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    Forward to Glory

    Page 92
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      Epigraph

      And stand aside, it did.

      CURTAIN

      End of Exposition

      Next: Apotheosis

      Coming Attractions

      III. Apotheosis

      Butterbugs is somebody now. He has arrived – at the top. In fact, he’s higher, much higher than that. He has arrived at unprecedented stardom – ultrastardom, they call it. He is the world’s first ultrastar (and first trillionaire, too), though these things have nothing to do with him as an actor. They merely reflect his astounding singularity. He is still compelled to act for its own sake, and to thrive from wonders encountered in the process – of which there are many. Taking the lead in the most ambitious film ever to be made, he will need all the gathered resources within him for the staggering job ahead.

      Way below his stratospheric plane though, threatening undercurrents coil in unholy pools, similar to many found in his finest roles before the camera. His own deep dimensions of character and the diversity of creatures around him make for a formidable force that extends far past mere entertainment as a strolling player. In fact, Butterbugs has become a phenomenon for billions. However, that does not mean that every last person on Earth is in his thrall.

      The canvas, or to put it in cinematic terms, the screen upon which APOTHEOSIS is projected, is properly gigantic, and while such a prospect may be off-putting, the story downright commands it. Remember, FORWARD TO GLORY is nothing less than an epic noir satire – or a satirical noir epic, or a – Whatever the label, all those elements are here, and in every combination. The momentum built by TEMPERING and EXPOSITION does not let up for a second. By its very name, APOTHEOSIS is required to propel the reader toward a merciless climax, the only possible way it can end.

      Fortunately, after so long on the deficient side, Butterbugs is blessed with the very best of friends and associates who surround him in his triumphs: Saskia and Justy – closer than ever, though mostly with each other; Sonny Projector – his agenting only rises higher and higher, along with his client; Edna Tzu – a favorite director and facilitator of the ultrastar’s curative powers; Hyman Goth – ruthless studio mogul with a dreaded knowledge; Mayella – his stabilizing Israeli/Palestinian/Polish lover; Egaz D’Varzim – transcendent director, who uncannily matches his actor’s talents; Keenah LaVine – the mate Butterbugs has waited for… possibly; The Seven Muses of The Lazaretto – each of whom excel at their job: to inspire and strengthen the ultrastar in his most challenging role yet; Marshall Vogg – the disabled vet who, influenced by Butterbugs, virtually changes the course of the nation; and Heatherette – always a force for good, always reappearing at the perfect time.

      Everything seems to be good, thus, his going forward, FORWARD TO…

      The FORWARD TO GLORY Quartet

      I. Tempering – the Actor’s struggles

      II. Exposition – the Actor’s rise

      Your next stop:

      III. Apotheosis – the Actor’s climax

      IV. Beyond Fin – the Actor’s legend

      A Bit Of Bio: Brian Paul Bach

      Brian Paul Bach has been a worker in the theatre, an academic library, and the music business. He is a student of film and its lore, an occasional dramatic performer and voice impressionist, an appreciator of theatre architecture and operation, and an architectural writer. He is a lifelong artist, photographer, traveler and filmmaker, a casual blogster, assertive political cartoonist, media-watcher, a socializer via media, and writes a regular ‘Calcutta Chronicles’ column for ‘Kolkata On Wheels’ magazine. Golden ages of film production, automotive design, and world architecture are of especial interest, as are his dogs, music, history, environment, society and culture, as well as most things concerning the Indian subcontinent.

      As a youth he embraced teenage filmmaking, worked in fringe show business in Seattle, and later probed the filmic corners of Hollywood, London and India. From these pursuits he has adopted cinematic thinking as a built-in facet of everyday life. As a young person he ran his own neighborhood theatre, for which he produced acts and short movies. He has been immersed in performance arts and associated activities all his life. Writing has also been a constant, fiction and nonfiction.

      Accompanying these efforts has been an ever-present production of drawings, paintings photographs, videos and designs that have added up to a very personal statement of style and expression.

      Bach’s other published works, illustrated with his photos, drawings, and maps, include: THE GRAND TRUNK ROAD FROM THE FRONT SEAT, in two editions, 1993 and 2000 – the Author’s travels from Calcutta to the Afghan frontier; and CALCUTTA’S EDIFICE: THE BUILDINGS OF A GREAT CITY, 2006 – a major examination of the architecture and culture of the Bengali metropolis. The book was presented to two successive Chief Ministers of West Bengal state, at the 2006 and 2012 Calcutta Book Fairs, the latter attended by the Author. Bach has long observed his own generation’s behavior, its choices and its outlooks, resulting in BUSTED BOOM: THE BUMMER OF BEING A BOOMER.

      He lives in Washington State with his wife Sandra, an accomplished ceramicist and chef, independent cat Condell, and faithful/glorious hound Hudson.

      By the Same Author

      by

      Brian Paul Bach

      Fiction

      The FORWARD TO GLORY Quartet

      VAMPIRE OF THE YEAR

      MYSTERIOUS AGENCY

      NOX NOVA LUNÆ: CONFESSIONS IN THE GLOW OF A NEW MOON

      LURID or HOWRAH BRIDGE

      CARSTAIRS or FINITE AGONY

      THE ADVENTURES OF LORD WILLOWBY

      COULDN’T RESIST

      Non-Fiction

      The BPB’S ARTPOURING Series

      BUSTED BOOM: THE BUMMER OF BEING A BOOMER

      IF THIS IS THE FUTURE, THEN I DON’T WANNA…

      CALCUTTA’S EDIFICE: THE BUILDINGS OF A GREAT CITY

      THE GRAND TRUNK ROAD FROM THE FRONT SEAT

      (two editions)

      A GRAND TRUNK ROAD GUIDE AND GAZETTEER

      WHEELS OF LIFE

      Short Stories

      THE ELECTRIC PUNKAH

      Plays & Screenplays

      A REPRESENTATIVE OF THE OUTSIDE WORLD

      WHEN THE LAST LAMP IS SHATTERED

      THE KDIM PAPERS

      MISH-MASH

      DEATH DESERT

      Poetry

      THE GOTHIC GLARE

      Copyright

      (conceived in Howrah, Bengal)

      <<Publishers to Oddballs>>

      Howrah ~ Seebpore ~ Chowringhee ~ The Burg ~ London ~ Rangoon ~ Pipewell Snappertuna ~ Peshawar ~ Ghubbah ~ Dresden ~ Wei Hai Wei

      Calcutta

      a division of

      BPB’s ArtPouring, Ltd.

      http://forwardtogloryquartet.wordpress.com

      forwardtogloryquartet@gmail.com

      Illustrations and Cover Art by Brian Paul Bach

      Cover Layout by Samit Roychoudhury

      http://samit.org

      Published by Clink Street Publishing 2017

      Copyright © 2017 by Brian Paul Bach

      First edition.

      The author asserts the moral right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work.

      All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means without the prior consent of the author, nor be otherwise circulated in any form of binding or cover other than that with which it is published and without a similar condition being imposed on the subsequent purchaser.

      ISBN:

     

     

     
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