Cargo of Coffins
L. Ron Hubbard
SELECTED FICTION WORKS
BY L. RON HUBBARD
FANTASY
The Case of the Friendly Corpse
Death’s Deputy
Fear
The Ghoul
The Indigestible Triton
Slaves of Sleep & The Masters of Sleep
Typewriter in the Sky
The Ultimate Adventure
SCIENCE FICTION
Battlefield Earth
The Conquest of Space
The End Is Not Yet
Final Blackout
The Kilkenny Cats
The Kingslayer
The Mission Earth Dekalogy*
Ole Doc Methuselah
To the Stars
ADVENTURE
The Hell Job series
WESTERN
Buckskin Brigades
Empty Saddles
Guns of Mark Jardine
Hot Lead Payoff
A full list of L. Ron Hubbard’s
novellas and short stories is provided at the back.
*Dekalogy—a group of ten volumes
Published by
Galaxy Press, LLC
7051 Hollywood Boulevard, Suite 200
Hollywood, CA 90028
© 2008 L. Ron Hubbard Library. All Rights Reserved.
Any unauthorized copying, translation, duplication, importation or distribution, in whole or in part, by any means, including electronic copying, storage or transmission, is a violation of applicable laws.
Mission Earth is a trademark owned by L. Ron Hubbard Library and is used with permission. Battlefield Earth is a trademark owned by Author Services, Inc. and is used with permission.
Story cover art and illustrations: Argosy Magazine is © 1937 Argosy Communications, Inc. All Rights Reserved. Reprinted with permission from Argosy Communications, Inc. Horsemen illustration from Western Story Magazine is © and ™ Condé Nast Publications and is used with their permission. Fantasy, Far-Flung Adventure and Science Fiction illustrations: Unknown and Astounding Science Fiction copyright © by Street & Smith Publications, Inc. Reprinted with permission of Penny Publications, LLC.
ISBN 978-1-59212-742-9 Mobi version
ISBN 978-1-59212-352-0 print version
ISBN 978-1-59212-170-0 audiobook version
Library of Congress Control Number: 2007927535
Contents
FOREWORD
CARGO OF COFFINS
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
STORY PREVIEW:
LOOT OF THE SHUNUNG
GLOSSARY
L. RON HUBBARD
IN THE GOLDEN AGE
OF PULP FICTION
THE STORIES FROM THE
GOLDEN AGE
FOREWORD
Stories from Pulp Fiction’s Golden Age
AND it was a golden age.
The 1930s and 1940s were a vibrant, seminal time for a gigantic audience of eager readers, probably the largest per capita audience of readers in American history. The magazine racks were chock-full of publications with ragged trims, garish cover art, cheap brown pulp paper, low cover prices—and the most excitement you could hold in your hands.
“Pulp” magazines, named for their rough-cut, pulpwood paper, were a vehicle for more amazing tales than Scheherazade could have told in a million and one nights. Set apart from higher-class “slick” magazines, printed on fancy glossy paper with quality artwork and superior production values, the pulps were for the “rest of us,” adventure story after adventure story for people who liked to read. Pulp fiction authors were no-holds-barred entertainers—real storytellers. They were more interested in a thrilling plot twist, a horrific villain or a white-knuckle adventure than they were in lavish prose or convoluted metaphors.
The sheer volume of tales released during this wondrous golden age remains unmatched in any other period of literary history—hundreds of thousands of published stories in over nine hundred different magazines. Some titles lasted only an issue or two; many magazines succumbed to paper shortages during World War II, while others endured for decades yet. Pulp fiction remains as a treasure trove of stories you can read, stories you can love, stories you can remember. The stories were driven by plot and character, with grand heroes, terrible villains, beautiful damsels (often in distress), diabolical plots, amazing places, breathless romances. The readers wanted to be taken beyond the mundane, to live adventures far removed from their ordinary lives—and the pulps rarely failed to deliver.
