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    Terry Bisson

    Page 6
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      ANGLE: THE COOLING TANKS

      We see the round underbelly of two huge tanks. There are gaping, twisted holes in them.

      JOHNER

      The nasties couldn't have done it, could they?

      HILLARD

      What for...?

      WREN

      Down here. He is at the front with Ripley and-Call, where the water is waste deep.

      He looks down at a stairwell, just the top of the railing visible above the murky water.

      RIPLEY

      There's no other way?

      WREN

      We're at the bottom of the ship. Some of the worst damage is down here.

      Most of the sections are sealed off.

      RIPLEY

      You're sure?

      WREN

      There's the noncom's entrance back there, but it's flooded too, and it's a longer run.

      CALL

      He's right. We're gonna have to do it this way.

      WREN

      It's just through the kitchen, then up, maybe seventy feet.

      RIPLEY

      I don't like it.

      ST JUST

      What's to like?

      CHRISTIE (to vriess)

      You ready to get wet, partner?

      VRIESS

      Oh yeah.

      HILLARD

      You sure about the distance?

      WREN

      Yes.

      CALL

      No locked doors?

      WREN

      It's an open hall. Just keep left when you hit the bottom of the staircase.

      JOHNER

      This sucks.

      ANGLE: DI STEPHANO

      He flips caps over the barrel of the gun, slides a panel over the digital readout.

      The burner is ready to go, watertight.

      DISTEPHMO (to St Just)

      You should secure'your weapons.

      St Just holds up his two guns.

      ST JUST

      These are disposables. They can take it.

      DISTEPHANO

      Disposables. I heard about those. How many rounds?

      ST JUST

      Twenty. Split points, give you a good hole even at the smaller caliber.

      DISTEPHANO

      Cool.

      ST JUST

      They're big with hitters. 'Cause you throw em away after the job. Nobody likes throwing

      away a weapon they're attached to. You know?

      He smiles at Di Stephano, who looks a little uneasy about the turn the conversation has taken.

      He joins the others who are getting ready to dive..

      CALL

      Do I have to tell everyone to take a deep breath?

      A couple of the guys smile.

      VRIESS

      Christie, do me a favor. When we hit the surface on the other side... no backstroke. Okay?

      CHRISTIE (laughing)

      You'll be forever blowing bubbles. On three...

      He counts down, the two suck in enormous breaths -- and dive right behind Call and Ripley.

      One by one the entire crew slips down into the black water.

      CUT TO: INT. STAIRWELLKITCHEN - CONTINUOUS

      It's all underwater. Visiblity is poor. The crew move swiftly and gracefully down the stairs

      and into the kit chen.

      In here it's a tad labyrinthian, and the size of the room it darker. Wren heads straight for

      the other end.

      They swim. Safety is a good fifty feet away.

      They are tense, concentrated. Swimming past dark spaces. Anything could be hiding here.

      Johner looks about him, very nervous. Dark spaces. He looks behind .

      Three aliens are right behind him.

      Panic blows half the air out of his mouth as he swings around and FIRES at them, tags one

      as the other two swim off into shadows with horrible ease.

      Ripley, all the way to the stairs, sees. She hurries the others past her.

      They swim frantically for safety, Hillard Wren, Christie and Vriess.

      Rane is coming along and alien hands grab at him from the darkness, pull him into it.

      Hillard FIRES in that direction, Johner bringing up the rear still firing at the third one,

      wounding it but not scoring killshot.

      Call is swimming up ther staircase, the growing light above indicating the surface.

      She is almost to it when she is IN THE WEB.

      A net of translucent alien goo, it is spread just six inche below the surface.

      Call struggles the goo sticking to her she's running out of air -- as Wren and Christie

      enconter the same thing -- they all try to tear through it, but they are getting weaker.

      Ripley looks back as the last of the crew is passing her, aliens close behind.

      She looks up to see the situation ab and quickly makes for the surface -- but an

      alien GRABS her foot, holding her down. Now SHE is running out of air KICKS at it, it

      lets go.

