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    Nine Horses

    Page 6
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      its eyes open, like mine as I lie in bed tonight

      picturing this rare, lucky sparrow

      tucked into a holly bush now,

      a light snow tumbling through the windless dark.

      The Stare

      With a basin of warm water and a towel

      I am shaving my father

      late on a summer afternoon

      as he sits in a chair in striped pajamas.

      He screws up his face this way and that

      to make way for the razor,

      as someone passes with a tray,

      as someone else sobs in a corner.

      It is impossible to remember

      such closeness,

      impossible to know too

      whether the object of his vivid staring is

      the wavering treetops,

      his pale reflection in the window,

      or maybe just a splinter of light,

      a pinpoint caught within the glass itself.

      Surprise

      This—

      according to the voice on the radio,

      the host of a classical music program no less—

      this is the birthday of Vivaldi.

      He would be 325 years old today,

      quite bent over, I would imagine,

      and not able to see much through his watery eyes.

      Surely, he would be deaf by now,

      the clothes flaking off him,

      hair pitiably sparse.

      But we would throw a party for him anyway,

      a surprise party where everyone

      would hide behind the furniture to listen

      for the tap of his cane on the pavement

      and the sound of his dry, persistent cough.

      Poetry

      Call it a field where the animals

      who were forgotten by the Ark

      come to graze under the evening clouds.

      Or a cistern where the rain that fell

      before history trickles over a concrete lip.

      However you see it,

      this is no place to set up

      the three-legged easel of realism

      or make a reader climb

      over the many fences of a plot.

      Let the portly novelist

      with his noisy typewriter

      describe the city where Francine was born,

      how Albert read the paper on the train,

      how curtains were blowing in the bedroom.

      Let the playwright with her torn cardigan

      and a dog curled on the rug

      move the characters

      from the wings to the stage

      to face the many-eyed darkness of the house.

      Poetry is no place for that.

      We have enough to do

      complaining about the price of tobacco,

      passing the dripping ladle,

      and singing songs to a bird in a cage.

      We are busy doing nothing—

      and all we need for that is an afternoon,

      a rowboat under a blue sky,

      and maybe a man fishing from a stone bridge,

      or, better still, nobody on that bridge at all.

     

     

     



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