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    Passenger to Frankfurt

    Page 7
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    Communism, I should think they're considered old-fashioned.

      The Chinese? I think they've lost their way. Too much Chairman

      Mao, perhaps. I don't know who these people are who

      are doing the planning. As I said before, it's why and where

      and when and who.'

      'Very interesting.'

      'It's so frightening, this same idea that always recurs.

      History repeating itself. The young hero, the golden superman

      that all must follow.' She paused, then said, 'Same idea,

      you know. The young Siegfried.'

      57

      ADVICE FROM

      GREAT-AUNT MATILDA

      Great-Aunt Matilda looked at him. She had a very sharp

      and shrewd eye. Stafford Nye had noticed that before. He

      noticed it particularly at this moment.

      ''So you've heard that term before,' she said. 'I see,'

      'What does it mean?'

      'You don't know?' She raised her eyebrows.

      'Cross my heart and wish to die,' said Sir Stafford, in

      nursery language.

      'Yes, we always used to say that, didn't we,' said Lady

      Matilda. 'Do you really mean what you're saying?'

      'I don't know anything about it.'

      'But you'd heard the term before,'

      *Yes. Someone said it to me.'

      'Anyone important?'

      It could be. I suppose it could be. What do you mean

      by "anyone important"?'

      'Well, you've been involved in various Government missions

      lately, haven't you? You've represented this poor, miserable

      country as best you could, which I shouldn't wonder wasn't

      rather better than many others could do, sitting round a table

      and talking. I don't know whether anything's come of all that.'

      'Probably not,' said Stafford Nye. 'After all, one isn't

      optimistic when one goes into these things.'

      'One does one's best,' said Lady Matilda correctively.

      'A very Christian principle. Nowadays if one does one's

      worst one often seems to get on a good deal better. What

      does all this mean. Aunt Matilda?'

      *I don't suppose I know,' said his aunt

      'Well, you very often do know things.'

      'Not exactly. I just pick up things here and there.*

      'Yes?'

      Tve got a few old friends left, you know. Friends who

      are in the know. Of course most of them are either practically

      stone deaf or half blind or a little bit gone in the

      top storey or unable to walk straight. But something still

      functions. Something, shall we say, up here.' She hit the

      top of her neatly arranged white head. 'There's a good

      deal of alarm and despondency about. More than usual That's one of the things I've picked up.'

      58

      'Isn't there always?'

      'Yes, yes, but this is a bit more than that. Active instead

      of passive, as you might say. For a long time, as I have noticed from the outside, and you, no doubt, from the

      inside, we have felt that things are in a mess. A rather bad

      mess. But now we've got to a point where we feel that perhaps

      something might have been done about the mess.. There's

      an element of danger in it. Something is going on--something

      is brewing. Not just in one country. In quite a lot of

      countries. They've recruited a service of their own and

      the danger about that is that it's a service of young people.

      And the kind of people who will go anywhere, do anything,

      unfortunately believe anything, and so long as they are promised

      a certain amount of pulling down, wrecking, throwing

      spanners in the works, then they think the cause must be a

      good one and that the world will be a different place. They're

      not creative, that's the trouble--only destructive. The creative

      young write poems, write books, probably compose music,

      paint pictures just as they always have done. They'll be all

      right--But once people learn to love destruction for its own

      sake, evil leadership gets its chance.'

      'You say "they" or "them". Who do you mean?'

      'Wish I knew,' said Lady Matilda. 'Yes, I wish I knew.

      Very much indeed. If I hear anything useful. 111 tell you. Then you can do something about it.'

      'Unfortunately, I haven't got anyone to tell, I mean to

      pass it on to.'

      'Yes, don't pass it on to - just anyone. You can't trust

      people. Don't pass it on to any one of those idiots in the

      Government, or connected with government or hoping to

      be participating in government after this lot runs out. Politicians

      don't have time to look at the world they're living

      in. They see the country they're living in and they see it as

      one vast electoral platform. That's quite enough to put on

      their plates for the time being. They do things which they

      honestly believe will make things better and then they're

      surprised when they don't make things better because they're

      not the things that people want to have. And one can't

      help coming to the conclusion that politicians have a feeling

      that they have a kind of divine right to tell lies in a good

      cause. It's not really so very long ago since Mr Baldwin

      made his famous remark--"If I had spoken the truth, I should

      have lost the election." Prime Ministers still feel like that Now

      and again we have a great man, thank God. But it's rare.'

