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    Somewhere Among

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      the day after

      New Year’s decorations go up

      along the way

      to the station

      outside shops

      at gates

      branches of pine

      welcome good fortune.

      The peace doll sits on top of

      postal cards stacked

      ready for addressing

      New Year’s wishing.

      I have my NASA pen!

      OLD ROUTINE WITH CHANGES

      I know the routine of this time of year

      with Obaachan and Jiichan

      cleaning from rafters to tatami

      from soles to pedals

      from garden stones to gate.

      This year Jiichan will rest.

      This year Obaachan lets Mom

      and me

      help prepare food

      to last the first three days of the new year.

      Papa arrives in a taxi

      with our electric carpet rolled and

      hanging out the window.

      He vacuums the tatami in Great-Grandfather’s room,

      rolls out the carpet, and plugs it in.

      Our futons will be warmer at night.

      Obaachan places my favorite New Year’s food,

      candied chestnuts with sweet potatoes,

      along with other not-so-favorite food (dried sardines)

      in lacquer boxes decorated with golden

      plum blossom, bamboo, and pine,

      the luckiest combination.

      Looks like

      sounds like

      feels like

      a happy home.

      NEW YEAR’S EVE 2001

      Three days of

      watching TV (screened for Jiichan)

      feasting

      receiving greeting cards

      begins with

      the Red and White Song Battle on TV,

      noodles at midnight,

      the shrine bell gong on TV,

      money envelopes (small change this year),

      and

      the first dream of the new year.

      A dream hopefully of

      an eggplant, a hawk, or Mount Fuji.

      All three is the luckiest dream.

      Jiichan and I are lucky already;

      our favorite singers, the white team,

      won the song battle.

      BROKEN HEARTS

      TV and the newspaper

      show us

      the fallen towers

      the hollow field

      the gaping war department—

      the rubble

      the scars

      on millions of hearts.

      It’s difficult to screen everything for Jiichan

      until his heart is strong again.

      LOOKING BACK

      I show Mom and Papa the grade paper.

      and they congratulate me on Teacher’s comments:

      Ema worked hard

      and improved.

      After hearing the Masa story

      Papa says he agrees with Mom,

      we must talk to Teacher,

      Masa, and his mother

      after the holiday

      and says,

      “Bullies need to know they are seen.”

      I agree.

      But I am not looking forward to it.

      AND AHEAD

      The new year is already here

      when Nana calls with spring visit plans.

      I tell Grandpa Bob I don’t remember

      my new year’s first dream.

      He tells me

      no matter what

      New Year’s is a time to think about

      possibilities,

      beginning again,

      or starting something new.

      “Think with ‘future hope’ in mind,” he says.

      I can hear him smiling

      and later, feasting,

      Jiichan raises a slice of lotus root to his eye

      squints through one of the holes

      and says,

      “I see a better year ahead.”

      He does this every new year, but this year

      he is looking at Miki sleeping on a cushion.

      TRADITIONAL SECOND-DAY TASK

      Papa watches over me

      while I prepare

      paper

      brush

      inkstone

      ink stick, and

      water pot

      poto poto

      su su su

      against the stone

      I rub stick into water into ink.

      With the school practice paper as a guide

      stroke by stroke

      BRIGHT HEART

      appears on the paper.

      I hang it to dry

      next to a scroll of painted sparrows.

      The first day back at school,

      we will hang this message

      in the hallway

      to remind us

      to polish our hearts

      with kindness toward one another.

      BRIGHTER HEARTS

      I put the peace doll

      on top of the TV

      to remind us

      a new year

      a new beginning

      a new chance has come

      to try better

      to do better

      to be better.

      While listening to the story of the doll,

      Jiichan’s eyes sparkle.

      JANUARY 2, 2002

      ACKNOWLEDGMENTS

      Gratitude to Daddy, Carol Baker, Mrs. Eldridge and Mr. Richard Jenkins, Nancy Kirwan Rinehart, and Jan Oppie for early writing encouragement; SCBWI-Japan, Kent Brown and The Highlights Foundation, Virginia Euwer Wolff, Sonya Sones, and Linda Oatman High for guidance; the Highlights Novel in Verse Sisterhood, especially Debra Rook, Carol Coven Grannick, Liz Heywood, Kathy Mirkin, and Sandra Armistead Havriluk for encouragement and guidance; Yoko Yoshizawa, Naomi Kojima, Gerri Sorrells, Chiyo Hayashi, and the Chikamatsu family for clarity.

      Thank you Holly McGhee for giving this story a chance, nuturing it, and finding it a home. Thank you, Courtney Stevenson. And to Caitlyn Dlouhy, who gave this story a place in the world along with Sonia Chaghatzbanian, Clare McGlade, and Elizabeth Blake-Linn at Caitlyn Dlouhy Books, Atheneum, my deepest gratitude and admiration.

      ANNIE DONWERTH-CHIKAMATSU greets Mt. Fuji each day despite the obstructed view from her roof garden. Her work has been published in Hunger Mountain, Highlights, Skipping Stones, YARN, and other magazines. She received a grant from the Highlights Foundation to attend the Chautauqua workshop in 2009. Somewhere Among won the 2013 Writers’ League of Texas manuscript contest in the middle-grade category and is her debut novel.

      A CAITLYN DLOUHY BOOK

      Atheneum Books for Young Readers

      Simon & Schuster • New York

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      authors.simonandschuster.com/Annie-Donwerth-Chikamatsu

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      ATHENEUM BOOKS FOR YOUNG READERS

      An imprint of Simon & Schuster Children’s Publishing Division

      1230 Avenue of the Americas, New York, New York 10020

      www.SimonandSchuster.com

      This book is a work of fiction. Any references to historical events, real people, or real places are used fictitiously. Other names, characters, places, and events are products of the author’s imagination, and any resemblance to actual events or places or persons, living or dead, is entirely coincidental.

      Text copyright © 2016 by Annie Donwerth-Chikamatsu

      Jacket illustration copyright © 2016 by Alessandro Gottardo

      All rights reserved, including the right of reproduction in wh
    ole or in part in any form.

      ATHENEUM BOOKS FOR YOUNG READERS is a registered trademark of Simon & Schuster, Inc.

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      Book design by Sonia Chaghatzbanian

      The text for this book is set in Adobe Caslon Pro.

      CIP data for this book is available from the Library of Congress.

      ISBN 978-1-4814-3786-8

      ISBN 978-1-4814-3788-2 (eBook)

     

     

     



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