WILDFIRE, Page 2

  "Oh no." To my own surprise I sounded apologetic. "But I—I could learn."

  His interest quickened. "You climb, then?"

  "No." I felt suddenly very urban and tripperish. "Actually I came for a—a rest, and quiet. That's all."

  His eye fell on my cases. "London?" He grinned. "Well, you've certainly come to the right place if you want to get out of the crowds. You'll have no neighbors except the Black Cuillin, and the nearest of them is—" He stopped abruptly.

  "Nearest?" I glanced at the hotel, much closer now, islanded in its green valley, dwarfed and overborne by one great solitary mountain to the east. "That mountain? Is that one of them too? You didn't speak of it before. What's it called?"

  He hesitated perceptibly. "That's Blaven."

  The boatman took his cigarette from his mouth, and spat into the water. "Blahven," he repeated, in his soft Highland voice. "Mph—mm. . . ."

  "The Blue Mountain ..." said Grant in a voice that was almost abstracted. Then he pitched his cigarette into the water, and said abruptly: "Was London so very crowded?"

  "Oh yes. It's been steadily filling up with people and excitement for months. Now it's like a great pot slowly simmering to boiling point."

  Murdo turned the boat's nose neatly towards the river mouth. "London, is it?" His voice held a naive note of wonder. "Did ye not want to stay and see the Coronation, mistress?"

  "In a way, I did. But I—I've been a bit overworked, so I thought a holiday was a better idea after all."

  "What made you come here?" asked Grant. His eyes were still on the Blue Mountain.

  "To Skye? Oh, I don't know—everybody wants to visit Skye at some time or other, don't they? And I wanted quiet and a complete change. I shall go for long walks in the hills."

  "Alone?" There was something in Murdo's expression that made me stare at him.

  "Why, yes," I said in surprise.

  I saw his eyes meet Grant's for a moment, then slide away to watch the approaching jetty. I laughed. "I shan't get lost," I said. "The walks won't be long enough for that—don't forget I'm a city bird. I don't suppose I'll get farther than the loch, or the lower slopes of—Blaven, was it? Nothing much can happen to me there!" I turned to Mr. Grant. "Does Murdo think I'll go astray in the mist, or run off with a water kelpie?" Then I stopped. His eyes, meeting mine, held some indefinable expression, the merest shadow, no more, but I hesitated, aware of some obscure uneasiness.

  The blue eyes dropped. "I imagine Murdo means—" But Murdo cut the engine, and the sudden silence interrupted as effectively as an explosion. "London . . ." said Murdo meditatively into the bowls of his engine. "That's a long way now! A long way, indeed, to come. ..." The guileless wonder was back in his voice, but I got the embarrassing impression that he was talking entirely at random. And, moreover, that his air of Highland simplicity was a trifle overdone; he had, 1 judged, a reasonably sophisticated eye. "A very fine city, so they say. Westminster Abbey, Piccadilly Circus, the Zoo. I have seen pictures—"

  "Murdo," I said suspiciously, as we bumped gently alongside a jetty, and made fast. "When did you last see London?"

  He met my eye with a limpid gaze as he handed me

  out of the boat. "Eight years ago, mistress," he said in

  his soft voice, "on my way back frae Burma and points

  East "

  The man called Grant had picked up my cases and had started walking up the path to the hotel. As I followed him I was conscious of Murdo staring after us for a long moment, before he turned back to his boat. That simple Skyeman act had been—what? Some kind of smoke screen? But what had there been to hide? Why had he been so anxious to change the conversation?

  The path skirted the hotel to the front door, which faced the valley. As I followed my guide round the corner of the building my eye was once again, irresistibly, drawn to the great lonely bulk of the mountain in the east, stooping over the valley like a hawk.

  Blaven? The Blue Mountain?

  I turned my back on it and went into the hotel.

  Chapter 2

  IT WAS AN HOUR LATER. I had washed, brushed the railway smoke out of my hair, and changed. I sat in the hotel lounge, enjoying a moment of solitude' before the other guests assembled for dinner. I was sipping an excellent sherry, my feet were in front of a pleasant fire, and on three sides of the lounge the tremendous mountain scenery was mine for the gazing. 1 felt good.

