L.A. Requiem

  More praise for Robert Crais

  and L.A. Requiem

  “A milestone in the career of a very fine writer and a must-read for contemporary hardboiled fans.”

  —The Washington Post

  “After Chandler we had James M. Cain and after Cain there was Ross MacDonald and currently we have Robert Crais.”

  —Los Angeles Times Book Review

  “Strong characters and plenty of terse dialogue give this tale of West Coast madness a lot of punch.”

  —Chicago Tribune

  “The trouble with starting a Robert Crais book is that you just can't put it down until you finish it. Crais is one of the great ones.”

  —Tony Hillerman

  “Outstanding … Readers will learn what drives Pike, how he uses his taciturn demeanor as a shield, and why the toughest thing he ever did involved neither guns nor physical bravery. This is an extraordinary crime novel that should not be pigeonholed by genre. The best books always land outside preset boundaries. A wonderful experience.”

  —Booklist (starred and boxed review)

  “CRAIS IS A TERRIFIC WRITER.”

  —SUE GRAFTON

  “As the complicated plot unfolds, there are surprises and setbacks for all the characters, as well as many moving moments as the friendship between Joe and Elvis is put to the ultimate test. And behind it all stands the city of Los Angeles, populated with the best and worst humanity has to offer and served and protected by a police force that also mirrors the best and worst in human nature.”

  —The Denver Post

  “Robert Crais … should be mentioned in the same breath as Robert B. Parker, Tony Hillerman, Sue Grafton, and James Lee Burke.”

  —Houston Chronicle

  “[A] blockbuster … The best in the Elvis Cole/Joe Pike series to date … Its plot moves through serial killers, ice-cold revenge, doppelgangers, lingering effects of childhood violence, sexism on the force, fatal attractions, and lethal media feeding frenzies. You just can't take your eyes away. And Crais can still turn a phrase with the best of them.”

  —New Orleans Times-Picayune

  “Streamlined plotting, smiling charm, slick action … A taut, suspenseful case that opens up scars that easygoing Elvis never looked into before.”

  —Kirkus Reviews (starred review)

  “A SINISTER AND SUSPENSEFUL

  THRILLER.”

  —Bookpage

  “A hip, tightly crafted novel full of consistently drawn characters and more than a handful of surprises. There's nothing predictable here.… The story is complex and realistic. …Crais is a pro, never missing a detail, never crossing himself up with clues, never offering more than he needs to keep the reader mesmerized.”

  —The Denver Gazette

  “Truly outstanding … Powerful … It is an astonishing story, full of twists and turns, which holds one riveted right to the end. …A major breakthrough novel for this talented writer.”

  —Publishing News

  “[A] page-turner … Since James Ellroy stopped writing about Los Angeles crime, Crais has emerged as one of the most authentic Southern California ‘noir’ mystery authors. He knows the territory, and, in Elvis Cole, has created an appealing private eye.”

  —Pittsburgh Post-Gazette

  “Recommended … Elvis Cole fans will love this latest page-turner featuring the fast-talking private eye and his taciturn tattooed partner.”

  —Library Journal

  By Robert Crais:

  THE MONKEY'S RAINCOAT

  STALKING THE ANGEL

  LULLABY TOWN

  FREE FALL

  VOODOO RIVER

  SUNSET EXPRESS

  INDIGO SLAM

  L.A. REQUIEM

  DEMOLITION ANGEL

  HOSTAGE

  THE LAST DETECTIVE

  Books published by The Random House Publishing Group are available at quantity discounts on bulk purchases for premium, educational, fund-raising, and special sales use. For details, please call 1-800-733-3000.

  For Ed Waters and Sid Ellis,

  who taught more than words.

  “And dat's da' name o' dat tune.”

