In truth, I never get the floor.
AN EXILE.
'Tis the census enumerator
A-singing all forlorn:
It's ho! for the tall potater,
And ho! for the clustered corn.
The whiffle-tree bends in the breeze and the fine
Large eggs are a-ripening on the vine.
"Some there must be to till the soil
And the widow's weeds keep down.
I wasn't cut out for rural toil
But they won't let me live in town!
They 're not so many by two or three,
As they think, but ah! they 're too many for me."
Thus the census man, bowed down with care,
Warbled his wood-note high.
There was blood on his brow and blood in his hair,
But he had no blood in his eye.
THE DIVISION SUPERINTENDENT.
Baffled he stands upon the track—
The automatic switches clack.
Where'er he turns his solemn eyes
The interlocking signals rise.
The trains, before his visage pale,
Glide smoothly by, nor leave the rail.
No splinter-spitted victim he
Hears uttering the note high C.
In sorrow deep he hangs his head,
A-weary—would that he were dead.
Now suddenly his spirits rise—
A great thought kindles in his eyes.
Hope, like a headlight's vivid glare,
Splendors the path of his despair.
His genius shines, the clouds roll back—
"I'll place obstructions on the track!"
PSYCHOGRAPHS.
Says Gerald Massey: "When I write, a band
Of souls of the departed guides my hand."
How strange that poems cumbering our shelves,
Penned by immortal parts, have none themselves!
TO A PROFESSIONAL EULOGIST.
Newman, in you two parasites combine:
As tapeworm and as graveworm too you shine.
When on the virtues of the quick you've dwelt,
The pride of residence was all you felt
(What vain vulgarian the wish ne'er knew
To paint his lodging a flamboyant hue?)
And when the praises of the dead you've sung,
'Twas appetite, not truth, inspired your tongue;
As ill-bred men when warming to their wine
Boast of its merit though it be but brine.
Nor gratitude incites your song, nor should—
Even charity would shun you if she could.
You share, 'tis true, the rich man's daily dole,
But what you get you take by way of toll.
Vain to resist you—vermifuge alone
Has power to push you from your robber throne.
When to escape you he's compelled to die
Hey! presto!—in the twinkling of an eye
You vanish as a tapeworm, reappear
As graveworm and resume your curst career.
As host no more, to satisfy your need
He serves as dinner your unaltered greed.
O thrifty sycophant of wealth and fame,
Son of servility and priest of shame,
While naught your mad ambition can abate
To lick the spittle of the rich and great;
While still like smoke your eulogies arise
To soot your heroes and inflame our eyes;
While still with holy oil, like that which ran
Down Aaron's beard, you smear each famous man,
I cannot choose but think it very odd
It ne'er occurs to you to fawn on God.
FOR WOUNDS.
O bear me, gods, to some enchanted isle
Where woman's tears can antidote her smile.
ELECTION DAY.
Despots effete upon tottering thrones
Unsteadily poised upon dead men's bones,
Walk up! walk up! the circus is free,
And this wonderful spectacle you shall see:
Millions of voters who mostly are fools—
Demagogues' dupes and candidates' tools,
Armies of uniformed mountebanks,
And braying disciples of brainless cranks.
Many a week they've bellowed like beeves,
Bitterly blackguarding, lying like thieves,
Libeling freely the quick and the dead
And painting the New Jerusalem red.
Tyrants monarchical—emperors, kings,
Princes and nobles and all such things—
There's nothing, the Devil excepted, to pay,
And the freaks and curios here to be seen
Are very uncommonly grand and serene.
No more with vivacity they debate,
Nor cheerfully crack the illogical pate;
No longer, the dull understanding to aid,
The stomach accepts the instructive blade,
Nor the stubborn heart learns what is what
From a revelation of rabbit-shot;
And vilification's flames—behold!
Burn with a bickering faint and cold.
Magnificent spectacle!—every tongue
Suddenly civil that yesterday rung
(Like a clapper beating a brazen bell)
Each fair reputation's eternal knell;
Hands no longer delivering blows,
And noses, for counting, arrayed in rows.
Walk up, gentlemen—nothing to pay—
The Devil goes back to Hell to-day.
THE MILITIAMAN.
"O warrior with the burnished arms—
With bullion cord and tassel—
Pray tell me of the lurid charms
Of service and the fierce alarms:
The storming of the castle,
The charge across the smoking field,
The rifles' busy rattle—
What thoughts inspire the men who wield
The blade—their gallant souls how steeled
And fortified in battle."