In that regard, pulp fiction stands in the tradition of all memorable literature. For as history has shown, good stories are much more than fancy prose. William Shakespeare, Charles Dickens, Jules Verne, Alexandre Dumas—many of the greatest literary figures wrote their fiction for the readers, not simply literary colleagues and academic admirers. And writers for pulp magazines were no exception. These publications reached an audience that dwarfed the circulations of today’s short story magazines. Issues of the pulps were scooped up and read by over thirty million avid readers each month.
Because pulp fiction writers were often paid no more than a cent a word, they had to become prolific or starve. They also had to write aggressively. As Richard Kyle, publisher and editor of Argosy, the first and most long-lived of the pulps, so pointedly explained: “The pulp magazine writers, the best of them, worked for markets that did not write for critics or attempt to satisfy timid advertisers. Not having to answer to anyone other than their readers, they wrote about human beings on the edges of the unknown, in those new lands the future would explore. They wrote for what we would become, not for what we had already been.”
Some of the more lasting names that graced the pulps include H. P. Lovecraft, Edgar Rice Burroughs, Robert E. Howard, Max Brand, Louis L’Amour, Elmore Leonard, Dashiell Hammett, Raymond Chandler, Erle Stanley Gardner, John D. MacDonald, Ray Bradbury, Isaac Asimov, Robert Heinlein—and, of course, L. Ron Hubbard.
In a word, he was among the most prolific and popular writers of the era. He was also the most enduring—hence this series—and certainly among the most legendary. It all began only months after he first tried his hand at fiction, with L. Ron Hubbard tales appearing in Thrilling Adventures, Argosy, Five-Novels Monthly, Detective Fiction Weekly, Top-Notch, Texas Ranger, War Birds, Western Stories, even Romantic Range. He could write on any subject, in any genre, from jungle explorers to deep-sea divers, from G-men and gangsters, cowboys and flying aces to mountain climbers, hard-boiled detectives and spies. But he really began to shine when he turned his talent to science fiction and fantasy of which he authored nearly fifty novels or novelettes to forever change the shape of those genres.
Following in the tradition of such famed authors as Herman Melville, Mark Twain, Jack London and Ernest Hemingway, Ron Hubbard actually lived adventures that his own characters would have admired—as an ethnologist among primitive tribes, as prospector and engineer in hostile climes, as a captain of vessels on four oceans. He even wrote a series of articles for Argosy, called “Hell Job,” in which he lived and told of the most dangerous professions a man could put his hand to.
Finally, and just for good measure, he was also an accomplished photographer, artist, filmmaker, musician and educator. But he was first and foremost a writer, and that’s the L. Ron Hubbard we come to know through the pages of this volume.
This library of Stories from the Golden Age presents the best of L. Ron Hubbard’s fiction from the heyday of storytelling, the Golden Age of the pulp magazines. In these eighty volumes, readers are treated to
a full banquet of 153 stories, a kaleidoscope of tales representing every imaginable genre: science fiction, fantasy, western, mystery, thriller, horror, even romance—action of all kinds and in all places.
Because the pulps themselves were printed on such inexpensive paper with high acid content, issues were not meant to endure. As the years go by, the original issues of every pulp from Argosy through Zeppelin Stories continue crumbling into brittle, brown dust. This library preserves the L. Ron Hubbard tales from that era, presented with a distinctive look that brings back the nostalgic flavor of those times.
L. Ron Hubbard’s Stories from the Golden Age has something for every taste, every reader. These tales will return you to a time when fiction was good clean entertainment and the most fun a kid could have on a rainy afternoon or the best thing an adult could enjoy after a long day at work.
Pick up a volume, and remember what reading is supposed to be all about. Remember curling up with a great story.
—Kevin J. Anderson
KEVIN J. ANDERSON is the author of more than ninety critically acclaimed works of speculative fiction, including The Saga of Seven Suns, the continuation of the Dune Chronicles with Brian Herbert, and his New York Times bestselling novelization of L. Ron Hubbard’s Ai! Pedrito!
