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    The Multiverse

    Page 9
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      Where landsknechts came and went,

      Consolidators of the valleys,

      Impelled by what intent?

      I picture years before the ‘Age of Reason’ –

      Though what the culture critics meant

      By that outlandish nickname, in this season

      Of broken pacts

      I can’t conceive. High treason

      To talk of facts

      When what’s desired are dreamy lies.

      (The cataphract’s

      A mythic tank whose engine never dies.)

      xi. Motives

      I find them normal now, mind’s motives, grown

      In gardens but evolved

      For jungles. Elevator lights

      Are green for Up, the zone

      Of safety, red for Down, the unresolved

      Chaos of bloodlust. Hence lush heights

      Enrapture as the rustling depths repulse,

      Soft-running water

      Instils resilient calm,

      And we convulse

      Through hostile lands, giving no quarter,

      Evading harm –

      Eyes open always for love’s fabled balm.

      xii. Eudaimonia

      When Ban Ki-moon’s ‘World Happiness Report’

      Was launched in 2012,

      The silk of Aristotle’s thought

      Extended. ‘Let us delve,’

      Policy-makers said, ‘the head-yoked heart,

      And seek to pinpoint how we selve

      Ourselves. How does the human engine start?

      What is our fuel?

      Can dedication chart

      The fragile rule

      Of hopefulness and happiness?’

      It is a cool

      Calming December day and I say, Yes.

      xiii. The Gift

      My gift to you’s not gnarly apps, dank memes,

      Or avocado toast.

      Mad props, of course, but not my themes.

      If culture’s diagnosed

      With fidget-spinners, Snapchat, Gatorade,

      I’ll use them, sure, reserving most

      Heartfelt respect for glaciers, rustling shade,

      And saving bees –

      But lists are not my trade.

      A plotless frieze

      Is easy-pickings. Match-fixed sport

      To stop at these.

      My gift? I give you love. I give you thought.

      xiv. What’s the Point

      But what’s the point of anything at all

      If everything must pass?

      There’s purpose in the rise and fall,

      Intact and shattered glass;

      Suspension bridges, tumbled temples, rubble.

      Yes, mark me, I embrace the farce

      And do not think the furies any trouble,

      Since they were made

      To serve as body-double

      For angels. Fade

      And brighten are so interlinked

      But nothing’s greyed

      So long as blaze and shadow stay distinct.

      xv. Blankness

      Words on the wing fall out like tarot cards,

      And mind construes its meanings.

      Long-shuffled deck, linguistic shards,

      Insatiate tongue-careenings,

      Caresses on soft-palate’s silky ridge:

      From such we ascertain mist-gleanings,

      Some sense of what it is to be a bridge

      Between delight,

      That midnight-snacker’s fridge,

      And, out of sight

      But in all eyes, eternity.

      I cannot write

      Of that. There is a blind-spot there, you see.

      Yes, if I whisked that blankness into words,

      You wouldn’t credit it.

      It falls to us to soar like birds

      Or wade in torpor’s pit.

      Our life is passion. What else can it be?

      Must reason always baby-sit

      Lost heart? The heart, which longs for certainty

      And gets instead

      Frustration’s fist – let be.

      I was misled

      By phantoms. Tumult melts. Time breathes.

      Far-reaching red,

      Fast sunrise, on a new horizon, seethes.

      xvi. Trust

      Falling backward into the arms of love

      Is softly difficult,

      As is the olive-bearing dove,

      Or ’fessing, ‘It’s my fault.’

      But, in good time, things tesselate with grace.

      Elated spirits somersault

      And reach a little short of outer space.

      What we convey

      By shrugging commonplace

      Worry to say,

      ‘Ours is a reciprocity’

      Is love’s hot clay

      Coming alive: it’s trust that lets us be.

      xvii. Fiat

      Let be the wilderness of deep unknown,

      But let there be a map

      Acknowledging each unturned stone;

      Let be, Canute, the slap

      And resurrective slip of tidal time,

      But let there be fresh thunderclap

      And mitochondria born in the slime;

      Let be lost past,

      But let there be sublime

      Musics that last

      And magics from the learning mind

      To flabbergast

      And fuel old wonder each new link they find.

      xviii. Rithmomachy

      The ‘game of numbers’ or the ‘number war’.

      A never-wearying

      Pursuit of structure. What a chore –

      Unbridled dallying

      With ultracosmic manic make-believe.

      Keep on, but let the pattern sing.

      Else why take lengthy pains to re-conceive

      Our here and now?

      Why fall in love or grieve

      If seeing how

      Events occur is all that’s needed?

      Fine not to bow

      To feelings. Simply know they should be heeded.

      xix. Cosmogony

      ‘It’s hard to say what got the world to be.