      'Well, what do you suggest ought to be done?'

      59

      'Are you asking my advice? Mine? Do you know how

      old I am?'

      'Getting on for ninety,' suggested her nephew.

      'Not quite as old as that,' said Lady Matilda, slightly

      affronted. 'Do I look it, my dear boy?'

      *No, darling. You look a nice, comfortable sixty-six.'

      'That's better,' said Lady Matilda. 'Quite untrue. But

      better. If I get a dp of any kind from one of my dear old

      admirals or an old general or even possibly an air marshal

      --they do hear things, you know--they've got cronies still

      and the old boys get together and talk. And so it gets

      around. There's always been the grapevine and there still

      is a grapevine, no matter how elderly the people are. The

      young Siegfried. We want a clue to just what that means

      --I don't know if he's a person or a password or the name of

      a Club or a new Messiah or a Pop singer. But that term

      covers something. There's the musical motif too. I've rather

      forgotten my Wagnerian days.' Her aged voice croaked

      out a partially recognizable melody. 'Siegfried's horn call,

      isn't that it? Get a recorder, why don't you? Do I mean a

      recorder. I don't mean a record that you put on a gramophone--I

      mean the things that schoolchildren play. They

      have classes for them. Went to a talk the other day. Our

      vicar got it up. Quite interesting. You know, tracing the

      history of the recorder and the kind of recorders there

      were from the Elizabethan age onwards. Some big, some small,

      all different notes and sounds. Very interesting. Interesting

      hearing in two senses. The recorders themselves. Some of

      them give out lovely noises. And the history. Yes. Well, what

      was I saying?'

      'You told me to get one of these instruments, I gather.'

      'Yes. Get a recorder and learn to blow Siegfried's hor
    n

      call on that. You're musical, you always were. You can

      manage that, I hope?'

      'Well, it seems a very small part to play in the salvation

      of the world, but I dare say I could manage that.'

      'And have the thing ready. Because, you see--' she tapped

      on the table with her spectacle case--'you might want it to

      impress the wrong people some time. Might come in useful.

      They'd welcome you with open arms and then you might

      learn a bit.'

      'You certainly have ideas,' said Sir Stafford admiringly. 'What else can you have when you're my age?' said his

      great-aunt. 'You can't get about. You can't meddle with

      people much, you can't do any gardening. All you can do is

      60

      sit in your chair and have ideas. Remember that when

      you're forty years older.'

      'One remark you made interested me.'

      'Only one?' said Lady Matilda. That's rather poor measure

      considering how much I've been talking. What was it?'

      'You suggested that I might be capable of impressing the

      wrong people with my recorder--did you mean that?'

      'Well, it's one way, isn't it? The right people don't matter.

      But the wrong people--well, you've got to find out things, haven't you? You've got to permeate things. Rather like a

      death-watch beetle,' she said thoughtfully.

      'So I should make significant noises in the night?'

      'Well, that sort of thing, yes. We had death-watch beetle

      in the east wing here once. Very expensive it was to put it

      right. I dare say it will be just as expensive to put the world

      right.'

      'In fact a good deal more expensive,' said Stafford Nye.

      That won't matter,' said Lady Matilda. 'People never mind

      spending a great deal of money. It impresses them. It's when

      you want to do things economically, they won't play. We're

      the same people, you know. In this country, I mean. We're

      the same people we always were.'

      'What'do you mean by that?'

      'We're capable of doing big things. We were good at running

      an empire. We weren't good at keeping an empire running,

      but then you see we didn't need an empire any more

      And we recognized that. Too difficult to keep up. Robbie

      made me see that,' she added.

      'Robbie?' It was faintly familiar.

      'Robbie Shoreham. Robert Shoreham. He's a very old

      friend of mine. Paralysed down the left side. But he can

      talk still and he's got a moderately good hearing-aid.'

