Born a Crime
Trevor Noah
Copyright © 2016 by Trevor Noah
All rights reserved.
Published in the United States by Spiegel & Grau, an imprint of Random House, a division of Penguin Random House LLC, New York.
SPIEGEL & GRAU and Design is a registered trademark of Penguin Random House LLC.
Library of Congress Cataloging-in-Publication Data
Names: Noah, Trevor, author.
Title: Born a crime: stories from a South African childhood / by Trevor Noah.
Description: First edition. | New York : Spiegel & Grau, 2016.
Identifiers: LCCN 2016031399| ISBN 9780399588174 | ISBN 9780399590443 (international) | ISBN 9780399588181 (ebook)
Subjects: LCSH: Noah, Trevor | Comedians—United States—Biography. | Comedians—South Africa—Biography. | Television personalities—United States—Biography.
Classification: LCC PN2287.N557 A3 2016 | DDC 791.4502/8092 [B]—dc23 LC record available at https://lccn.loc.gov/2016031399
Ebook ISBN 9780399588181
spiegelandgrau.com
Book design by Susan Turner, adapted for ebook
Cover design: Greg Mollica
Cover image: Mark Stutzman, based on a photograph by Kwaku Alston (Trevor Noah); Getty Images (background)
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Contents
Cover
Title Page
Copyright
Immorality Act, 1927
Part I
Chapter 1: Run
Chapter 2: Born a Crime
Chapter 3: Trevor, Pray
Chapter 4: Chameleon
Chapter 5: The Second Girl
Chapter 6: Loopholes
Chapter 7: Fufi
Chapter 8: Robert
Part II
Chapter 9: The Mulberry Tree
Chapter 10: A Young Man’s Long, Awkward, Occasionally Tragic, and Frequently Humiliating Education in Affairs of the Heart, Part I: Valentine’s Day
Chapter 11: Outsider
Chapter 12: A Young Man’s Long, Awkward, Occasionally Tragic, and Frequently Humiliating Education in Affairs of the Heart, Part II: The Crush
Chapter 13: Colorblind
Chapter 14: A Young Man’s Long, Awkward, Occasionally Tragic, and Frequently Humiliating Education in Affairs of the Heart, Part III: The Dance
Part III
Chapter 15: Go Hitler!
Chapter 16: The Cheese Boys
Chapter 17: The World Doesn’t Love You
Chapter 18: My Mother’s Life
Dedication
Acknowledgments
About the Author
IMMORALITY ACT, 1927
To prohibit illicit carnal intercourse between Europeans and natives and other acts in relation thereto.
* * *
BE IT ENACTED by the King’s Most Excellent Majesty, the Senate and the House of Assembly of the Union of South Africa, as follows:—
1. Any European male who has illicit carnal intercourse with a native female, and any native male who has illicit carnal intercourse with a European female…shall be guilty of an offence and liable on conviction to imprisonment for a period not exceeding five years.
2. Any native female who permits any European male to have illicit carnal intercourse with her and any European female who permits any native male to have illicit carnal intercourse with her shall be guilty of an offence and liable on conviction to imprisonment for a period not exceeding four years….
The genius of apartheid was convincing people who were the overwhelming majority to turn on each other. Apart hate, is what it was. You separate people into groups and make them hate one another so you can run them all.
At the time, black South Africans outnumbered white South Africans nearly five to one, yet we were divided into different tribes with different languages: Zulu, Xhosa, Tswana, Sotho, Venda, Ndebele, Tsonga, Pedi, and more. Long before apartheid existed these tribal factions clashed and warred with one another. Then white rule used that animosity to divide and conquer. All nonwhites were systematically classified into various groups and subgroups. Then these groups were given differing levels of rights and privileges in order to keep them at odds.
