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Being

Kevin Brooks




  Books by Kevin Brooks

  BEING

  CANDY

  KISSING THE RAIN

  LUCAS

  MARTYN PIG

  THE ROAD OF THE DEAD

  PENGUIN BOOKS

  PENGUIN BOOKS

  Published by the Penguin Group

  Penguin Books Ltd, 80 Strand, London WC2R 0RL, England

  Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA

  Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3

  (a division of Pearson Penguin Canada Inc.)

  Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd)

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  (a division of Pearson Australia Group Pty Ltd)

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  (a division of Pearson New Zealand Ltd)

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  Johannesburg 2196, South Africa

  Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

  penguin.com

  Published 2007

  1

  Text copyright © Kevin Brooks, 2007

  The moral right of the author has been asserted

  All rights reserved

  Without limiting the rights under copyright reserved above, no part of this publication may

  be reproduced, stored in or introduced into a retrieval system, or transmitted, in any

  form or by any means (electronic, mechanical, photocopying, recording or otherwise),

  without the prior written permission of both the copyright owner and the above

  publisher of this book

  978-0-14-191057-4

  1

  It must have been around nine thirty in the morning when the waiting-room door opened and the sandy-haired man with the clipboard came in. My appointment was at nine, so I’d already been waiting a while, but I wasn’t really that bothered. I suppose I was feeling a little bit anxious, and there was something about the hospital gown I was wearing that made me feel weirdly uncomfortable, but I wasn’t pacing around the room or chewing my fingernails or anything. I was just standing at the window, gazing out at the hospital grounds, trying to convince myself that everything was going to be OK.

  It was just a routine examination.

  All they were going to do was stick a tube down my throat and take a good look inside my stomach.

  What was there to worry about?

  ‘Robert Smith?’ the man at the door said, glancing up from his clipboard.

  I don’t know why he asked, I was the only one there. But I suppose he had to say something.

  I looked at him.

  He nodded at me. ‘This way, please.’

  I followed him out of the waiting room and he started leading me down a long white corridor. I wasn’t sure what he was – nurse, administrator, some kind of assistant – but he was wearing a hospital tunic with a name badge pinned to the pocket, so I guessed he knew what he was doing. He walked briskly, with busy little steps, and as we crossed the polished floor, it was a struggle to keep up with him. Too fast to walk, too slow to run. I scampered along behind him.

  ‘Dr Andrews will be performing your endoscopy,’ he told me, glancing over his shoulder. ‘He’s very good.’ He smiled reassuringly – a quick professional smile. ‘There’s nothing to worry about. It’ll be over before you know it.’

  I gave him a look – half-smile, half-shrug – just to let him know that I wasn’t worried about anything, but he’d already turned his attention back to his clipboard and was marching away down the corridor.

  I wiped my sweaty hands on my gown and carried on following him.

  At the end of the corridor, just as we reached a pair of green curtains set in the wall, he stopped quite suddenly and spun round to face me. I scampered to a halt in front of him.

  ‘Uh, sorry about this,’ he muttered, peering at his clipboard. ‘I just have to… um… sorry, I just remembered something.’ He frowned to himself for a moment, then looked up and smiled tightly at me. ‘I won’t be a minute.’

  ‘Uh… OK,’ I started to say. ‘What shall I…?’

  But before I could finish, he’d turned round and walked away, leaving me standing there in front of the green curtains, nervously fingering the hem of my gown, not knowing what to do.

  I crossed my arms, uncrossed them, put them behind my back.

  I shuffled a little.

  I looked around.

  I kept still and stared at the floor.

  I could hear muffled sounds from behind the green curtains. Low voices, medical mutterings, the scuffle of small movements. Adjustments. The ring and tink of instruments. I listened hard, trying to make sense of it all, but none of it meant anything to me. They were just hospital noises.

  I rubbed my eyes.

  I scratched my neck.

  I shuffled some more and carried on staring at the floor.

  I looked down at the floor again.

  Time passed. Seconds, minutes…

  Nothing happened.

  The hospital moved all around me. Porters, nurses, patients, doctors, men and women in suits. Everyone was busy.

  I stood there waiting.

  When the sandy-haired man eventually came back, he was carrying a large brown envelope in his hand.

  ‘Sorry about that,’ he said, slightly out of breath.

  I looked at him, wondering if the envelope had anything to do with me. But if it had, he wasn’t telling.

  ‘Right then,’ he said, whipping back the green curtains, ‘let’s get started.’

  ∗

  The little room beyond the green curtains wasn’t really a room at all. It was more like a short white corridor. A chamber. A halfway place. An anteroom, perhaps… whatever that is. It was a small place, functionally cramped and quietly busy. Machines, doctors, nurses, trolleys. Monitors, instruments, bottles, tubes.

  The machines hummed and whirred.

  The doctors and nurses muttered gently.

  It was a place of confidence and no emotion. Everyone knew exactly what they were doing. Everyone except me.

  The air smelled of metal and clean hands.