  Acknowledgments

  • • •

  Many people contributed to the writing of this novel, and to its moment of publication. They include: Detective-Three John Petievich, LAPD (Fugitive Section); Detective-Three Paul Bishop, LAPD (West Los Angeles Sex Crimes); Bruce Kelton JD, CFE (Director, Forensic Investigative Services, Deloitte & Touche); Patricia Crais; Lauren Crais; Carol Topping (for nights out with the girls); Wayne Topping (for putting up with it); William Gleason, Ph.D.; Andrea Malcolm; Jeffrey Gleason; April Smith; Robert Miller; Brian DeFiore; Lisa Kitei; Samantha Miller; Kim Dower; Gerald Petievich; Judy Chavez (for the language lessons); Dr. Halina Alter (for keeping me in the game); Steve Volpe; and Norman Kurland.

  Special contributions were made by the following, without whom this book would not exist in its present form: Aaron Priest, Steve Rubin, Linda Grey, Shawn Coyne, and George Lucas. Thank you.

  Help, encouragement, and inspiration were given by many who requested anonymity. These secret creatures include TC, MG, TD, LC, and Cookie. Good to go on night patrol whenever, wherever.

  This book is not solely mine; it also belongs to Leslie Wells.

  Do you know what love is?

  (I would bleed out for you.)

  —Tattooed Beach Sluts

  I've got the whole town under my thumb and all I've gotta do is keep acting dumb.

  We say goodbye so very politely

  Now say hello to the killer inside me.

  —MC 900 Ft. Jesus

  Mama, Mama, can't you see

  What the Marine Corps has done to me?

  Made me lean and made me strong

  Made me where I can do no wrong.

  —USMC marching cadence

  • • •

  The Islander Palms Motel

  Uniformed LAPD Officer Joe Pike could hear the banda music even with the engine idling, the a.c. jacked to meat locker, and the two-way crackling callout codes to other units.

  The covey of Latina street kids clumped outside the arcade giggled at him, whispering things to each other that made them flush. Squat brown men come up through the fence from Zacatecas milled on the sidewalk, shielding their eyes from the sun as veteranos told them about Sawtelle over on the Westside where they could find day labor jobs, thirty dollars cash, no papers required. Here in Rampart Division south of Sunset, Guatemalans and Nicaraguans simmered with Salvadorans and Mexican nationals in a sidewalk machaca that left the air flavored with epizoté, even here within the sour cage of the radio car.

  Pike watched the street kids part like water when his partner hurried out of the arcade. Abel Wozniak was a thick man with a square head and cloudy, slate eyes. Wozniak was twenty years older than Pike and had been on the street twenty years longer. Once the best cop that Pike had then met, Wozniak's eyes were now strained. They'd been riding together for two years, and the eyes hadn't always been that way. Pike regretted that, but there wasn't anything he could do about it.

  Especially now when they were looking for Ramona Ann Escobar.

  Wozniak lurched in behind the wheel, adjusting his gun for the seat, anxious to roll even with the tension between them as thick as clotted blood. His informant had come through.

  “DeVille's staying at the Islander Palms Motel.”

  “Does DeVille have the girl?”

  “My guy eyeballed a little girl, but he can't say if she's still with him.”

  Wozniak snapped the car into gear and rocked away from the curb. They didn't roll Code Three. No lights, no siren. The Islander Palms was less than five blocks away, here on Alvarado Boulevard just south of Sunset. Why send an announ
cement?

  “Woz? Would DeVille hurt her?”

  “I told you, a fuckin' perv like this would be better off with a bullet in his head.”

  It was eleven-forty on a Tuesday morning. At nine-twenty, a five-year-old girl named Ramona Ann Escobar had been playing near the paddleboat concession in Echo Park when her mother, a legal émigré from Guatemala, had turned away to chat with friends. Witnesses last saw Ramona in the company of a man believed to be one Leonard DeVille, a known pedophile who'd been sighted working both Echo and MacArthur parks for the past three months. When the dispatch call had come about the missing girl, Wozniak had begun working his street informants. Wozniak, having been on the street forever, knew everyone and how to find them. He was a treasure trove of information that Pike valued and respected, and didn't want to lose. But Pike couldn't do anything about that, either.

