GHOST STORIES
GHOST STORIES
36 Spine-Chilling Tales of Terror and the Supernatural
EDITED BY BILL BOWERS
Guilford, Connecticut
An imprint of The Rowman & Littlefield Publishing Group, Inc.
4501 Forbes Blvd., Ste. 200
Lanham, MD 20706
www.rowman.com
Distributed by NATIONAL BOOK NETWORK
Copyright © 2003, 2017, and 2020 by The Rowman & Littlefield Publishing Group, Inc.
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review.
British Library Cataloguing in Publication Information available
Library of Congress Cataloging-in-Publication Data
Names: Bowers, Bill, 1957- editor.
Title: Ghost stories : 36 spine-chilling tales of terror and the supernatural / edited by Bill Bowers.
Description: Guilford, Connecticut : Lyons Press, [2020] | Summary: “Ghost Stories is a ghoulish collection of true classics, both legendary and long-forgotten, with frightening stories from Washington Irving, Edgar Allan Poe, Bret Harte, Ambrose Bierce, Edith Wharton, Mark Twain, Harriett Beecher Stowe, O. Henry, Willa Cather, and many others. This ghostly collection delivers the ghastly, horrifying, and otherwise haunting tales of terror we love to read - late at night, with the lights off”—Provided by publisher.
Identifiers: LCCN 2020010416 (print) | LCCN 2020010417 (ebook) | ISBN 9781493049165 (cloth) | ISBN 9781493057924 (epub)
Subjects: LCSH: Ghost stories.
Classification: LCC PN6071.G45 G46 2020 (print) | LCC PN6071.G45 (ebook) | DDC 808.83/8733—dc23
LC record available at https://lccn.loc.gov/2020010416
LC ebook record available at https://lccn.loc.gov/2020010417
The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992.
CONTENTS
Cover
Half Title
Title
Copyright
Contents
Introduction
1: The Crime of Micah Rood by Elia W. Peattie
2: The Devil and Tom Walker by Washington Irving
3: An Occurrence at Owl Creek Bridge by Ambrose Bierce
4: The Snow-Image: A Childish Miracle by Nathaniel Hawthorne
5: A Ghost of the Sierras by Bret Harte
6: The Lady’s Maid’s Bell by Edith Wharton
7: A Ghost Story by Mark Twain
8: The Night Call by Henry van Dyke
9: Tom Toothacre’s Ghost Story by Harriet Beecher Stowe
10: A Strange Story from the Coast by Rebecca Harding Davis
11: The Woman at Seven Brothers by Wilbur Daniel Steele
12: The Furnished Room by O. Henry
13: The Cross-Roads by Amy Lowell
14: Jean-ah Poquelin by George Washington Cable
15: Mistress Marian’s Light by Gertrude Morton
16: Consequences by Willa Cather
17: The Tell-Tale Heart by Edgar Allan Poe
18: The Wind in the Rose-Bush by Mary E. Wilkins Freeman
19: The Ghost of Fear by H. G. Wells
20: Teig O’Kane and the Corpse [Traditional]
21: The Screaming Skull by F. Marion Crawford
22: Canon Alberic’s Scrap-Book by M. R. James
23: A True Story by Benjamin Disraeli
24: The Phantom ’Rickshaw by Rudyard Kipling
25: The Lagoon by Joseph Conrad
26: On the Water by Guy de Maupassant
27: The Erl-King by Johann Wolfgang von Goethe
28: The Body-Snatcher by Robert Louis Stevenson
29: The Phantom Coach by Amelia B. Edwards
30: Ligeia by Edgar Allan Poe
31: The Secret of Macarger’s Gulch by Ambrose Bierce
32: The Old Nurse’s Story by Elizabeth Gaskell
33: August Heat by W. F. Harvey
34: How He Left the Hotel by Louisa Baldwin
35: The Man Who Went Too Far by E. F. Benson
36: The Toll-House by W. W. Jacobs
About the Editor
i
ii
iii
iv
v
vi
vii
viii
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
&
nbsp; 163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
Guide
Cover
Half Title
Title
Copyright
Contents
Introduction
Start of Content
About the Editor
INTRODUCTION
Let no ill dreams disturb my rest, No powers of darkness me molest.
—FROM THOMAS KEN’S “EVENING HYMN,” CA. 1674
GHOST STORIES ARE AS ANCIENT AS HUMANKIND, AND THEIR APPEAL has never waned. Anthropologists tell us that all cultures worldwide have always believed in ghosts and supernatural beings. Fear of ghosts probably springs from the eternal mystery of death and our nearly universal dread of the unknown. Perhaps it’s also tied with grief over departed loved ones—or lingering terror of departed enemies—and the hope, or fear, that their spirits may somehow continue to touch our earthly existence.
