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    Nobody


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      NOBODY

      A HYMN TO THE SEA

      Alice Oswald

      When Agamemnon went to Troy, he paid a poet to spy on his wife, but another man rowed the poet to a stony island and seduced her. Ten years later, Agamemnon came home and was murdered.

      Odysseus, setting out at the same time, was blown off course. It took him another ten years to get home, but his wife, unlike Agamemnon’s, had stayed faithful.

      This poem lives in the murkiness between those stories. Its voice is wind-blown, water-damaged, as if someone set out to sing the Odyssey, but was rowed to a stony island and never discovered the poem’s ending.

      ‘Also there was a poet there, whom Agamemnon, when he went to Troy, ordered strictly to guard his wife; but once Fate had forced her to be seduced, then Aegistheus took the poet to a desert island and left him there as a lump of food for the birds, so the lover willingly took her willing to his house…’

      (The Odyssey 3 267)

      As the mind flutters in a man who has travelled widely

      and his quick-winged eyes land everywhere

      I wish I was there or there he thinks and his mind

      immediately

      as if passing its beam through cables

      flashes through all that water and lands

      less than a second later on the horizon

      and someone with a telescope can see his tiny thought-form

      floating on the sea-surface wondering what next

      These stories flutter about

      as fast as torchlight

      even out here where the water is painfully clear

      and to drown in it is to sense the movement of its colour

      as a cold mathematical power have you not heard

      even out here these stories

      how in her house of silverware and deep baths

      a woman began to dream she began to wake

      and the heart stirring inside her clothes felt bruised

      as if a hand was squeezing it

      She said my friend someone is watching us you will not

      win over you will not walk over me easily

      as over the shallows of a river but Fate

      that great failure of the will that great goddess

      putting on a tremulous voice and smiling

      and dressed in the white bathrobe of her lover

      said dearest I have already doomed that watcher

      I took him to an island the merest upthrust

      of a stony shoulder sticking from the sea

      and he paces there as dry as an ashtray

      making up poems about us patchwork unfinished

      while the sea-crows traipse to and fro regarding him sideways

      what does it matter what he sings

      there is all this water between us

      and it is blind a kind of blind blue eye

      it is alive it is dead it more or less ignores us

      look at all these ripples everywhere complete with their shadows

      I do not think a human for example

      drowning in this measureless mosaic or floating up again

      I do not think he will

      hear us

      These voices flit about quick-winged

      with women’s faces or land on a clifftop singing

      so that here and there you find fading contrails of song

      and a swimmer slooshing along breathing in and out

      with the purple sea circling his throat always

      thinks he can hear something which nevertheless escapes him

      Poor man she says poor man it’s obvious

      the sea in its dark psychosis dreams of your death

      but your upwardness your quick turnover like a wedge of polystyrene

      always keeps you afloat this place is formless and unstable

      it’s as long as winter nevertheless you must swim

      wind yourself in my veil and the sea which always senses your fear

      will fall as flat as a pressed flower you shouldn’t know this

      it is not me but close to me a kind of cloud or smoke-ring

      made of nothing and yet it will outlast everything

      because it is deep it is a dead field fenceless

      a thickness with many folds in it promiscuous and mingling

      which in its patience always wears away the hard things

      or is it only the hours on their rounds

      thinking of the tides by turns

      twelve white-collar workers

      who manage the schedules of water

      opening and shutting the mussel shells and adjusting

      from black to turquoise the swinging sea-lights

      so that the sun sinking through bladderwrack

      into interminable aquarium

      finds even far down there are white

      stones

      And suddenly in the violet dark

      a bronze fish-hook flickers into life and out again

      and when it rains and the sand has every ounce of me

      marked at low tide and immediately forgotten

      so that my footprints far into the future

      go on sunkenly walking underneath me

      when it rains it snows sometimes

      as if falling asleep the body began to float

      sideways

      There are so many birds and most of them mean nothing

      but once or twice a gannet

      from a nest of slovenly seaweed

      hops

      as far as those stones and stops

