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      A Note on Poetry E-Books

      You are reading a poetry e-book, which, based on the settings of your device, can result in significant changes to the original formatting as intended by the author and publisher. For the best experience reading this book, please set your device so that the following line fits entirely on one line on your screen.

      that boy to confess he loved me though I knew he was lying next to

      CROWN NOBLE

      CROWN NOBLE

      poems by

      BIANCA PHIPPS

      © 2020 by Bianca Phipps

      Published by Button Poetry / Exploding Pinecone Press

      Minneapolis, MN 55403 | http://www.buttonpoetry.com

      All Rights Reserved

      Manufactured in the United States of America

      Cover design: Nikki Clark

      ISBN 978-1-943735-79-2

      Ebook ISBN 978-1-943735-86-0

      LINEAGE

      NINA

      FAMILY PORTRAIT, 1995

      MY FATHER’S EULOGY, THE EARLY DRAFTS

      REFLECTION

      A NOTE ABOUT MY FATHER

      THE HEARTBREAKER POEM

      CROWN REGENT

      ESTRELLA

      IT JUST HAPPENED SO FAST

      BORN TO EMBODY IT

      STICK

      MOONSTRUCK

      ALMOSTS

      I AM ALL THE ROOTS

      IN THE CLOUDS

      ELENA ALVAREZ IS LIVING MY BEST LIFE

      SONNET FOR MY DAUGHTER

      LENGUA

      THE SNOW CONVINCED THE PLANE TO STAY HOME

      WHEN THE BOY SAYS HE LOVES MY BODY

      STAY WITH ME

      FLYPAPER

      A RHYTHM A PATTERN

      ANOTHER NOTE ABOUT MY FATHER

      THE DREAM

      SURVIVOR’S WEIGHT

      CROWN GARLAND

      CLOUDMOTHER

      PRO-CHOICE

      WHITE RIVER WRITES HOME

      MY FATHER’S EULOGY, EDITED

      NINA REDUX

      How can I leave without hurting

      everyone that made me?

      —REGINA SPEKTOR, “SMALL TOWN MOON”

      …and nostalgia you can’t trust.

      —NATALIE DIAZ

      CROWN NOBLE

      NINA

      Nina has the patience to be a pianist. She smiles to hide all her teeth. She puts her left contact in first. She lives in Seattle with her girlfriend and their rescue mutt, Harriet. Nina has a garden that draws all the neighborhood curiosity. Nina works at the elementary school teaching music. Nina is good with numbers. Nina keeps her hair short because Nina didn’t braid her self-worth into its length. I mean, Nina keeps her hair short because Nina enjoys ease. Nina cries at the movies and everyone hands her a tissue. Nina has three siblings because there was no miscarriage. Nina’s parents divorced with the same tenderness they used to get married. Nina is honest in therapy. Nina likes to cook for herself. Nina drinks her tea before it gets cold. Nina appreciates process. She fetches fresh vegetables twice a week. It reminds her of her father. Nina doesn’t draft his eulogy. Nina calls him. Nina has a good life. Nina knows all good things must come to an end. Nina doesn’t write the expiration dates in her planner. Nina likes to say goodbye. Nina has boundaries that bloom like her tulips. She embraces her lover and sleeps without dreams. Nina doesn’t carry tension in her shoulders or her jaw or her bite. Nina doesn’t search every room for marked exits. Nina is serene. Nina lives in the alternate world where my father won the right to name me. Nina was pulled to the clouds, and I was pressed from the clay.

      FAMILY PORTRAIT, 1995

      Imagine the child didn’t fall far from the

      metaphor. Imagine you are the apple of his

      hesitation. Imagine the crown of thorns

      woven from daisies. Imagine the blood of

      the covenant flows thicker than the water

      of the women. Imagine your family photo.

      Imagine you are all smiles. Imagine the smiles

      reach your eyes. Imagine your eyes. Imagine

      the scramble of memory. Imagine your father’s

      eyes. Are they your own? Imagine the inheritance

      gifted when you meet your father’s eyes.

      Imagine your lack of inheritance. Imagine your

      father’s eyes the first time he wept. Imagine how

      your father clutches his sadness, christens it with

      any other name. Imagine salt. Imagine a crushed

      weed underfoot. Imagine a crushed parent under

      fire. Imagine your father’s clutched sadness;

      christen it your own. Imagine the transition from

      clutch to cradle. Imagine your new sadness gazes

      with a stranger’s eyes. Imagine the pages of the

      photo album filled with proof of who belongs to

      who. Imagine in every photograph your father is

      blinking.

