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    The Ancient Rain, Poems 1956-1978

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      Their blue eyes come walking, introspective echoes of a journey, soaring,

      Of the first generation, the first humans, their cradle the shape of

      The human heart, its sound comes in color of the moon, the sun

      Returns their golden crown, wrapped in the aura of familiarity, bathed

      In want and care, dank bare, safe in compassion’s attic.

      Beyond harpoons and screech owls and ringless bells.

      Europe, the hornless bull, eunuch rapist of infants, man and God,

      Whines stench of king time as Joan’s light flickers, and goes out,

      Gone to herald her father’s shore,

      Who in her descent from the peak, found the summits in mankind’s suffering breast.

      The liars who stole the soul do not notice, their hearts no longer beat, they cannot die, they are in hell now,

      Their Power, fungus and rainless soon,

      Michelangelo screaming in lonely triumph,

      The sound that probes to the

      Otherside.

      The poem comes

      Across centuries of holy lies, and weeping heaven’s eyes,

      Africa’s black handkerchief, washed clean by her children’s honor,

      As cruelly designed anniversaries spin in my mind,

      Airy voice of all those fires of love I burn in memory of.

      America is a promised land, a garden torn from naked stone,

      A place where the losers in earth’s conflicts can enjoy their triumph.

      All losers, brown, red, black, and white; the colors from the Master Palette.

      MORNING JOY

      Piano buttons, stitched on morning lights.

      Jazz wakes with the day,

      As I awaken with jazz, love lit the night.

      Eyes appear and disappear,

      To lead me once more, to a green moon.

      Streets paved with opal sadness,

      Lead me counterclockwise, to pockets of joy,

      And jazz.

      BONSAI POEMS

      I

      I remember those days before I knew of my soul’s existence.

      I used to be able to step on bugs and steal flowers.

      II

      All those well-meaning people who gave me obscure books

      When what I really needed was a good meal.

      III

      Lately, since formulating mystic parables of my own,

      People ask me what do I know all about China—

      And do I think Surrealism will spread to Iowa—

      Or would winning the Pulitzer Prize have saved Chessman,

      When I answer that I am writing the Great American Suicide Note,

      They sniff my clothes and leave.

      IV

      Men who love women

      Should never go swimming.

      V

      Every time I see an old man carrying a shabby cardboard suitcase,

      I think he is an eternity agent on some secret mission.

      VI

      I never understand other people’s hopes or desires

      Until they coincide with my own; then we clash.

      VII

      Yes, there was a time when I was unsure of myself,

      But that was before I was Me. I barely knew him.

      VIII

      The culture of the cave man disappeared, due to his inability

      To produce a magazine that could be delivered by a kid on a bicycle.

      DEMOLITION

      They have dismantled

      The Third Avenue El;

      It’s still the same though,

      They haven’t removed

      Those torn-down men.

      QUERY

      New? Leftovers, overlooked by hurrying death.

      Rejects with unadjustable souls,

      Love-specked clots, of modern blood.

      Marks, all over inside,

      Traces of explosions,

      First God’s, then man’s.

      Color? Blue, jazz blue.

      Blue like love,

      Blue like poems,

      Blue like blues.

      Old? Whole university loads,

      Tons of cellophane giants.

      Book-end minds, bent backs,

      Carrying heavy styles,

      Lead forms, tradition colored.

      Shouting barbarian, blasphemy,

      But quite polite.

      New:

      Laughter on exotic beds.

      SPLICED REFLECTIONS

      Diverse remarks on what is truly dead

      (Success and crime, two equal values).

      Historical departure (Cain’s refusal to slay Abel)

      Persistence of women who still love.

      Voice of unseen commentary heard through plugged ears,

      Obscure history of grass fires (Niagara of Soul).

      Grunt passage (navigating in blocked wombs).

      Sudden conference with imaginary Indian chiefs

      (Ritual smoking, floors of white buffalo skins).

      Innocent criminals buried under avalanches of cactus needles

      (Great philosophical question: Was Geronimo turned on?)

      Inca arrival, sun-faced jaguars, hammered-silver evidence,

      Testimonial rockets launched (commemoration of Baudelaire’s whims).

