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    Peace Talks

    Page 7
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      and we arrived

      and they still hadn’t called me

      and he was still

      *

      He was lying he was

      with this

      Mark

      with this big plastic hole

      sort of

      a bandage over a hole

      just like

      asleep

      *

      The reindeer the wild reindeer

      giving birth in the snow

      with the rest of the herd scarpering

      they have seen the eagle above them

      but the mother stands still

      what am I going to do what

      a bit restless and everything

      but starting to lick her baby

      with the eagle watching

      *

      Quietened that is the best word

      to describe it I felt quietened

      seeing the hills below

      as we came into Kabul

      I was thinking

      Mark lived in a very green place

      and here everything is purple

      orange Turner colours I call them

      in my nightmares he is never dead

      bandaged lost never dead

      with my love

      circling

      nowhere to go

      I was thinking

      thousands of lives

      in an instant

      and the molecules starting again

      and the mountains never changing

      how was I

      quietened

      how

      but for a moment

      I was

      then losing height

      with the brown earth rushing to meet me.

      Acknowledgements

      Thanks are due to the editors of the following, in which most of these poems have already appeared: Ambit, Best British Poetry 2014 (Salt), Echo Chamber (Radio 4), Granta, Guardian, London Review of Books, Mimic Octopus, Observer, Ploughshares (USA), Poem, Poetry and All That Jazz, 1914: Poetry Remembers, The Spectator and Times Literary Supplement.

      In ‘The Death of George Mallory and Sandy Irvine’ I gratefully use material from Into the Silence by Wade Davis (Bodley Head, 2011), by permission of the author and the Random House Group Ltd.

      ‘Finis’ was commissioned by the Revd Dr James Hawley, precentor of Westminster Abbey, and read at a service there on 1 February 2015 to commemorate the 70th anniversary of the liberation of Auschwitz. I acknowledge the use of material from A Lucky Child by Thomas Buergenthal, Man’s Search for Meaning by Viktor E. Frankl, If This is a Man by Primo Levi and Night by Elie Wiesel.

      ‘A Tile from Hiroshima’ was commissioned by the Imperial War Museum (North). I acknowledge the use of material from Hiroshima by John Hersey and Hiroshima Nagasaki by Paul Ham.

      The poems in ‘In the Stacks’ were commissioned by Poet in the City and the London Archives, and were written in response to items in the British Library.

      ‘The Fence’ uses material from The Yellow Birds by Kevin Powers, copyright © Kevin Powers 2012. Reproduced by permission of the author C/O Rogers, Coleridge & White Ltd, 20 Powis Mews, London W11 1JN.

      ‘Peace Talks’ was broadcast in a slightly different form on Radio 4 on 11 November 2014, under the title ‘Coming Home’.

      Several of the poems in this collection, like others in my previous collection, The Customs House (2012), have their origins in other people’s books or words, and often borrow from and/or adapt them. I gratefully acknowledge the following: for ‘The Discoveries of Geography’, A History of the World in Twelve Maps by Jerry Brotton; for ‘The Conclusions of Joseph Turrill’, An Oxfordshire Market Gardener, ed. Eve Dawson and Shirley Royal; for ‘A Meeting of Minds with Henry David Thoreau’, Walden and Journals by Henry David Thoreau; for ‘A Moment of Reflection’, Black Lamb and Grey Falcon by Rebecca West.

      The poems in the second part of this book belong with my series of poems about twentieth- and twenty-first-century Western wars, Laurels and Donkeys, several of which were included in The Customs House. One day I hope they will join them in a single gathering.

      The poems in ‘Peace Talks’ are based on conversations with soldiers and their relatives. I am very grateful to the following: Lance Bombardier Stephen North (‘War Debts’); Padre David Anderson and Sharon Anderson (‘Ficklety’); Adjutant Michael Altenhoven (‘Life So Far’); Lance Corporal Ben Johnson (‘The Programme’); Major Wendy Faux (‘Talking to the Moon’); Ranger Andrew Allen, Linda Allen, Chris Allen, Major Clare Dutton, Lt. Col. Steve Geoffrey, Senior Care Nurse Erica Perkins, and everyone associated with the 2009 BBC TV programme Wounded (‘Critical Care’); Sergeant Vicky Clarke (‘One Tourniquet’); Dr Margaret Evison (‘The Gardener’).

      About the Author

      Andrew Motion was Poet Laureate from 1999 to 2009 and is co-founder and co-director of the online Poetry Archive; in 2015 he was appointed a Homewood Professor in the Arts at Johns Hopkins University. He has received numerous awards for his poetry, including most recently the Ted Hughes Award (2015), and has published four celebrated biographies, a novella, The Invention of Dr Cake (2003), and a memoir, In the Blood (2006). Andrew Motion was knighted for his services to poetry in 2009. He lives in Baltimore.

      Also by the Author

      poetry

      THE PLEASURE STEAMERS

      INDEPENDENCE

      SECRET NARRATIVES

      DANGEROUS PLAY

      NATURAL CAUSES

      LOVE IN A LIFE

      THE PRICE OF EVERYTHING

      SALT WATER

      SELECTED POEMS 1976–1997

      PUBLIC PROPERTY

      THE CINDER PATH

      THE CUSTOMS HOUSE

      biography

      THE LAMBERTS

      PHILIP LARKIN: A WRITER’S LIFE

      KEATS

      WAINEWRIGHT THE POISONER

      prose

      THE INVENTION OF DR CAKE

      IN THE BLOOD: A MEMOIR OF MY CHILDHOOD

      WAYS OF LIFE: ON PLACES, PAINTERS AND POETS

      SILVER: RETURN TO TREASURE ISLAND

      THE NEW WORLD

      critical studies

      THE POETRY OF EDWARD THOMAS

      PHILIP LARKIN

      editions

      WILLIAM BARNES: SELECTED POEMS

      THOMAS HARDY: SELECTED POEMS

      JOHN KEATS: SELECTED POEMS

      HERE TO ETERNITY

      FIRST WORLD WAR POEMS

      Copyright

      First published in 2015

      by Faber & Faber Ltd

      Bloomsbury House

      74–77 Great Russell Street

      London WC1B 3DA

      This ebook edition first published in 2016

      All rights reserved

      © Andrew Motion, 2015

      The right of Andrew Motion to be identified as author of this work has been asserted in accordance with Section 77 of the Copyright, Designs and Patents Act 1988

      This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights, and those responsible may be liable in law accordingly

      ISBN 978–0–571–32549–8

     

     

     



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