"Nay, man of peace, seek not to know
War's baleful fascination—
The soldier's hunger for the foe,
His dread of safety, joy to go
To court annihilation.
Though calling bugles blow not now,
Nor drums begin to beat yet,
One fear unmans me, I'll allow,
And poisons all my pleasure: How
If I should get my feet wet!"
"A LITERARY METHOD."
His poems Riley says that he indites
Upon an empty stomach. Heavenly Powers,
Feed him throat-full: for what the beggar writes
Upon his empty stomach empties ours!
A WELCOME.
Because you call yourself Knights Templar, and
There's neither Knight nor Temple in the land,—
Because you thus by vain pretense degrade
To paltry purposes traditions grand,—
Because to cheat the ignorant you say
The thing that's not, elated still to sway
The crass credulity of gaping fools
And women by fantastical display,—
Because no sacred fires did ever warm
Your hearts, high knightly service to perform—
A woman's breast or coffer of a man
The only citadel you dare to storm,—
Because while railing still at lord and peer,
At pomp and fuss-and-feathers while you jeer,
Each member of your order tries to graft
A peacock's tail upon his barren rear,—
Because that all these things are thus and so,
I bid you welcome to our city. Lo!
You're free to come, and free to stay, and free
As soon as it shall please you, sirs—to go.
A SERENADE.
"Sas agapo sas agap
o,"
He sang beneath her lattice.
"'Sas agapo'?" she murmured—"O,
I wonder, now, what that is!"
Was she less fair that she did bear
So light a load of knowledge?
Are loving looks got out of books,
Or kisses taught in college?
Of woman's lore give me no more
Than how to love,—in many
A tongue men brawl: she speaks them all
Who says "I love," in any.
THE WISE AND GOOD.
"O father, I saw at the church as I passed
The populace gathered in numbers so vast
That they couldn't get in; and their voices were low,
And they looked as if suffering terrible woe."
"'Twas the funeral, child, of a gentleman dead
For whom the great heart of humanity bled."
"What made it bleed, father, for every day
Somebody passes forever away?
Do the newspaper men print a column or more
"O, no; they could never do that—and indeed,
Though printers might print it, no reader would read.
To the sepulcher all, soon or late, must be borne,
But 'tis only the Wise and the Good that all mourn."
"That's right, father dear, but how can our eyes
Distinguish in dead men the Good and the Wise?"
"That's easy enough to the stupidest mind:
They're poor, and in dying leave nothing behind."
"Seest thou in mine eye, father, anything green?
And takest thy son for a gaping marine?
Go tell thy fine tale of the Wise and the Good
Who are poor and lamented to babes in the wood."
And that horrible youth as I hastened away
Was building a wink that affronted the day.
THE LOST COLONEL.
"'Tis a woeful yarn," said the sailor man bold
Who had sailed the northern-lakes—
"No woefuler one has ever been told
Exceptin' them called 'fakes.'"
"Go on, thou son of the wind and fog,
For I burn to know the worst!"
But his silent lip in a glass of grog
Was dreamily immersed.
Then he wiped it on his sleeve and said:
"It's never like that I drinks
But what of the gallant gent that's dead
I truly mournful thinks.
"He was a soldier chap—leastways
As 'Colonel' he was knew;
An' he hailed from some'rs where they raise
A grass that's heavenly blue.
"He sailed as a passenger aboard
The schooner 'Henery Jo.'
O wild the waves and galeses roared,
Like taggers in a show!
"But he sat at table that calm an' mild
As if he never had let
His sperit know that the waves was wild
An' everlastin' wet!—
"Jest set with a bottle afore his nose,
As was labeled 'Total Eclipse'
(The bottle was) an' he frequent rose
A glass o' the same to his lips.
"An' he says to me (for the steward slick
Of the 'Henery Jo' was I):
'This sailor life's the very old Nick—
On the lakes it's powerful dry!'
"I says: 'Aye, aye, sir, it beats the Dutch.
I hopes you'll outlast the trip.'
But if I'd been him—an' I said as much—
I'd 'a' took a faster ship.
"His laughture, loud an' long an' free,
Rang out o'er the tempest's roar.
'You're an elegant reasoner,' says he,
'But it's powerful dry ashore!'"
"O mariner man, why pause and don
A look of so deep concern?
Have another glass—go on, go on,
For to know the worst I burn."
"One day he was leanin' over the rail,
When his footing some way slipped,
An' (this is the woefulest part o' my tale),
He was accidental unshipped!