Cargo of Coffins
CHAPTER ONE
When Enemies Meet
THE tattered giant saw Destiny standing against a blindingly white wall. But he did not recognize Paco Corvino as Destiny. Paco Corvino was the last man Lars Marlin had expected to see in Rio de Janeiro.
The first reaction was surprise but it quickly gave way to a surge of stolid hate which made Lars Marlin clutch the butt of the .38 inside his sun-bleached, wind-ripped shirt.
Paco Corvino deserved to die, had merited death for years, but now, as always, he stood in too obvious a position to be killed. Thinking of killing Paco was pleasant, and Lars stood where he was in the blue depths of a shadowy entrance considering it.
Across the street a dusky, booted policeman stood vigilantly under an awning. Lars saw him and drew back instinctively. Again the giant’s chill gaze, bitter as an arctic sea, turned to all-unknowing Paco.
The butt of the .38 was sweaty in Marlin’s palm. The temptation was great. Did the risk warrant the pleasure of revenge? One well-placed shot at this range of forty feet and Paco would drop off the curb and into the gutter. His confident, insinuating smile would be frozen forever upon his too-handsome face.
The butt of the .38 was sweaty in Marlin’s palm. The temptation was great. Did the risk warrant the pleasure of revenge?
Lars drew the .38 up a little, still keeping it out of sight. How he had prayed for this chance! For years without end he had waited patiently to even up a long-standing score.
But with the mud of the swamps of French Guiana hardly dry upon his bare feet, Lars was running a double risk. Any suspicious move from him would bring investigation from the Rio police, and that investigation would send Lars Marlin back to Devil’s Island.
His grip tightened upon the .38 and he drew it closer to the torn front of his shirt.
Paco was elegantly dressed as always. Even in French Guiana he had managed to find excellent clothes but now he surpassed himself. His coat was of the best linen and the best cut. His trousers were pressed until the creases were sharp as bayonet blades. His shoes were so white they hurt the eyes on this brilliant tropical day. His cap would have been the envy of a British naval officer, so rakish was its slant, so shiny was its braid.
The insignia was strange to Lars. But it did not matter. Paco was a steward on a yacht, he supposed. But Lars wasted no thought upon Paco Corvino’s present. The past was a dull throb in Lars Marlin’s brain.
There, jaunty and well fed and reasonably safe, stood Paco, pleased with himself because the Law had just tipped its cap courteously to him. If that officer only knew Paco. . . .
Murderer, contraband runner, escaped convict. A man with no more conscience than a bullet, a man cool and deadly, masking a cunning brain with a winning smile.
Oh, yes, Lars Marlin knew all about Paco. It had been Paco who had changed Captain Lars Marlin into Convict 3827645. Paco had done that out of vengeance and now, thought Lars, the tables were turned. One bullet . . .
Lars looked again at the Law under the awning. His gaze went back to Paco and then beyond him, down the cool avenue to tall green and tan palms. Red roofs and white walls. Rugged, pleasant hillsides rising . . .
Once more his hand clenched on the .38. This revenge was sweet enough to repay any consequences. Too long he had dreamed of this moment. He pulled the .38 clear of his shirt, pressing back against the cold, harsh wall. Carefully he leveled the gun. He had no compunctions about the sportsmanship of this. Paco knew that someday Lars Marlin would find him.
The finger began to squeeze down on the trigger.
Laughter nearby jarred Lars Marlin’s nerves. The world was ugly to him and this laughter was too gay. Two American girls and a youth had come into the range, approaching the shadowy place where Lars stood.
As the group passed Paco, the blithe Spaniard saluted the man and swept off his cap in a low bow to the ladies.
“Good afternoon, all. Good afternoon, Miss Norton,” said the smiling Paco.
“Good afternoon, all. Good afternoon, Miss Norton,” said the smiling Paco.
