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    Narrative Poems

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      To deal with the late sovereign’s disappearance.

      I doubt if they’d believe in interference

      From Heaven direct—a plain, Old Testament

      Annihilation on the tyrant sent . . .

      But, short of that, we either must produce

      The corpse, or else some plausible excuse.

      What do you think? The matter’s in your line

      And suited to your office more than mine.’

      The Bishop answered, ‘Any man in the world200

      Has more right to rebuke these words than I.

      But I believe—I know you could not know

      That I believed—in God. I dare not lie.’

      The General answered, ‘I should hope you do;

      I’m a religious man as well as you,

      But now we’re talking politics. You say

      That you believe; the point is, so do they,

      Which makes all doctrines easy to digest.

      Come, now; I’ve made a very small request.’

      ‘I cannot tell them more than I believe.210

      I dare not play with such immeasurables.

      I am afraid: yes, that’s the truth, afraid,

      Put it no higher. Fear would stop my tongue.’

      The Leader said, ‘Oh Lord, to have a fool

      To deal with. God Almighty, keep me cool!

      What do you fear? Have I not made it plain,

      You and your Church have everything to gain?

      Be loyal to the Leader and I’ll build

      Cathedrals for you, yes, and see them filled,

      I’ll give you a free hand to bait all Jews220

      And infidels. You can’t mean to refuse?’

      ‘I must: for He of whom I am afraid

      Esteems the gifts that [you] can promise me

      Evil, or else of very small account.’

      ‘Silence!’ The Leader said, ‘Silence, I say!

      You never talked like this before to-day,

      And now to make religion your pretence,

      Frankly, I hold it sheer irreverence.

      If you look down from such a starry height

      As that, upon all earthly power and might,230

      Why, in God’s name, have you not told us so

      A year, or ten, or fifteen years ago?

      Why was your other-worldliness so dumb

      When every office went for sale in Drum,

      When half the people had no bread to eat

      Because the Chancellor’d cornered1 all the wheat,

      When the Queen played her witchery nights, and when

      The old King had his women nine or ten?

      All this you saw, unless you were asleep.

      God! to sit still beside the course and keep240

      Your malice hid, till at the race’s end

      You dart your leg out to trip up a friend

      Just at the goal. I’d counted upon you—

      The thing so dangerous and my friends so few,

      Would I have risked it if I thought the Church

      Was going to turn and leave me in the lurch?

      What? Silent still? Why then, damnation take you!

      I’ve begged enough, I’ll find a way to make you.

      You’ve played a dirty trick, and now you’ll rue it!’

      He called his men and said, ‘Boys! Put him through it.’250

      5

      The raw-boned boy, meanwhile, was with the Queen.

      She led him in the short way between

      The great hall and her private tower,

      —A little terrace, at that hour

      A solitary place. And there

      She knew that they would pass a stair

      Down which she had scampered many a night

      Into the garden by star-light.

      Upon her arm she had a ring,

      The bridal gift of the old King,260

      Hard, heavy gold that twists to take

      The likeness of a tangled snake.

      She works it downwards as they walk,

      Little she heeds her jailor’s talk.

      She works it till that golden worm

      Is round her knuckles and held firm.

      And now they reached the stairway’s head.

      Never a word the lady said;

      Out from her shoulder straight she flung

      Her arm, so strong, so round, so young;270

      His wits were much too slow to save him—

      It was a lovely blow she gave him.

      Right in his mouth with all her strength

      He got the gold. He sprawled his length,

      Bloodied and blubbering; and when

      He scrambled to his feet again,

      He saw the wide, smooth lawn between

      Himself and the swift-footed queen,

      He saw her raiment flickering white

      Against the hedge—then out of sight.280

      6

      The Leader’s ruffians gather with great strokes

      About the Bishop, with lead pipe and sticks,

      As foresters about a tree with the axe,

      With belts and bludgeons and with jibes and jokes.

      His breath comes grunting under heavy shocks,

      He pants so loud, they think that he still talks,

      And rail upon him crying Plague and Pox!

      Ever a bone breaks or a sinew cracks.

      They beat upon his stomach till its wall breaks. Aoi!

      In his imagination he seems to hang290

      Upon a cross and be tormented long,

      Not nailed but gripping with his fingers strong.

      With the toil thereof all his muscles are wrung,

      Great pains he bears in shoulder, arm and lung.

      He fears lest they should jolt the cross and fling

      His body off from where he has to hang. Aoi!

      Ever he calls to Christ to be forgiven

      And to come soon into the happy haven.

      Horrible dance before his eyes is woven

      Of darkened shapes on a red tempest driven.300

      Unwearyingly the great strokes are given.

      He falls. His sides and all his ribs are riven,

      His guts are scattered and his skull is cloven,

      The man is dead. God has his soul to heaven. Aoi!