      MY FATHER’S EULOGY, THE EARLY DRAFTS

      we have gathered here this afternoon to celebrate

      we have gathered here this afternoon to memorialize

      a good man a dear father

      we have gathered here this afternoon to honor

      a man we all thought we knew

      we have gathered here this afternoon to pay homage to

      this man we’ve all met

      his name was crown noble

      his name was my name

      though he always prayed I would give it away

      in exchange for another man’s

      but we cannot let go of what we are

      even when we bury it

      we have gathered here this afternoon to remember

      this man we’ve all met

      his name is printed on the top of your program

      though names are relative

      he was something else to each of us—

      we are only what others call us

      when we aren’t around to answer to it

      we are gathered here this afternoon to remember

      this man we’ve all met

      his name is printed on the top of your program

      he was something special to each of us

      he is with his father now

      and the Father

      where he always dreamed of living

      when he dreamed of life

      I cannot find it within myself to remain bitter

      he did not love me enough to stay—

      he is happy

      now and

      isn’t that all I yearned to know:

      happiness

      with my father?

      REFLECTION

      dad & I own the same phone case

      by accident.

      dad & I quote the John Mulaney stand-up

      at the same time, miles apart.

      dad & I drink Moscow Mules

      but never together.

      dad & I sing in the same off-key

      & cry in the same silence.

      dad & I know how to make the room laugh

      so loud they forget we are there.

      dad & I don’t call it depression,

      just the sadness, a scent to shake off

      maybe soon or in death,

      whichever comes last.

      dad & I cradle grudges in our shoulders

      against ourselves. each one is named

      after the ones we’ve hurt—but never

      our own names & never each other.

      we cannot forgive what we struggle to love,

      dad & I.

      I mean, he loves me & I love

      everyone except myself.

      dad & I both call it the sadness,

      though what we mean is

      the loneliness

      though what we mean is

      whatever will not kill us

      no matter how we beg.


      A NOTE ABOUT MY FATHER

      by winter break of my first year of college,

      I owed $2,000 to the university and couldn’t register for classes.

      my father sold every piece of furniture in his house

      so I could be the first person to carry our name to graduation.

      love is the sacrifice and the carving knife.

      guilt is the yoke that ties me to home,

      and what is home but a cracked rafter

      holding all the snow at bay?

      THE HEARTBREAKER POEM

      i.

      my father spills his youth across the kitchen table:

      nostalgic revelry, the color of sirens

      my mother doesn’t speak

      the threads that weave her tapestry

      loom from my father’s mouth

      he unspools the way he tamed her

      saved her

      from a life of reckless abandonment

      clipped her wings to keep her

      from flying too close to the sun

      but Icarus would just as soon have drowned than burned

      and the silence in my mother’s mouth is saltwater dark

      she does not speak up to defend herself

      even now, years after their divorce

      my father’s voice can fill a room

      my mother still makes space for it

      when my mother teaches me not to be swallowed

      she is already sitting in the belly of the beast

      i wonder if she has grown to love the cavern

      like she once loved the man

      ii.

      the day i learn the importance of emergency exits

      is the day my heartbeat stops sounding familiar

      a stuttering tongue a trembling hand

      my heart beats like

      closing doors

      my father’s fading footsteps

      every plea i learn how to swallow

      don’t go, don’t go, don’t go, don’t—

      my father taught me to be the first to walk away:

      leave before they realize i am not worth staying for

      iii.

      when my mother tells me not to be afraid

      of falling in love

      i do not miss the way her hands shake

      i wonder if they miss the handcuff weight of the ring

      i wonder if i, too, will fall

      in love with a padlock man

      i become wary of boys with birdcage hands

      their mouths like oceans

      and my mother is still wringing seawater from her bones

      iv.

      i master the art of slipping away

      by starting small:

      set the body clock

      to keep them in the dark

      plot the escape route

      before the entrance

      force my heart to beat

      just go, just go, just go, just—

      i practice on the ones i love most

      solder wounds into wonder:

      mangled by my hand

      means safe from another’s

      i don’t know the last time my heart

      sounded like a heart

      v.

      he tells me, you eat like a bird

      i tell him, my mother taught me well

      he laughs, and reaches for my hand

      i smile, and begin to slip

      through the cage

      of his fingers

      vi.

      when the boys begin the hunt

      for fabled bedroom healers

      i warn them:

      broken glass bottled shipwreck interior

      no room for mending

      they don’t care or they don’t hear me

      they cut themselves on sharp tongues

      make finger paintings with blood on their hands

      a soft pastel shimmer image that looks so much like me

      i almost believe it a mirror

      almost

      soon

      they will wake with scars and blame me

      i leave them a bandage in the dark and don’t look back

      i leave before they realize i am not worth scarring for

      vii.