      as a woman would remembering her son

      but it is done madam nothing will close that wound

      unless your shaken mind moving your pointed head

      can stitch the water to the wind

      or is it only her ghost going round and round

      with a remnant of blue

      and never a clue where to place it

      or is it only that poet pacing to and fro

      dreaming up rumours about the first kiss

      buzzing on those lovers’ flypaper lips

      Small geometric figure

      lost inside colour

      he keeps wading out then back but it is

      bottomless dusk down there pale black

      nameless and numbness as when unfolding after sleeping

      and your own dead foot has forgotten you

      as if I waded inward

      thirty yards from the surface of myself

      but it’s not myself it’s just dark purple

      it’s not my feet it is the hours that move

      if only the birds had subtitles if only by staring

      I could draw some of those directions into my mind

      And sometimes over my retina

      as over an angled mirror an aeroplane

      sometimes between two clouds with wingtips

      teetering on the very pivot of vision a passenger

      throws down her shadow

      in which I catch the tiny movement of her eye-blinds

      lifting

      and in this cloud/uncloud I who can’t settle

      when I think of that crowd of colours on the sea

      then my mind starts sliding towards them

      borne on a wave of wind

      As far as a man can shout across water

      and his shout with blown-back wings

      loses its bearings and is never heard of again

      and another man can hear the crying waves

      but his answer

      dissolves in water like an oval of soap

      they say this woman being twisted by sleep

      began to hear things

      as if the sea itself leaned over her bed

      she could hear they say the exact note

      in which a diver twizzles like a mobile

      among triangular hanged fish

      and the sea wall and the weaken
    ing cliffs

      as far as the hem of her clothes

      being eaten away

      How does it start the sea has endless beginnings

      About an hour ago she surfaced and shook her arms

      and peered around and dived again and surfaced

      and saw someone and dived again and surfaced

      and smelt all those longings of grass-flower smells

      and bird-flower sounds and the vaporous poems

      that hang in the chills above rivers

      With crooked elbows walking and small steps

      she hops to these hollow limestone caves

      where the seals breathing out the sea’s bad breath

      snuffle about all afternoon in sleeping bags

      what kind of a rumour is beginning even now

      under the waterlid she wonders there must be

      hundreds of these broken and dropped-open mouths

      sulking and full of silt on the seabed

      I know a snorkeller found a bronze warrior once

      with the oddest verdigris expression and maybe

      even now a stranger is setting out

      onto this disintegrating certainty this water

      whatever it is whatever anything is

      under these veils and veils of vision

      which the light cuts but it remains

      unbroken

      So we floated out of sight into the unmarked air

      and only our voices survived

      like thistle-seed flying this way and that

      a blue came over us a blue cloud

      whose brown shadow goose-fleshed the sea

      the ship after a little rush stopped moving

      the wind with a swivelling sound began to rise

      and here I am still divided in my decision

      whether to heave-to or keep going under half-sail

      but the water is in my thinking now

      I remember the mast-pole broken by a gust

      severed my two minds separate

      and my body flopped like a diver over the side

      then came the invisible then the visible rain

      then icy and razor-sharp then green then dawn

      who always wakes behind net curtains

      and her watercolour character changes shade quickly like new leaves

      she is excitable then shy then coppery pink

      and raking her fingers around finds bits of clothing and bones

      How strange she says among those better worlds underwater

      where the cold of swimming is no different from the clear of looking

      there are people still going about their work

      unfurling sails and loosening knots

      it’s as if they didn’t know they were drowned

      it’s as if I blinded by my own surface

      have to keep moving over seemingly endless yellowness

      have to keep moving over seemingly endless yellowness

      How does the dawn trawler call out to the night trawler

      when they pass each other on the black and white water

      There are said to be microscopic insects in the eye

      who speak Greek and these invisible

      ambassadors of vision never see themselves

      but fly at flat surfaces and back again

      with pigment caught in their shivering hair-like receptors

      and this is how the weather gets taken to and fro

      and the waves pass each other from one colour to the next