      The others are fighting, Call pops her stilletto and cuts through, but it's tough, she

      still can't get her head up --

      --Di Stephano, off to the side, is drowning. Takes in a huge mouthful of water and begins

      thrashing.

      Ripley swims past everyone and grabs the hole Call cut, pulls it apart with a mighty heave,

      she glides up through --

      CLOSE UP: RIPLEY'S FACE

      Just BREAKS the surface, she takes in a huge GASP of air, FACEHUGGER CLAMPS DOWN ON HER.

      Ripley goes back under, pulling at the thing as others break the surface.

      Wren comes up and a hugger LEAPS right at him ,but Call nails it in four shots.

      Christie and Vriess break surface and both begin FIRING, back to back, in a circular sweep.

      They decimate a number of eggs

      ANGLE: UNDERWATER

      Ripley pulls the face hugger with all her might -- it comes off, its fingers singeing

      the sides of her face, leaving marks like warpaint. Worse, its probing fleshy member

      pulls last of her throat, thrashing horribly.

      In utmost disgust, Ripley PULLS it APART. and the three aliens are COMING RIGHT AT HER.

      ABOVE - THE SURFACE

      Most of the crew has gotten up out of the water. Christie holding a facehugger inches

      from his face, others screaming, taking a bead on it.

      CHRISTIE

      Get it! Kill it!

      CALL

      The blood'll burn you! Throw it!

      He does, and Johner nails it in midflight.

      Hillard and Johner pull Di Stephano out of the water, but he is not breathing.

      ANGLE: UNDER THE SURFACE

      Ripley is grabbed by an alien -- and St Just comes up behind her and shoots it.

      They swim up and away from the spreading, lethal bloodpool.

      ANGLE: ABOVE THE SURFACE

      They come up out of the water, and an alien rises right behind them. Everyone who can,

      shoots it. It falls back into the water.

      CHRISTIE

      A trap! They set a goddamn ambush!

      JOHNER

      Give me that!

      He pulls the burner off Di Stephano's body, even as Call is giving him mouth to mouth .

      Johner flips the gun open and FIRES at the water, the whole thing SMOKING and sizzling

      with the electrical charge. we hear an alien wail bubble from below the surface.

      JOHNER (grinning feverishly)

      Okay! Everybody out of the pool!

      VRIESS

      Let's get the fuck!

      Di Stephano sputters back to life. Ripley picks him up with one hand,

      HILLARD (to Wren)

      Which way?

      WREN

      Up here.

      He takes off, the others following.

      WREN

      Up through the lift shaft!

      He stops at a pair of sliding doors, starts working the panel. Ripley come up to the

      doors and pulls them apart with a grunt
    .

      ST JUST

      Company!

      He's refering to the noise and shadow of approaching aliens.

      She herds them into the shaft.

      CUT TO: INT. LIFTSHAFT - CONTINUOUS

      It goes down about four stories, and up seemingly forever.. Enough room for or three

      elevators, one of which is two stories below.

      WREN

      UP!

      He starts climbing. It's not that hard -- there are ladders in each shaft section.

      Call comes up behind him. Ripley and others pair off on other ladders.

      They climb fast, they're three stories up before the aliens begin POUNDING on the metal

      door, it buckles under their might.

      JOHNER

      Move!

      WREN

      Not far!

      Still POUNDING -- one alien gets its head in, looks up, hisses, pulls it out.

      ANGLE: LIFT

      Wren comes to a cralwspace ledge. He climbs on. Set back a few feet from the shaft is

      a small maintenance access door. works the keypad beside it as Call climbs up behind him.

      The aliens SMASH through the door, one of them SAILING across the shaft to grab a pipe

      on the other side. Instantly four of them are swarming up the walls, moving much faster

      on pipes and ridges than the humans on ladders.

      On one of the aliens a facehugger crawls, constantly moving about on the adult

      alien's head like a frightened spider.

      CALL

      Hurry!

      WREN

      It's jammed! Shit! Gun!

