Let the Old Dead Make Room for the New Dead, Page 2

He no longer even remembered how they had met; apparently she sometimes came in contact with his student friends, but he remembered perfectly the out-of-the-way Prague cafe where they had been alone together for the first time: he had been sitting opposite her in a plush booth, depressed and silent, but at the same time thoroughly elated by her delicate hints that she was favorably disposed toward him. He had tried hard to visualize (without daring to hope for the fulfillment of these dreams) how she would look if he kissed her, undressed her, and made love to her�but he just couldn't manage it. Yes, there was something odd about it: He had tried a thousand times to imagine her in bed, but in vain. Her face kept on looking at him with its calm, gentle smile and he couldn't (even with the most dogged efforts of his imagination) distort it with the grimace of erotic ecstasy. She absolutely escaped his imagination.

  And that was the situation, which had never since been repeated in his life. At that time he had stood face-to-face with the unimaginable. Obviously he was experiencing that very short period (the paradisiac period) when the imagination is not yet satiated by experience, has not become routine, knows little, and knows how to do little, so that the unimaginable still exists; and should the unimaginable become reality (without the mediation of the imaginable, without that narrow bridge of images), a man will be seized by panic and vertigo. Such vertigo did actually overtake him, when after several further meetings, in the course of which he hadn't resolved anything, she began to ask him in detail and with meaningful curiosity about his student room in the dormitory, so that she soon forced him to invite her there.

  He had shared the little room in the dorm with another student, who for a glass of rum had promised not to return until after midnight; it bore little resemblance to his bachelor apartment of today: two metal cots, two chairs, a cupboard, a glaring, unshaded light-bulb, and frightful disorder. He tidied up the room, and at seven o'clock (it went with her refinement that she was habitually on time) she knocked on the door. It was September, and only gradually did it begin to get dark. They sat down on the edge of a cot and kissed. Then it got even darker, and he didn't want to switch on the light, because he was glad that he couldn't be seen, and hoped that the darkness would relieve the state of embarrassment in which he would find himself having to undress in front of her. (If he knew tolerably well how to unbutton women's blouses, he himself would undress in front of them with bashful haste.) This time, however, he didn't for a long time dare to undo her first button (it seemed to him that in the matter of beginning to undress there must exist some tasteful and elegant procedure, which only men who were experts knew, and he was afraid of betraying his inexperience), so that in the end she herself stood up and, asking with a smile, said: "Shouldn't I take off this armor?" She began to undress. It was dark, however, and he saw only the shadows of her movements. He hastily undressed too and gained some confidence only when they began (thanks to her patience) to make love. He looked into her face, but in the dusk her expression entirely eluded him, and he couldn't even make out her features. He regretted that it was dark, but it seemed impossible for him to get up and move away from her at that moment to turn on the switch by the door, so vainly he went on straining his eyes. But he didn't recognize her. It seemed to him that he was making love with someone else; with someone spurious or else someone quite unreal and unindividuated.

  Then she had got on top of him (he could see only her raised shadow), and moving her hips, she said something in a muffled tone, in a whisper, but it wasn't clear whether she was talking to him or to herself. He couldn't make out the words and asked her what she had said. She went on whispering, and even when he clasped her to him again, he couldn't understand what she was saying.

  8

  She listened to her host and became increasingly absorbed in details she had long ago forgotten: for instance, in those days she used to wear a pale blue summer suit, in which, they said, she looked like an inviolable angel (yes, she recalled that suit); she used to wear a large ivory comb stuck in her hair, which they said gave her a majestically old-fashioned look; at the cafe she always used to order tea with rum (her only alcoholic vice), and all this pleasantly carried her away from the cemetery, away from the vanished monument, away from her sore feet, away from the house of culture, and away from the reproachful eyes of her son. Ah, she thought, whatever I am today, if a bit of my youth lives on in this man's memory, I haven't lived in vain. This immediately struck her as a new corroboration of her conviction that the worth of a human being lies in the ability to extend oneself, to go outside oneself, to exist in and for other people.

  She listened and didn't resist him when from time to time he stroked her hand; the stroking merged with the soothing tone of the conversation and had a disarming indefiniteness about it (for whom was it intended? for the woman about whom he was speaking or for the woman to whom he was speaking?); after all, she liked the man who was stroking her; she even said to herself that she liked him better than the young man of fifteen years ago, whose boyishness, if she remembered correctly, had been rather a nuisance.

  When he, in his account, got to the moment when her moving shadow had risen above him and he had vainly endeavored to understand her whispering, he fell silent for an instant, and she (foolishly, as if he could know those words and would want to remind her of them after so many years like some forgotten mystery) asked softly: "And what was I saying?"

  9

  "I don't know," he replied. He didn't know; at that time she had escaped not only his imagination but also his perceptions; she had escaped his sight and hearing. When he had switched on the light in the dormitory room, she was already dressed, everything about her was once again sleek, dazzling, perfect, and he vainly sought a connection between her face in the light and the face that a moment before he had been guessing at in the darkness. They hadn't parted yet, but he was already trying to remember her; he tried to imagine how her (unseen) face and (unseen) body had looked when they'd made love a little while before�but without success. She was still escaping his imagination.

