the novel. He tells me he sees me in it working. I ask him
about his ideas about structure. He tells me that he wants me
to understand that now I have a home, with him, by the ocean,
he has bought a home there where I will live and write, his
home and my home. We leave the coffeehouse. We get to the
corner where we go in different directions. I ask him if he
wants to tell me about his ideas about structure so I can think
about them. He tells me that the publishing company is my
home too, as long as he is there, and he wants me to see the
house on the ocean which is my home: and the publishing
house is my home, because wherever he is is my home. He tells
me to call him, day or night. He tells me to call him at home. I
M3
look blank, because I am blank; I am blank. He kisses me. I
walk away, alone. He calls after me: remember you have a
home now. I met him at six for dinner, it is now three in the
morning, I don’t know his ideas on structure. I walk home,
alone. The rats are in the walls. The walls are closing in.
position, is sleeping. I do not call the publisher, no, I don’t, I
wait for his offer of money on my novel. Months go by. I
don’t call him, my agent keeps calling him, he says he is
working on it, trust him, six or seven months go by, the
stranger in the next room and I barely speak to each other, the
rats are monstrous, I am hungry. I say to my agent: you must
find out, I must have money. She calls. He says he doesn’t do
fiction. He doesn’t do fiction. My book that I finished when the
rats came is published a few months later. He lets it die, no gift
like jewelry for me anymore. He preordains its death and it dies. I
see my house, the ocean so near it. I see the beach, smooth wet
sand, and the curve of the waves on the earth, the edge of the
ocean, so delicate, so beautifully fine, lapping up on the beach
like slivers of liquid silver. I see the sun, silver light on the winter
water, and I see dusk coming. I am alone there, in winter, ice on
the sand, silver waves outside the window. I see a small, simple
house, white and square against the vast shore. I see the simple
turning somber, and then the dusk reaching past the house onto
the wet beach and finally spreading out over the ocean. I see the
moon over the ocean. I see the night on the water. I see myself in
the simple house, at a window, looking out, just feeling the first
chill of night. I sit in the apartment, rats are running in the
walls, the walls are closing in, writing my poor little heart out:
in a terrible hurry to tell what is in my heart. You have to be
in a terrible hurry or the heart gets eaten up. There is a carcass,
sans heart, writing its little heart out so to speak: in a terrible
hurry: and somewhere an ocean near a house, waiting. He
can’t want that, they said, oh no, not that. I am a writer, not a
woman, I thought somewhere down deep, he can’t want that.
Now I am in a terrible hurry to tell what is in my heart. Who
could hurry fast enough? Brava whoever managed it!
Did I remember to say that I always wanted to be a writer,
since I was a little girl?
144
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