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The Shining, Page 35

Stephen King


  Was he going to chance the end of that--the end of him--for three white people he didn't even know?

  But that was a lie, wasn't it?

  He knew the boy. They had shared each other the way good friends can't even after forty years of it. He knew the boy and the boy knew him, because they each had a kind of searchlight in their heads, something they hadn't asked for, something that had just been given.

  (Naw, you got a flashlight, he the one with the searchlight.)

  And sometimes that light, that shine, seemed like a pretty nice thing. You could pick the horses, or like the boy had said, you could tell your daddy where his trunk was when it turned up missing. But that was only dressing, the sauce on the salad, and down below there was as much bitter vetch in that salad as there was cool cucumber. You could taste pain and death and tears. And now the boy was stuck in that place, and he would go. For the boy. Because, speaking to the boy, they had only been different colors when they used their mouths. So he would go. He would do what he could, because if he didn't, the boy was going to die right inside his head.

  But because he was human he could not help a bitter wish that the cup had never been passed his way.

  (She had started to get out and come after him.)

  He had been dumping a change of clothes into an overnight bag when the thought came to him, freezing him with the power of the memory as it always did when he thought of it. He tried to think of it as seldom as possible.

  The maid, Delores Vickery her name was, had been hysterical. Had said some things to the other chambermaids, and worse still, to some of the guests. When the word got back to Ullman, as the silly quiff should have known it would do, he had fired her out of hand. She had come to Hallorann in tears, not about being fired, but about the thing she had seen in that second-floor room. She had gone into 217 to change the towels, she said, and there had been that Mrs. Massey, lying dead in the tub. That, of course, was impossible. Mrs. Massey had been discreetly taken away the day before and was even then winging her way back to New York--in the shipping hold instead of the first class she'd been accustomed to.

  Hallorann hadn't liked Delores much, but he had gone up to look that evening. The maid was an olivecomplected girl of twenty-three who waited tables near the end of the season when things slowed down. She had a small shining, Hallorann judged, really not more than a twinkle; a mousy-looking man and his escort, wearing a faded cloth coat, would come in for dinner and Delores would trade one of her tables for theirs. The mousy little man would leave a picture of Alexander Hamilton under his plate, bad enough for the girl who had made the trade, but worse, Delores would crow over it. She was lazy, a goof-off in an operation run by a man who allowed no goof-offs. She would sit in a linen closet, reading a confession magazine and smoking, but whenever Ullman went on one of his unscheduled prowls (and woe to the girl he caught resting her feet) he found her working industriously, her magazine hidden under the sheets on a high shelf, her ashtray tucked safely into her uniform pocket. Yeah, Hallorann thought, she'd been a goof-off and a sloven and the other girls had resented her, but Delores had had that little twinkle. It had always greased the skids for her. But what she had seen in 217 had scared her badly enough so she was more than glad to pick up the walking papers Ullman had issued her and go.

  Why had she come to him? A shine knows a shine, Hallorann thought, grinning at the pun.

  So he had gone up that night and had let himself into the room, which was to be reoccupied the next day. He had used the office passkey to get in, and if Ullman had caught him with that key, he would have joined Delores Vickery on the unemployment line.

  The shower curtain around the tub had been drawn. He had pushed it back, but even before he did he'd had a premonition of what he was going to see. Mrs. Massey, swollen and purple, lay soggily in the tub, which was half-full of water. He had stood looking down at her, a pulse beating thickly in his throat. There had been other things at the Overlook: a bad dream that recurred at irregular intervals--some sort of costume party and he was catering it in the Overlook's ballroom, and at the shout to unmask, everybody exposed faces that were those of rotting insects--and there had been the hedge animals. Twice, maybe three times, he had (or thought he had) seen them move, ever so slightly. That dog would seem to change from his sitting-up posture to a slightly crouched one, and the lions seemed to move forward, as if menacing the little tykes on the playground. Last year in May Ullman had sent him up to the attic to look for the ornate set of firetools that now stood beside the lobby fireplace. While he had been up there the three lightbulbs strung overhead had gone out and he had lost his way back to the trapdoor. He had stumbled around for an unknown length of time, closer and closer to panic, barking his shins on boxes and bumping into things, with a stronger and stronger feeling that something was stalking him in the dark. Some great and frightening creature that had just oozed out of the woodwork when the lights went out. And when he had literally stumbled over the trapdoor's ringbolt he had hurried down as fast as he could, leaving the trap open, sooty and disheveled, with a feeling of disaster barely averted. Later Ullman had come down to the kitchen personally, to inform him he had left the attic trapdoor open and the lights burning up there. Did Hallorann think the guests wanted to go up there and play treasure hunt? Did he think electricity was free?

