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      when the fourth child is born she receives no gifts –

      I swear it, not one –

      for it is largely taken that her overly keen parents

      are besieged by baby stuff and will be only too pleased

      to dig out the mothballed basket and yellowing vests.

      Her beauty is scored in comparison to her older siblings

      and within an instant is ignored

      as though she emerged in a tide of doppelgängers.

      This is only how other people react

      but to her mother the fourth child is an epiphany,

      thorn in the side of St Patrick, plucked,

      the face of God, unveiled,

      a truth so grave as to be holy –

      she could have four more babies and ten more after that

      and, heaven help her, another dozen

      and the fear that seized her

      when she was pregnant for the second time –

      that she might not feel quite what she felt for the first –

      has long since vanished. This fourth child

      could be her twentieth, her seventieth, her eighteen

      thousand and sixteenth, and yet

      the beleaguered, over-worked and too-shadowed heart

      would still find a way to pick up its bags

      sling them over its shoulder

      and begin its hellacious and lonely expedition

      to all the unexplored countries of love.

      What We Talk About When We Talk About Motherhood

      which reminds me that it didn’t happen

      overnight but very gradually and subtly

      my mind keened away from the catalogue

      of thoughts which had sat in it snug as eggs

      in a nest for almost thirty years to a shore

      of thoughts about every possible topic

      that involved babies and mothering

      I found myself in deep earnest conversation

      with nameless women in libraries and parks

      and airport queues and at the supermarket

      while searching for the cheapest baked beans,

      we’d never share our names but we’d share

      our experiences of teething and weaning and

      being late for everything and sleep training

      precisely because it was like free-hand climbing

      the tallest red rock face in Utah the only human

      for miles and randomly coming across another

      similarly occupied hominid but then it was

      more than that, it was a kind of baptism

      in the middle of the Pacific

      rolling up on a strange and

      lonely and astoundingly beautiful island and

      making new friends with the others

      who staggered up the beach, their arms full

      with this new life, and it was more than who

      I made friends with and it was more than

      the way my shopping trolley saw fewer

      ready meals and more organic produce

      and it was more than anything I can yet describe

      but it began with my thoughts which keened

      towards topics my former self would have labeled

      ‘boring’ but which now possessed me

      and when I say I was thinking endlessly about

      how exactly to prepare six bottles in one go

      and whether she should be starting to sit up

      by now and whether I should give in and let

      him sleep in our bed or persist with the cot

      I was not thinking about any of this at all

      but feminism, about the government,

      about Africa, about astronomy, about history,

      about nature, creativity, about God.

      Clay

      Our children are so soft, we imprint them

      like a heavy sole stepping into mud

      not breaking the ground but reordering

      its elements, the way it will hitherto

      hold water, light, the curious nose of wind

      and voice of earth. Even when later rain

      smoothes out that patina something of the mark

      holds. Even when the sun whips the wetness

      to its pools of night and the stiffened ground

      wears its shelled-out grooves, when these deepen

      in each punching hail and hollowing storm

      the pattern may be nothing like the original

      print but art in its own way, no trace of boot

      apparent in the striving clay.

      In Joy I Have Asked Questions

      after Carol Rumens

      In joy I have asked questions

      But in sorrow I asked more.

      Is the point of pain to make us ask

      Why we live, and what for?

      One Hundred Years After the Suffragettes

      Some days, a razing slowness.

      Five o’clock want of unctuous roads.

      Anxiety’s striations another kind of rain

      down the lens: more redundancies.

      A murmuration of interest rates.

      My Plan B involves a house

      built with mud and clay, off the grid,

      some chickens. At playgroup the mothers

      re-fashion their feminist principles.

      Most of us are working two full-time jobs.

      Some days, the kind of slowness

      that sings our children’s growth

      like time lapse films of mushrooms

      flinging up their polka dot skirts:

      a dress our daughter wore last summer

      is suddenly too short. Our son writes

      me a love note, boulevards of vowels

      like skywriting.The baby’s illness unfists.

      Some days the nettles and brambles

      swoon just long enough for me

      to reach both hands into that sweet river

      and sup at what I am living for.

      Life Questions

      And life will ask, what have you made of me?

      I will show my art, my children, the state of my soul.

      And life will ask, how have you spent me?

      I will account for the days of nothingness and those

      of greatness,

      and life will smile at my interpretation of nothingness

      and greatness.

      Life will say, how have you loved me?

      And there will be measures of hatred amongst my love,

      too many,

      for it is often too simple to love.

      Then, life will stretch out its wings and say, how have you

      shared me? Gifted me?

      It will seem I shared a single black tear

      from the wealth of the watermelon.

      Each moment life says

      take this, and this, and this.

      The Mire

      These trenches are endured alone,

      and at times so thick

      with sucking mud and cloying fog,

      so much enemy fire at one woman

      that it seems there will be no end

      and no happiness,

      that somewhere along the line

      you did not sign up for this,

      are not made for this.

      Perhaps the mire

      is you being made

      for this.

      So the soft cotton tufts are plucked

      from the cloud fields

      then wound and wound

      to usefulness.

      So the string inches

      up the cello bridge,

      never closer to breaking

      when it sounds its

      true note.

      Weft

      They call it ‘broodiness’, or ‘feeling broody’,

      biological weft in the body’s rich cloth

      designed as impetus to reproduce – but really

      it’s more than that, stubborn as nostalgia, trough

      in rationality, elemental metal forged in love

      but made of – what? The gateway’s cl
    osed,

      my body will never clasp another pulse, will not glove

      the root and stem of a reddening rose.