      Cold penetration is unison (arid tests of burning mollusk)

      Ritual murder and levitation, semiweekly mating dances.

      Light the wind, drag the rain in.

      THE CELEBRATED WHITE-CAP SPELLING BEE

      THE CELEBRATED WHITE-CAP SPELLING BEE WAS WON BY A SPELLING BEE.

      A STAR ASKED A POINTED QUESTION: CAN A CIRCLE WRAP AROUND ITSELF?

      A STILLED PYGMY ANSWERS, FROM THE BACK OF MY MIND, ARE WE DEEP DWARFS

      AND HAVE OUR SAY IN THE AFFAIRS OF FLOWERS. A MISSPELLLED BEE MAKES A SIGN.

      BLUE IS ONE OF THE MANY FACES OF BLUE. HOW QUICK A RED WHALE SINGS THE BLUES.

      WHEN AN OUTBOARD SOLAR BOAT SINKS, I WILL WALK THE SUN’S PERIMETER, CURVING UP.

      ONCE I PUT MY INITIALS ON A MAGNIFICENT CROCODILE.

      WE WALKED A RIVER’S FLOOR. A BIRD I HEARD SING IN A TREE IN THE GULF OF MEXICO . . .

      BIRD SONG OF LOVELY SALT, A LOVE SONG.

      I CHANGE MY MIND, AND THE NEW ONE IS OLDER . . . A DRUM BEATS BEHIND MY RIBS.

      SOMEONE DREW A PORTRAIT ON A WAVE . . . IT WOVE AS WE PASSED, DOING KNOTS, RUST HANDS.

      SWELLS STOP WHEN THE SEA IS ALARMED. HELL COOLS ITS FIRES OF ANTICIPATION.

      WHEN OCEANS MEET, OCEANS BELOW, REUNIONS OF SHIPS, SAILORS, GULLS, BLACK-HAIRED GIRLS.

      THE SEA BATHES IN RAIN WATER, MORNING, MOON & LIGHT, THE CLEAN SEA.

      GREAT FARMS ON THE OCEAN FLOOR, GREEN CROPS OF SUNKEN HULLS GROWING SHELLS.

      SEAS THAT GROW FROM A HOLE BORN IN A TURTLE’s BACK, A SEA IN A TORTOISE SACK.

      FISH GO NAKED ALL THEIR LIVES. WHEN CAUGHT, THEY DIE OF EMBARRASSMENT.

      MANY, MANY YEARS AGO, THERE WERE MANY, MANY YEARS TO GO & MANY, MANY MILES TO COME.

      THE LAND IS A GREAT, SAD FACE. THE SEA IS A HUGE TEAR, COMPASSION’S TWINS.

      IF THERE IS A GOD BENEATH THE SEA, HE IS DRUNK AND TELLING FANTASTIC LIES.

      WHEN THE MOON IS DRINKING, THE SEA STAGGERS LIKE A DRUNKEN SAILOR.

      POETS WHO DROWN AT SEA, THEMSELVES, BECOME BEAUTIFUL WET SONGS, CRANE.

      A LOOKOUT MAKES A LANDFALL, A FALLING LAND MAKES A LOOKOUT.

      AT THE ENDS OF THE WATER, THE HOLY MARRIAGE OF THE HORIZONS.

      THE SEA, DILUTED CONTINENTS LOVING FALLEN SKIES, TIME BEFORE TIME, TIME PAST, TIME COMING INTO TIME. TIME NOW, TIME TO COME, TIMELESS, FLOWING INTO TIME.

      EVERYTHING IS THE SEA. THE SEA IS EVERYTHING, ALWAYS . . . ETERNALLY, I SWEAR.

      THE SECRET LIFE OF ROBERT FROST

      FROCK-COATED SHERPA GUIDES DISTRIBUTING (MONOGRAMMED GOLDFISH)

      TO NEGLECTED MIDWIVES AT SECRET TRYST ON DESERTED ROLLER (COASTERS)

      DEMENTED ELEVATOR OPERATORS IN SPACE SUITS SINGING HYMNS

      TO GOTHIC BRAIN SURGEONS WEEPING OVER REMAINS OF DESTROYED


      LOVE MACH(I)NES, O ULTIMA THULE (NO) MORE OAT(ME)AL.