  He had made up his mind that next time he would make love to her with the light on. Only there wasn't a next time. From that day on she adroitly and tactfully avoided him. He had failed hopelessly, yet it wasn't clear why. They'd certainly made love beautifully, but he also knew how impossible he had been beforehand, and he was ashamed of this; he felt condemned by her avoidance and no longer dared to pursue her. "Tell me, why did you avoid me then?" "I beg you," she said in the gentlest of voices. "It was so long ago that I don't know." And when he pressed her further she protested: "You shouldn't always return to the past. It's enough that we have to devote so much time to it against our will." She said this only to ward off his insistence (and perhaps the last sentence, spoken with a light sigh, referred to her morning visit to the cemetery), but he perceived her statement differently: as an intense and purposeful clarification for him of the fact (this obvious thing) that there were not two women (from the past and from the present), but only one and the same woman, and that she, who had escaped him fifteen years earlier, was here now, was within reach of his hand.

  "You're right, the present is more important," he said in a meaningful tone, and he looked intently at her face. She was smiling with her mouth half open, and he glimpsed a row of white teeth. At that instant a recollection flashed through his head: that time in his dorm room she had put his fingers into her mouth and bitten them hard until it had hurt. Meanwhile he had been feeling the whole inside of her mouth, and he distinctly remembered that on one side at the back her upper teeth were missing (this had not disgusted him at the time; on the contrary such a trivial imperfection went with her age, which attracted and aroused him). But now, looking into the space between her teeth and the corner of her mouth, he saw that her teeth were too strikingly white and that none were missing, and this made him shudder; once again she split apart into images of two women, but he didn't want to admit it; he wanted to reunite them by force and violence, and so said: "Don't you real
ly feel like having some cognac?" When with a charming smile and a mildly raised eyebrow she shook her head, he went behind the screen, took out the bottle, put it to his lips, and took a swig. Then it occurred to him that she would be able to detect his secret action from his breath, and so he-picked up two small glasses and the bottle and carried them into the room. Once more she shook her head. "At least symbolically," he said and filled both glasses. He clinked her glass and made a toast: "This is to talking about you only in the present tense!" He downed his drink, and she moistened her lips. He took a seat on the arm of her chair and seized her hands.

  10

  She hadn't suspected when she had agreed to go to his bachelor apartment that it could come to such touching, and at first she had been struck by fright; as if touching had come before she had been able to prepare herself (the state of permanent preparedness that is familiar to the mature woman she had lost long ago; we should perhaps find in this fright something akin to the fright of a very young girl who has just been kissed for the first time, for if the young girl is not yet and she, the visitor, was no longer prepared, then this "no longer" and "not yet" are mysteriously related as the peculiarities of old age and childhood are related). Then he moved her from the armchair to the couch, clasped her to him, and stroked her whole body, and in his arms she felt formlessly soft (yes, soft, because her body had long ago lost the sensuality that had once ruled it, the sensuality that had endowed her muscles with the rhythm of tensing and relaxation and with the activity of a hundred delicate movements).

  But the moment of fright quickly melted in his embrace, and she, very far from the beauty she had once been, now reverted, with dizzying speed, to being that woman, reverted to that woman's feelings and to her consciousness, and retrieved the old self-confidence of an erotically experienced woman, and because this was a self-confidence long unfelt, she felt it now more intensely than ever before; her body, which a short while before had still been surprised, fearful, passive, and soft, revived and responded now with its own caresses, and she felt the distinctness and adept-ness of these caresses, and it filled her with happiness; these caresses, the way she put her face to his body, the delicate movements with which her torso answered his embrace�she found all this not like something learned, something she knew how to do and was now performing with cool satisfaction, but like something essentially her own, with which she merged in intoxication and exaltation as she found her own familiar continent (ah, the continent of beauty!), from which she had been banished and to which she now returned in celebration.

  Her son was now infinitely far away; when her host had clasped her, in a corner of her mind she caught sight of the boy warning her of the danger, but then he quickly disappeared, and there remained only she and the man who was stroking and embracing her. But when he placed his lips on her lips and tried to open her mouth with his tongue, everything changed: she woke up. She firmly clenched her teeth (she felt her denture pressed against the roof of her mouth, she felt that her mouth had been filled), and she gently pushed him away, saying: "No. Really, please, I'd rather not."

  When he kept on insisting, she held him by the wrists and repeated her refusal; then she said (it was hard for her to speak, but she knew that she must speak if she wanted him to obey her) that it was too late for them to make love; she reminded him of her age, if they did make love he would be disgusted with her and she would feel wretched about it, because what he had told her about the two of them was for her immensely beautiful and important. Her body was mortal and wasted, but she now knew that of it there still remained something incorporeal, something like the glow that shines even after a star has burned out; it didn't matter that she was growing old if her youth remained intact, present within another being. "You've erected a monument to me within your memory. We cannot allow it to be destroyed. Please understand me," she said, warding him off. "Don't let it happen. No, don't let it happen!"

