City of the Lost: Part Four

  PUBLISHED BY RANDOM HOUSE CANADA Copyright (c) 2015 K.L.A. Fricke Inc.

  All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Published in 2015 by Random House Canada, a division of Penguin Random House Canada Limited. Distributed in Canada by Penguin Random House Canada Limited, Toronto.

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  Random House Canada and colophon are registered trademarks.

  Armstrong, Kelley, author

  City of the lost : part four / Kelley Armstrong.

  eBook ISBN 978-0-34581618-4

  Cover design by Terri Nimmo

  Image credits: Blood (c) Funniefarm5 / Dreamstime, foxes (c) Airin.dizain / Shutterstock

  v3.1

  Contents

  Cover

  Title Page

  Copyright

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  About the Author

  Previously, in City of the Lost ...

  By disappearing to Rockton, Casey has successfully shed her dark past. But all is not well--a string of suspicious deaths has set the small community reeling, and local resident Jerry Hastings is still missing.

  When Casey and Diana reunite for a drink, they are joined by the handsome deputy, Will Anders. Casey quickly realizes Diana has slept with Anders, a fact Anders wants to forget. Diana lashes out in bitter jealousy--she thinks Anders and Casey are now a couple.

  But it's not Anders but the difficult, brooding sheriff, Eric Dalton, who has been Casey's rock since the beginning--building her fire, bringing her food--despite his cold, combative nature. Slowly, they gain each other's trust.

  Casey discovers that two women--Irene Prosser and Abbygail Kemp--have been the victims of an extensive cover-up: Irene didn't commit suicide--she was murdered. And Abbygail, who had a school-girl crush on Eric, would never have wandered into the forest alone. Casey also learns of a mysterious forest-dweller named Jacob.

  Then ravens are spotted circling far out in the forest. Casey and Eric rush to the scene, only to find a horrific surprise--fresh, bloodied intestines, nailed high in a tree. The killer has struck again.

  One

  "Could be from Powys," Dalton says. We're staring at a piece of intestine, nailed to a tree trunk deep in the Rockton forest.

  I shake my head. "We found Powys's body the day I got here. This hasn't started to rot, and it still looks pliant."

  "Pliant," he repeats, and then nods as if deciding this is indeed the best word. The length of intestine isn't fresh, but it's not dried out, either, as it sways slightly in the breeze, the smell of it bringing those scavengers running.

  "Hastings, then?" he says.

  "I'll need to take it back to Beth to confirm it's even human. I'd guess it is, if they nailed it up here. But it's always possible it's ..."

  I trail off. Dalton is turning, with that look on his face that tells me he's caught some noise, and sure enough, I hear it two seconds later. I could say his hearing is sharper, but I think it's just better attuned to sorting out what belongs in a peaceful forest and what does not. This does not. I have no idea what I'm actually hearing, only that it sends cold dread up my spine.

  The sound comes from the edge of the clearing. We follow it, Dalton with his gun out, and ...

  And nothing. I still can hear the sound, a cross between a groan and a mewl, and it's right here. Exactly where we're standing. Except there's nothing in sight except trees.

  The sound comes again. Dalton's gaze goes up.

  "What the hell?" I say as I follow his lead.

  It looks like a sack. It's attached to the trunk and to a limb and resting partially in the crook between two more. In other words, it's wedged up in that tree as best it can be.

  The noise comes again. And the side of the sack moves.

  "There's, uh, something in it," I say.

  "Yep."

  "Something hurt."

  "Yep."

  "We should go back to town and get--"

  "Nope."

  Before I can say anything, Dalton is shimmying up the trunk. I used to be quite the climber in my tomboy youth, but scaling an evergreen is tough. He clearly has practice.

  As I watch him, I see his point in not going back to town. What would we get? A ladder? A hydraulic lift? The animal in that bag is hurt badly enough that it can't claw or bite its way out. I can tell now that the dark shadow on one side is actually blood. That's what brought the scavengers. Then, realizing they hadn't a hope in hell of getting to it, they'd tried for the nailed-up intestine.