Perhaps the starkest of these divisions was between South Africa’s two dominant groups, the Zulu and the Xhosa. The Zulu man is known as the warrior. He is proud. He puts his head down and fights. When the colonial armies invaded, the Zulu charged into battle with nothing but spears and shields against men with guns. The Zulu were slaughtered by the thousands, but they never stopped fighting. The Xhosa, on the other hand, pride themselves on being the thinkers. My mother is Xhosa. Nelson Mandela was Xhosa. The Xhosa waged a long war against the white man as well, but after experiencing the futility of battle against a better-armed foe, many Xhosa chiefs took a more nimble approach. “These white people are here whether we like it or not,” they said. “Let’s see what tools they possess that can be useful to us. Instead of being resistant to English, let’s learn English. We’ll understand what the white man is saying, and we can force him to negotiate with us.”
The Zulu went to war with the white man. The Xhosa played chess with the white man. For a long time neither was particularly successful, and each blamed the other for a problem neither had created. Bitterness festered. For decades those feelings were held in check by a common enemy. Then apartheid fell, Mandela walked free, and black South Africa went to war with itself.
RUN
Sometimes in big Hollywood movies they’ll have these crazy chase scenes where somebody jumps or gets thrown from a moving car. The person hits the ground and rolls for a bit. Then they come to a stop and pop up and dust themselves off, like it was no big deal. Whenever I see that I think, That’s rubbish. Getting thrown out of a moving car hurts way worse than that.
I was nine years old when my mother threw me out of a moving car. It happened on a Sunday. I know it was on a Sunday because we were coming home from church, and every Sunday in my childhood meant church. We never missed church. My mother was—and still is—a deeply religious woman. Very Christian. Like indigenous peoples around the world, black South Africans adopted the religion of our colonizers. By “adopt” I mean it was forced on us. The white man was quite stern with the native. “You need to pray to Jesus,” he said. “Jesus will save you.” To which the native replied, “Well, we do need to be saved—saved from you, but that’s beside the point. So let’s give this Jesus thing a shot.”
My whole family is religious, but where my mother was Team Jesus all the way, my grandmother balanced her Christian faith with the traditional Xhosa beliefs she’d grown up with, communicating with the spirits of our ancestors. For a long time I didn’t understand why so many black people had abandoned their indigenous faith for Christianity. But the more we went to church and the longer I sat in those pews the more I learned about how Christianity works: If you’re Native American and you pray to the wolves, you’re a savage. If you’re African and you pray to your ancestors, you’re a primitive. But when white people pray to a guy who turns water into wine, well, that’s just common sense.
My childhood involved church, or some form of church, at least four nights a week. Tuesday night was the prayer meeting. Wednesday night was Bible study. Thursday night was Youth church. Friday and Saturday we had off. (Time to sin!) Then on Sunday we went to church. Three churches, to be precise. The reason we went to three churches was because my mom said each church gave her something different. The first church offered jubilant praise of the Lord. The second church offered deep analysis of the scripture, which my mom loved. The third church offered passion and catharsis; it was a place where you truly felt the presence of the Holy Spirit inside you. Completely by coincidence, as we moved back and forth between these churches, I no
ticed that each one had its own distinct racial makeup: Jubilant church was mixed church. Analytical church was white church. And passionate, cathartic church, that was black church.
Mixed church was Rhema Bible Church. Rhema was one of those huge, supermodern, suburban megachurches. The pastor, Ray McCauley, was an ex-bodybuilder with a big smile and the personality of a cheerleader. Pastor Ray had competed in the 1974 Mr. Universe competition. He placed third. The winner that year was Arnold Schwarzenegger. Every week, Ray would be up onstage working really hard to make Jesus cool. There was arena-style seating and a rock band jamming out with the latest Christian contemporary pop. Everyone sang along, and if you didn’t know the words that was okay because they were all right up there on the Jumbotron for you. It was Christian karaoke, basically. I always had a blast at mixed church.