Lars looked at Miss Norton. He did not take his eyes away. He could not. It had been long since this homeless American had seen a woman of his own race. And this woman was no usual girl. Her hair was as yellow as the sun. Her graceful body was enough to make de Milo weep from sheer inability to hold those unhampered, lovely curves in marble. Straight and clean and beautiful, she gave the spellbound and unseen Marlin something back, something he had lost in the swelter of heat and the ungodly cruelty of an alien prison camp.
Almost ashamed, he slid the .38 back into his shirt.
Her voice was low and clear. “We sail at midnight, Paco. Make certain you’re with us.”
“Yes, Miss Norton.”
The group passed on. They were almost abreast of Lars now. In a moment they would pass within two feet of him. He sensed the presence of her companions but he had eyes only for Miss Norton. He had not heard laughter for years unless it was the wild laughter of madness.
Involuntarily he took off his cap as she passed. A supercilious, patronizing voice brought him back.
“Here, my man.”
Silver clinked in Lars Marlin’s cap. Blankly he glanced up at the donor. The youth was back between the girls, walking away. Lars looked at the fellow wonderingly. The man had been drinking, as his walk was exaggeratedly straight. Neat and flabby, he had no more character than a dummy outside a clothing store.
Lars Marlin took the milréis out of his cap and looked at it. His big, hard mouth curled with contempt. He threw the coin across the walk where an ancient, scabby beggar scooped it up avidly.
Lars looked back at Paco.
Not here. There were other ways. But meanwhile he must not lose the man whom fortune had placed so kindly in his way.
Hesitantly, Lars stepped forward. The hot sun struck his half-bare back and showed the play of muscles through the shredded rag he wore. Beyond him Paco stood looking across the street, jingling coins in his pocket. In profile his face was hawklike and his ivory white teeth flashed like fangs. But, even so, he was pleasant to look upon.
He had been raised on the wharves of world ports without number, foraging with the rats, keeping the society of the drifting flotsam, appearing and disappearing, untraceable. He had developed a smile as armor and it was no deeper than the metal of a salade. And though he did not know his real name he had carefully developed the manners of an aristocrat. It was like Paco to stand in plain sight of the Law, smiling, secure and confident.
Lars came to a heavy stop on Paco’s right. They were the same height but there the similarity ended. Lars was built strongly, hewed massively from granite.
Paco looked down
at his feet and saw a blue shadow lying there. He saw the breadth of that shadow, how motionless it was, how broad the shoulders were. He saw the outlined tip of an officer’s cap.
Paco knew without turning that Lars Marlin, whom he thought to be two thousand miles away in safe confinement, stood with him in the blazing light of the Brazilian sun.
It was not part of Paco’s code to show shock. For all he knew, the bullet he so well deserved might be on the verge of an eager trigger. Fear made Paco curl up like burning paper—but only inside. He was sick with nausea and his heart lurched heavily and began to pound in his throat.
Across the street stood the Law, beyond call. Paco must stand there and give no sign.
Only slightly congealed, only a little more false than before, Paco’s smile was slowly turned to Lars.
Their eyes clashed. Dark orbs recoiled before the baleful certainty of Norse blue.
Lars did not move, but Paco sensed that he did. Lars was holding himself enchained and his hands, thumbs hooked into rawhide belt, were shaking slightly. Shaking, Paco knew, because they could already feel a man’s breath damned up in his contracted throat.
But Paco smiled. He had no ace in his sleeve but he had a knife, strapped to his wrist in a sheath. He had only to jerk his arm and the knife would glitter in his palm, ready to strike.
Paco’s voice was easily mocking. “So you came to Rio for me. If you had arrived tomorrow, I would have been gone. You always were lucky, Lars.”
“I was lucky until I met you, Paco.”
“How did you escape?”
“The same way you did.” Lars Marlin’s tones were heavy, monotonous, eating into Paco with far more effect than if they had been the ranting harshness of rage.
“Congratulations,” said Paco.
“If you have a few minutes,” said Lars, “I’d like to see you alone.” Paco knew he meant the Law across the street. It seemed funny to Paco to be standing here, actually under the protection of the police.
