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    St. Trigger


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      Copyright © 2016 by Aaron Coleman

      Published by Button Poetry / Exploding Pinecone Press

      Minneapolis, MN 55403

      http://buttonpoetry.com

      All Rights Reserved

      Manufactured in the United States of America

      Cover Design: Nikki Clark

      ISBN 978-1-943735-06-8

      For Lew

      Table of Contents

      Viciousness in Ends

      St. Inside and Not

      Vestigia

      Manmade Shelter Beneath Rupturing Sky

      It is not a question of memory

      On Acquiescence

      After

      Her Song a Cliff a Cage

      Rich

      Sta. Soledad

      Where We Choose to Hide

      *

      God’s Island

      On Forgiveness

      Through

      Between

      Wherein I am

      St. Seduction

      On Surrender

      Seed Beneath the Dark

      Elegy for Apogee

      [American Dream] See

      St. Trigger

      Notes

      The pure products of America

      go crazy—

      —William Carlos Williams

      Viciousness in Ends

      blood and trust in my mouth

      on the ground sweltering each

      swing harder dizzy still to protect what?

      inside red and black gloves with quarter-

      worn knuckles part of a man two fists thick

      no way to know the stranger from my

      brother’s hand – the boxing glove still hot

      past it sticky hand slipping into –

      we refused to go the fear in our throats –

      stuck like meat in our teeth and it was good and it was

      from one another and sweat genesis and took

      uncut grass we laughed face down

      in the yellow to press each other’s necks like dull blades

      and used our forearms – where he breaks

      we laughed because we swore a man is born

      into each other’s sharp backs point blank

      we shot the metal bb’s we shot

      the metal bb’s point blank into each other’s

      sharp backs because we swore a man is born

      where he breaks we laughed and used

      our forearms like dull blades to press each other’s

      necks face down in the yellow uncut grass we laughed

      and sweat genesis and took from one another

      and it was good and it was stuck like meat

      in our teeth the fear in our throats – we refused

      to go past it sticky hand slipping

      into the boxing glove still hot from my brother’s hand –

      no way to know the stranger part of a man two fists thick

      with quarter-worn knuckles inside red and black

      gloves to protect what? each swing harder dizzy

      still on the ground sweltering blood and trust in my mouth

      St. Inside and Not

      Being tornado, being wind-stuck,

      Being swamp-swallowed and forgotten, being

      Gangster-gone-ghost. Being leaking

      And prohibited. Being rugged

      Smirk and gut exposed, stone church

      Roof removed, ivy-spindled throat. Being

      Forever-far from coasts. Being echo clang and

      Shale-sick grease rag. Being trundled down

      The conveyor belt the wound wound river being

      Time-tight, squeezing and seething

      And flooding. Being burnheart and holy

      Jelly Roll squall and squalor and

      Ma called squaw battered in missing shame-

      Laden eyes. Being missed and called family, anchor,

      Surname: Gone. Being turned into translation,

      Being an altar and a mother praying God save

      Me in a language I’ll never know. Being hands

      Held high above head, body blown open. Being

      Bit-nickel never trusted, being

      Runaway sharecropper castrated, burned

      Away in pieces in hand-licked heavy

      Envelopes. Being letters scrawled: you

      Missed a big, fiery one. Wish you were

      Here. Being midnight ripped

      Off the face of constellation. Being

      Rage shattered in the body, before

      Each risk: live, let die, follow.

      Vestigia

      The trees teach me how to break and keep on living. Patience

      and nuance and another kind of strength. That kind of life

      wrought from water and mineral iron and loss, the perpetual loss

      that emanates from underneath tongues, leaves. The hush splayed

      across the jungle made of memory. More fearful for its lack

      of movement. The sad lusciousness our eyes reason from a world

      on pause. Motionless green. What we touch and see, immediate as

      steam, then gone, collected. Tense, wet beads full of secrets; how

      to make a branch long. Nothing swaying the weight of the trees.

      Manmade Shelter Beneath Rupturing Sky

      I can’t tell you, but you feel it the way you feel

      thunder. The way it speaks rain and beckons

      a turning back to manmade shelter beneath

      a rupturing sky, a silent please between

      men who work to claim each other, blood,

      who are supposed to take, to prove, to dig wide

      around what burns and not speak out

      loud about love. Fumes fuse when we

      hide words under eaves like bushels of wheat

      and watch the barn burn down

      as the rain picks up too late. Boys burn down

      and aim to take the town with them. Flames flick light

      into pummeling rain, billow black smoke when they break

      open the cans of tractor grease. You won’t let yourself

      look away from the burning shed as the structure tears

      down in cindered shards of darkness

      in the middle of the storm, the middle of the night.