  The door of the hotel porch swung and clashed, and presently, through the glass of the lounge doors, I saw two women come into the hall and cross it towards the stairs. One I judged to be about my own age; she was shortish, dark, thickset, with her hair cropped straight and mannishly, and the climber's uniform of slacks, boots, and heavy jersey exaggerated her masculine appearance. The other was a girl of about twenty, very young-looking, with bright red cheeks and straight black hair. She did not, I thought, look particularly happy, and her shoulders strained forward under her rucksack as if she were tired. The pair of them stumped up the first flight of the stairs and round the corner.

  In a minute or so they were followed by an elderly couple, both tall, thin, and a little stooping, with gentle well-bred faces and deplorable hats. They solemnly carried an empty fishing creel between them up the stairs, and on their heels another woman trudged, hands thrust deep into the pockets of an ulster. I couldn't see her face, but her hunched shoulders and lifeless step told their own story of depression or weariness.

  I yawned and stretched a toe to the blaze, and drank some more sherry. Idly I turned the pages of an old society weekly which lay at my elbow. The usual flash-lighted faces, cruelly caught at hunt suppers and charity balls, gaped from the glossy pages . . . beautiful horses, plain women, well-dressed men . .. the London Telephone Directory, I thought, would be far more interesting. I flicked the pages. There was the usual photograph of me, this time poised against an Adam mantelpiece, in one of Hugo Montefior's most inspired evening gowns ... I remembered it well, a lovely frock. Here was the theatre page—Alec Guinness in an improbable beard, Vivien Leigh making every other woman within reach look plain, Marcia Maling giving the camera the famous three-cornered smile, staring at vacancy with those amazing eyes. . . .

  The lounge door swung open and whooshed shut with a breathless little noise. Marcia Maling came in, sat down opposite me, and rang for a drink.

  I blinked at her. There was no mistake. That smooth honey-gold hair, the wide lovely eyes, the patrician little nose and the by-no-means patrician mouth—this was certainly the star of that string of romantic successes that had filled one of London's biggest theatres from the first years of the war, and was still packing it today.

  The drink came. Marcia Mating took it, tasted it, met my eyes across it and smiled, perfunctorily. Then the smile slid into a stare.

  "Forgive me"—it was the familiar husky voice—"but haven't we met? I know you, surely?"

  I smiled. "It's very brave of you to say so, Miss Maling. I imagine you usually have to dodge people who claim they've met you. But no, we've, never met."

  "I've seen you before, I'm sure."

  I flicked the pages of the magazine with a fingernail.

  "Probably. I model clothes."

  Recognition dawned. "So you do! Then that's where! You model for Montefior, don't you?"

  "More often than not—though I do a bit of free-lancing too. My name's Drury. Gianetta Drury. I know yours, of course. And of course I saw your show, and the one before, and the one before that—"

  "Back to the dawn of time, my dear. I know. But how nice of you. You must have been in pigtails when we did Wild Belles."

  I laughed. "I cut them off early. I had a living to earn."

  "And how." Marcia drank gin, considering me. "But I remember where I saw you now. It wasn't in a photograph; it was at Leducq's winter show last year. I bought that divine cocktail frock—"

  "The topaz velvet. I remember it. It was a heavenly dress."

  She made a face over her glass. "I suppose so. But a
mistake for all that. You know as well as I do that it wasn't built for a blonde."

  "You weren't a blonde when you bought it," I said, fairly, before I thought. "Sorrj," I added hastily, "I—"

  But she laughed, a lovely joyous gurgle of sound. "Neither was I. I'd forgotten. I'd gone auburn for Mitzi. It didn't suit me, and Mitzi was a flop anyway." She stretched her exquisite legs in front of her and gave me the famous three-cornered smile. "I'm so glad you've come. I've only been here three days and I'm homesick already for town. This is the first time since I left that I've even been able to think about civilized things like clothes, and I do so adore them, don't you?"

  "Of course. But as they're my job—"

  "1 know," she said. "But nobody here talks about anything but fishing or climbing, and 1 think they're too utterly dreary."

  "Then what on earth are you doing here?" The question was involuntary, and too abrupt for politeness, but she answered without resentment.

  "My dear. Resting."

  "Oh, I see." 1 tried to sound noncommittal, but Marcia Maling lifted an eyebrow at me and laughed again.