No doubt the first ghost stories were told or sung around nighttime campfires whose flickering light helped to keep the cold and mysterious darkness at bay. (The ancient Irish tale “Teig O’Kane and the Corpse” is one example.) With the advent of writing and, later, films and television, the means of telling supernatural tales has changed. But the darkness and the fear remain.
Like other cultures around the globe, American and Western European literature have fostered a rich tradition of ghost stories. But what exactly is a “ghost story,” as opposed to a horror story or a mystery story? In assembling this volume, I wondered: Must I limit the selection strictly to tales of disembodied spirits? To do so seemed arbitrary and needlessly restrictive. Edgar Allan Poe (represented here by his classics “The Tell-Tale Heart” and “Ligeia”) called his stories “tales of myste
ry and imagination.” So this is what I have attempted to assemble here: some superb tales of mystery and imagination from the pens of some of the Western world’s finest authors.
Many celebrated writers are included here, even though ghost stories may not be among their best-known works: Mark Twain, Washington Irving, H. G. Wells, Nathaniel Hawthorne, Robert Louis Stevenson, Joseph Conrad, Nobel Prize winner Rudyard Kipling, and Pulitzer Prize winners Edith Wharton, Willa Cather, and Amy Lowell. Lowell is best known for her poetry, and “The Cross-Roads” reads almost like a poem in prose.
Elia W. Peattie, Rebecca Harding Davis, M. R. James, and Ambrose Bierce are relatively little known today, though all were famous in their time. Bierce was renowned for his satire and his frighteningly realistic descriptions of his terrible battlefield experiences in the American Civil War. Henry van Dyke was a diplomat in the administration of President Woodrow Wilson, though few remember him today. He was also a supremely talented writer, as you will see when you read “The Night Call.”
Wilbur Daniel Steele, Mary E. Wilkins Freeman, and George Washington Cable were celebrated in their time for their many supernatural stories, though they are little read today. Perhaps this modest volume will help to change that unfortunate situation! Gertrude Morton (possibly a pseudonym) is known for only a single ghostly short story, “Mistress Marian’s Light,” which I’ve gladly included here.
Whatever you do, don’t miss Goethe’s haunting poem “The Erl-King” or “Canon Alberic’s Scrap-Book” by M. R. James or “The Body-Snatcher” by Robert Louis Stevenson. And I recommend reading W. F. Harvey’s “August Heat” on a stifling, muggy summer night.
Here, then, are a few of my favorite tales of mystery and imagination. It is my hope that you will enjoy perusing them as much as I have enjoyed collecting them, and that they will provide you with many hours of reading enjoyment.
Did you hear a strange noise just now, from out there in the darkness?
Bill Bowers
Somewhere in New England
1
The Crime of Micah Rood
By Elia W. Peattie
IN THE EARLY PART OF THE LAST CENTURY THERE LIVED IN EASTERN Connecticut a man named Micah Rood. He was a solitary soul, and occupied a low, tumble-down house, in which he had seen his sisters and his brothers, his father and his mother, die. The mice used the bare floors for a play-ground; the swallows filled up the unused chimneys; in the cellar the gophers frolicked, and in the attic a hundred bats made their home. Micah Rood disturbed no living creature, unless now and then he killed a hare for his day’s dinner, or cast bait for a glistening trout in the Shetucket. For the most part his food came from the garden and the orchard, which his father had planted and nurtured years before.
Into whatever disrepair the house had fallen, the garden bloomed and flourished like a western Eden. The brambles, with their luscious burden, clambered up the stone walls, sentineled by trim rows of English currants. The strawberry nestled among its wayward creepers, and on the trellises hung grapes of varied hues. In seemly rows, down the sunny expanse of the garden spot, grew every vegetable indigenous to the western world, or transplanted by colonial industry. Everything here took seed, and bore fruit with a prodigal exuberance. Beyond the garden lay the orchard, a labyrinth of flowers in the spring-time, a paradise of verdure in the summer, and in the season of fruition a miracle of plenty.
Often the master of the orchard stood by the gate in the crisp autumn mornings, with his hat filled with apples for the children as they passed to school. There was only one tree in the orchard of whose fruit he was chary. Consequently it was the bearings of this tree that the children most wanted.