  And he suspected--no, was nearly positive--that several of the guests had seen or heard things, too. In the three years he had been there, the Presidential Suite had been booked nineteen times. Six of the guests who had put up there had left the hotel early, some of them looking markedly ill. Other guests had left other rooms with the same abruptness. One night in August of 1974, near dusk, a man who had won the Bronze and Silver Stars in Korea (that man now sat on the boards of three major corporations and was said to have personally pink-slipped a famous TV news anchorman) unaccountably went into a fit of screaming hysterics on the putting green. And there had been dozens of children during Hallorann's association with the Overlook who simply refused to go into the playground. One child had had a convulsion while playing in the concrete rings, but Hallorann didn't know if that could be attributed to the Overlook's deadly siren song or not--word had gone around among the help that the child, the only daughter of a handsome movie actor, was a medically controlled epileptic who had simply forgotten her medicine that day.

  And so, staring down at the corpse of Mrs. Massey, he had been frightened but not completely terrified. It was not completely unexpected. Terror came when she opened her eyes to disclose blank silver pupils and began to grin at him. Horror came when

  (she had started to get out and come after him.)

  He had fled, heart racing, and had not felt safe even with the door shut and locked behind him. In fact, he admitted to himself now as he zipped the flight bag shut, he had never felt safe anywhere in the Overlook again.

  And now the boy--calling, screaming for help.

  He looked at his watch. It was 5:30 P.M. He went to the apartment's door, remembered it would be heavy winter now in Colorado, especially up in the mountains, and went back to his closet. He pulled his long, sheepskin-lined overcoat out of its polyurethane dry-cleaning bag and put it over his arm. It was the only winter garment he owned. He turned off all the lights and looked around. Had he forgotten anything? Yes. One thing. He took the will out of his breast pocket and slipped it into the margin of the dressing table mirror. With luck he would be back to get it.

  Sure, with luck.

  He left the apartment, locked the door behind him, put the key under the rush mat, and ran down the outside steps to his converted Cadillac.

  Halfway to Miami International, comfortably away from the switchboard where Queems or Queems's toadies were known to listen in, Hallorann stopped at a shopping center Laundromat and called United Air Lines. Flights to Denver?

  There was one due out at 6:36 P.M. Could the gentleman make that?

  Hallorann looked at his watch, which showed 6:02, and said he could.
What about vacancies on the flight?

  Just let me check.

  A clunking sound in his ear followed by saccharine Montavani, which was supposed to make being on hold more pleasant. It didn't. Hallorann danced from one foot to the other, alternating glances between his watch and a young girl with a sleeping baby in a hammock on her back unloading a coin-op Maytag. She was afraid she was going to get home later than she planned and the roast would burn and her husband--Mark? Mike? Matt?--would be mad.

  A minute passed. Two. He had just about made up his mind to drive ahead and take his chances when the canned-sounding voice of the flight reservations clerk came back on. There was an empty seat, a cancellation. It was in first class. Did that make any difference?

  No. He wanted it.

  Would that be cash or credit card?

  Cash, baby, cash. I've got to fly.

  And the name was--?

  Hallorann, two l's, two n's. Catch you later.

  He hung up and hurried toward the door. The girl's simple thought, worry for the roast, broadcast at him over and over until he thought he would go mad. Sometimes it was like that, for no reason at all you would catch a thought, completely isolated, completely pure and clear ... and usually completely useless.

  He almost made it.