  Through a narrow opening at the far end of the corridor, a darkness glowed with a hidden light. Rinky-tink sounds drifted down from the darkness, and I knew that was where I was going.

  Into the darkness.

  It all happened so quickly.

  So fast, so final.

  ‘Lie on the trolley, please.’

  I felt really awkward, clambering on to the trolley. I felt stupid and clumsy and useless.

  I clambered.

  I sat.

  I lay down.

  Now I was lying on my back, staring up at a strip light on the ceiling. The light was sterile, penetrating.

  I blinked.

  Swallowed.

  Waited.

  Nothing was happening.

  When I raised my head to see what was going on, I saw a man in a green tunic removing a plastic syringe from a hygienically sealed packet. Dr Andrews, I presumed. He placed the syringe on a dull metal worktop. It rolled a little. He steadied it. He said something to a nurse. (What did he say?) She nodded and turned away. Somewhere behind me, someone was humming a tune – hmm hmm hmm. Shoes scuffed softly on the white-tiled floor.

  My neck was stiff.

  A nurse came over and put a blood-pressure cuff on my arm. I smiled at her. She looked at a monitor, read out some numbers.

  Dr Andrews sai
d something to her.

  She nodded again.

  She asked me to open my mouth.

  I opened my mouth.

  She told me she was going to spray something into the back of my throat, to numb it. ‘It won’t hurt,’ she said. ‘Don’t breathe or swallow while I’m spraying.’

  I nodded.

  She sprayed.

  It felt cold.

  ‘You can swallow now,’ she said.

  My throat felt numb and it was hard to swallow, but I did my best.

  Dr Andrews had a needle in his hand now. A shortish needle attached to a small pink tube. He moved up beside me and took hold of my hand.

  ‘All right?’ he said.

  ‘Uh-huh.’

  He started rubbing gently at the back of my hand, peering at it, looking for a vein. Talking. Rubbing. Talking…

  He was talking to me.

  ‘… just a very light anaesthetic, Robert, a sedative really. It might knock you out, but don’t worry if it doesn’t. It’s not unusual to remain conscious throughout the examination…’

  I tried to listen as he explained the rest of the procedure, but I couldn’t seem to concentrate. I was too self-conscious, too aware that I was supposed to be listening. As he carried on talking, his voice calm and confident, I realized that my sense of touch was unnaturally heightened. I could feel everything – the firmness of his fingers on the back of my hand, the padded metal of the trolley, the dry spit glued to the corners of my mouth. The only thing I couldn’t feel was the back of my throat.

  ‘All right?’ the doctor said.

  ‘Uh-huh.’

  I watched intently as he slid the needle attachment into a bulging vein in the back of my hand.

  Ting – a tiny pain, sharp and bright.

  I closed my eyes for a moment, then opened them again. The doctor was holding the syringe in his hand now. Studying it, checking it. It looked so small. A tiny plastic tube of almost clear liquid…

  I wondered how it worked. A tiny plastic tube of almost clear liquid… how did it work? How did it do what it was meant to do? What was in it? Was it pre-filled? I didn’t see the doctor fill it. Or did I? I didn’t know.

  Absently, as if he’d done it a thousand times before, the doctor did something to the syringe – shook it, knocked it, jiggled it – and as I watched him, I wondered why the syringe was in two parts. I knew it didn’t matter, but I couldn’t seem to stop thinking about it. Why is the syringe in two parts? Why is the needle separate from the body of the syringe? Why is the syringeless needle inserted into my vein and then attached to the body of the syringe?

  The question grew to hide my anxiety as the plunger was depressed and the anaesthetic was injected into my blood.

  I felt it – that sharp, alien, liquid pressure…

  Why is the syringe in two parts?

  Some reason, I was thinking.

  Some medical reason…

  And then I wasn’t thinking at all.

  2

  nunuuuuuuunuuuuunnununnunsaasaaa tah thhahh ah hta ta and th tht its ah impimpimperative thath ahahuntil we know no one professorcasing must know do you understananand? of course, cooper, sir. tell hayes to get the names, sir. whoelse apart from usnandrews? anynursenstaff? no therewas nothing to be seen. no. nothinglmean not anything physical. On a screen. On tape. It was on the screen. Right. So who else? Carlingle, the assistant. Kamal here, the anaesthetist. Kamal

  Voices.

  You know we cant keephimunder much longer you know just wait. Wait. Professor? What do you think? Cooper. Sir. Wheres Ryan? Anyminute, sir. see those pictures again. Christ. What is that? What the hell is that?

  Shit

  Rubber and gas. Tubes.

  Voices.

  Shit.

  What the hell is that?

  Clean rubber. White gas. The taste of plastic tubing, deep in my throat. Scratchy and hard. The taste of chemicals. What is this? This shouldn’t be happening. This shouldn’t be. I’m lying on my back with my eyes closed. A white sheet covers my body. Beneath the sheet I’m naked.

  Pins…

  Needles in the back of my hand.

  Tubes, tubes… thin wires taped to my chest. I’m breathing through a tube… rubber and gas. Hiss of breath. Breathe. Some kind of mask.