      Behind it all (and this

      A logical necessity)

      Brute fact –’ ‘Sure, but you miss

      Life’s fractal backflip. What abounds is rumour,

      Memories of marvellous entities

      Contained in paradox, in human humour:

      A benediction

      Gifted that we may do more

      Than flee to fiction

      And echo echoes in our acts.

      Heat grows from friction.

      What are we really? Facets of the facts.’

      xx. Fallout

      Chernobyl, in its thick sarcophagus

      Of mouldered concrete, burns

      Hell-hot, and let it lesson us:

      Bone-crunching nature churns

      Incessantly and cannot be dissuaded

      But only channelled and, by turns,

      Deployed, directed, chivvied – or evaded.

      Our first free will

      Is shaping structures, graded

      To hold the still

      Viscous expanse of come-and-go,

      So nearly nil.

      Our second freedom’s more: the saying no.

      xxi. Possible Worlds

      Oblivious to the obvious, we could live

      A life of slack retreat,

      But conscience never could forgive

      Unwillingness to meet

      Love’s pristine promise. Since we have a choice,

      Far better, at the outset, greet

      The day, receptive, giving all our voice

      To what’s required.

      Let charabancs rejoice

      In uninspired

      Daguerreotypes. For us, the sieve

      Of time’s admired

      Meshes insist, it is today we live.

      xxii. Change

      What pushed the change? Some deep dissatisfaction

      With loss, precarity.

      A bala
    nce tipped. There would be action.

      Surely there had to be?

      We hoped, though little’s certain, still less stable,

      And casual bellicosity

      Of boardroom tyrants, slamming lacquered table,

      Grew louder than

      The giant in the fable.

      But no Jack ran

      To fell the beanstalk, with its furled

      Insurance plan.

      Through simpler feats, we sought a better world.

      xxiii. Explanatory Matters

      Chaotic chat-show of cognition: why,

      And what’s the reason for –?

      A raising of the hackles by

      Our always-wanting-more

      Compulsion to discover, in thought’s drain,

      While drifting down time’s corridor,

      Some stable meaning? Look, let’s get this plain.

      The odds are stacked

      Against us. Mark of Cain.

      A tesseract

      Bewilders cubes. Our questions tend

      Toward the fact

      That reasons are like Russian dolls. They end.

      xxiv. Future Pastoral

      Far out, the red dust whips in solar wind,

      A future landing-pad,

      A crater where hard crust has thinned

      And some day soon a lad

      Will stagger over dunes to shout his name

      And see the spot where mum and dad

      First disembarked to flag a human claim

      On low-grav Mars.

      Frontiers run on. The same

      Who thrummed guitars

      And warbled ‘Major Tom’ will spread

      Across the stars.

      I care about them, though may be long dead.

      AFTERNOTE

      The structure of this stanza was determined with help from an equation devised by the Dutch mathematician Nicholaas Govert de Bruijn (1918–2012). It was my hope to have a stanza containing, in the shortest possible compass, all ‘gear-shifts’ between pentameter, tetrameter, trimeter, and dimeter. There were other possibilities (by shifting the sequence along) but the metrical structure that I chose is as follows: 5343545232425.

      Detectives

      ‘The Situation must necessarily appear to a single observer much like a diagram in four dimensions to an eye conditioned to seeing the world in only three.’

      Thomas Pynchon, V

      Having ruled out impossibilities,

      However improbable,

      What’s left must be the truth.

      Still, who can love a wood without the trees?

      Practice demands that theory fit the bill.

      A restless wraith

      Will writhe

      Till justice is delivered,

      And so it is you live to

      Cast rays

      On what is real:

      Jugglers and jigsaws, all a shuffling muddle,

      But medicine does good work when it most tingles,

      That’s elementary.

      By now all know the method:

      Each plot must twist before its truths untangle.

      Yes, nothing forms one’s feelings on a thing

      Like losing it, right then.

      By ‘losing it’ I mean –

      I’ll let you guess. And so, though squeaky hinge

      And floorboard creaking sound like shots to them,

      When wise sleuths mine,

      They mourn

      Their ignorance because

      No dossiers rammed with clues

      Or files

      Of human flaws

      Can pinpoint what they’re missing, what we all

      Can’t help but miss till tragedy’s numb hand

      Clutches our shuddering flesh

      And, shocked by a screech owl

      Swooping, we sense what centres always hide:

      Enigma, gnawing, widening, strangely rending.

      It cannot be unseen,

      But still it must, for how

      Could we believe in paths without the binding

      Telos, the tell-all wrap-up, setting sun

      And midnight howl?

      Who heaves

      A sigh? It is the sigh

      Heaves you, or so they say.

      Yes, by

      The by, to be

      Is bafflement, embattlement, soft sift

      Of happy sadness, road and wheel and rut,

      While meaning’s alibi

      Is failsafe as a safe

      All try to crack but none can quite get right.

