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    Absolute Trust in the Goodness of the Earth


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      Table of Contents

      Title Page

      Dedication

      Epigraph

      Acknowledgments

      Preface

      I Can Worship You

      I Can Worship You

      The Love of Bodies

      All the Toys

      Poem for Aneta Chapman on Her 33rd Birthday

      The Same as Gold

      My Friend Calls

      My Friend Calls

      Coming Back from Seeing Your People

      Someone I Barely Know

      Despite the Hunger

      My African

      How Different You Are

      New House Moves

      New House Moves

      Trapdoors to the Cellar Spring-Grass Green

      Whiter Than Bone

      Even When I Walked Away - i

      Red Petals Sticking Out - ii

      Inside My Rooms - iii

      Let Change Play God

      Refrigerator Poems

      i

      ii

      iii

      Just at Dusk

      The Moment I Saw Her

      A Native Person Looks up from the Plate

      The Anonymous Caller

      I Was So Puzzled by the Attacks

      At First, It Is True, I Thought There Were Only Peaches & Wild Grapes

      May 23, 1999

      Reverend E. in Her Red Dress

      All the People Who Work for Me & My Dog Too

      All the People Who Work for Me & My Dog Too

      The Snail Is My Power Animal

      In Everything I Do

      The Writer’s Life

      Grace

      Loss of Vitality

      Until I Was Nearly Fifty

      Thanks for the Garlic

      Thanks for the Garlic

      The New Man

      What Will Save Us

      My Friend Arrived

      Dead Men Love War

      Dead Men Love War

      Thousands of Feet Below You

      Living off of Isolated Women

      They Made Love

      To Be a Woman

      To Be a Woman

      Thanksgiving

      The Last Time I Left Our House

      I Loved You So Much

      Winning

      Falling Bodies

      Falling Bodies

      Why the War You Have in Mind (Yours and Mine) Is Obsolete

      Projection

      When You Look

      The Tree

      The Tree

      The Climate of the Southern Hemisphere

      Where Is That Nail File? Where Are My Glasses? Have You Seen My Car Keys?

      My Ancestors’ Earnings

      My Ancestors’ Earnings

      My Friend Yeshi

      Ancestors to Alice

      One of the Traps

      Not Children

      Not Children

      You Can Talk

      Goddess

      Why War Is Never a Good Idea

      The Award

      The Award

      Though We May Feel Alone

      When We Let Spirit Lead Us

      Dream

      We Are All So Busy

      The Backyard, Careyes

      The Backyard, Careyes

      Practice

      Dreaming the New World in Careyes

      Patriot

      Because Light Is Attracted to Dark

      When Fidel Comes to Visit Me

      When Fidel Comes to Visit Me

      No Better Life

      Someone Should Have Taught You This

      Dream of Frida Kahlo

      My Mother Was So Wonderful

      Aging


      Aging

      Some Things to Enjoy About Aging

      Lying Quietly

      Wrinkles

      Life Is Never Over

      Bring Me the Heart of María Sabina

      If They Come to Shoot You

      You Too Can Look, Smell, Dress, Act This Way

      The Breath of the Feminine

      Relying on neither ...

      Bring Me the Heart of María Sabina

      About the Author

      Also by Alice Walker

      Copyright Page

      Para “El Chinito” Guillermo, and to the blessed Feminine in us all

      Let’s admit it. We women are building a motherland; each with her own plot of soil eked from a night of dreams, a day of work. We are spreading this soil in larger and larger circles, slowly, slowly. One day it will be a continuous land, a resurrected land come back from the dead. Mundo de la madre, psychic motherworld, coexisting and coequal with all other worlds. This world is being made from our lives, our cries, our laughter, our bones. It is a world worth making, a world worth living in, a world in which there is a prevailing and decent wild sanity.

      —Clarissa Pinkola Estés, Ph.D.