  11

  He assured her that she was still beautiful, that in fact nothing had changed, that a human being always remains the same, but he knew that he was deceiving her and that she was right: he was well aware of his physical supersensitivity, his increasing fastidiousness about the external defects of a woman's body, which in recent years had driven him to ever younger and therefore, as he bitterly realized, also ever emptier and stupider women; yes, there was no doubt about it: if he got her to make love it would end in disgust, and this disgust would then splatter with mud not only the present, but also the image of the beloved woman of long ago, an image cherished like a jewel in his memory.

  He knew all this, but only intellectually, and the intellect meant nothing in the face of this desire, which knew only one thing: the woman he had thought of as unattainable and elusive for fifteen years was here; at last he could see her in broad daylight, at last he might discern from her body of today what her body had been like then, from her face of today what her face had been like then. Finally he might read the unimaginable expression on her face while making love.

  He clasped her shoulders and looked into her eyes: "Don't fight me. It's absurd to fight me."

  12

  But she shook her head, because she knew that it wasn't absurd for her to refuse him; she knew men and their approach to the female body; she was aware that in love even the most passionate idealism will not rid the body's surface of its terrible, basic importance; it is true that she still had a nice figure, which had preserved its original proportions, and especially in her clothes she looked quite youthful; but she knew that when she undressed she would expose the wrinkles in her neck, the long scar from stomach surgery ten years before.

  And just as the consciousness of her present physical appearance, which she had forgotten a short while before, returned to her, so there arose from the street below (until now, this room had seemed to her safely high above her life) the anxieties of the morning; they were filling the room, they were alighting on the prints behind glass, on the armchair, on the table, on the empty coffee cup�and her son's face dominated their procession; when she caught sight of it, she blushed and fled somewhere deep inside herself; foolishly she had been on the point of wishing to escape from the path he had assigned to her and which she had trodden up to now with a smile and words of enthusiasm; she had been on the point of wishing (at least for a moment) to escape, and now she must obediently return and admit that it was the only path suitable for her. Her son's face was so derisive that, in shame, she felt herself growing smaller and smaller before him until, humiliated, she turned into the mere scar on her stomach.

  Her host held her by the shoulders and once again repeated: "It's absurd for you to fight me," and she shook her head, but quite mechanically, because what she was seeing was not her host but the face of her son-enemy, whom she hated the more the smaller and the more humiliated she felt. She heard him reproaching her about the canceled grave, and now, from the chaos of her memory, illogically there surged forth the sentence she had shouted at his face with rage: The old dead must make room for the young dead, my boy!

  13

  He didn't have the slightest doubt that this would actually end in disgust, for even now the look he fixed on her (a searching and penetrating look) was not free from a certain disgust, but the curious thing was that he didn't mind; on the contrary, it aroused him and goaded him on as if he were wishing for this disgust: the desire for coition approached the desire for disgust; the desire to read on her body what he had for so long been unable to know mingled with the desire immediately to soil the newly deciphered secret.

  Where did this passion come from? Whether he realized it or not, a unique opportunity was presenting itself: to him his visitor embodied everything that he had never had, that had escaped him, that he had missed, every-thing that by its absence made his present age intolerable, with his thinning hair, his dismally meager balance sheet; and he, whether he realized it or only vaguely suspected it, could now strip all these pleasures that had been denied him of their significance and c
olor (for it was precisely their terrific colorfulness that made his life so sadly colorless), he could reveal that they were worthless, that they were only appearances doomed to destruction, that they were only metamorphosed dust; he could take revenge upon them, demean them, destroy them.

  "Don't fight me," he repeated as he tried to draw her close.

  14

  Before her eyes she still saw her son's derisive face, and when now her host drew her to him by force she said, "Please, leave me alone for a minute," and she escaped his embrace; she didn't want to interrupt what was racing through her head: the old dead must make room for the young dead and monuments were useless, even her monument, which this man beside her had honored for fifteen years in his thoughts, was useless, all monuments were useless. That is what she silently said to her son. And with vengeful delight she watched his contorted face and heard him shout: "You never talked like this before, Mother!" Of course she knew that she had never spoken like this, but this moment was filled with a light, under which everything became quite different.

  There was no reason why she should give preference to monuments over life; her own monument had a single meaning for her: that at this moment she could abuse it for the sake of her disparaged body; the man who was sitting beside her appealed to her; he was young and very likely (almost certainly) he was the last man who would appeal to her and whom, at the same time, she could have, and that alone was important; if he then became disgusted with her and destroyed her monument in his thoughts, it made no difference because her monument was outside her, just as his thoughts and memory were outside her, and everything that was outside her made no difference. "You never talked like this before, Mother!" She heard her son's cry, but she paid no attention to him. She was smiling.