  Dalton is up there now, examining the sack. He reaches out and gives it a tentative push. Then, "Fuck."

  "Heavy?"

  "Yeah."

  "We can switch places," I say. "I'll lower it for you to catch, but ..."

  "It's too heavy. Going to be tough enough for me to do it. You stay back. We have no idea what's inside."

  "I don't think it's in any shape to attack. It isn't even reacting--"

  "Doesn't matter. I lower. You stand clear. That's an order."

  "Yes, sir."

  He takes a few more minutes to evaluate. Then he pulls out a knife and cuts one rope. I can't quite see what he's doing up there, half hidden by branches, but he gets one rope wrapped around his hand before he severs the other one. He manages to lower the sack, but the rope isn't quite long enough and it stops about a foot from the ground, swinging as Dalton groans with exertion.

  "Gotta drop it," he grunts.

  "I can--"

  "Orders, detective. Stay the hell back."

  He lets go before I can do anything except obey. The sack hits the ground, and the creature inside lets out a mewling cry of pain.

  "Stay right there," he says. "And I'd appreciate you getting your gun out while I come down."

  I train my weapon on the sack as Dalton shimmies down about halfway and then drops the rest of the way.

  The sack is bigger than it looked in the air. Clearly, it's no fox or wolverine inside. I look at Dalton. He's heading for the sack with his knife out.

  "Sheriff?" I say carefully.

  "Yeah."

  That's all he says--"Yeah"--and I know it means that whatever I'm thinking, he's already come to the same conclusion. He bends beside the sack and moves it a little, as if putting it in a better position. The thing inside doesn't react. Dalton motions for me to keep my gun ready as he flicks his blade through the canvas. Then he rips the sack open, and we see what's inside.

  Jerry Hastings.

  He's bound hand and foot and barely conscious. He doesn't even seem to notice when Dalton opens the sack. His eyes are unfocused, his lips moving over and over as if he's saying something, but we don't hear a word.

  His hands are bound in front of him. As Dalton cuts them free first, I clutch my gun. Then Dalton reaches down and gently pulls up the bloodied front of Hastings's shirt. There's more blood underneath, his skin painted in a wash of it. That doesn't disguise the thick blackened line, though. Where someone has crudely stitched him up and then cauterized the wound.

  I turn away fast, and I come closer to throwing up at a crime scene than I ever have in my life. My stomach lurches, my hand reaching to grab something, anything. It finds a brace, not a tree or sapling, but warm fingers, clenching mine and holding me ste
ady.

  "Sorry," I say as I turn to Dalton. "I ... It's ..."

  "Yeah, I know."

  He rubs his chin with his free hand, and his fingers are trembling slightly. He exhales, breath rushing through his teeth in a long, slow hiss. I look back at Hastings, lying on the ground, that terrible black scar on his stomach. It's not the blood or the wound that sickens me. It's the thought of what's happened. Of what someone has done.

  "We need to get him back to town," I say. "Fast."

  Dalton already has his radio out. He calls Anders and tells him to get the big Gator out here now. And bring Beth.

  I'm on my knees beside Hastings. He's in shock, his mouth working, making the same motions over and over, as if he's saying something, and it must be important, but when I lean in, it's just a meaningless garble, repeated as if his brain is stuck on it.

  Whatever Hastings did down south, he didn't deserve this. Someone cut out part of his intestine and sewed him back up. That's not justifiable homicide; it's sadism.

  We shuck our coats to cover him, trying to keep the shock from deepening, and I talk to him until Anders and Beth arrive. Once Beth gets past what's happened, she has to cut him open on the spot. He won't survive the bumpy trip back unless she gets a look at exactly what's happened. She sedates him and cuts and that's when the true horror hits, because whoever sliced out that length of intestine only cauterized the ends and shoved them back in. Septic shock has set in, and she does what she can, but Hastings is dead minutes after she made that first cut.