      Preface

      Most of these poems were written at Casa Madre, our ochre red house, my daughter’s and mine, on the central coast in Mexico. I had moved out of the large white room with veranda looking toward the Pacific and into what is usually a guest bedroom. Smaller, darker, quieter; less yang, far, far more yin. It was shortly after the attacks on the World Trade Towers and the Pentagon; I was feeling a deep sadness about the events and an incredible weariness that once again whatever questions had been raised were to be answered by war. Each morning, after sitting for half an hour, I wrote several poems. This was something of a surprise, since I had spent the past couple of years telling my friends I would probably not be writing anything more. What will you do instead? one of them asked. I would like to become a wandering inspiration, I replied. I had an image of myself showing up wherever people gathered to express their determination to have a future or to celebrate the present, speaking, reading, playing one of my very simple musical instruments, and just being around. I did not think I needed to offer much more than this. I still don’t. It is the best that I have and the easiest to give. Still, obviously, life had more writing for me in mind—if poems can actually be called writing. I have now written and published six volumes of poetry since my first collection, written while I was a student and published in 1968. From that first volume to this, what remains the same is the sense that, unlike “writing,” poetry chooses when it will be expressed, how it will be expressed, and under what circumstances. Its requirements for existence remain mysterious. In its spontaneous, bare truthfulness, it bears a close relation to song and to prayer. I once told someone I could not have written my novel The Temple of My Familiar with straightened hair. I could not have written these poems in a bright sunny room where there were no shadows.

      What many North Americans lost on September 11 is a self-centered innocence that had long grated on the nerves of the rest of the world. With time, more of this innocence will be shed, and this is not a bad thing. With compassion for our ignorance, we might still learn to feel our way among and through shockingly unfamiliar and unexpected shadows. To discover and endure a time of sorrow, yes, but also of determination to survive and thrive, of inspiration and of poems. The adventures one encounters will, of necessity, have a more risk-filled depth.

      In my mid-fifties I devoted a year to the study of plant allies, seeking to understand their wisdom and to avail myself of the aid to insightful living that I believe the earth provides as surely as do meditation centers. I also wished to understand the ease with which so many in our Western culture become addicted: to drugs, to food, to sex, to thinness. What are we lacking that we so predictably can be sold all manner of harmful material in an effort to make up for it? I was particularly interested in discovering what our children are seeking when they turn to drugs and alcohol. Three times during the year I gathered in a circle with other women and a shaman
    and her assistant and drank ayuascha, a healing medicine used for thousands of years by the indigenous peoples of our hemisphere. Ayuascha is known as “the vine of the soul” and is considered holy. With this assessment I completely agree; I remain awed by my experiences. Several times I gathered with both women and men for the eating of mushrooms, called by the people who use them for healing “flesh of the gods.” For my final communication with the spirits of the plant world, at least in this form, I journeyed to the Amazon, home of “Grandmother” Ayuascha, where she herself instructed me I need look no further in her mirror; what she’d shown me already was enough.

      As I see it, this is the work of the apprentice elder: to travel to those realms from which might come new (or ancient) visions of how humans might live peacefully and more lovingly upon the earth. I learned a lot, some of it fairly obvious. Our children take addictive drugs partly to allay their fears about what begins to look like a severely compromised future, one filled with hatred and with war. They take drugs to feel less lonely in a world that consistently chooses “profit” over community. But the most fundamental reason they take drugs, many of them, is the desire to have a religious or spiritual or ecstatic and trans-formative experience, a need hardwired into our being. Until relatively recently—the last five hundred years or so—most of our people had rituals during which they used all manner of inebriants to connect them with the divine. No one had invented a system to make money off of making others intoxicated. Nor were there laws forbidding the use of sacred plants used in healing and in ceremony—laws that, in the United States, have had a soul-killing effect on the native peoples whose connection to the infinite for thousands of years centered around the eating of mushrooms and particularly of peyote. I returned to my “ordinary” magical life much changed, and much the same, but deeply respectful of all our ancestors and their great inquisitiveness about, and belief in, the universe around them.

      It was during these travels, internal ones and external ones, that I became aware of María Sabina, whose beloved face appears near the poem that invokes her name. Shaman, healer, priestess of the mushrooms, she was a legend in Mexico even while alive. Today she remains passionately revered, respected, loved, because she dedicated her life to the health and happiness of all humans. Whatever she is smoking will be used to cure whichever patient might be lying before her. She may receive a vision of what the illness is, or she may blow smoke over the sick person, purifying them and everything they touch. A poor Mazatec Indian from the mountains of Oaxaca, she has left a legacy of an amazing freedom, the foundation of which is absolute trust in the goodness of the earth; in its magic, in its love of us humans, in its ever present assistance the moment we give ourselves, unconditionally, into its wonder.

      Woman who thunders am I, woman who sounds am I,

      Spiderwoman am I, hummingbird woman am I,

      Eagle woman am I,

      Whirling woman of the whirlwind am I,

      Woman of a sacred enchanted place am I,

      Woman of the shooting stars am I.

