Delphi Works of Robert E. Howard (Illustrated) (Series Four)
Robert E. Howard
The Works of
ROBERT E. HOWARD
(1906-1936)
Contents
The Novels
SKULL-FACE
THE PEOPLE OF THE BLACK CIRCLE
THE HOUR OF THE DRAGON
A GENT FROM BEAR CREEK
Fantasy Stories
CONAN THE BARBARIAN
KULL
SOLOMON KANE
JAMES ALLISON
OTHER FANTASY STORIES
Boxing Stories
SAILOR STEVE COSTIGAN
OTHER BOXING STORIES
Western Stories
BRECKINRIDGE ELKINS
PIKE BEARFIELD
BUCKNER JEOPARDY GRIMES
OTHER WESTERN STORIES
Historical Stories
EL BORAK
CORMAC FITZGEOFFREY
KIRBY O’DONNELL
BLACK VULMEA
HELEN TAVREL
OTHER HISTORICAL STORIES
Horror Stories
JOHN KIROWAN
THE FARING TOWN SAGA
DE MONTOUR
WEIRD WEST
OTHER WEIRD MENACE
OTHER CTHULHU MYTHOS STORIES
OTHER HORROR STORIES
Detective Stories
STEVE HARRISON
Spicy Stories
LIST OF STORIES
Comedy Stories
LIST OF STORIES
Short Stories Index
LIST OF SHORT STORIES IN ALPHABETICAL ORDER
The Non-Fiction
LIST OF ESSAYS AND ARTICLES
The Tribute
R. E. H. by R. H. BARLOW
© Delphi Classics 2014
Version 1
The Works of
ROBERT E. HOWARD
By Delphi Classics, 2014
The Novels
Scenes around Peaster, Texas, where Howard was born in 1906
Countryside near the town of Peaster, Texas
Howard aged 11
Howard in his senior year at Brownwood High School, 1923
Howard, c. 1923
SKULL-FACE
This novella first appeared as a serial in Weird Tales magazine, between October and December 1929. Although the protagonist is called Steve Costigan, he is not to be confused with the sailor of the same name that appears elsewhere in Howard’s boxing writings.
We first encounter Costigan as he wanders through a hashish den in London, learning of his recurring dream of a mysterious entity known only as ‘Skull-Face’. It turns out that the dreams foreshadow a very real danger – and soon Costigan and his allies are up against a sinister opium baron.
Illustration from the original publication of the novella
CONTENTS
1. THE FACE IN THE MIST
2. THE HASHISH SLAVE
3. THE MASTER OF DOOM
4. THE SPIDER AND THE FLY
5. THE MAN ON THE COUCH
6. THE DREAM GIRL
7. THE MAN OF THE SKULL
8. BLACK WISDOM
9. KATHULOS OF EGYPT
10. THE DARK HOUSE
11. FOUR THIRTY-FOUR
12. THE STROKE OF FIVE
13. THE BLIND BEGGAR WHO RODE
14. THE BLACK EMPIRE
15. THE MARK OF THE TULWAR
16. THE MUMMY WHO LAUGHED
17. THE DEAD MAN FROM THE SEA
18. THE GRIP OF THE SCORPION
19. DARK FURY
20. ANCIENT HORROR
21. THE BREAKING OF THE CHAIN
Cover of a reprint of the novel by the Robert E. Howard Foundation, whose editions reproduce the original versions of Howard’s fiction
The magazine in which the novel first appeared — Weird Tales, October 1929
1. THE FACE IN THE MIST
“We are no other than a moving row
Of Magic Shadow-shapes that come and go.”
— Omar Khayyam
THE horror first took concrete form amid that most unconcrete of all things — a hashish dream. I was off on a timeless, spaceless journey through the strange lands that belong to this state of being, a million miles away from earth and all things earthly; yet I became cognizant that something was reaching across the unknown voids — something that tore ruthlessly at the separating curtains of my illusions and intruded itself into my visions.
I did not exactly return to ordinary waking life, yet I was conscious of a seeing and a recognizing that was unpleasant and seemed out of keeping with the dream I was at that time enjoying. To one who has never known the delights of hashish, my explanation must seem chaotic and impossible. Still, I was aware of a rending of mists and then the Face intruded itself into my sight. I though at first it was merely a skull; then I saw that it was a hideous yellow instead of white, and was endowed with some horrid form of life. Eyes glimmered deep in the sockets and the jaws moved as if in speech. The body, except for the high, thin shoulders, was vague and indistinct, but the hands, which floated in the mists before and below the skull, were horribly vivid and filled me with crawling fears. They were like the hands of a mummy, long, lean and yellow, with knobby joints and cruel curving talons.
Then, to complete the vague horror which was swiftly taking possession of me, a voice spoke — imagine a man so long dead that his vocal organ had grown rusty and unaccustomed to speech. This was the thought which struck me and made my flesh crawl as I listened.
“A strong brute and one who might be useful somehow. See that he is given all the hashish he requires.”
