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    All the Broken Pieces

    Page 2
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      Every good boy

      will always do fine.

      I like that.

      That night,

      when Dad comes home

      from work,

      we practice baseball

      in the backyard.

      For the past two years,

      we’ve gone

      to the rec field

      to watch the kids

      pitching, hitting,

      running bases.

      They are my age

      but bigger.

      Every year, Dad says,

      You have a good arm, Matt.

      You should try out.

      Maybe next year,

      I always say.

      You have a good arm, Matt,

      Dad says as

      a high ball crackles

      through the branches

      in a darkening sky.

      You should try out

      for the school team.

      Outside the school gym,

      the sign-up sheet shows

      forty kids.

      Forty kids

      pitching,

      hitting,

      running

      for fourteen spots

      on the team.

      This year,

      I surprise him.

      One of those names

      is mine.

      Open practice

      before tryouts

      is every day this week

      from three until four-thirty.

      Tommy and my mother

      pick me up

      in the Impala.

      I throw my stuff

      in the backseat.

      Tommy climbs on my lap,

      babbles,

      and pulls my ears

      the whole way home.

      Leave Matt alone,

      my mother says.

      She shakes her head

      and smiles at me.

      Her hair moves

      like sunshine.

      He misses you

      when you’re at school.

      At home,

      I quickly shower

      and practice my scales

      before Jeff comes.

      One–two–three–under,

      one–two–three–

      four–five.

      Five–four–three–

      two–one–

      over–three—ugh!

      Why do I always stumble

      going back?

      At the door,

      Jeff and my mother talk.

      Tommy plays with the pots

      in the kitchen.

      My fingers tap the air

      while I wait.

      Go ahead, Jeff finally says.

      Let’s get started.

      Every week, I nod and say,

      Okay, and every week, I wait.

      Even with Tommy’s clatter,

      I don’t want to disturb them.

      My fingers stumble

      through the scales

      and through

      “The Gypsy Camp.”

      They crowd the keys,

      landing in two spots

      at the same time.

      They slip, clank, and clash

      into sounds

      that aren’t music.

      Watch, Jeff says calmly

      when my fingers freeze

      in frustration.

      Jeff’s fingers are

      bigger than mine,

      but they know how

      to touch each key,

      one at a time.

      They unlock each sound

      separately.

      Jeff doesn’t make mistakes.

      His fingers brush

      across the piano keys

      like branches

      of the tamarind

      swaying in the wind.

      How can such big hands

      make such quiet music?

      I’ve been practicing

      a lot longer

      than you, he says.

      Slow down. Be patient.

      I wish I could be.

      Jeff is slow, patient,

      quiet.

      But he isn’t

      an afraid quiet.

      Just a calm quiet,

      like he’s looked into

      a closet of monsters

      and found empty

      candy wrappers instead.

      I wish I

      could do that.

      It’s great being part

      of a team, Dad says.

      Tommy’s upstairs

      taking his bath

      and the two of us

      are clearing the table.

      It’s great being

      part of something

      bigger than yourself.

      I might not make it, Dad.

      Forty kids are trying out.

      I might get cut.

      I don’t see how, Dad says.

      You’ve got a great arm.

      Coach Robeson’s a great coach.

      He won’t let you get away.

      Tryouts

      are on Monday.

      On Tuesday,

      we’ll learn

      who made the team.

      On Wednesday,

      fourteen of us

      will learn our positions.

      The rest of us

      will creep home

      with our caps

      pulled down tight,

      slanted way below our noses

      so no one can see us cry.

      I have my cap.

      I have my

      hooded sweatshirt.

      I’m ready.

      But whether I

      make the team

      or not,

      I won’t cry.

      All my tears

      I left

      in Vietnam.

      Tryouts start

      just like training.

      We stretch.

      We run.

      Coach Louis,

      the assistant coach,

      hits ground balls.

      But the air is jumpy.

      Electric currents spark

      the gym.

      Coach Robeson

      is walking around

      with a clipboard,

      smiling, nodding,

      scratching notes

      and names.