  "No," she said, "I mean it; really resting—not just out of a job. The show came off a week ago. Adrian said I positively must vegetate, and I had just read a divine book on Skye, so here I am."

  "And doesn't Skye come up to the book?"

  "In a way. The hills are quite terribly pretty and all that, and I saw some deer yesterday with the cutest baby, but the trouble is you can't really get around. Do you like walking—rough walking?"

  "I do, rather."

  "Well, I don't. And Fergus just simply refuses to take the car over some of these roads."

  "Fergus? You're here with your husband, then?" I tried vainly to remember who was Marcia Maling's current man.

  "My dear! I'm not married at all, just now. Isn't it heaven, for a change?" She gave a delicious little chuckle over her pink gin, and I found myself smiling back. Her charm was a tangible thing, something radiant and richly alive, investing her silliest clichés and her outdated extravagances of speech with a heart-warming quality that was as real as the blazing fire between us. "No. Fergus is my chauffeur."

  "Marcia!" The name was out before I realized it; the fact that I used it was, in a way, a tribute to that charm. "You haven't brought a car and chauffeur here? Is that what you call vegetating?"

  "Well, I hate walking," she said reasonably, "and anyway, we're not staying here all the time. I'm on a sort of tour of the Highlands and Islands. Let's have another drink. No, really, it's on me." She reached out and pressed the bell. "In a way, we came here because of Fergus. He was born here. Not that he cares much for auld lang syne and all that, but it seemed as good a place as any to come to."

  I stared at her. I couldn't help it. "You're very—considerate," 1 said. "Your employees—"

  She looked at me. This time the famous smile was definitely the one from that very naughty show Yes, My Darling. "Aren't I just? But Fergus—oh, a dry sherry, isn't it? And another pink gin." She gave the order and turned back to me. "D'you know, if I talked like this to anyone else in the hotel they'd freeze like—like stuffed trout."

  "Who else is in the hotel?"

  "Well, let's see. . There's Colonel and Mrs. Cowdray-Simpson. They're dim, but rather sweet. They fish all the time, day and night, and have never, to my certain knowledge, caught anything at all."

  "I think I saw them come in. Elderly, with an empty creel?"

  "That's them all right. Then, still talking of fish, there's Mr. and Mrs. Corrigan and Mr. Braine."

  "Not Alastair Braine, by any odd chance?"

  "I believe that is his name." Her glance was speculative. "A friend of yours?"

  "I've met him. He's in advertising."

  "Well, he's with this Corrigan couple. And," added Marcia meditatively, "if ever I could find it in me to pity a woman who's married to a man as good-looking as Hartley Corrigan,. I'd pity that one."

  "Why?" I asked, amused. Marcia Maling's views on marriage, delivered personally, ought to be worth listening to.

  "Fish," she said, simply.

  "Fish? Oh, I get it. You mean fish?"

  "Exactly. He and Alastair Braine, they're just like the Cowdray-Simpsons. Morning, noon, and night. Fish. And she does nothing—nothing—to fight it, though she's obviously having an utterly foul time, and has been for weeks. She moons miserably about alone with her hands in her pockets."

  I remembered the depressed-looking woman who had trudged upstairs in the wake of the Cowdray-Simpsons. "I think I've seen her. She didn't look too happy, I agree. But I doubt," I said thoughtfully, "if there's a woman living who could compete with fish, once they've really got hold of a man."

  Marcia Maling wriggled her lovely body deeper into her chair, and said: "No?"

  "All right," I said. "You, possibly. Or Rita Hayworth. But no lesser woman."

  "But she doesn't even try!" said Marcia indignantly. "And he—oh well, who else?"

  "I saw two women—" I began.

  "Oh yes, the—what's the word?—schwarmerinen," said Marcia, in her lovely, carrying voice. "They—" "Marcia, no! You really musn't!"

  But the crusading spirit seemed to be unexpectedly strong in Miss Maling. Her fine eyes flashed. "That child!" she exclaimed. "Nineteen if she's a day, and dragged everywhere by that impossible female with the mustache! My dear, she bullies her, positively!"

  "If she didn't like the female," I said reasonably, "why would she come with her?"

  "I told you. They're—"

  "No, Marcia. It's slander, or something. Do remember this is a Scottish fishing hotel, not a theatre cocktail party."