      DEVOTED TUNE PICKERS WHINING OF VANISHED TRIUMPHS

      DRESSED IN SURREALIST TUNICS OF GAUZE AND IVORY

      RUBBER PHANTOMS TAPPING UNFANTASTIC CRIMINAL FEET

      TO WARPED RHYTHMS SHOT FROM OPEN-SKULLED HARPSICHORDS

      GALA LAUNDRY CONCERTS FEATURING SONATAS FOR DIRTY OBOES BETWEEN MUSHROOM RONDOS’ SOGGY BALLETS

      SERVED WITH PERFUMED MARSHMALLOWS FROM KEY EYES OF LONELY JAZZERS.

      TORN ASPHALT MATTRESS OF UNIVERSAL RODENTS (PSYCHIC IMPOTENCE)

      COLLEGE FACES OF GRANITE ANTIQUITIES STALKED BY LAZY TIGERS (STRIPES)

      SMELLY BROADCASTS OF COMIC TRAGEDIES BURST FROM FLOWER DUST (SKULLS)

      COOL DAMP TONGUES SLIPPED FROM LIPS OF SKINNY (LOUDSPEAKERS)

      CROUCHED BEHIND CLASSIC FACES OF MYSTIC (TRAFFIC) LIGHTS BLAZING

      HARD COLD WAVES OF TINSEL FROM BEADS OF KIDNAPPED LAMAS

      BURNING OLD PRAYER WHEELS IN ABANDONED (PHONE BOOTHS)

      ACHING TEMPOS DRIPPING FROM MOANING (AFRICAN (FINGERS OF ART

      ART) BLAKEY)

      ABSTRACT BOMBS DROPPING FROM SWOLLEN BELLIES (OF BLASTED EGGSHELLS)

      FLOATING DOWN BLACK WATER CANALS IN MARBLE BOATS, HIGH ON

      (SAINTLY (DESTRUCTION

      RED DIRT) MARIJUANA)

      [POEMS POETICALLY]

      Poems poetically

      pole the Poet into a

      balancing axis

      for endlessly revolving surfaces,

      tender leaves are forest gifts

      to represent the earth

      growing out of decay,

      the minds’ youngest buds

      live on the revolving transformation

      of live enduring mountains of thought, and

      clear their pores in the melting sea.

      And open fields spawn

      their harvest in the passing

      rain of the plain, as

      the spring divines its

      collections to the ocean,

      and the great waters

      continual upheavings speed toward subtle gatherings.

      Shepherds with light fingers,

      staff guided by the winds,

      spinning their

      auras into the

      sun.

      ALL HALLOWS, JACK O’LANTERN WEATHER, NORTH OF TIME

      A PLACE CALLED LONELINESS, A SOFT TOWN IN THE OCTOBER COUNTRY AN UNIMAGINARY LANDSCAPE THAT EXISTS IN A REAL UNREAL WORLD, ARTERIAL LAVA STREETS CLICKING A SOUND OF LOUDLY WALKED BRUISES THICK STRING UNBEINGS, POURING THEMSELVES INTO EACH OTHER, FILLING THEMSELVES WITH EACH OTHERS’ EMPTINESS, SHOUTING SILENCES ACROSS THE SCREAMING ROOMS, VISUALLY BROKEN UNRECORDS STITCHING ILLUSIONARY HUMS, AS THE GREAT MARBLE FEATHERED STONE BIRDS CRACK THE SOLID AIR, FLYING FROM THE DRUM OF ROCK, ETERNAL STONE POEM OF THE SUN . . . I KNOW OF A PLACE IN BETWEEN BETWEEN, BEHIND BEHIND, IN FRONT OF FRONT, BELOW BELOW, ABOVE ABOVE, INSIDE INSIDE, OUTSIDE OUTSIDE, CLOSE TO CLOSE, FAR FROM FAR, MUCH FARTHER THAN FAR, MUCH CLOSER THAN CLOSE, ANOTHER SIDE OF AN OTHER SIDE . . . IT LIES OUT ON THE FAR SIDE OF MUSIC . . . THAT DARKLING PLANE OF LIGHT ON THE OTHER SIDE OF TIME, AND IT GOES ON GOING ON BEYOND BEYOND . . . IT BEGINS AT THE BITTER ENDS.