Then the face began to recede, even as I sensed that I was the subject of conversation, and the mists billowed and began to close again. Yet for a single instant a scene stood out with startling clarity. I gasped — or sought to. For over the high, strange shoulder of the apparition another face stood out clearly for an instant, as if the owner peered at me. Red lips, half- parted, long dark eyelashes, shading vivid eyes, a shimmery cloud of hair. Over the shoulder of Horror, breathtaking beauty for an instant looked at me.
* * *
2. THE HASHISH SLAVE
“Up from Earth’s center through the Seventh Gate
I rose, and on the Throne of Saturn sate.”
— Omar Khayyam
MY DREAM of the skull-face was borne over that usually uncrossable gap that lies between hashish enchantment and humdrum reality. I sat cross-legged on a mat in Yun Shatu’s Temple of Dreams and gathered the fading forces of my decaying brain to the task of remembering events and faces.
This last dream was so entirely different from any I had ever had before, that my waning interest was roused to the point of inquiring as to its origin. When I first began to experiment with hashish, I sought to find a physical or psychic basis for the wild flights of illusion pertaining thereto, but of late I had been content to enjoy without seeking cause and effect.
Whence this unaccountable sensation of familiarity in regard to that vision? I took my throbbing head between my hands and laboriously sought a clue. A living dead man and a girl of rare beauty who had looked over his shoulder. Then I remembered.
Back in the fog of days and nights which veils a hashish addict’s memory, my money had given out. It seemed years or possibly centuries, but my stagnant reason told me that it had probably been only a few days. At any rate, I had presented myself at Yun Shatu’s sordid dive as usual and had been thrown out by the great Negro Hassim when it was learned I had no more money.
My universe crashing to pieces about me, and my nerves humming like taut piano wires for the vital need that was mine, I crouched in the gutter and gibbered bestially, till Hassim swaggered ou
t and stilled my yammerings with a blow that felled me, half-stunned.
Then as I presently rose, staggeringly and with no thought save of the river which flowed with cool murmur so near me — as I rose, a light hand was laid like the touch of a rose on my arm. I turned with a frightened start, and stood spellbound before the vision of loveliness which met my gaze. Dark eyes limpid with pity surveyed me and the little hand on my ragged sleeve drew me toward the door of the Dream Temple. I shrank back, but a low voice, soft and musical, urged me, and filled with a trust that was strange, I shambled along with my beautiful guide.
At the door Hassim met us, cruel hands lifted and a dark scowl on his ape- like brow, but as I cowered there, expecting a blow, he halted before the girl’s upraised hand and her word of command which had taken on an imperious note.
I did not understand what she said, but I saw dimly, as in a fog, that she gave the black man money, and she led me to a couch where she had me recline and arranged the cushions as if I were king of Egypt instead of a ragged, dirty renegade who lived only for hashish. Her slim hand was cool on my brow for a moment, and then she was gone and Yussef Ali came bearing the stuff for which my very soul shrieked — and soon I was wandering again through those strange and exotic countries that only a hashish slave knows.
Now as I sat on the mat and pondered the dream of the skull-face I wondered more. Since the unknown girl had led me back into the dive, I had come and gone as before, when I had plenty of money to pay Yun Shatu. Someone certainly was paying him for me, and while my subconscious mind had told me it was the girl, my rusty brain had failed to grasp the fact entirely, or to wonder why. What need of wondering? So someone paid and the vivid-hued dreams continued, what cared I? But now I wondered. For the girl who had protected me from Hassim and had brought the hashish for me was the same girl I had seen in the skull-face dream.
Through the soddenness of my degradation the lure of her struck like a knife piercing my heart and strangely revived the memories of the days when I was a man like other men — not yet a sullen, cringing slave of dreams. Far and dim they were, shimmery islands in the mist of years — and what a dark sea lay between!
I looked at my ragged sleeve and the dirty, claw-like hand protruding from it; I gazed through the hanging smoke which fogged the sordid room, at the low bunks along the wall whereon lay the blankly staring dreamers — slaves, like me, of hashish or of opium. I gazed at the slippered Chinamen gliding softly to and fro bearing pipes or roasting balls of concentrated purgatory over tiny flickering fires. I gazed at Hassim standing, arms folded, beside the door like a great statue of black basalt.
And I shuddered and hid my face in my hands because with the faint dawning of returning manhood, I knew that this last and most cruel dream was futile — I had crossed an ocean over which I could never return, had cut myself off from the world of normal men or women. Naught remained now but to drown this dream as I had drowned all my others — swiftly and with hope that I should soon attain that Ultimate Ocean which lies beyond all dreams.
So these fleeting moments of lucidity, of longing, that tear aside the veils of all dope slaves — unexplainable, without hope of attainment.
So I went back to my empty dreams, to my phantasmagoria of illusions; but sometimes, like a sword cleaving a mist, through the high lands and the low lands and seas of my visions floated, like half-forgotten music, the sheen of dark eyes and shimmery hair.
You ask how I, Stephen Costigan, American and a man of some attainments and culture, came to lie in a filthy dive of London’s Limehouse? The answer is simple — no jaded debauchee, I, seeking new sensations in the mysteries of the Orient. I answer — Argonne! Heavens, what deeps and heights of horror lurk in that one word alone! Shell-shocked — shell-torn. Endless days and nights without end and roaring red hell over No Man’s Land where I lay shot and bayoneted to shreds of gory flesh. My body recovered, how I know not; my mind never did.