White church was Rosebank Union in Sandton, a very white and wealthy part of Johannesburg. I loved white church because I didn’t actually have to go to the main service. My mom would go to that, and I would go to the youth side, to Sunday school. In Sunday school we got to read cool stories. Noah and the flood was obviously a favorite; I had a personal stake there. But I also loved the stories about Moses parting the Red Sea, David slaying Goliath, Jesus whipping the money changers in the temple.
I grew up in a home with very little exposure to popular culture. Boyz II Men were not allowed in my mother’s house. Songs about some guy grinding on a girl all night long? No, no, no. That was forbidden. I’d hear the other kids at school singing “End of the Road,” and I’d have no clue what was going on. I knew of these Boyz II Men, but I didn’t really know who they were. The only music I knew was from church: soaring, uplifting songs praising Jesus. It was the same with movies. My mom didn’t want my mind polluted by movies with sex and violence. So the Bible was my action movie. Samson was my superhero. He was my He-Man. A guy beating a thousand people to death with the jawbone of a donkey? That’s pretty badass. Eventually you get to Paul writing letters to the Ephesians and it loses the plot, but the Old Testament and the Gospels? I could quote you anything from those pages, chapter and verse. There were Bible games and quizzes every week at white church, and I kicked everyone’s ass.
Then there was black church. There was always some kind of black church service going on somewhere, and we tried them all. In the township, that typically meant an outdoor, tent-revival-style church. We usually went to my grandmother’s church, an old-school Methodist congregation, five hundred African grannies in blue-and-white blouses, clutching their Bibles and patiently burning in the hot African sun. Black church was rough, I won’t lie. No air-conditioning. No lyrics up on Jumbotrons. And it lasted forever, three or four hours at least, which confused me because white church was only like an hour—in and out, thanks for coming. But at black church I would sit there for what felt like an eternity, trying to figure out why time moved so slowly. Is it possible for time to actually stop? If so, why does it stop at black church and not at white church? I eventually decided black people needed more time with Jesus because we suffered more. “I’m here to fill up on my blessings for the week,” my mother used to say. The more time we spent at church, she reckoned, the more blessings we accrued, like a Starbucks Rewards Card.
Black church had one saving grace. If I could make it to the third or fourth hour I’d get to watch the pastor cast demons out of people. People possessed by demons would start running up and down the aisles like madmen, screaming in tongues. The ushers would tackle them, like bouncers at a club, and hold them down for the pastor. The pastor would grab their heads and violently shake them back and forth, shouting, “I cast out this spirit in the name of Jesus!” Some pastors were more violent than others, but what they all had in common was that they wouldn’t stop until the demon was gone and the congregant had gone limp and collapsed on the stage. The person had to fall. Because if he didn’t fall that meant the demon was powerful and the pastor needed to come at him even harder. You could be a linebacker in the NFL. Didn’t matter. That pastor was taking you down. Good Lord, that was fun.
Christian karaoke, badass action stories, and violent faith healers—man, I loved church. The thing I didn’t love was the lengths we had to go to in order to get to church. It was an epic slog. We lived in Eden Park, a tiny suburb way outside Johannesburg. It took us an hour to get to white church, another forty-five minutes to get to mixed church, and another forty-five minutes to drive out to Soweto for black church. Then, if that wasn’t bad enough, some Sundays we’d double back to white church for a special evening service. By the time we finally got home at night, I’d collapse into bed.
This particular Sunday, the Sunday I was hurled from a moving car, started out like any other Sunday. My mother woke me up, made me porridge for breakfast. I took my bath while she dressed my baby brother Andrew, who was nine months old. Then we went out to the driveway, but once we were finally all strapped in and ready to go, the car wouldn’t start. My mom had this ancient, broken-down, bright-tangerine Volkswagen Beetle that she picked up for next to nothing. The reason she got it for next to nothing was because it was always breaking down. To this day I hate secondhand cars. Almost everything that’s ever gone wrong in my life I can trace back to a secondhand car. Secondhand cars made me get detention for being late for school. Secondhand cars left us hitchhiking on the side of the freeway. A secondhand car was also the reason my mom got married. If it hadn’t been for the Volkswagen that didn’t work, we never would have looked for the mechanic who became the husband who became the stepfather who became the man who tortured us for years and put a bullet in the back of my mother’s head—I’ll take the new car with the warranty every time.