      She hands him her gun and without hesitation he SHOOTS HER THROUGH THE CHEST.

      She flies back and DOWN THE SHAFT, lands HARD on an elevator six stories below .

      Eyes wide and empty.

      VRIESS

      NOO!

      He fires up at Wren, but Wren has punched in the code and slipped through the opening door..

      Ripley LEAPS through the air and grabs the ledge, hauling herself up just in time to see

      the door shut. The lock lights turn red.

      She SLAMS against the door, but to no avail.

      The aliens are getting closer. St Just, the closest to the bottom, suddenly lets go of

      the ladder. His knees hooked over a rung, he drops, hangs up side down, his guns

      filling his hands.

      He blows several holes in the nearest alien.

      Ripley is furious, maybe surprised just how so. Suddenly an alien RISES OVER THE LEDGE,

      it's not three feet away from her and she SCREAMS, HURLS herself at it and they both go

      FLYING OFF into-space, they hit the wall on the other side, they fall.

      RIPLEY GRABS a pole, it practically tears her arm out of her socket but she holds on,

      the alien isn't so lucky, it plummets unable to find puchase.

      we see it fall past the unmoving body of Call.

      ANGTE: CALLS FACE

      As the facehugger CLAMPS onto it. Pauses. Pushes off a bit,

      two digits probing Call's nostrils. Sensing no breath, the thing scurries away to find

      a better host.

      Another alien is fast approching Christie and Vriess. Vriess frantically tries to reload.

      VRIESS

      It's on us!

      Christie turns, aims -- Vriess grabs the ladder as Christie FIRES, but the alien is too

      close, it grabs Christie, spurting blood all over him. He SCREAMS, lets go of the ladder

      Vriess takes the weight of both as Christie fires again, the alien flying off

      and down the shaft.

      HILLARD

      We gotta go!

      The last alien suddenly starts scurrying back down after his brothers.

      RIPLEY

      We're locked in.

      JOHNER

      Fuck!

      PURVIS

      How far to the next door?

      DISTEPHANO

      All the way.

      RIPLEY

      Then we climb.

      They start, moving as fast as they can.

      VRIESSS (to Christie)

      You just hang on, man. I'll get us there.

      He starts climbing up, impressively fast considering the burden hanging from his back.

      JOHNER (to Ripley)

      Are they going for reinforcements?

      RIPLEY

      Fucked if I know.

      They climb.

      And climb, the minutes stretching out, still no door. Ripley easily ahead of the rest.

      Finally:

      RIPLEY

      I think I see the door.

      PURVIS (exhausted)

      Great.

      Vriess is having increasing trouble. Hillard notices him lagging behind, and why.

      HILLARD

      Vriess! Jesus!

      Vriess is moving very quickly, considering. But the effort is becoming too much.

      VRIESS

      We're coming...

      Johner scrambles down next to Vriess.

      he checks the pulse in Christie's neck.

      Vriess, man... he's dead.

      Refusing to hear it, Vriess struggles to climb further.

      VRIESS

      We'll get him to medlab... just a little while ...

      Johner looks over at Hillard. Without saying a word, she pull out a good-sized hunting

      knife, flicks it open.

      She slices through the cord holding them together, and Christie's body falls free.

      Vriess shuts his eyes, feeling it.

      ANGLE: DOWN THE SHAFT

      There is silence as Christie's body drops down the black abyss

      Until, from up the shaft next to where he fell, we see two ALIENS COMING UP.

      PURVIS

      Fuck! Company!

      Hillard looks up the shaft.

      HILLARD

      How much further?,

      JOHNER

      Too fucking far. Let's G0 !

      They start to climb, but the aliens are making much better time.

      A loud CLACKING sounds from the bottom of the shaft. A few of them look down.

      ANGLE: DOWN THE SHAFT

      The aliens are still coming, but suddenly the lift passes them heading up at high speed.

      JOHNER

      They can work the elevators? Is there anything fucking else we should know about them?!