  Dusk has fallen by the time we get back with Hastings's body, but our day is far from over. First, a conference between Dalton, Anders, and me on how we'll inform people.Then over to the clinic for the autopsy. Back to the station to make notes. More talking. It's ten at night, and I'm on the station deck with Dalton as Anders does rounds, telling a few key people in town about the death. I hear a "Hello?" inside the station and I tense. Dalton does, too, his eyes narrowing.

  "I've got this," he says as he rises.

  "No, I'll handle it."

  It's Diana. She's hovering just inside the station, one hand still on the door frame. There's this look on her face, exactly like when she had to crawl back after dumping me for the popular girls in high school.

  "Can we talk?" she says.

  "Casey's busy," Dalton says behind me. "We've had a--"

  I cut him off by turning with a quiet but firm, "I'll handle this."

  Steel seeps into his gaze as it stays fixed on Diana. He looks about two seconds from throwing her back onto the street.

  "I have this," I say, firmer.

  He's still bristling, like a guard dog sensing trouble. But after a moment he turns on his heel and stalks back onto the deck, muttering something I don't catch.

  When he's gone, I turn to Diana. "We found Jerry Hastings, and it wasn't good. Dalton's right. I've had a long day."

  "A drink? That'll help you--"

  "No." I resist the urge to add an I'm sorry. I'm not doing it. Not now. "I'm going to turn in early. I'm sure I'll see you around."

  "Can I at least apologize?"

  "You don't need to." Because I don't need to hear it. "Have a good night. I'll go get some sleep."

  I turn and walk out the back door before she can respond.

  Two

  Dalton didn't even shut the inside door--just the screen.

  "You should get a good night's rest," he says.

  Not even going to pretend you weren't eavesdropping, are you? I suspect he didn't mean to be rude--he was just listening, in case Diana gave me a hard time.

  I nod. "I'm going to take off. I'll see you in the morning."

  I start for the door again.

  "Hold up," he says. "I'm turning in, too, and we're going the same way. It's quieter walking the back route. No one to pester us about the case."

  We set out, taking his personal highway along the border. I ask how he's doing, given what we found earlier. He gives me a shrug and an honest, "Trying to forget it."

  "Marginally successful?"

  "Yeah," he says.

  "Same here. I know Hastings wasn't a good person ..."

  "No one deserves to die like that."

  I nod, and when I go quiet, he gives me that long, cool stare.

  "Which doesn't mean some people don't deserve to die," he says. "Just not like that."

  I squirm and veer a little to the side.

  "Did you go there planning to shoot him?" he asks.

  I realize he means Blaine. "Of course not," I say before I can stop myself. I take a deep breath. "I'd rather stick to--"

  "Blaine Saratori didn't deserve to die. He deserved to be beaten within an inch of his life and spend weeks in hospital and months in rehab, and never really get over it, not physically, not psychologically. But that wasn't going to happen. You didn't plan to shoot him, but it's bullshit to pretend you killed an innocent man. And it's bullshit to even think about that in comparison to this."

  "I don't believe I said I was thinking of it."

  "You were. But I'll shut up about it. For now."

  "How about for good?"

  His snort says Not a chance. Then he points up. "That was a great horned owl."

  I peer into the night sky.

  "It's gone now," he says. "I'm changing the conversation. But as long as you're looking up, do you see that?"

  I follow his finger to see a distant strip of swirling green through the clouds.

  "Is that ...?" I begin. "The northern lights? I didn't think I'd be far enough up for them."

  "You are. It's just coming into the right season, so you won't get a lot of good views yet. It's been overcast, too."

  "What causes it?"

  As we continue walking, he explains that it's electrically charged protons and electrons from the sun entering the earth's atmosphere at the poles. I'm so engrossed in looking up that I nearly bash into a tree. He gets a chuckle out of that. When we reach my yard, he says, "There's your fox," and I see it slipping from the forest edge.