As much as I loved church, the idea of a nine-hour slog, from mixed church to white church to black church then doubling back to white church again, was just too much to contemplate. It was bad enough in a car, but taking public transport would be twice as long and twice as hard. When the Volkswagen refused to start, inside my head I was praying, Please say we’ll just stay home. Please say we’ll just stay home. Then I glanced over to see the determined look on my mother’s face, her jaw set, and I knew I had a long day ahead of me.
“Come,” she said. “We’re going to catch minibuses.”
—
My mother is as stubborn as she is religious. Once her mind’s made up, that’s it. Indeed, obstacles that would normally lead a person to change their plans, like a car breaking down, only made her more determined to forge ahead.
“It’s the Devil,” she said about the stalled car. “The Devil doesn’t want us to go to church. That’s why we’ve got to catch minibuses.”
Whenever I found myself up against my mother’s faith-based obstinacy, I would try, as respectfully as possible, to counter with an opposing point of view.
“Or,” I said, “the Lord knows that today we shouldn’t go to church, which is why he made sure the car wouldn’t start, so that we stay at home as a family and take a day of rest, because even the Lord rested.”
“Ah, that’s the Devil talking, Trevor.”
“No, because Jesus is in control, and if Jesus is in control and we pray to Jesus, he would let the car start, but he hasn’t, therefore—”
“No, Trevor! Sometimes Jesus puts obstacles in your way to see if you overcome them. Like Job. This could be a test.”
“Ah! Yes, Mom. But the test could be to see if we’re willing to accept what has happened and stay at home and praise Jesus for his wisdom.”
“No. That’s the Devil talking. Now go change your clothes.”
“But, Mom!”
“Trevor! Sun’qhela!”
Sun’qhela is a phrase with many shades of meaning. It says “don’t undermine me,” “don’t underestimate me,” and “just try me.” It’s a command and a threat, all at once. It’s a common thing for Xhosa parents to say to their kids. Any time I heard it I knew it meant the conversation was over, and if I uttered another word I was in for a hiding—what we call a
spanking.
At the time, I attended a private Catholic school called Maryvale College. I was the champion of the Maryvale sports day every single year, and my mother won the moms’ trophy every single year. Why? Because she was always chasing me to kick my ass, and I was always running not to get my ass kicked. Nobody ran like me and my mom. She wasn’t one of those “Come over here and get your hiding” type moms. She’d deliver it to you free of charge. She was a thrower, too. Whatever was next to her was coming at you. If it was something breakable, I had to catch it and put it down. If it broke, that would be my fault, too, and the ass-kicking would be that much worse. If she threw a vase at me, I’d have to catch it, put it down, and then run. In a split second, I’d have to think, Is it valuable? Yes. Is it breakable? Yes. Catch it, put it down, now run.
We had a very Tom and Jerry relationship, me and my mom. She was the strict disciplinarian; I was naughty as shit. She would send me out to buy groceries, and I wouldn’t come right home because I’d be using the change from the milk and bread to play arcade games at the supermarket. I loved videogames. I was a master at Street Fighter. I could go forever on a single play. I’d drop a coin in, time would fly, and the next thing I knew there’d be a woman behind me with a belt. It was a race. I’d take off out the door and through the dusty streets of Eden Park, clambering over walls, ducking through backyards. It was a normal thing in our neighborhood. Everybody knew: That Trevor child would come through like a bat out of hell, and his mom would be right there behind him. She could go at a full sprint in high heels, but if she really wanted to come after me she had this thing where she’d kick her shoes off while still going at top speed. She’d do this weird move with her ankles and the heels would go flying and she wouldn’t even miss a step. That’s when I knew, Okay, she’s in turbo mode now.