      He's addressing this at Ripley, but she's as puzzled as the rest of them.

      The lift comes up to them, stops suddenly as emergency brake is flipped.

      They wait, guns ready. Out of the hatch pops Call, not especially dead.

      CALL

      Get on!

      A moment of stunned silence, then they all jump on top of the lift.

      Call drops back down inside.

      An alien comes up level with the lift, prepares to jump. St Just shoots the shit out of it.

      HILLARD

      Where are the others?

      CUT TO: INT. LIFT - CONTINUOUS

      Call flips the brake off, and the lift shoots up. She is h olding her jacket closed around

      her chest wound, but it doesn't seem to bother her particularly much.

      ANGLE: ON TOP

      Everybody holds on as the lift flies up the shaft.

      ANGLE: INSIDE

      Call waits for the signal to stop and an alien PUNCHES THROUGH the bottom of the lift.

      Call yells as it gets its head and an arm through, clawing for her.

      ANGLE: ON THE BOTTOM

      We see the other half of the alien clinging to the lift.

      ANGLE: ON TOP

      Ripley sees the door approaching

      RIPLEY

      stop!

      ANGLE: INSIDE

      Call hits the emergency button and the lift stops halfway in front of the door -

      - giving both Ripley and Call access. Bu the alien is still grabbing for her --

      Ripley pries open the doors again, the crew pouring out into the hall. Ripley follows,

      jumps down and opens the lift doo
    rs

      The alien hisses at Ripley as she pulls Call out -- the -alien grabs Call's ankle, but

      Ripley wrenches her free.

      They roll out but the alien is still fighting, Pulling itself inside the lift.

      Ripley grabs Hillardl's shotgun. Levels it at the cables holding the lift. FIRES.

      The lift PLUMMIETS, the alien still halfway in.

      It shoots down the shaft -- picking up the second alien on its way down, neither beast able

      to get its bearing and get out of the way as--

      The lift SMASHES into the bottom of the shaft, crushing both the Aliens to jelly.

      ANGLE: UPPER DOOR

      Johner triumphantly sticks his head in the shaft.

      JOHNER

      Eat that, fuckneck!!

      They all breathe hard, exhausted, before they can muster for the next stretch.

      Call stands with her back to them.

      VRIESS

      Baby, am I glad to see you. I thought dickbag took you out for sure. Are you, hurt?

      CALL

      I'm fine.

      DISTEPHANO

      You got body armour on?

      CALL

      Yeah. Come on.

      Ripley isn't buying.

      RIPLEY

      You were Gunshot. I saw.

      CALL

      I'm fine!

      Ripley spins her around. Call stares at Ripley, sullenly a small trickle of milky white

      fluid comes from her.nostril Ripley looks down.

      ANGLE: CALL'S CHEST

      Wren has indeed made a messy hole here, but where blood and bone should be there

      is a tangle of synthorganic wiring. To state the obvious:

      A robot.

      JOHNER

      Call's a goddam sythetic!

      HILLARD

      Son of a bitch. Little Annalee's just full of surprises.

      RIPLEY (quietly)

      I should have known.

      ST JUST

      Couldn't smell this one out?

      RIPLEY

      No, I mean... all that crap about being human - there's no one so zealous as a Born Again.

      VRIESS (to Call)

      You're an LM7, aren't you? Is that it?

      CALL

      Leave me alone.

      Her voice shocks her more than anyone her vocal track slip affected by the wounds.

      The voice is a shade slow, and echoes strangely.

      VRIESS

      Call ....

      CALL (bitterly)

      Yes.

      ST JUST

      LM7? Shit. That explains a lot.

      YRIESS (to Ripley)

      The latest and best. They were supposed to revitalize the synthetic industy.

      Instead they buried it.

      Ripley looks at the girl.

      RIPLEY

      They were-too good.

      VRIESS

      Oh yeah. Overrode their own behavioral inhibitors. Didn't feel like being told what to do.

      The government ordered a recall. Fucking massacre.

      HILLARD

     


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