"The empty boats was overboard hove,
As he swum in the 'Henery's wake';
But 'fore we had 'bouted ship he had drove
From sight on the ragin' lake!"
"And so the poor gentleman was drowned—
And now I'm apprised of the worst."
"What! him? 'Twas an hour afore he was found—
In the yawl—stone dead o' thirst!"
FOR TAT.
O, heavenly powers! will wonders never cease?—
Hair upon dogs and feathers upon geese!
The boys in mischief and the pigs in mire!
The drinking water wet! the coal on fire!
In meadows, rivulets surpassing fair,
Forever running, yet forever there!
A tail appended to the gray baboon!
A person coming out of a saloon!
Last, and of all most marvelous to see,
A female Yahoo flinging filth at me!
If 'twould but stick I'd bear upon my coat
May Little's proof that she is fit to vote.
A DILEMMA.
Filled with a zeal to serve my fellow men,
For years I criticised their prose and verges:
Pointed out all their blunders of the pen,
Their shallowness of thought and feeling; then
Damned them up hill and down with hearty curses!
They said: "That's all that he can do—just sneer,
And pull to pieces and be analytic.
Why doesn't he himself, eschewing fear,
Publish a book or two, and so appear
As one who has the right to be a critic?
"Let him who knows it all forbear to tell
How little others know, but show his learning."
The public added: "Who has written well
May censure freely"—quoting Pope. I fell
Into the trap and books began out-turning,—
Books by the score—fine prose and poems fair,
And not a book of them but was a terror,
They were so great and perfect; though I swear
I tried right hard to work in, here and there,
(My nature still forbade) a fault or error.
'Tis true, some wretches, whom I'd scratched, no doubt,
Professed to find—but that's a trifling matter.
Now, when the flood of noble books was out
I raised o'er all that land a joyous shout,
Till I was thought as mad as any hatter!
(Why hatters all are mad, I cannot say.
'T were wrong in their affliction to revile 'em,
But truly, you'll confess 'tis very sad
We wear the ugly things they make. Begad,
They'd be less mischievous in an asylum!)
"Consistency, thou art a"—well, you're paste!
When next I felt my demon in possession,
And made the field of authorship a waste,
All said of me: "What execrable taste,
To rail at others of his own profession!"
Good Lord! where do the critic's rights begin
Who has of literature some clear-cut notion,
And hears a voice from Heaven say: "Pitch in"?
He finds himself—alas, poor son of sin—
Between the devil and the deep blue ocean!
METEMPSYCHOSIS.
Once with Christ he entered Salem,
Once in Moab bullied Balaam,
Once by Apuleius staged
He the pious much enraged.
And, again, his head, as beaver,
Topped the neck of Nick the Weaver.
Omar saw him (minus tether—
Free and wanton as the weather:
Knowing naught of bit or sp
ur)
Stamping over Bahram-Gur.
Now, as Altgeld, see him joy
As Governor of Illinois!
THE SAINT AND THE MONK.
Saint Peter at the gate of Heaven displayed
The tools and terrors of his awful trade;
The key, the frown as pitiless as night,
That slays intending trespassers at sight,
And, at his side in easy reach, the curled
Interrogation points all ready to be hurled.
Straight up the shining cloudway (it so chanced
No others were about) a soul advanced—
A fat, orbicular and jolly soul
With laughter-lines upon each rosy jowl—
A monk so prepossessing that the saint
Admired him, breathless, until weak and faint,
Forgot his frown and all his questions too,
Forgoing even the customary "Who?"—
Threw wide the gate and, with a friendly grin,
Said, "'Tis a very humble home, but pray walk in."
The soul smiled pleasantly. "Excuse me, please—
Who's in there?" By insensible degrees
The impudence dispelled the saint's esteem,
As growing snores annihilate a dream.
The frown began to blacken on his brow,
His hand to reach for "Whence?" and "Why?" and "How?"
"O, no offense, I hope," the soul explained;
"I'm rather—well, particular. I've strained
A point in coming here at all; 'tis said
That Susan Anthony (I hear she's dead
At last) and all her followers are here.
As company, they'd be—confess it—rather queer."
The saint replied, his rising anger past:
"What can I do?—the law is hard-and-fast,
Albeit unwritten and on earth unknown—
An oral order issued from the Throne.
By but one sin has Woman e'er incurred
God's wrath. To accuse Them Loud of that would be absurd."
That friar sighed, but, calling up a smile,
Said, slowly turning on his heel the while:
"Farewell, my friend. Put up the chain and bar—
I'm going, so please you, where the pretty women are."