  My eyes won’t open.

  Wait a minute, wait a minute…

  Move.

  Fingers, toes, arms, legs, hands, head – nothing. I can’t move. I’m unable to move.

  Paralysed.

  This is wrong. This is very wrong. This is a bad situation. Wait a minute, wait a minute, wait a minute…

  What is this?

  Where am I?

  Voices.

  Where’s Ryan? Anyminute, sirhe’s coming now

  Who are these people?

  What is this?

  A door opens. Someone enters the room.

  I hear voices again.

  Morris.

  Sir. This is the consultant – Professor Casing.

  Ryan. Is that him?

  Yes.

  The voices move closer. I can sense people standing beside me now. I can’t see them. My eyes are closed. I’m nothing – a petrified container. All I can do is lie still and listen.

  What have we got?

  Robert Smith. Sixteen years old. Suspected ulcer. Referred by his GP for an endoscopy. That’s a –

  I know what an endoscopy is, Morris. What happened?

  Professor?

  A man coughs, clearing his throat.

  At nine forty-five this morning, the patient was anaesthetized and taken into the examination area where Dr Andrews began the procedure.

  Was he conscious?

  The anaesthetic we use is very light, not much more than a sedative, but it’s often enough to render the patient unconscious.

  So he wouldn’t have known what was happening?

  We think not.

  You’ve kept him unconscious since?

  We thought it best.

  Good. Go on.

  As you know, endoscopy is a fairly straightforward procedure. A flexible fibre-optic tube is inserted into the patient’s mouth and eased down into the gastrointestinal tract. The endoscope sends images to a video screen, allowing us to visually examine the oesophagus, the stomach, parts of the small intestine and so on.

  A short pause.

  In this case, the images from the endoscope… the images displayed on the video screen were… not normal.

  Silence.

  Not normal?

  Can you show me?

  Kamal?

  A button clicks, something hums.

  This video shows the results of a normal endoscopy.

  Hmm…

  That’s the oesophagus… just there, look. You can see it quite clearly as the endoscope travels down. Now… into the stomach. There. See how it looks? That’s how it should look.

  OK.

  Now.

  Click.

  This is what Dr Andrews saw.

  Silence.

  Hmm…

  What the hell is that?

  That, Mr Ryan, is the inside of this boy.

  Christ… it looks like some kind of plastic.

  This tubular area here is very short, no more than ten centimetres. Look.

  Shit. What was that? Rewind it.

  Click. Whirrr. Click.

  What is that? Look at that.

  Silence.

  See there? And there? That blackened area? And here.

  Click.

  These silvery filaments…

  Click.

  Watch there.

  They’re moving.

  Watch.

  Christ.

  Silence.

  That’s it.

  Click.

  The humming stops.

  Another long silence.

  It couldn’t be an instrument malfunction?

  Everything’s been checked, double-checked. There’s nothing wrong with the instruments.

  Is this
the only copy of the tape?

  Andrews made a duplicate. Hayes has got it.

  Silence again.

  After a while I become aware of someone leaning over me. Studying me. A man. I can feel his breath on my face. The dark smell of a man. He breathes in deeply, holds it for a moment, then breathes out again. When he speaks, I can feel the heat of his whispered words on my skin.

  What the hell are you?

  Nothing, I want to tell him. I’m nothing. I’m just a kid with a bad belly. I’m Robert Smith. Whatever you think this is, whoever you are – you’re wrong. Listen, there’s been a mistake. Listen to me, look at me. I’m awake. I’m conscious…

  I want to scream.

  But I can’t open my mouth.

  I can’t move.

  I used to dream. When I was a little kid, I used to dream of a whirling wind that spun me around inside myself and sucked me down into terrible places. I never knew what the terrible places were, but I knew they were going to kill me. And I didn’t want to die. I didn’t want to go to those terrible places. I just wanted to wake up. I knew that if I could wake myself up, I’d be all right. I knew that. And I knew what I had to do to wake myself up. I had to move. Move anything. A finger, a hand, a leg. Anything. Just move it. Move. Move. Move.

  It was impossible then, but I always managed to kill the dream.

  But this was no dream. This was nowhere near a dream. This was the worst thing imaginable. Worse than that: it was real. I was lying on a hospital bed, paralysed and mute, and unknown people were saying unknown things about me.

  Silvery filaments?

  Some kind of plastic?

  It couldn’t be real.

  But it was.

  I can still hear the voices.

  … and I want the immediate area quietly secured and Andrews and Ingle, get them debriefed and confined until further notice. I want his medical records, clothes, fingerprints, history… everything. I want to know everything about him. Was anyone with him when he arrived?

  No.

  What about his parents? Where are they?

  He’s a looked-after boy –

  A what?

  He’s an orphan. Abandoned at birth. He’s lived in Homes or with foster parents all his life. For the last year or so he’s been with a couple called Young. Peter and Bridget Young. We haven’t been able to contact Mrs Young, but we’ve been in touch with the husband. He’s been told there were minor complications and the boy needs to stay in overnight.