  He had the limo cranked up to eighty and the airport was actually in sight when one of Florida's Finest pulled him over.

  Hallorann unrolled the electric window and opened his mouth at the cop, who was flipping up pages in his citation book.

  "I know," the cop said comfortingly. "It's a funeral in Cleveland. Your father. It's a wedding in Seattle. Your sister. A fire in San Jose that wiped out your gramp's candy store. Some really fine Cambodian Red just waiting in a terminal locker in New York City. I love this piece of road just outside the airport. Even as a kid, story hour was my favorite part of school."

  "Listen, officer, my son is--"

  "The only part of the story I can never figure out until the end," the officer said, finding the right page in his citation book, "is the driver's-license number of the offending motorist/storyteller and his registration information. So be a nice guy. Let me peek."

  Hallorann looked into the cop's calm blue eyes, debated telling his my-son-is-in-critical-condition story anyway, and decided that would make things worse. This Smokey was no Queems. He dug out his wallet.

  "Wonderful," the cop said. "Would you take them out for me, please? I just have to see how it's all going to come out in the end."

  Silently, Hallorann took out his driver's license and his Florida registration and gave them to the traffic cop.

  "That's very good. That's so good you win a present."

  "What?" Hallorann asked hopefully.

  "When I finish writing down these numbers, I'm going to let you blow up a little balloon for me."

  "Oh, Jeeeesus!" Hallorann moaned. "Officer, my flight--"

  "Shhh," the traffic cop said. "Don't be naughty."

  Hallorann closed his eyes.

  He got to the United desk at 6:49, hoping against hope that the flight had been delayed. He didn't even have to ask. The departure monitor over the incoming passengers desk told the story. Flight 901 for Denver, due out at 6:36 EST, had left at 6:40. Nine minutes before.

  "Oh shit," Dick Hallorann said.

  And suddenly the smell of oranges, heavy and cloying; he had just time to reach the men's room before it came, deafening, terrified:

  (!!! COME PLEASE COME DICK PLEASE PLEASE COME !!!)

  CHAPTER THIRTY-NINE

  ON THE STAIRS

  One of the things they had sold to swell their liquid assets a little before moving from Vermont to Colorado was Jack's collection of two hundred old rock 'n' roll and R&B albums; they had gone at the yard sale for a dollar apiece. One of these albums, Danny's personal favorite, had been an Eddie Cochran double-record set with four pages of bound-in liner notes by Lenny Kaye. Wendy had often been struck by Danny's fascination for this one particular album by a man-boy who had lived fast and died young ... had died, in fact, when she herself had only been ten years old.

  Now, at quarter past seven (mountain time), as Dick Hallorann was telling Queems about his ex-wife's white boyfriend, she came upon Danny sitting halfway up the stairs between the lobby and the first floor, tossing a red rubber ball from hand to hand and singing one of the songs from that album. His voice was low and tuneless.

  "So I climb one-two flight three flight four," Danny sang, "five flight six flight seven flight more ... when I get to the top, I'm too tired to rock ..."

  She came around him, sat down on one of the stair risers, and saw that his lower lip had swelled to twice its size and that there was dried blood on his chin. Her heart took a frightened leap in her chest, but she managed to speak neutrally.

  "What happened, doc?" she asked, although she was sure she knew. Jack had hit him. Well, of course. That came next, didn't it? The wheels of progress; sooner or later they took you back to where you started from.

  "I called Tony," Danny said. "In the ballroom. I guess I fell off the chair. It doesn't hurt anymore. Just feels ... like my lip's too big."

  "Is that what really happened?" she asked, looking at him, troubled.

  "Daddy didn't do it," he answered. "Not today."

  She gazed at him, feeling eerie. The ball traveled from one hand to the other. He had read her mind. Her son had read her mind.

  "What ... what did Tony tell you, Danny?"

  "It doesn't matter." His face was calm, his voice chillingly indifferent.

  "Danny--" She gripped his shoulder, harder than she had intended. But he didn't wince, or even try to shake her off.