      It is not a question of memory

      Frost, inexplicable in a mirror like a river

      muting my reflection, I see trembling

      southern fields, clouds clotted with

      shine. Body, still wet, covered

      in cold, where the South hides. I

      run water over fear, a descant

      for recollection. A slow drip down

      this nose, lips, chin, down, through

      the shoal of impulse and each

      border of this torso, scar-laced hip,

      belly, thigh, shin. Beneath. My South

      thick with pulse. I’ll flux into

      history, but first let me fuse

      language, anguish, touch; give me time

      to settle with what anchors shadow

      to this face this morning. My South:

      both gulf and border, black highways

      stitched and caked with rock salt,

      the corpse of a red-tailed hawk, swollen

      then frozen in ice, now mid-thaw

      in the cattails, a sandbar eclipsed in

      the stench of sulfur, and my remaining

      barefoot in autumn on a man-made

      beach, Lake Michigan, even after the wind

      picks up. A dozen monarch butterflies

      strewn like candy wrappers in seaweed

      washed ashore, somehow so close

      to asphalt and fluorescence; an iron

      city’s core. My stark hand damp,

      tracing the warped wooden door, South

      still staring back through the asking

      mir
    ror, back through the memory

      of a trip South I’ve never taken before.

      On Acquiescence

      Of Bronze – and Blaze…

      We were crossing town again, on the bus. Our point guard who

      could never sit still, be stilled, said, Playin’ with my money is like playin’

      with my emotions, between his teeth and leaned into the aisle

      mimicking Big Worm’s anger we’d watched on TV. My teammate

      and I shared more than the same name. All of us slapped seats

      with laughter, barely understanding, on the bus crossing town in

      ties and slacks, heading to our JV game. After school but before

      the game, I had wanted to say, don’t play to a girl I smiled with

      too much in her white-on-white volleyball knee-highs and skin,

      down in the empty afterschool classroom, both of us too

      silent, looking at each other as if lost in the angles of skin and hips

      and dusk. Careful games shrouded in change, wanting. I was never

      quite sure about her touch, metal-detecting fingertips seeking

      shrapnel. We held something quiet. We crossed town, got off

      the bus. Chins up, another contest, away. Rarely smiling. Undressing

      and changing into uniform I remembered her hands, put mine

      where she put hers on my body. A boy said, And you know this, man.

      We laughed and talked shit when what we wanted to do was

      understand. I remember the fists of the boy with my name when he,

      hotheaded and light-

      skinned, cut across the court, breakneck toward the white

      man hurling slurs from the front row of his son’s home

      game, 4th quarter, seeing a tall, blonde boy – maybe his –

      knocked onto hardwood. The perennial black versus white school

      rivalry. When my name streaked toward the bleachers cross town,

      reaching for the screaming white man, our black feathers rustled

      like midnight peacocks claiming our cage, the polished floor.

      We were cross town. We were off the bus. We weren’t safe.

      Not while playing away or sweat-soaked inside

      patent leather Jordan’s, toes clenched like talons, cursing

      with our bodies under the buzzer’s horn, straining to empty

      what gets stuck in hands fashioned into weapons that clutch

      torsos and throats hummed in muscle, flexed shut. Off

      at this distance, I hold less and less noise and more silence.

      But what if we are made of this violence?

      After

      I lock a foreign door behind me, leave her

      sleeping. Three days wordless and now

      I will not see her more. Her. And will never see

      You. By and by. We: fragments of you. And I am made

      by loss. I may never love, hear, and know

      the child with the mind I had before. You were us. Now,

      I am made older. Here: Dimly lit

      exits and entrances, muted corridors cut

      through an end inside, spiraled blood and dark—

      I know a quiet, but don’t know who or what

      you were, I am, was. I slowly break a giant

      lotus the color of rain cloud with my mouth; stray

      petals, forgiveness, saliva

      inept along my lips. Echoes: a shrill woman breaks

      her voice over my body, scowls before she pleads

      with the walls I’ve cobbled into me. A young, tall preacher

      in his prime smiles, mouth closed, and

      places faceless coins

      in the deep palm

      of my left hand. The bent wire

      grip of the lantern I don’t want

      creaks sharp in my other hand, thin glass lets go

      tattered streams of light, ill sway, insignificance,

      absence, beneath raw white sky. This snarl of intuition,

      a clutch of sudden roots, believes,

      but does not speak. What I remember is everything, but

      I know that can’t be.