  "I suppose you're right." She sighed. "Actually, they come from the same school, or something. The little one's just started teaching there, and the other one takes P.K. or R.T. or something. I heard her actually admitting it."

  "Admitting what?" I asked, startled.

  "Teaching this R.T. or whatever it is. What is it?"

  "Muscular Christianity, I should think."

  "Well, there you are," said Marcia gloomily.

  "Who else is there? I met a man in the boat coming over from Elgol—"

  "That would be Roderick Grant. He practically lives here, I believe. Tallish, nice-looking, with rather gorgeous hair?"

  "That's the one. Blue eyes."

  "And how," said Marcia, with feeling. "He's definitely interesting, that is, if it wasn't for—" She broke off and drank some gin.

  Conscious of a steadily mounting curiosity to see Fergus, I said merely: "I gathered that this Roderick Grant is a fisherman too."

  "What? Oh, yes, they all are," said Marcia bitterly. "But I must say, he's only spasmodic about it. Most of the time he walks, or something. He's never in the hotel."

  "He's a climber,"' I said, amused.

  "Probably. There's another climber chap called Beagle."

  "Ronald Beagle9"

  "I believe so. Another friend of yours?"

  "No. I've never met him. but I've heard of him. He's a famous climber."

  She showed a spark of interest. "Really? Yes, now you mention it, he does sit every night poring over maps and things, or glued to the radio listening to this Everest climb they're making."

  "That's who it is, then. He wrote a book once on Nanga Parbat."

  "Oh?" said Marcia, losing interest. "Well, he goes round with another man, a queer little type called Hubert Hay. I don't think they came together, but I gather Hay's a writer as well. He's little and round and quite, quite sorbo."

  "Sorbo?"

  "Yes. Unsquashable."

  "I see. But what an odd word. Sorbo... is it Italian?"

  She gave a charming little choke of laughter. "My God, but that dates me, doesn't it? I'll have to watch myself. No, darling, it's not Italian. Some way back, in the thirties, when you were in your pram, they sold unsquashable rubber balls for children. Sorbo Bouncers, they were called."

  "And you used to play with them?"

 
"Darling," said Marcia again. "But how sweet of you. .. . Anyway, the little man's definitely sorbo in nature and appearance, and wears fancy waistcoats. There’s another man whose name I don't know, who got here last night. I've a feeling he writes, too."

  "Good heavens."

  "I know. Just a galaxy of talent, haven't we? Though probably none of them are any good. Sorbo is definitely not. But this chap looks as though he might be—:all dark and damn-your-eyes," said Marcia poetically, then gloomed at her gin. "Only—he fishes, too."

  "It sounds a very intriguing collection of people," I said.

  "Doesn't it?" she said without conviction. "Oh, and there's an aged lady who I think is Cowdray-Simpson's mother and who knits all the time, my dear, in -the most ghastly colors. And three youths with bare knees who camp near the river and come in for meals and go about with hammers and sickles and things—"

  "Geology students, I'll bet," I said. "And I rather doubt the sickles. There's only one thing for it, you know. You'll have to take up fishing yourself. I'm going to. I'm told it's soothing for the nerves."

  She shot me a look of horror mingled with respect. "My God! How marvellous of you! But—" Then her gaze fell on my left hand, and she nodded. "I might have known. You're married. I suppose he makes you. Now, if that wretched Mrs. Corrigan—"

  "I'm not married," I said.

  She caught herself. "Oh, sorry, I—"

  "Divorced."

  "O—oh!" She relaxed and sent me a vivid smile. "You too? My dear, so'm I." "I know."

  "Three times, honey. Too utterly exhausting, I may tell you. Aren't they stinkers?" "I beg your pardon?" "Men, darling. Stinkers." "Oh, I see."

  "Don't tell me yours wasn't a stinker too?" "He was," I said. "Definitely."

  "I knew it," said Marcia happily. I thought I had never seen two pink gins go further. "What was his name?" "Nicholas."

  "The beast," she said generously. The old crusading instinct was rising again, I could see. "Have another drink, Jeanette darling, and tell me all about it."

  "This one's on me," I said firmly, and pressed the bell. "And my name is Gianetta. Gee-ann-etta. Of Italian origin, like sorbo."