  (Oh we are wrecking this boy. It's not just Jack, it's me too, and maybe it's not even just us, Jack's father, my mother, are they here too? Sure, why not? The place is lousy with ghosts anyway, why not a couple more? Oh Lord in heaven he's like one of those suitcases they show on TV, run over, dropped from planes, going through factory crushers. Or a Timex watch. Takes a licking and keeps on ticking. Oh Danny I'm so sorry)

  "It doesn't matter," he said again. The ball went from hand to hand. "Tony can't come anymore. They won't let him. He's licked."

  "Who won't?"

  "The people in the hotel," he said. He looked at her then, and his eyes weren't indifferent at all. They were deep and scared. "And the ... the things in the hotel. There's all kinds of them. The hotel is stuffed with them."

  "You can see--"

  "I don't want to see," he said low, and then looked back at the rubber ball, arcing from hand to hand. "But I can hear them sometimes, late at night. They're like the wind, all sighing together. In the attic. The basement. The rooms. All over. I thought it was my fault, because of the way I am. The key. The little silver key."

  "Danny, don't ... don't upset yourself this way."

  "But it's him too," Danny said. "It's Daddy. And it's you. It wants all of us. It's tricking Daddy, it's fooling him, trying to make him think it wants him the most. It wants me the most, but it will take all of us."

  "If only that snowmobile--"

  "They wouldn't let him," Danny said in that same low voice. "They made him throw part of it away into the snow. Far away. I dreamed it. And he knows that woman really is in 217." He looked at her with his dark, frightened eyes. "It doesn't matter whether you believe me or not."

  She slipped an arm around him.

  "I believe you. Danny, tell me the truth. Is Jack ... is he going to try to hurt us?"

  "They'll try to make him," Danny said. "I've been calling for Mr. Hallorann. He said if I ever needed him to just call. And I have been. But it's awful hard. It makes me tired. And the worst part is I don't know if he's hearing me or not. I don't think he can call back because it's too far for him. And I don't know if it's too far for me or not. Tomorrow--"

  "What about tomorrow?"

  He shook his head. "Nothing."

  "Where is he now?" she asked. "Your daddy?"

  "He's
in the basement. I don't think he'll be up tonight."

  She stood up suddenly. "Wait right here for me. Five minutes."

  The kitchen was cold and deserted under the overhead fluorescent bars. She went to the rack where the carving knives hung from their magnetized strips. She took the longest and sharpest, wrapped it in a dish towel, and left the kitchen, turning off the lights as she went.

  Danny sat on the stairs, his eyes following the course of his red rubber ball from hand to hand. He sang: "She lives on the twentieth floor uptown, the elevator is broken down. So I walk one-two flight three flight four ..."

  (--Lou, Lou, skip to m' Lou--)

  His singing broke off. He listened.

  (--Skip to m' Lou my daarlin'--)

  The voice was in his head, so much a part of him, so frighteningly close that it might have been a part of his own thoughts. It was soft and infinitely sly. Mocking him. Seeming to say:

  (Oh yes, you'll like it here. Try it, you'll like it. Try it, you'll liiiiiike it--)

  Now his ears were open and he could hear them again, the gathering, ghosts or spirits or maybe the hotel itself, a dreadful funhouse where all the sideshows ended in death, where all the specially painted boogies were really alive, where hedges walked, where a small silver key could start the obscenity. Soft and sighing, rustling like the endless winter wind that played under the eaves at night, the deadly lulling wind the summer tourists never heard. It was like the somnolent hum of summer wasps in a ground nest, sleepy, deadly, beginning to wake up. They were ten thousand feet high.

  (Why is a raven like a writing desk? The higher the fewer, of course! Have another cup of tea!)

  It was a living sound, but not voices, not breath. A man of a philosophical bent might have called it the sound of souls. Dick Hallorann's Nana, who had grown up on southern roads in the years before the turn of the century, would have called it ha'ants. A psychic investigator might have had a long name for it--psychic echo, psychokinesis, a telesmic sport. But to Danny it was only the sound of the hotel, the old monster, creaking steadily and ever more closely around them: halls that now stretched back through time as well as distance, hungry shadows, unquiet guests who did not rest easy.