      Why do I blurt these far-out loopy thoughts?

      What motive moves my hand?

      You’re listening? Were you ever.

      Ours is a life of dead ends and false starts.

      Be Baskerville, dear reader, I’ll be hound,

      And we’ll untether

      Dire terror

      From where time left her moaning,

      She who gave life such meaning,

      With pictures

      Of sudden rictus

      And cavernous intentions, tortuous

      As undertow of labyrinths ingrown,

      Unruly, ripe, and raucous,

      Definitively Us

      As naturally as fungus rots the grain.

      A deep distress can humanise the soul,

      That spark-emitting flint.

      Say pneuma, psyche? Pshaw.

      It could be. Ruling nothing out. Time’s seal

      Has sundered, all true winged things taking flight.

      A farther shore

      Is, sure,

      In vision. To what end?

      The image trembles and

      Eludes.

      Where it may lead

      Perhaps we’ll never know, but for the sake

      Of keeping balls aloft, not burning bridges,

      Detectives lift the lid

      And rustle through the silk

      In search of what? What riddles still, what glitches:

      Somehow, wherever you decide to go,

      You feel the sky is glass,

      Might drop at any second.

      Transparent as it is, you see the glue

      Disaggregating. When it falls, a gloss

      Will rise and, suckered

      In, skewered

      By countless shivering shards,

      What mischief-stricken hordes

      Will wrack

      That sievelike wreck

      You call a mind? The human is no home

      For understanding. Did you kid yourself

      It might be, ever? Rock,

      Paper, or scissors, harm

      Is wrought. Grim Reaper won’t mislay his scarf.

      The Molochs and the Michaels of our nature

      Are poised to duke it out

      Though both are looking doubtful,

      Knowing the wayward primate they would nurture

      Has shunned all counsel since that battered state

      When Cain and Abel,

      Post-apple,

      Voluntarily

      Diverged. The hateful lie

      Of lessened

      Choice, fatalism

      Would yet eliminate willed virtue but

      Yearning rebels and so it cannot fly.

      Here is death’s nagging lesson,

      Reason why mystery’s bait

      Must tantalise: to keep high hopes in play.

      So now, as scattered dots consolidate,

      Sprinting the final lap,

      Blunderers at Scotland Yard

      Told where and when to train their tetchy searchlight,

      Whose praise will do to honour this, your leap,

      You who so cared

      And steered

      Between unkind extremes,

      Huddling in thunderstorms

      To mock

      Corruption’s muck

      With proof’s reproof? Who always slips the noose?

      Stern anti-You, torn god of second-guess,

      Whose smile alone could make

      Such pains worthwhile. Who knows

      Where we’d end up without our nemeses –?


      The Kite

      At last it lifts.

      It leaves

      The turf that had no more to offer it,

      And drifts

      Above the eaves

      With every trace of ground-devotion quit.

      Backtrack. Bounce back. Held in

      By thread, simplicity on wings,

      It rumples, thick and thin

      Against its bones,

      And structure sings

      As it disowns

      The fiddliness and pinionedness of Earth,

      In soft rebirth.

      It is a kite,

      A kit

      For getting airborne in pursuit of joy,

      A sight

      Designed to fit

      By being both a triumph and a toy.

      Yet flight is just one answer

      To finding Earth a sapped domain.

      Swivel and see! A dancer

      Shimmies across

      A sunny plain,

      And all the loss

      From time’s interminable fade-to-grey

      Is blown away.

      Till Next Time

      How could it end in any other way?

      Pastels above and tangled grass about our feet,

      Tangential streaks of iridescent grey,

      Highrise conjectures on invention’s scope, and wheat

      Accumulating, hushed,

      By B-roads where a rushed

      Commuter hurtles to another day.

      Remote, flamingo-gawky, cranes release

      Piratic hooks like pensive anglers at a river,

      Expecting, wordless, some disrupted peace

      To sanction free-for-all: their moment to deliver

      Mechanic justice. Who

      Could function as they do?

      Who grips the nettle, grasps the golden fleece?

      Time past lies like a hogshead on a tray.

      Fresh salmon surge upstream. Downstream young lions leap.

      Time’s yes-man has relinquished yesterday.

      All doubts disintegrate. Enthusiasms seep

      And gather. Where they flow,

      Life flourishes. Trees grow.

      How could it end in any other way?

      About the Author

      ANDREW WYNN OWEN is a fellow of All Souls College, Oxford. He received the university’s Newdigate Prize in 2014 and an Eric Gregory Award from the Society of Authors in 2015. With the Emma Press, he has published pamphlets including a narrative poem, lyrics, and a collaboration (with John Fuller).

     


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