      'Besides being one of the most famous physicists in the

      world,' said Stafford Nye. 'So he's another of your old

      cronies, is he?'

      'Known him since he was a boy,' said Lady Matilda. 'I suppose it surprises you that we should be friends, have a

      lot in common and enjoy talking together?'

      'Well, I shouldn't have thought that--'

      That we had much to talk about? It's true I could never

      do mathematics. Fortunately, when I was a girl one didn't

      even try. Mathematics came easily to Robbie when he was

      about four years old, I believe. They say nowadays that

      that's quite natural. He's got plenty to talk about.^He liked

      me always because I was frivolous and made him laugh.

      61

      And I'm a good listener, too. And really, he says some very

      interesting things sometimes.'

      'So I suppose,' said Stafford Nye drily.

      'Now don't be superior. Moliere married his housemaid,

      didn't lie, and made a great success of it--if it is Moliere I

      mean. ' If a man's frantic with brains he doesn't really want

      a woman who's also frantic with brains to talk to. It would

      be exhausting. He'd much prefer a lovely nitwit who can

      make him laugh. I wasn't bad-looking when I was young,'

      said Lady Matilda complacently.''I know I have no academic

      distinctions. I'm not in the least intellectual. But

      Robert has always said that I've got a great deal of common

      sense, of intelligence,'

      'You're a lovely person,' said Sir Stafford Nye. 'I enjoy coming to see you and I shall go away remembering all

      the things you've said to me. There are a good many more

      things, I expect, that you could tell me but you're obviously

      not going to.'

      'Not until the right moment comes,' said Lady Matilda,

      'but I've got your interests at heart. Let me know what

      you're doing from time to time. You're dining at the American

      Embassy, aren't you, next week?'

      'How did you know that? I've been asked.'

      'And you've accepted, I understand.'

      'Well, it's all in the course of duty.' He looked at her

      curiously. 'How do you manage to be so well informed?'

      Oh, Milly told me.'

      'Milly?'

      'Milly Jean Cortman. The American Ambassador's wife.

      A most attractive creature, you know. Small and rather perfect-looking.'

      'Oh, you mean Mildred Cortman.'

      'She was christened Mildred but she preferred Milly Jean.

      I was talking to her on the telephone about some Charity

      Matinee or other--she's what we used to call a pocket Venus.'

      'A most attractive term to use,' said Stafford Nye.

      Chapter 8

      AN EMBASSY DINNER

      As Mrs Cortman came to meet him with outstretched hand,

      Stafford Nye recalled the term his great-aunt had used. Milly

      Jean Cortman was a woman of between thirty-five and forty.

      She had delicate features, big blue-grey eyes, a very perfectly

      shaped head with bluish-grey hair tinted to a particularly

      attractive shade which fitted her with a perfection of grooming.

      She was very popular in London. Her husband, Sam

      Cortman, was a big, heavy man, slightly ponderous. He was

      very proud of his wife. He himself was one of those slow,

      rather over-emphatic talkers. People found their attention

      occasionally straying when he was elucidating at some length

      a point which hardly needed making.

      'Back from Malaya, aren't you. Sir Stafford? It must

      have been quite interesting to go out there, though it's

      not the time of year I'd have chosen. But I'm sure we're

      all glad to see you back. Let me see now. You know Lady

      Aldborough and Sir John, and Herr von Roken, Frau von

      Roken. Mr and Mrs Staggenham.'

      They were all people known to Stafford Nye in more or

      less degree. There was a Dutchman and his wife whom he

      had not met before, since they had only just taken up their

      appointment. The Staggenhams were the Minister of Social

      Security and his wife. A particularly uninteresting couple,

      he harf always thought.

      'And the Countess Renata Zerkowski. I think she said she'd

      met you before.'

      'It must be about a year ago. When I was last in England,'

      said the Countess.

      And there she was, the passenger from Frankfurt again.

      Self-possessed, at ease, beautifully turned out in faint greyblue

      with a touch of chinchilla. Her hair dressed high (a

      wig?) and a ruby cross of antique design round her neck.

      'Signer Gasparo, Count Reitner, Mr and Mrs Arbuthnot.'