      Her Song a Cliff a Cage

      How did it end up in that house. Hand-forged

      burl and bole and shoulder. Figure sheathed

      beneath cloth. What sunk and became

      the room. What was draped and standing

      taller than this woman who made the woman

      who made me known. Restless wire sacrament.

      A hole made of music comes wide, inhuman from

      a crooked instrument, a torso almost hollowed,

      rimmed in shades of pink and ivory. Nothing

      black about this anchor. Beyond memory, she touched

      its strings, spilled improbable sound. I will

      always be a child to that harp. Confused.

      Never allowed to touch. A deafening gleam when

      its music moved through lightless rooms, through

      walls and bodies alike. I became silence. I’ve become

      cumbersome as love I cannot hold. Then let me be

      that music that consumes midnight. Let me make

      chords with what comes from this blood.

      Rich

      rich (→) adj. 1. Having abundant possessions and especially material wealth: As in, standing a breath between each other, she didn’t realize how rich she was until she saw him weigh her past in his eyes. 2. a. Having great worth or value: Remnants of his mother’s voice echoed beneath their praise, inside his spine: we may have enough but we ain’t rich, at least not like them; don’t forget your hands are broken mirrors, how they splinter moneycolored clouds. b. Made of or containing valuable materials: It wasn’t their new world’s prospects that changed them: they’d become rich with what they’d lost, and because of what they were losing; you could tell by the way it swayed their frames, curved their minds. 3. Magnificently impressive, sumptuous: Despite the flitting birds of his new money and tongue, his deftly rearranging mind, it was true she was the rich one; he forced himself to keep his gaze above the ground, open on her eyes. 4. a. Vivid and deep in color: They were the rich amber of dark honey unbecoming itself in green tea. b. Full and mellow in tone and quality: She only hesitates because the touch of his voice feels rich as music at the edge of her body, rich enough to coax home a ghost. c. Having a strong fragrance: Her rich scent carries something with it, or in it, not only her but something coming through her, running. 5. Highly productive or remunerative: Their gods said, what you share won’t make you rich; what will you do with the coin of your lives? 6. a. Having abundant plant nutrients: They buried their gods in rich soil, then searched for months on hands and knees for warmth radiating from the surface, eager to reap the unwild. b. Highly seasoned, fatty, oily, or sweet: Their myths, their histories, their pleas, their systems of conviction and logic; they were too rich to not be poison. c. High in the combustible component: As in, beyond their own rich bodies, they could sense a hiss coming low, too, from their world, willing to explode. d. High in any component: So they grew, or swelled, guilt-rich, shame-rich, and ever-teetering at the cusp of knowing so. 7. Highly varied, developed, or complex: It was the simultaneous intimacy and distance, the real and unreal sense of their lives, their relationships, their auspices that felt so rich: so profoundly yet elusively interwoven. 8. a. Entertaining; also: laughable: But there is something rich here; even—or especially—for them, bearing witness to the near emptiness, the falling. b. Meaningful, significant: As in, something rich enough to let slip less and less slowly. c. Lush: She said, you know, the same way a certain, pluraled pain is rich. Yes, he added, or a certain pluraled crisis. 9. Pure or nearly pure: Though they thought they were, they were not rich enough to go.

      after A. Van Jordan

      Sta. Soledad

      Especie de dios, que no me toques donde me queda

      The crescent ache that meets the light

      And blinds my failing eyes that work

      Crisis, aun vol
    uptuosa, en contra de cada cuchilla de momento, cada década de

      Desire tumbled down, ripe with what I won’t admit I love

      Each prayer of breath and touch sliced open not enough

      Cuando nos dejamos extinguidos, más torcidos que juntos, pero así fieles

      To the black hole heart not greedy not lonely

      Only doing what it is supposed to do: claiming

      Como la material que somos, hinchada con Gracia, llena del fin tanto como lo abierto

      Where We Choose to Hide

      It was absolute. It was gorgeous. Stay.

      But gorgeous. Trust. The cold bending. The light

      from the cathedral. Snow in our lies. The frost—

      seething. Slowly, slowly into summer. How we were

      wrongheaded and heavy with music:

      its strange weight. Pulsing, heart-like.

      Loss-like. The brutal conviction of seasons.

      Blunt nakedness. Sweat-lush

      5100 blocks south. Dusk-swept, swallowed in

      skyline. If not a horizon. We can’t—

      your eyes. Lake dark, wide

     


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