  "It's not mine," I say, giving him a smile. "Because that would be wrong. A wild animal is not a pet."

  He shrugs. "Can still be yours. Just don't try domesticating it."

  We watch as the fox trots back to its den with something in its mouth.

  "Grouse," he says.

  "Which is a bird, right?"

  He sighs.

  "Hey, you promised me a book. I haven't seen it yet."

  "Been a little preoccupied. And I'm making sure you actually want it and aren't just trying to be nice."

  "I'm never nice."

  "You're always nice, Casey. Or at least you try your damnedest to fake it, because you think that's what people want from you. Don't give me that look. If you walk into it, I'm allowed to analyze."

  "Dare I invite you in for coffee?"

  "Depends. Are you asking to be polite?"

  "No."

  "Then yeah, I'll take coffee. And don't ever ask to be polite, because then I'll say yes and you'll be stuck with me, and it'll just be ..."

  "Awkward?"

  "For you. Nothing's awkward for me."

  I smile. "Well, then, speaking of awkward, I'd be able to see those lights a lot better from my balcony, but that would mean inviting you up to my room."

  "Through your room. It's not the same thing."

  "True. Is that a yes?"

  "It is."

  We sit on my deck. Literally on my deck, because while I offer to bring up a chair, he refuses and grabs extra blankets from under my bed, which I didn't know were there. We sit on blankets with more wrapped around us. Or wrapped around me. He seems fine with just the coffee to keep him warm. We sit and we talk, and I watch the northern lights dance, and it doesn't matter how horrible my day became, this is as damned near perfect an ending as I can imagine. The wolves even start up, as if to prove to me that as good as things get, they can always be better.

  Eventually the talking stops, and we just sit and watch and li
sten, and the next thing I know, I'm waking at dawn with the blankets pulled up to my neck and an extra one draped over me. The deck is empty except for my gun, now lying just out of reach. I smile, take it, and head inside to get ready for work.

  There's an angry mob outside the station. Well, actually, three somewhat-annoyed citizens, but Dalton still intercepts me and takes me in through the back.

  "They're pissed off about Hastings," he says. "They want a statement, whatever that is."

  "It's where the police explain the situation, usually to the press."

  "We don't have press."

  "True, but you really should explain--"

  "To three people?" He snorts. "I'll be doing it all day. Like one of those damned cuckoo clocks."

  "We've had two murders in a week. The more you ignore that, the more rumours are going to fly, and soon we really will have an angry--"

  "I'm not ignoring them. I'm waiting until there are more so I don't have to keep explaining. The more times I say it, the more it'll sound like there's a serious problem."

  "Um ..."

  His look darkens. "Fine, there is a serious problem. But they don't need to know that."

  I open the door and call out, "We'll be giving a statement at nine. Please make sure everyone knows, because we're obviously very busy investigating this tragedy, and we can't keep explaining."

  Dalton appears behind me. "She means that. You don't want to spread the word? Fine. But I'll tell everyone in town that you three know, and I might offer the opinion that it was awfully suspicious, you coming by, looking for information and not wanting to share it with others."

  They're gone before he can close the door.

  I sigh. "That's not how it's usually done."

  "Welcome to Rockton, detective."

  Back inside the station, I ask Dalton whether Val should join us, and add, "But I understand if you'd rather she didn't interfere."

  He makes a noise at that. It's like a snort, but it's also akin to a laugh. Then he shakes his head and walks to the fireplace.

  "Is that a no?" I ask.

  Another shake of his head, and I think that's my answer until he says, "I'm not the least bit worried that Val will interfere, because that would require her to actually show up. You want to walk over and invite her? Go ahead ... if you need the exercise." He lights the fire and puts the kettle over it. "Exercise in futility, too. But go on. Coffee will be ready when you get back." He checks his watch. "Five minutes there, five minutes back. Ten seconds for her to tell you no."