      CANTO V

      Wing’d with delight and fear, the Queen

      Was running on the ridgy green.1

      Up the first field that gently slopes

      Towards the hills of all her hopes,

      Happy the man who might have seen

      The unripe breasts of that young Queen

      So panting, and her face above

      So flushed and eye-bright for his love,

      As in this unregarding place

      She breathed, she brightened, with the chase.10

      Up the long field in open view

      Only to get her lead she flew,

      But in the next she hugged the edge

      Well hidden by the blackthorn hedge,

      Then through the spinney chose a track

      Still up, not daring to look back,

      Then forty yards of sunken lane

      Up hill, then to her left again,

      Half level, and half losing ground

      —For so she must to sidle round20

      A big ten-acre field where men

      Were still at work, though even then

      Looking with welcome in their eyes

      To the slow-yellowing2 western skies.

      It was the hour when grass looks greener

      And hay smells sweeter. None had seen her,

      When up beyond the fields she came

      Where three parts wild and one part tame

      Old horses roll and donkeys bray

      And geese in choleric cohorts stray30

      About the common land, that now

      Springs steeply to the foot-hill’s brow.

      Here as she breasted the hot track

      Baked with the sun, she first looks back

      And sees the squat-built castle stand


      Spider-like amid smooth Drum-land,

      And from it, spreading like a fan,

      The hunt she fled from—horse and man

      Already dark and dwarf’d as ants

      But creeping, nearing. While she pants,40

      Hard labouring up the stony ground

      And slippery grass, above the sound

      Of her blood hammering in her ears,

      Music of baying dogs she hears.

      Her wind is good, her feet are fast,

      She knows how long they both will last,

      On hounds and horses she has reckoned.

      She gains that crest, and towards the second

      Swifter she runs, yet not too swift.

      Here the whole earth begins to lift50

      Its large limbs under robes of green

      Higher, and deepening gaps between

      Sink in warm shadow, and the sky,

      Jostled with peaks, shows small and high.

      The land of Drum is seen no longer,

      The world is purer, the light stronger

      And streams and falls and everywhere

      More streams sound on the quiet air.

      Here well she knew her way, to turn

      And find an amber-coloured burn60

      That musical with myriad shocks

      Of water leaped its stair of rocks:

      And up the stream from hold to hold

      She clambered—the knife-edge of cold

      Deliciously now reached her waist,

      Now splashed her lips with earthen taste,3

      There wading, leaping in and out

      She climbed to throw the trail in doubt,

      And reached the head. High moorland lay

      Before her, and peaks far away70

      And over them the broad sun sinking.

      She stood to breathe a moment, thinking

      Of many small things, many a place

      Far from that evening’s toil and chase,

      Until the bloodhounds’ noise behind

      Came louder on a change of wind,

      And quelled her spirit as she hearkened,

      And drove her on.

      The world was darkened.4

      And still she runs, but slowly now, and yet80

      More slowly, and pain burns her feet, and sweat

      Tangles her hair on smarting eyes and brow;

      And still she runs; only of running now

      She thinks, not of the ending of the chase,

      But always runs. There is a wretched place

      Beyond the moor, right underneath the fells,

      The last of homesteads, where a miser dwells—

      A huddle of trees, a cottage under thatch,

      A meadow and a cultivated patch.

      Often in her night wanderings before90

      She had seen old Trap, and often from his door

      He had shouted at her shadow ‘Witch!’ and ‘Whore!’

      Thither she ran and entered the low wood,

      Sure-footed, silent as a beast pursued,

      And from the covert, shaping both her lips

      A way she knew, pressed with her finger tips,

      Sent such a cry that no man in the dark

      But would have sworn it was a vixen’s bark.

      It worked! Old Trap had poultry to defend;

      That eldritch sound had hardly time to end100

      Before the miser with his gun was out

      To shoot the varmint dead. But round about

      The shadowy Queen had gone to his back door,

      Lifted the latch and trod on his cool floor,

      And in a trice his pan of creaming milk

      Down her dry throat went travelling smooth as silk;

      Two apples and a lump of his goat cheese

      She snatched,5 and laughed, and under darkening trees

      Stole on—now let him guess what nightly fairy

      Or catamountain has enjoyed his dairy!110

      And up his meadow grass she glided,

      The last green place before the world of rocks,

      And all the lives of darkness sided

      With her: the veritable fox

      Welcomed with joy his hunted sister,

      The small things of the ditches bade her

      Good fortune, glad that man had missed her,

      The mountains spread their slopes to aid her;

      The world was changing: night was waking

      And mountain silence, all-estranging.120

      Now as she ran she saw the meadow

      Darkened before her with her shadow,

      Because the moon grew strong.6 She turned;

      Brittle and bright the crescent burned,

      The thin and honey-coloured bow

      Of the pure Huntress riding low.