      and sometimes mist a kind of stupefied rain

      slumps over the water like a teenager

      and sometimes the sun returns whose gold death mask

      with its metallic stare seems to be

      blinking

      Two fishermen rowing across saw something jagged and disturbing

      the long-drawn-out Now of a teenager

      pale green and full of unripe hope

      he had dressed himself in wings this is exciting

      I like the angle of attack when these graded feathers

      glued in their waxy grooves begin to swim the air

      winding his giddiness up and up

      carrying his steadfast sceptical stare

      right to the summit of sight he noticed suddenly

      his fate had been found out and flapping his arms

      flushed

      and almost glad to give up

      he began to

      fall

      What a relief to hear his flesh

      with hair and clothes flaring backwards like a last-minute flower

      hit the sea and finally understand itself

      his human-salt already at ease in the ocean-salt

      and the white silt-like substance of exhaustion

      blending with the water

      if only

      if only my eyes could sink under the surface

      and join those mackerel shoals in their matching suits

      whose shivering inner selves all inter-mirrored

      all in agreement with water

      wear the same

      wings

      But this is the sea

      still with its back to me

      in its flesh of a thousand faces all facing away

      and who can decipher this

      voice among voices

      listen

      This is one kind of water when it hangs over him

      a man is a nobody underneath a big wave

      his loneliness expands his hair floats out like seaweed

      and when he surfaces his head full of green water

      sitting alone on his raft in the middle of death

      then it is wide it is a wide field of horrible upheavals

      there are fish in it there are shearwaters searching

      and sometimes in these gulfs a goddess

      who used to be human now she is yellow-eyed

      sometimes she shrieks heavy-winged with laughterless laughter

      and lands on his raft shaking the underworld off

      poor man she says poor man it’s obvious

      you can sniff it everywhere the shabby weirdness

      of the sea-god leaning intimately over

      and turning his shadows against you

      poor morsel of cork you bob about

      throwaway in all this what is it grief grief grief

      but this grief is so old its matter has lost its mind

      blinks blinks and sees nothing

      howls howls and hears nothing

      And yet again water still in acute discomfort

      always yearning and hallucinating and dedicated to the wind

      and yet again the wind not fully awake

      or was it laughter blew me along I lost track of

      the underneath of things everything became my mirror

      once I stood up to look over the side

      I sat down again terrified it was myself I saw

      thronged and pitch-green

      spilling over the lip of the earth

      the same soft dust-sheets over my hands as the clouds

      the same thick curtain across the horizon as

      sheer boredom and a deep

      sea-breath

      In which a spirit leaning languorously from a porthole

      poured stillness over the sea like a jug of milk

      and there were bones everywhere and feathered people

      stood singing on the stones on rickety thin legs

      with tilted chins and pressed flat wings

      If you should see they said if you could spare

      a moment to make out if you have any heart

      to hear us mourn in short syllables

      now that the stillness is pale blue

      and apparitions of islands like pre-world humans

      are waiting to evolve but always before they can grow detail

      the air aborts them and the clouds

      bafflingly quiet as if the fact of floating

      had taken some weight off their minds

      the clouds pause like holy men

      very close and far-off in their white shr
    ouds of office

      If you should see a pair of blinking eyes

      blue and red with weeping no sooner seen than gone

      you should know they are kingfishers

      man and wife in these amazing clothes

      who lay their eggs on fish-bones

      and for nine days when they nest the wind drops

      and the hooded waves remembering their story

      stammer to a hush they used to be humans

      whose flesh stalks always true to the light

      were on the point of flowering but the sea

      which has no faith no patience

      just kleptomaniac and fickle currents

      drowned him

      It was horrible when the rising sun

      wrinkled her skin as it worked its way in

      and the widow at the window saw at once

      her bloated husband’s head oh pray for the crowded

      ragged dead in the crypts of the sea

      where the boneless octopus

      only exists by endlessly altering

      pray for the hollowed out souls

      in the skins of the living whose lifted clothes

      became

      birds

     


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