      every outstretched hand wants me drowned

      i sink further underwater

      ignore the burning in my chest

      run my fingers over the names

      leaving my mouth

      for the last time

      and convince myself

      this is the victory

      CROWN REGENT

      Mother is here, too. A siren who traded her fins for legs. A champion runner. Could have been a bird. Was a student in dental school. Wanted to be a ballerina. A point guard. A disco ball. I follow Mother into all the club bathrooms & meet her eyes in the mirror. Neither of us know how to go home. Mother is a flashing light. A tinny voice on the other end of the phone. Mother has agency. Mother makes her own choices. Is golden yarn. Was spun to save someone else. Mother used to sneak out of her own window. Mother never stopped. Mother made windows out of people. Mother is afraid I’ll turn into a mother. Mother is afraid I’ll turn. Mother is afraid of my reflection in her mirror. Mother is proud of me. Mother made her own choices. Mother is out there, somewhere, dancing. Mother is a good skater. Mother is a good runner. Mother is a good tennis player. Mother is a good mother. Mother never lies but I do.

      ESTRELLA

      mom never talked much about the day she met dad

      & that was alright with me because i didn’t have much

      to ask. i mean, i had already written the story in my head:

      my mother, young,

      dressed in the polyester skirt

      that made her feel faster

      & skates painted from tongue to tip

      with the delicacy of a butcher’s hand.

      tied with the laces she lifted from the payless

      four backyards from her front door.

      a smear of gold against the wooden walls of the roller rink.

      my father, a shadow

      billowed in the corner to smoke

      with friends & skates kept powder white

      through the luxury of time.

      he rolled into the rink to race & found a comet

      stole his spot. she was speed. untouchable.

      gold hoops and a laugh so loud

      it lasted until i was born.

      she slowed down

      enough to make my father a starcatcher

      & then he was in orbit.

      my father’s year around the rink

      was an hour out of my mother’s day.

      it was the last time she was fast enough

      to outrun him.

      IT JUST HAPPENED SO FAST

      One minute everyone clambered onto the same couch

      & the next we didn’t.

      Or is that just memory? Anyway,

      I betrayed them. I told Dad

      where we were going. I thought they loved each other.

      I loved them both. I couldn’t imagine a world

      where they didn’t—love each other like I loved them.

      I could forgive them for anything.

      It all changed. But it was me:

      I unlocked the door

      & left a note

      & told him where we were going.

      I wanted him to follow.

      My fault. My love.

      My inability to separate them.

      BORN TO EMBODY IT

      “My wound existed before; I was born to embody it.”

      —JOË BOUSQUET

      my body has never been mine

      alone

      always a shared space

      with the ghosts of my father’s past

      and my mother’s favorite demons

      and little room for me.

      I am a product of my mother’s fragile vertebrae

      and my father’s miserable veins

      an attempt at creation by two bodies

      designed for destruction

      insatiable need to feel something


      no matter the cost.

      my father tells me of the monster

      hidden underneath my skin

      on a Wednesday afternoon.

      he christens it addiction.

      he speaks of its ways

      with the tone one would use

      to describe a lover that scorned them:

      with anger, with adoration.

      the way he speaks of my mother.

      he tells me how it rattles our fault-line bones

      tells me it rots our family tree

      too fast for any branch to escape.

      I can’t tell if this is an apology.

      this means, he tells me,

      that we will never know how to let go.

      we will cling to something until it chokes us

      we will let it, we will love it.

      he says this like a warning

      but it sounds like his wedding vows:

      I will love you until it kills me

      and then I will love you more.

      I was born to a pair of addicts

      desperate for each other

      a fire that consumed them whole—

      I am my father’s daughter my mother’s mirror

      designed to seek that which can destroy me

      and let it, and love it

      I was carved hollow by hands that loved me

      to hold wars in the spaces between my ribs

      to see destruction written across my fingertips

      I am clockwork catastrophe catalyst

      a girl of ash and broken glass

      the remnants of a Molotov cocktail marriage

      I was born to go up in flames

      a can of gasoline in love with a match

      I would let myself burn just to feel warm.

      I am scared I have sought you out:

      I am a doused woman drowning

      you are frayed electricity

      dressed as a lifeline.

      you could tear me to pieces

      and I would let you.

      and love you.

      STICK

      you split me like a shell in your teeth, spit out the hard interior.

      giggling is a fool’s feeling and i am a fool around you. all laugh.

      face split, cheeks ache, you make me smile like an eggshell crack.

      my capillaries want to move into your lungs. could you make room?

     


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