      Then to that sight her arm she raised,

      Asking no favour, while she praised

      The queen whose shafts destroy and bless

      All wild souls of the wilderness,130

      Dark Hecate, Diana chaste,

      Virginal dread of woods and waste,

      Titania, shadowy fear and bliss

      Of elf-spun night, great Artemis.

      Deep her idolatry, for all,

      Body and soul, beyond recall

      She offered there: and body soon

      Was filled all through with virtue of the moon,

      That, like a spirit, in each tender vein

      Flowed with nepenthe’s power and eased all pain,140

      All weariness; and faster now she ran

      Than when the toilsome chase began,

      If it were running, for she seemed to glide

      Over rough scree and rocky shelf

      Smooth as a floating ship, through wide

      And silvery lakes, or (like the moon herself,

      Lapped in a motion which is also rest)—

      To see the pale world’s moonlit vest

      Flit past beneath her—glimmering rocks

      And tufts of grass like snowy locks,150150

      Rivers of mercury, and towers

      Of ebony, and stones like flowers.

      Far over the piled hills, and past

      The hills she knew, she travelled fast;

      She found a valley like a cup

      With moonshine to the brim filled up,

      So pure a sweep of hollow ground,

      Treeless, with turf so short around,

      That not one shadow there could fall

      But, smooth like liquid, over all,160

      Night’s ghastly parody of day,

      The lidless stare of moonlight lay.

      Down into it, and straight ahead,

      A single path before her led,

      —A mossy way; and two ways more

      There met it on the valley floor;

      From left and right they came, and right

      And left ran on out of the light.

      And near that parting of three ways

      She thought there was a silver haze,170

      She thought there was a giant’s head

      Pushed from the earth with whiteness spread

      Of beard beneath and from its crown

      Cataracts of whiteness tumbling down.

      Then she drew near, tip-toed in awe,

      And looked again; this time she saw

      It was a thornbush, milky white

      That poured sweet smell upon the night.

      And nearer yet she came and then,

      Bathed in its fragrance, looked again,180

      And lo! it was a horse and rider,

      Breathing, unmoving, close beside her

      More beautiful and larger

      Than earthly beast, that charger,

      Where rode the proudest rider;

      —Rich his arms, bewitching

      His air—a wilful, elfin

      Emperor, proud of temper,

      In mail of eldest moulding7

      And sword of elven silver,190

      Smiling to beguile her;

      A pale king, come from the unwintered country

      Bending to her, befriending her
    , and offering white

      Sweet bread like dew, his handsel at that region’s entry,

      And honey pale as gold is in the moonlit night.

      When his lips opened, poignant as the unripened note

      Of early thrush at evening was his words’ deceiving,

      The first few notes a-roving, then a silver rush.

      ‘Keep, keep,’ he bade her, ‘On the midmost moss-way,

      Seek past the cross-way to the land you long for.200

      Eat, eat,’ he gave her of the loaves of faerie.

      ‘Eat the brave honey of bees no man enslaveth.

      Heed not the road upon the right—’twill lead you

      To heaven’s height and the yoke whence I have freed you;

      Nor seek not to the left, that so you come not

      Through the world’s cleft into that world I name not.

      Keep, keep the centre! Find the portals

      That chosen mortals at the world’s edge enter.

      Isles untrampled by the warying legions

      Of Heaven and Darkness—the unreckoned regions210

      That only as fable in His world appear

      Who seals man’s ear as much as He is able . . .

      Many are the ancient mansions,

      Isles His wars defile not,

      Woods and land unwounding

      The want whereof did haunt you;

      Asked for long with anguish,

      They open now past hoping

      —All you craved, incarnate

      Come like dream to Drum-land.’220

      Warm was the longing, warm as lover’s laughter,

      Strong, sweet, and stinging, that welled up to drift her

      Away to the unwintry country, softer

      Than clouds in clearest distance of Atlantic evening.

      Warm was the longing; cold the dread

      That entered after it. On her right hand

      Descends8 the insupportable. She turned her head,

      But saw no more the air and moonlit land.

      On all that side the world seemed falling,

      From her own side the flesh seemed falling.230

      Dying, opening, melting, vanishing.

      Yet to the sagging torment of that dissolution

      She clung, contented with the vanishing

      If only the fear’d moment never would arise

      Of being commanded to lift up her eyes

      And to see that whose dissimilitude

      To all things should, in the first stare9

      Of its aloofness,10 make the world despair.

      And that world was falling,

      And her flesh was falling240

      And she was small; oh! were she small enough for crawling

      Into some cranny under some small grass’s root—

      Rolled to a ball, dead-still beneath the Terror’s foot;

      To cover her face, close eyes, bury the closed eyes, and though

      All hope to be unseen were madness, not to see,

      Never to see, not to look up, never to know . . .

     


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