      —María Sabina1

      Acknowledgments

      I wish to thank Wendy Weil, Kate Medina, and

      Jessica Kirshner for all their thoughtfulness

      and help.

      I Can Worship You

      I Can Worship You

      I can worship

      You

      But I cannot give

      You everything.

      If you cannot

      Adore

      This body.

      If you cannot

      Put your lips

      To my

      Clear water.

      If you cannot

      Rub bellies

      With

      My sun.

      The Love of Bodies

      Dearest One

      Of flesh

      & bone

      There is in

      My memory

      Such a delight

      In the recent feel of your warm body;

      Your flesh, and remembrance of the miracle

      Of bone,

      The structure of

      Your sturdy knee.

      The softness of your belly

      Curves

      My hand;

      Your back

      Warms me.

      Your tush, seen bottomless,

      Is like a small,

      Undefended

      Country

      In which is grown

      Yellow

      Melons.

      It is such a blessing

      To be born

      Into these;

      And what a use

      To put

      Them to.

      To hold,

      To cherish,

      To delight.

      The tree next door

      Is losing

      Its body

      Today. They are cutting

      It down, piece

      By heavy piece

      Returning,

      With a thud,

      To

      The earth.

      May she know peace

      Eternal

      Returning to

      Her source

      And

      That her beauty

      Lofty

      Intimate

      With air

      & fog

      Was seen

      And bowed to

      Until this

      Transition.

      I send love

      And gratitude

      That Life

      Sent you

      (And her)

      To spend

      This time

      With me.

      After the bombing of 9/11, September 25, 2001

      All the Toys

      You have all

      The toys

      & you keep them

      To yourself.

      Every once

      In a while

      Each hundred

      Years

      Or so

      A few of us

      Get a toy or two

      & go skimming about the earth

      Just like

      You do.

      But we feel

      Foolish

      Out there

      In the blue sea

      The crisp

      White boat

      Listing, lost

      For all the world

      To see.

      We drift

      Aimless

      Just

      Like you

      Wondering

      If toys is all

      There is

      To this game

      Still wondering

      As you seem

      To

      With all your

      Toys

      When will our ship

      Come in.

      Poem for Aneta Chapman on Her 33rd Birthday

      It’s you

      Who taught her

      To read

      She says

      With soft eyes

      Telling me

      One

      Of the many reasons

      She cherishes

      You.

      Following her gaze

      Into the past

      I see two

      Small

      Sweet

      Dark hands

      Clasped

      Two hooded

      Tiny heads

      Four

      Ashy little

      Legs

      Bravely crossing

      The wintry

      Streets

      Of Cleveland, Ohio

      Destination:

      Library.

      You pause

      At every corner

      The littler hand

      Secure

      In your scarcely

      Larger one.

      Be careful

      You say

      With gentle

      Emphasis.

      We must wait

      For the green light.

      Aries

      Holding on

      To Cancer:

      The one who

      Leaps upon the world

      Held safe

      By


      The one

      Who

      Stays home

      To mind

      The hearth.

      Today

      It is

      Still

      Your warm

      Sure hand

      She trusts

      Your shy smile

      That makes

      Her happy

      Your face

      In the largest

      Room

      That

      Makes her

      Feel safe

      Not alone.

      You are the sister

      The big

      Sister

      As hero.

      The one who sees

      The one who listens

      The one who guides

      Teaches

      & protects.

      The one who

      Sacrifices

      The one whose

      Sure reward

      Is love.

      Dear Aneta,

      The world

      Of women

      Would be

      Hopeless

      Without sisters

      Like you.

      We would go

      Hungry

      We would be

      Empty

      We would be

      Cold

      Shaky on our

      Small, unsure legs

      Without

      Big sisters

      Like you.

      Your presence

      In our

      World

      Is like

      The sun

      Warming us.

      Like the

      Blossoming trees

      Feeding us

      With the beauty

      Of your willingness

      To endure

      To love us

      Unconditionally

      To give.

      And so

      On this day

      That you

      Reach the age

      When mystics

      & revolutionaries

      Strike out

      Into the

      Wilderness

      To begin

      Their

      Ministries

      To a broken

      World

      & wise women

      Quietly support

      & champion

      The beloved spirits

      In their midsts

      I salute

      You

      With love

      & appreciation.

      Thank you

      For

      Your patient

      Loving

     


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