      At first I thought

      I heard wrong.

      I never bothered

      anyone.

      Why would anyone

      bother me?

      But when different kids

      get called to bat,

      and I’m told to stay

      and pitch,

      their voices

      get stronger.

      Someone steps in to bat,

      Coach Robeson and Coach Louis

      huddle,

      and the words hit me

      like a punch.

      Billy Alden is the loudest.

      Hey, Frog-face,

      where’d you learn

      to play baseball,

      in a rice paddy?

      Davey Laice grumbles,

      Matt-the-rat,

      if you make the team,

      I’ll quit.

      When tryouts

      are over,

      Rob Brennan

      bumps into me.

      I fall

      into the bleachers.

      When I stand up again,

      he hisses

      in my ear,

      My brother died

      because of you.

      If I drop out now,

      my father

      will ask questions.

      If I tell anyone,

      I will be a rat.

      Last year Billy

      accidentally

      dumped sour milk

      on a fifth grader

      who wouldn’t give him

      one of his Twinkies.

      Everyone still calls the kid

      “stink.”

      Who knows what

      will happen to me?

      I pull my cap down tight

      and pray I get cut.

      Dad meets me outside the gym

      after tryouts.


      How’d it go?

      Okay.

      I bet it went better than that.

      He puts his arm

      around my shoulder

      and we walk to the car.

      When he turns the key,

      the radio goes on with the motor.

      Right away, the Bee Gees

      start singing,

      Got the wings of heaven

      on my shoes.

      I wish I did. I’d fly far away

      from Billy and Davey and Rob.

      Dad starts singing

      with the radio.

      His voice is low and off-key.

      Whether you’re a brother

      or whether you’re a mother,

      You’re stayin’ alive, stayin’ alive,

      he sings quietly,

      bopping his head

      and his shoulders.

      Feel the city breakin’ and everybody shakin’,

      ’cause we’re stayin’ alive, stayin’ alive.

      Ha, ha, ha, stayin’ alive, stayin’ alive.

      It’s hard to worry about stuff

      when my father sings.

      Don’t worry, he says,

      nodding his head to the music.

      You’ve got a great arm.

      You’ll make the team.

      He pushes up my hat and smiles.

      Even if you don’t make it,

      you’ll always be our MVP.

      Whether you’re a brother

      or whether you’re a mother,

      you’ll always be our MVP.

      I’m trying to read Kidnapped

      but the Bee Gees are rolling

      through my head.

      Stayin’ alive,

      stayin’ alive.

      They rock and roll

      through my head

      as I wash up for dinner,

      as I chew my meat loaf

      and my mashed potatoes.

      Stayin’ alive,

      stayin’ alive.

      As Tommy bangs

      on his high chair

      and squashes

      his sliced bananas,

      as my mother offers

      stayin’ alime

      Jell-O for dessert.

      Stayin’ alive,

      stayin’ alive.

      Whether you’re a mother

      or whether you’re a brother,

      my brother died

      because of you.

      On Wednesday

      the list is posted

      outside the gym.

      I check it twice.

      My stomach drops.

      Only four seventh graders

      made the team,

      and I am one of them.

      There’s a note

      taped to my locker.

      It’s a picture of a rice field

      torn from a magazine.

      In black marker someone

      drew a big-eyed rat

      and wrote the words

      Matt-the-rat.

      I know what the note means.

      Because of you

      there’s no place for me.

      Prejudice is ignorance

      in a catcher’s mask,

      Coach Robeson says, coughing.

      His face is white-angry

      and his eyes

      are like steel bullets.

      I didn’t tell anyone

      about the note

      but somehow Coach

      must have found out.

      Alex, Billy, and Rob

      are the only other seventh graders

      who made the team.

      Alex is a quiet boy

      with curly hair and glasses

      who lives across the street from me.

      Sometimes we ride our bikes

      together or toss the ball around.

      Did he know about the note?

      Did he tell Coach Robeson?

      There are two Michaels, a Drew,

      an Eric, a Daniel, and a few boys

      I don’t even know yet.