  Pike stared at Wozniak until Wozniak couldn't handle the weight any longer and glanced over. They were forty seconds away from the Islander Palms. “Oh, for Christ's sake, what?”

  “It isn't too late, Woz.”

  Wozniak's eyes went back to the street, and his face tightened. “I'm telling you, Joe. Back off with this. I'm not going to talk about it anymore.”

  “I meant what I said.”

  Wozniak wet his lips.

  “You've got Paulette and Evelyn to think about.”

  Wozniak's wife and daughter.

  The cloudy eyes flicked to Pike, as bottomless and as dangerous as a thunderhead.

  “I've been thinking about them, Pike. You bet your ass.”

  For just an instant, Pike thought Wozniak's eyes filled. Then Wozniak gave a shudder as if he were shaking out his feelings, and pointed.

  “There it is. Now shut the fuck up and play like a cop.”

  The Islander Palms was a white stucco dump: two stories of frayed carpets, stained beds, and neon palms that looked tacky even in Los Angeles, all of it shaped into an L around a narrow parking lot. The typical customers were whores renting by the hour, wannabe pornographers shooting “amateur” videos, and rent jumpers needing a place to stay while they found a new landlord to stiff.

  Pike followed Wozniak into the manager's office, a skinny Hindu with watery eyes. First thing he said was, “I do not wan'trouble, please.”

  Wozniak had the lead.

  “We're looking for a man with a little girl. His name is Leonard DeVille, but he might've used another name.”

  The Hindu didn't know the name, or about a little girl, but he told them that a man matching the description Woz provided could be found on the second floor in the third room from the top of the L.

  Pike said, “You want me to call it in?”

  Wozniak went out the door and up the stairs without answering. Pike thought then that he should go back to the car and call, but you don't let your partner go up alone. Pike followed.

  They found the third door, listened, but heard nothing. The drapes were pulled. Standing on the exposed balcony, Pike felt as if they were being watched.

  Wozniak took the knob side of the door, Pike the hinges. Wozniak rapped on the door, identifying himself as a Los Angeles police officer. Everything about Joe made him want to be the first one inside, but they had settled that two years ago. Wozniak drove, Wozniak went in first, Wozniak called how they made the play. Twenty-two years on the job against Pike's three bought you that. They had done it this way two hundred times.

  When DeVille opened the door, they pushed him backward, Wozniak going first and pushing hard.

  DeVille said, “Hey, what is this?” Like he'd never been rousted before.

  The room was tattered and cheesy, with a closet and bath off the rear. A rumpled double bed rested against the wall like some kind of ugly altar, its dark red bedspread stained and threadbare, one of the stains looking like Mickey Mouse. The room's only other piece of furniture was a cheap dresser edged with cigarette burns and notches cut by a sharp knife. Wozniak held DeVille as Pike cleared the bathroom and the closet, looking for Ramona.

  “She's not here.”

  “Anything else? Clothes, suitcase, toothbrush?”

  “Nothing.” Indicating that DeVille hadn't been living here, and didn't intend to. He had other uses for the room.

  Wozniak, who had busted DeVille twice in the past, said, “Where is she, Lennie?”

  “Who? Hey, I don't do that anymore. C'mon, Officer.”

  “Where's the camera?”

  DeVille spread his hands, flashing a nervous smile. “I got no camera. I'm telling you, I'm off that.”

  Leonard DeVille was five-eight, with a fleshy body, dyed blond hair, and skin like a pineapple. The hair was slicked straight back, and held with a rubber band. Pike knew that DeVille was lying, but waited to see how Woz would play it. Even with only three years on the job, Pike knew that pedophiles were always pedophiles. You could bust them, treat them, counsel them, whatever, but when you released them back into the world, they were still child molesters and it was only a matter of time.

  Wozniak hooked a hand under the foot of the bed and heaved the bed over. DeVille jumped back and stumbled into Pike, who caught and held him. A rumpled overnight bag was nesting in about a million dust bunnies where the bed had been.