      I KNOW STARNESS . . . I KNOW LOSTNESS . . . MOVE OUT MOON-LIGHT.

      RONDEAU OF THE ONE SEA

      DEEP ROLLING GALILEE, ETERNAL SEVEN OCEAN NAMED SEA ENDLESSLY FLOWING HOLY SEA, SEA NEVER STILLED, ALL FLOWING SEA, SEA DESTROYER OF BAAL AND MAMMON, DRIED AND FOREVER DRIED SEA, SEA, ERASER OF SEA DARKS, REMOVER OF SEA VALVES, EVAPORATOR OF THE EVIL ONES PARENT OCEAN SEA, SEA BREAKER OF RA’S SEA, BROKEN AND DEHYDRATED FOREVER BY DEEP ROLLING GALILEE, SWEET GREEN WET BLUE SALTLESS SEA: BELOVED GALILEE, THE GREEN WALKING, BLUE WALKING JESUS CHRIST, SEA.

      BLOOD FELL ON THE MOUNTAINS

      BLUENESS, THE COLOR OF LOVE, BLUE SLANTED TO A CRACKLING AND BLUE COLOR, THE COLOR OF COLORS AS SWEET BLUE NOCTURNES OF THE VOID. SOLITUDES FILLED WITH LONELINESS, BLACK RAIN TWISTED HAIL, WOUNDED SNOW.

      THE MOUNTAIN CRIED DRY, TEAR OF STONE AMONG THE TALL TREES, THE SLEEPWALKER WALKED THE BRIDGE OF EYES, AMIDST COLORS OF THE DAY.

      IN THE LEFT HAND IS THE DREAMER

      THE BALLAD AT THE SOURCE

      THE SINGER AND THE SONG,

      POEM FOR EILEEN ON MY

      RETURN HOME,

      I AM A LOVER

      BOB

      ME TO YOU.

      SMALL MEMORIAM FOR MYSELF

      Beyond the reach of scorn, lust is freed of its vulgar face.

      No more blanch of terror at reality’s threat of sadness.

      No blend of grief can cause the death of laughter now.

      In remembrance of certain lights I have seen go out,

      I have visualized pathetic rituals and noisy requiems,

      Composed of metaphysical designs of want and care.

      NEW POEMS

      1973–1978

      [ALL THOSE SHIPS THAT NEVER SAILED]

      All those ships that never sailed

      The ones with their seacocks open

      That were scuttled in their stalls . . .

      Today I bring them back

      Huge and intransitory

      And let them sail

      Forever.

      All those flowers that you never grew—

      that you wanted to grow

      The ones that were plowed under

      ground in the mud—

      Today I bring them back

      And let you grow them

      Forever.

      All those wars and truces

      Dancing down these years—

      All in three flag-swept days

      Rejected meaning of God—

      My body once covered with beauty

      Is now a museum of betrayal.

      This part remembered because of that one’s touch

      This part remembered for that one’s kiss—

      Today I bring it back

      And let you live forever.

      I breathe a breathless I love you

      And move you

      Forever.

      Remove the snake from Moses’ arm . . .

      And someday the Jewish queen will dance

      Down the Street with the dogs

      And make every Jew

      Her lover.

      [MY MYSTERIES CREATED FOR ME]

      MY MYSTERIES CREATED FOR ME

      BY GOD ARE UNKNOWN TO

      ME, YET I LIVE EACH ONE

      PERFECTLY, GOD IS MY GREEN-

      EYED ONE, WHOSE POWER IS

      ENDLESS. I ASK GOD,

      OH GOD . . . TO THE COWARD, GIVE A HORSE

      THAT HE MAY FLEE GOD FOREVER,

      GIVE CAIN NO FORGIVENESS

      FOR WHAT WAS DONE, I ASK GOD,

      MY GREEN-EYED ONE, BEFORE THIS

      EARTH STOPS SPINNING, THINK OF ME.