      Did they know about the note?

      Would they even care?

      I hear one more derogatory comment,

      Coach says, looking at everyone

      slow and steady,

      one at a time,

      his sharp eyes

      locking their eyes

      before they have a chance

      to look down,

      you won’t play on any team,

      in any school, in any town.

      Period.

      Either plan to play like a team,

      or get out

      now.

      He doesn’t mention my name

      or the note.

      Sometimes the words people don’t say

      are as powerful as the ones they do.

      Most of the time

      I pitch,

      but sometimes

      I play shortstop.

      Standing between

      second and third

      is tricky.

      Do I shift toward second,

      or lean toward third?

      Do I trust

      that my teammate

      wants to win

      more than he wants

      to hurt me?

      I’d rather pitch.

      It’s just me

      and the ball

      and the batter.

      Me and my arm

      and my eyes.

      I face my enemy head-on,

      and he’s always on the other team.

      The assignment is

      easy enough.

      Without describing them physically,

      choose one member of your family,

      and write a brief character sketch

      about them. Remember, we learn

      more about a character

      through their actions than their appearance.

      Actions speak louder than adjectives.

      I pull a pencil

      from my top drawer.

      My top drawer

      is full of pencils, new,

      used, half used, and

      all-the-way-to-the-eraser-cap used.

      I never get rid of pencils.

      I never get rid of anything.

      Who knows?

      Even a stub

      is worth something.

      If bombs fall here,

      if something so terrible

      ever happens

      that I get sent away,

      I’ll stuff everything

      I can fit

      into my pockets.

      Even the broken pieces

      are worth something

      to me.

      I pull out a well-sharpened pencil

      with a high, clean eraser.

      My mother, I write.

      I draw a box around the word My

      and another box

      around the word mother.

      I color the boxes lightly.

      I can still read the words so

      I keep coloring them.

      Darker and darker.

      And darker.

      Soon I have just one

      long rectangle.

      Just a plain,

      dark,

      black

      box.

      No one would even know

      there’s something inside.

      The piano sits

      in an alcove

      at the bottom

      of the stairs,

      between the den

      and the kitchen,

      closer to the den

      but in a separate

      space.

      It’s hard not

      to touch the keys

      as I pass by.

      When I wait

      for my mother

      to pack a snack

      for Tommy, or

      when the phone

      rings just as we’re

      leaving the house,

      I pull out the bench,

      and zip through the C scale

      or “Shenandoah”’s

      rolling river.

      When I play the piano,

      I’m sheltered


      in that safe place

      where the only thing

      that matters

      is music.

      Something’s going on.

      They’re disagreeing

      about something.

      I hear whispering as I pass

      their bedroom door.

      I wait. I listen.

      It might be better for everyone,

      she says.

      I’m just not convinced

      it’s a good idea, he answers.

      But maybe we can’t provide

      what he needs, Michael.

      Mrs. Mack called yesterday.

      Matt’s classwork is slipping.

      He’s not doing his homework.

      Maybe if he goes, he’ll understand more.

      He’s just a boy. How much more

      can he understand?

      I hear them move toward the door

      and I jump.

      At the top of the stairs,

      she smiles at me,

      smiles like my teammates,

      like she was just talking about

      what color to paint the hallway,

      or whether we should have potatoes

      or rice for dinner.

      Time to wash for supper, Matt,

      she says.

      I feel something like a cold fish

      shimmy inside me.

      Maybe it’s time

      to let me go.

      Now they have Tommy,

      happy as summer,

      and even starting to say,

      Me play ball.

      With a cute kid like him,

      why do they need me?

      If I run away,

      maybe they’ll miss me

      and want me back.

      But where would I go?

      And what about Tommy?

      Who would he follow around,

      saying, Ball, ball, play ball?

      In the yard, I want to run,

      but my legs are locked.

      It is late afternoon.

      The sun still shines bright.

      My mother watches

      from the window.

      Her face is in the shadows.

      Her hair and her eyes

      seem darker than they are.

      She studies me.

      Her smile

     


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