  Wozniak said, “Lennie, you are about as dumb as they get.”

  “Hey, that ain't mine. I got nothing to do with that bag.” DeVille was so scared that he sprouted sweat like a rainstorm.

  Wozniak opened the bag and dumped out a Polaroid camera, better than a dozen film packs, and at least a hundred pictures of children in various stages of undress. That's how a guy like DeVille made his living, snapping pictures and selling them to other perverts.

  Wozniak toed through the pictures, his face growing darker and more contained. Pike couldn't see the pictures from where he stood, but he could see the vein pulsing in Wozniak's temple. He thought that Wozniak must be thinking about his own daughter, but maybe not. Maybe Wozniak was still thinking about the other thing.

  Pike squeezed DeVille's arm. “Where's the little girl? Where's Ramona Escobar?”

  DeVille's voice went higher. “That stuff isn't mine. I never saw it before.”

  Wozniak squatted, fingering through the pictures without expression. He lifted one, and held it to his nose.

  “I can still smell the developing chemicals. You didn't take this more than an hour ago.”

  “They're not mine!”

  Wozniak stared at the picture. Pike still couldn't see it.

  “She looks about five. She matches the physical description they gave us. Pretty little girl. Innocent. Now she's not innocent anymore.”

  Abel Wozniak stood and drew his gun. It was the new Beretta 9-millimeter that LAPD had just mandated.

  “If you hurt that child, I'll fucking kill you.”

  Joe said, “Woz, we've got to call in. Put your gun away.”

  Wozniak stepped past Pike and snapped the Beretta backhand, slamming DeVille in the side of the head and dropping him like a bag of garbage.

  Pike jumped between them, grabbing Wozniak by the arms and pushing him back. “That doesn't help get the girl.”

  Then Wozniak's eyes came to Pike; hard, ugly little rivets with something behind the clouds.

  When the two police officers went up the stairs, Fahreed Abouti, the manager, watched until they pushed the blond man back into his room. The police often came to his motel to bust the prostitutes and johns and drug dealers, and Fahreed never passed up a chance to watch. Once, he had seen a prostitute servicing the officers who had come to arrest her, and another time he watched as three officers beat a rapist until all the man's teeth were gone. There was always something wonderful to see. It was better than Wheel of Fortune.

  You had to be careful, though.

  As soon as the upstairs door closed, Fahreed crept up the stairs. If you got too close, or if they caught you, the police grew angry. Once, a SWAT officer in the armor and the helmet and with the big gun had grown so angry th
at he'd knocked Fahreed's turban into a puddle of transmission fluid. The cleaning cost had been horrendous.

  The shouting started when Fahreed was still on the stairs. He couldn't understand what was being said, only that the words were angry. He eased along the second-floor balcony, trying to get closer, but just as he reached the room, the shouting stopped. He cursed the fates, thinking he'd missed all the fun, when suddenly there was a single loud shout from inside, then a thunderous, deafening explosion.

  People on the street stopped in their tracks and looked. A woman pointed, and a man across the parking lot ran.

  Fahreed's heart pounded, because even a Hindu knew a gunshot. He thought the blond man might be dead. Or perhaps he had killed the officers.

  Fahreed heard nothing within the room.

  “Hallu?”

  Nothing.

  “Is everyone all right?”

  Nothing.

  Perhaps they had jumped from the bathroom window into the alley behind.

  Fahreed's palms were damp, and all his swirling fears demanded that he race back to his office and pretend to have heard nothing, but instead he threw open the door.

  The younger officer, the tall one with the dark glasses and the empty face, spun toward him and aimed an enormous revolver. Fahreed thought in that instant that he would surely die.

  “Please. No!”

  The older officer was without a face, his remains covered in blood. The blond man was dead, too, his face a mask of crimson. The floor and walls and ceiling were sprayed red.

  “No!”

  The tall officer's gun never wavered. Fahreed stared into his dark bottomless glasses, and saw that they were misted with blood.