      REMEMBER, I AM HERE TOO, MY GREEN-

      EYED ONE WHOSE POWER IS ENDLESS, AFTER

      WHAT WAS DONE TO YOU, WHAT FORGIVENESS . . .

      O GOD, MY GREEN-EYED ONE

      COME UPON THE EARTH

      AND STRIKE THE GLOBE

      WITH YOUR WRATH, FOR

      WHAT HAS DIED IN THE SUN.

      O GOD, MY GREEN-EYED ONE,

      PUT YOUR SHARP STARS IN

      THE SKY. SEND ORION

      THE HUNTER STAR TO HUNT

      THE KILLERS OF THE DREAM,

      TO HUNT THE SLAYERS OF

      THE DIVINE INCUNABULA, O

      MY GREEN-EYED ONE, BEFORE THIS EARTH STOPS

      SPINNING.

      OREGON

      You are with me Oregon,

      Day and night, I feel you, Oregon.

      I am Negro. I am Oregon.

      Oregon is me, the planet

      Oregon, the State Oregon, Oregon.

      In the night, you come with bicycle wheels,

      Oregon you come

      With stars of fire. You come green.

      Green eyes, hair, arms,

      Head, face, legs, feet, toes

      Green, nose green, your

      Breast green, your cross

      Green, your blood g
    reen.

      Oregon winds blow around

      Oregon. I am green, Oregon.

      You are mine, Oregon. I am yours,

      Oregon. I live in Oregon.

      Oregon lives in me,

      Oregon, you come and make

      Me into a bird and fly me

      To secret places day and night.

      The secret places in Oregon,

      I am standing on the steps

      Of the holy church of Crispus

      Attucks St. John the Baptist,

      The holy brother of Christ,

      I am talking to Lorca. We

      Decide the Hart Crane trip, home to Oregon

      Heaven flight from Gulf of

      Mexico, the bridge is

      Crossed, and the florid black found.

      UNTITLED

      THE SUN IS A NEGRO.

      THE MOTHER OF THE SUN IS A NEGRO.

      THE DISCIPLES OF THE

      SUN ARE NEGRO.

      THE SAINTS OF THE

      SUN ARE NEGRO.

      HEAVEN IS NEGRO.

      [THE NIGHT THAT LORCA COMES]

      THE NIGHT THAT LORCA COMES

      SHALL BE A STRANGE NIGHT IN THE

      SOUTH, IT SHALL BE THE TIME WHEN NEGROES LEAVE THE SOUTH FOREVER,

      GREEN TRAINS SHALL ARRIVE

      FROM RED PLANET MARS

      CRACKLING BLUENESS SHALL SEND TOOTH-COVERED CARS FOR THEM

      TO LEAVE IN, TO GO INTO

      THE NORTH FOREVER, AND I SEE MY LITTLE GIRL MOTHER

      AGAIN WITH HER CROSS THAT

      IS NOT BURNING, HER SKIRTS

      OF BLACK, OF ALL COLORS, HER AURA

      OF FAMILIARITY. THE SOUTH SHALL WEEP

      BITTER TEARS TO NO AVAIL,

      THE NEGROES HAVE GONE

      INTO CRACKLING BLUENESS.

      CRISPUS ATTUCKS SHALL ARRIVE WITH THE BOSTON

      COMMONS, TO TAKE ELISSI LANDI

      NORTH, CRISPUS ATTUCKS SHALL

      BE LAYING ON BOSTON COMMONS,

      ELISSI LANDI SHALL FEEL ALIVE

      AGAIN. I SHALL CALL HER NAME

      AS SHE STEPS ON TO THE BOSTON

      COMMONS, AND FLIES NORTH FOREVER,

      LINCOLN SHALL BE THERE,

      TO SEE THEM LEAVE THE

      SOUTH FOREVER, ELISSI LANDI, SHE WILL BE

      GREEN.

     


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