots have long ago been taken care of by

      the institutions, including the institution of death.

      lsd is almost out, speed is standard, reds are rare,

      joints aren’t brave, coke and H are too expensive,

      roller-skates and racquet-ball are in; less guitars,

      less bongos, less blacks; the natives now huckster baggage

      and small items from vans while their stereo sets

      no longer play Bob Dylan, they have become minor

      capitalists, nothing wearying, just a hype, and the

      ten-speed bike, they ride the ten-speed bike as if

      in the dream, all the revolutions are over but there is

      still an anarchist or two under the palms, tamping their

      pipes and planning to blow up some damn thing for no

      damned reason and the sea goes in and out, out and in,

      and over in Santa Monica the musclemen are still there,

      although they aren’t the same musclemen, and the sea

      goes in and out, and there’s no Vietnam to protest, hardly

      anything to do, racquet-ball, roller-skates and ten-speed,

      and fucking is almost a bore, it means trouble, you know,

      and cheap wine is in, and you can use a do-it-yourself car

      wash for twenty-five cents.

      mirror

      women at my dresser mirror

      there have been so many women

      at my dresser mirror

      combing their hair

      the comb catching

      and I see in their eyes in

      the mirror as they look

      at me

      stretched on the bed.

      I am almost always on the bed

      it’s my favorite place.

      that love or even

      relationships

      stop

      seems so very odd

      but that new loves

      new relationships

      arrive

      that’s lucky.

      even though solitude is

      good

      loneliness seems

      imperfect.

      all those faces in the

      mirror

      I remember them.

      blossoms of feeling and

      humor,

      I’ve been treated well

      most of the

      time.

      the women are now

      in front of other mirrors

      and the men stretch on the beds

      I’m sure—

      conversing, or

      silent, relaxing.

      another woman uses

      my mirror

      her name is Linda Lee

      she laughs at me

      I have on a black and white


      Japanese “happy coat.”

      maybe she will stay in my

      mirror.

      head jobs

      she’s still doing it.

      she sculpts men’s heads

      then goes to bed with

      them

      I guess to match the clay

      with the flesh.

      that’s how I met

      her.

      I didn’t object

      but in such cases

      you always feel that it is

      you.

      but afterwards

      I found out

      that I was not the

      first

      and after I began living with

      her

      I’d look at these sculpted heads

      of men

      on this table

      and on top of the tv set

      and

      here and there

      and I’d think,

      my oh my.

      and then she’d tell me,

      “listen, you know whose head I’d

      like to sculpt?”

      “uh uh.”

      “I’d like to sculpt big Mike

      Swinnert . . . he has an interesting skull . . .

      did you ever notice his mouth, his

      teeth?”

      “yes, I have . . .”

      “I like his wife too. but I think I’d like

      to do Mike first . . . you wouldn’t be

      jealous, would you?”

      “ah, no. I’ll go to the track or something

      so you can concentrate . . .”

      “it’s kind of embarrassing for me to

      ask him. he’s your friend. would you

      mind asking . . . ?”

      Mike didn’t have a car so I picked him

      up and drove him over. as I parked outside

      he said, “listen, I can fuck her if I want

      to, you know. do you mind if I fuck her?”

      “well, I guess I would,” I said.

      he gave me that glance: “all right,

      for your sake, I won’t.”

      I walked him into the clay and then went

      back downstairs.

      I drove out to the track and had

      a terrible day at the

      track . . .

      I once walked through McArthur Park

      with her as she picked out men with

      interesting heads and

      I went up to them and asked if she

      might sculpt their heads. I even

      offered them money. they all

      refused, feeling that something was

      wrong. I too felt that something was

      wrong, especially with me.

      it wasn’t much after that when

      the sculptress and I

      split.

      she even moved out of town but

     


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