      No more beginnings, no genesis in my ending,

      no more will milk waken, like hope, to stab the skin,

      yet it persists! Ghostly craving, devoted midwife

      wanting all to flower – the woof and warp of life.

      The Lessons

      How to love that which does not give love

      immediately, which does not smile much

      nor laugh but which asks and asks

      and takes more than you can give

      Physical lessons, too – mastery

      of contortion, how to achieve a night’s

      sleep on the width of a snake,

      to walk in definitive silence

      What waste really is, and how grievous –

      to make use of scraps, especially time

      the importance of mending

      the stitchless heart

      Further, the scales on which I once weighed

      importance revealed as inaccurate –

      that you cannot weigh love

      and integrity but become them

      How to regard a snake, a spider, a shark, a cruel man

      as metal ripe with darkness

      but forged in that same kiln

      as the self

      How to wait, and to wait, and to love the waiting

      until the waiting is not waiting

      but being and respecting

      all else its stillness

      How to give and not think it

      but perceive each loss from my hand

      as a gift

      in the other

      To listen deeper to the music of my voice

      in tones which are feathers and

      swords – to speak

      with an orchestra of wings

      To abate opinion, cultivate listening

      to hear with memory,

      wisdom, patience,

      love

      To love the black days

      and the gold, to release them to night

      as though I am the blue heart turning

      in the light of the sun

      Complaint as erosion of each good that is dealt

      Anger as a wholly adulterating fire

      Complaint as a blindness, diminishing blessing

      Anger’s theatre of masks

      Sometimes the sun will beat down on one’s field

      sometimes the rain and the storm –

      neither is a curse but a season

      each season a blessing

      Joy has no trophies, peace has no trophies,

      when both are reached

      at the end of a great journey

      no trophy ever mattered

      Obedience to the ancient truths: not to lean

      on the seen or the heard

      but the untouchable, the haunting,

      the easily mocked

      Gradually –

      the exact proportion of hate

      to give to my failures

      Finally – to love them

      In the Hands of an Orange Sun

      At dawn I stirred in the hands of an orange sun.

      My dreams were chained, my children still young.

      We journeyed down winding lanes that had burned

      at dawn. Ice stared in the hands of an orange sun

      and my daughters had had daughters. My son spurned

      his train sets for coal and wrench, became a man

      at dawn. I stirred in the sands of an orange sun.

      My dreams were changed: my children, still young.

      Mother Tongue

      Zygote. Morula. Blastocyst. hcG. Viability. Amniocentesis. Toxoplasmosis. Trimester. Vena Cava. Anaemia. Ferrous Sulphate. Symphysis Pubis Dysfunction. Areola. Linea Negra. Fundus. Doula. Gina Ford. Quickening. Breech. Braxton Hicks. Group B Strep. Bloody Show. Kegel. Pre-eclampsia. Due. Overdue. TENS. Pethidine. Vernix. APGAR. Meconium. Bilirubin. Fontanelle. Colostrum. Rooting. Latching. Let-down. Engorgement. A cabbage leaf in the fridge. Hindmilk. Foremilk. Pumping. Mastitis. Reflux. Topping. Tailing. Mustard-yellow. Disposables. Hydrogels. China. SIDS. Jealous cats. Co-Sleeping. Attachment. Nasal extractor. Calpol. Infacol. Germs. Cooled boiled. Colic teets. Solids. Bumbo. Isofix. Gro-bag. Romper suit.Travel system. All-terrain. MMR. Activity spiral. Makaton. CBeebies. Separation anxiety. Controlled crying.Yummy. Slummy. Libido. Guilt.

      All Right

      A mother’s life

      lived out on a ship

      enormous planetary ship

      that sways and is never still

      and so she appears

      to be staggering

      slip-sliding between

      opposites of time,

      love, logistics, existential

      and wholly complicated dilemmas

      such as whether she is

      wasting her life at the sink

      or if she is in fact the wisest person alive

      spending her days tending

      to such small details of living

      if she is doing it right

      and by ‘it’, everything

      if her children deserve better

      than her

      if she should have had more children

      if she should have had them

      earlier, closer

      if she should have had

      any at all

      if she should have kept on

      powering at her career

      basked in the kind of recognition

      and fabulous shoes

      success would have brought

      if, on her deathbed, the questions

      she spends each moment of each day

      shifting in her mind

      will ever be answered

      if a voice, a descending peace

      will finally reply

      yes, my dear, you did it all

      one hundred per cent right

      Acknowledgements

      Drafts of some of these poems appeared in the following publications and thanks are due to the editors: Ambit, Magma, Poetry Review, The Stinging Fly, The SHOp, New Walk Magazine, Poetry Salzburg Review, Poetry Wales, The New Statesman, The Black Light Engine Room and Peony Moon.

      ‘Hare’ received a Commendation in the National Poetry Competition 2013.

      I am extremely grateful to the Society of Authors for a K. Blundell award in 2011, and to New Writing North for awarding an early draft of the manuscript a Northern Promise Award in 2013, and for their continuing support.

      Thanks to Degna Stone, Ira Lightman and particularly Anna Woodford for their comments on an early draft. Thanks to Amy Wack and all at Seren. Love and thanks to Evita Cooke and my husband Jared Jess-Cooke for being supportive and generally lovely, and to my children for everything, not least their inspiration.

     

     

     



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