      About twenty-six in all. At dinner Stafford Nye sat between

      the dreary Mrs Staggenham and Signora Gasparo on


      the other side of him. Renata Zerkowski sat exactly opposite

      him.

      An Embassy dinner. A dinner such as he so often attended,

      holding much of the same type of guests. Various members

      of the Diplomatic Corps, junior ministers, one or two in63

      dustrialists, a sprinkling of socialites usually included because

      they were good conversationalists, natural, pleasant people

      to meet, though one or two, thought Stafford Nye, one or

      two were maybe different. Even while he was busy sustaining

      his conversation with Signora Gasparo, a charming person

      to talk to, a chatterbox, slightly flirtatious; his mind was

      roving in the same way that his eye also roved, though the

      latter was not very noticeable. As it roved round the dinner

      table, you would not have said that he was summing up

      conclusions in his own mind. He had been asked here. Why?

      For any reason or for no reason in particular. Because his

      name had come up automatically on the list that the secretaries

      produced from time to time with checks against such members

      as were due for their turn. Or as the extra man or the extra

      woman required for the balancing of the table. He had always

      been in request when an extra was needed.

      'Oh yes,' a diplomatic hostess would say, 'Stafford Nye

      will do beautifully. You will put him next to Madame Soand-so,

      or Lady Somebody else.'

      He had been asked perhaps to fill in for no further reason

      than that. And yet, he wondered. He knew by experience that

      there were certain other reasons. And so his eye with its swift

      social amiability, its air of not looking really at anything in

      particular, was busy,

      Amongst these guests there was someone perhaps who

      for some reason mattered, was important. Someone who had

      been asked--not to fill in--on the contrary--someone who

      had had a selection of other guests invited to fit in round

      him--or her. Someone "who mattered. He wondered--he

      wondered which of them it might be.

      Cortman knew, of course. Milly Jean, perhaps. One never

      really knew with wives. Some of them were better diplomats

      than their husbands. Some of them could be relied

      upon merely for their charm, for their adaptability, their

      readiness to please, their lack of curiosity. Some again, he

      thought ruefully to himself, were, as far as their husbands

      were concerned, disasters. Hostesses who, though they may

      have brought prestige or money to a diplomatic marriage,

      were yet capable at any moment of saying or doing the wrong

      thing, and creating an unfortunate situation. If that was to

      be guarded against, it would need one of the guests, or two or

      even three of the guests, to be what one might call professional

      smoothers-over.

      Did this dinner party this evening mean anything but a

      social event? His quick and noticing eye had by now been

      64

      round the dinner table picking out one or two people whom

      so far he had not entirely taken in. An American business

      man. Pleasant, not socially brilliant. A professor from one of

      the universities of the Middle West. A married couple, the

      husband German, the wife predominantly, almost aggressively

      American. A very beautiful woman, too. Sexually, highly

      attractive. Sir Stafford thought. Was one of them important?

      Initials floated through his mind. FBI. CIA. The business man

      perhaps a CIA man, there for a purpose. Things were like

      that nowadays. Not as they used to be. How had the formula

      gone? "Big brother is watching you. Yes, well it went further

      than that now. Transatlantic Cousin is watching you. High

      Finance for Middle Europe is watching you. A diplomatic

      difficulty has been asked here for you to watch him. Oh yes.

      There was often a lot behind things nowadays. But was that

      just another formula, just another fashion? Could it really

      mean more than that, something vital, something real? How

      did one talk of events in Europe nowadays? The Common

      Market. Well, that was fair enough, that dealt with trade,

      with economics, with the inter-relationships of countries.

      That was the stage to set. But behind the stage. Backstage.

      Waiting for the cue. Ready to prompt if prompting

      were needed. What was going on? Going on in the big

      world and behind the big world. He wondered.

      Some things he knew, some things he guessed at, some

      things, he thought to himself, I know nothing about and

      nobody wants me to know anything about them.

      His eyes rested for a moment on his vis-a-vis, her chin

      tilted upward, her mouth just gently curved in a polite

      smile, and their eyes* met. Those eyes told him nothing,

      the smile told him nothing. What was she doing here? She

     


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