And the leaping fires and shifting shadows in my tortured brain drove me down and down, along the stairs of degradation, uncaring until at last I found surcease in Yun Shatu’s Temple of Dreams, where I slew my red dreams in other dreams — the dreams of hashish whereby a man may descend to the lower pits of the reddest hells or soar into those unnamable heights where the stars are diamond pinpoints beneath his feet.
Not the visions of the sot, the beast, were mine. I attained the unattainable, stood face to face with the unknown and in cosmic calmness knew the unguessable. And was content after a fashion, until the sight of burnished hair and scarlet lips swept away my dream-built universe and left me shuddering among its ruins.
* * *
3. THE MASTER OF DOOM
“And He that toss’d you down into the Field,
He knows about it all — He knows! He knows!”
— Omar Khayyam
A HAND shook me roughly as I emerged languidly from my latest debauch.
“The Master wishes you! Up, swine!”
Hassim it was who shook me and who spoke.
“To Hell with the Master!” I answered, for I hated Hassim — and feared him.
“Up with you or you get no more hashish,” was the brutal response, and I rose in trembling haste.
I followed the huge black man and he led the way to the rear of the building, stepping in and out among the wretched dreamers on the floor.
“Muster all hands on deck!” droned a sailor in a bunk. “All hands!”
Hassim flung open the door at the rear and motioned me to enter. I had never before passed through that door and had supposed it led into Yun Shatu’s private quarters. But it was furnished only with a cot, a bronze idol of some sort before which incense burned, and a heavy table.
Hassim gave me a sinister glance and seized the table as if to spin it about. It turned as if it stood on a revolving platform and a section of the floor turned with it, revealing a hidden doorway in the floor. Steps led downward in the darkness.
Hassim lighted a candle and with a brusque gesture invited me to descend. I did so, with the sluggish obedience of the dope addict, and he followed, closing the door above us by means of an iron lever fastened to the underside of the floor. In the semi-darkness we went down the rickety steps, some nine or ten I should say, and then came upon a narrow corridor.
Here Hassim again took the lead, holding the candle high in front of him. I could scarcely see the sides of this cave-like passageway but knew that it was not wide. The flickering light showed it to be bare of any sort of furnishings save for a number of strange-looking chests which lined the walls — receptacles containing opium and other dope, I thought.
A continuous scurrying and the occasional glint of small red eyes haunted the shadows, betraying the presence of vast numbers of the great rats which infest the Thames waterfront of that section.
Then more steps loomed out of the dark in front of us as the corridor came to an abrupt end. Hassim led the way up and at the top knocked four times against what seemed the underside of a floor. A hidden door opened and a flood of soft, illusive light streamed through.
Hassim hustled me up roughly and I stood blinking in such a setting as I had never seen in my wildest flights of vision. I stood in a jungle of palm trees through which wriggled a million vivid-hued dragons! Then, as my startled eyes became accustomed to the light, I saw that I had not been suddenly transferred to some other planet, as I had at first thought. The palm trees were there, and the dragons, but the trees were artificial and stood in great pots and the dragons writhed across heavy tapestries which hid the walls.
The room itself was a monstrous affair — inhumanly large, it seemed to me. A thick smoke, yellowish and tropical in suggestion, seemed to hang over all, veiling the ceiling and baffling upward glances. This smoke, I saw, emanated from an altar in front of the wall to my left. I started. Through the saffron-billowing fog two eyes, hideously large and vivid, glittered at me. The vague outlines of some bestial idol took indistinct shape. I flung an uneasy glance
about, marking the oriental divans and couches and the bizarre furnishings, and then my eyes halted and rested on a lacquer screen just in front of me.
I could not pierce it and no sound came from beyond it, yet I felt eyes searing into my consciousness through it, eyes that burned through my very soul. A strange aura of evil flowed from that strange screen with its weird carvings and unholy decorations.
Hassim salaamed profoundly before it and then, without speaking, stepped back and folded his arms, statue-like.
A voice suddenly broke the heavy and oppressive silence.
“You who are a swine, would you like to be a man again?”
I started. The tone was inhuman, cold — more, there was a suggestion of long disuse of the vocal organs — the voice I had heard in my dream!
“Yes,” I replied, trance-like, “I would like to be a man again.”
Silence ensued for a space; then the voice came again with a sinister whispering undertone at the back of its sound like bats flying through a cavern.
“I shall make you a man again because I am a friend to all broken men. Not for a price shall I do it, nor for gratitude. And I give you a sign to seal my promise and my vow. Thrust your hand through the screen.”
At these strange and almost unintelligible words I stood perplexed, and then, as the unseen voice repeated the last command, I stepped forward and thrust my hand through a slit which opened silently in the screen. I felt my wrist seized in an iron grip and something seven times colder than ice touched the inside of my hand. Then my wrist was released, and drawing forth my hand I saw a strange symbol traced in blue close to the base of my thumb — a thing like a scorpion.
