The Wishing Trees
John Shors
Table of Contents
Title Page
Copyright Page
Dedication
AMERICA - Two as One
JAPAN - Memories Awoken
NEPAL - To Climb and Fall
THAILAND - The Land of Smiles
INDIA - A Tear on the Cheek of Time
HONG KONG - Pain and Pleasure
VIETNAM - A Light in Her Eyes
EGYPT - The Choice
HONG KONG - The Smiles of Strangers
Acknowledgements
READERS GUIDE
Praise for the Novels of John Shors
The Wishing Trees
“John Shors’s The Wishing Trees is an affecting and sensitively rendered study of grief and loss, the healing power of artistic expression, and the life-altering rewards of travel to distant lands. I was deeply moved by this poignant and life-affirming novel.”
—Wally Lamb, #1 New York Times bestselling author of She’s Come Undone and Wishin’ and Hopin’
“Beautifully written, The Wishing Trees is a fascinating tale of a father and daughter on a spiritual and emotional journey—where they find love and forgiveness in the most unfamiliar but amazing places. The trials and triumphs of these characters serve to paint an emotionally resonant picture of their voyage as they’re able to miraculously transform their shared sorrow into acts of hope, kindness, and affection.”
—Mahbod Seraji, author of Rooftops of Tehran
Dragon House
“A touching story about, among other things, the lingering impacts of the last generation’s war on the contemporary landscape and people of Vietnam. In a large cast of appealing characters, the street children are the heart of this book; their talents, friendships, and perils keep you turning the pages.”
—Karen Joy Fowler, bestselling author of Wit’s End
“John Shors has written a wonderful novel about two American lives shaped by an encounter with the lives of the Vietnamese people in this present age, decades after that country has faded from the ongoing clamour of news in this country. For that very reason, Shors transcends politics and headlines and finds the timeless and deeply human stories that are the essence of enduring fiction. This is strong, important work from a gifted writer.”
—Robert Olen Butler, Pulitzer Prize-winning author of A Good Scent from a Strange Mountain
“In Dragon House John Shors paints such a vivid picture of the lives of Vietnamese street children and the tourists they need in order to survive, you would swear it was written by one of them. I loved this book, and cared deeply about the characters brought to life by Shors’s clear sensitivity to the plight of the unseen and unwanted in Vietnam.”
—Elizabeth Flock, bestselling author of Sleepwalking in Daylight
“Amid the wreckage of what’s known in Vietnam as the ‘American War,’ Shors has set his sprawling, vibrant novel. All of his characters—hustlers, humanitarians, street children—carry wounds, visible or otherwise. And in the cacophony of their voices, he asks that most essential question: How can we be better?”
—David Oliver Relin, #1 New York Times bestselling author of Three Cups of Tea
“There is a tenderness in this moving, deeply descriptive novel that brings all those frequently hidden qualities of compassion, purity of mind, and, yes, love—the things we used to call the human spirit—into the foreground of our feeling as readers. This is a beautiful heart speaking to us of the beautiful world we could and should find, even in the darkness that so often floods the world with fear.”
—Gregory David Roberts, bestselling author of The Mountain Shadow
Beside a Burning Sea
“A master storyteller. . . . Beside a Burning Sea confirms again that Shors is an immense talent. . . . This novel has the aura of the mythic, the magical, and that which is grounded in history. Shors weaves psychological intrigue by looking at his characters’ competing desires: love, revenge, and meaning. Both lyrical and deeply imaginative.”
—Amy Tan, bestselling author of The Joy Luck Club
“Features achingly lyrical prose, even in depicting the horrors of war. . . . Shors pays satisfying attention to class and race dynamics, as well as the tension between wartime enemies. The survivors’ dignity, quiet strength, and fellowship make this a magical read.”
—Publishers Weekly
“An astounding work. Poetic and cinematic as it illuminates the dark corners of human behavior, it is destined to be this decade’s The English Patient.”
—Booklist
“Shors has re-created a tragic place in time, when love for another was a person’s sole companion. He uses lyrical prose throughout the novel, especially in his series of haiku poems that plays an integral role in the love story, and develops accessible, sympathetic characters. . . . A book that spans 2½ weeks, set on a deserted island, easily could become dull and redundant. But Shors avoids those turns by delving into the effects of war on each character, causing readers to attach themselves to the individuals yearning for home and the ones they love.”
—Rocky Mountain News
“In Beside a Burning Sea, Shors has combined the classic desert island adventure with touching stories of love among the castaways. These elements provide an irresistible pull; Shors makes the reader a willing accomplice on this rewarding journey.”
—BookPage
“Fiery romance raging in the tumult of war. . . . Emotional structures are powerfully built. The story is rescued from a softening of narrative by strong doses of brutality. Against the vast theater of war, each character experiences a private drama. . . . This story of redemption, love, and friendship is placed against a hideously distorted, morally arid world, one where the prophets, saints, and deities of the great religions have been silenced, but where human decency, even heroism, survives in small, fertile patches.”
—The Japan Times
Beneath a Marble Sky
“[A] spirited debut novel. . . . With infectious enthusiasm and just enough careful attention to detail, Shors gives a real sense of the times, bringing the world of imperial Hindustan and its royal inhabitants to vivid life.”
—Publishers Weekly
“Jahanara is a beguiling heroine whom readers will come to love; none of today’s chick-lit heroines can match her dignity, fortitude, and cunning. . . . Elegant, often lyrical writing distinguishes this literary fiction from the genre known as historical romance. It is truly a work of art, rare in a debut novel.”
—The Des Moines Register
“Agreeably colorful . . . [with] lively period detail and a surfeit of villains.”
—Kirkus Reviews
“An exceptional work of fiction . . . a gripping account.”
—India Post
“Highly recommended . . . a thrilling tale [that] will appeal to a wide audience.”
—Library Journal
“Evocative of the fantastical stories and sensual descriptions of One Thousand and One Nights, Beneath a Marble Sky is the story of Jahanara, the daughter of the seventeenth-century Mughal emperor who built India’s Taj Mahal. What sets this novel apart is its description of Muslim-Hindu politics, which continue to plague the subcontinent today.”
—National Geographic Traveler
“[A] story of romance and passion . . . a wonderful book if you want to escape to a foreign land while relaxing in your porch swing.”
—St. Petersburg Times
“It is difficult to effectively bring the twenty-first-century reader into a seventeenth-century world. Shors accomplishes this nicely, taking the armchair traveler into some of the intricacies involved in creating a monument that remains one of the architectural and artistic wonders of the world.”
—The Denver Post
“[Shors] writes compellingly [and] does a lovely job of bringing an era to life . . . an author to anticipate.”
—Omaha World-Herald
“A sumptuous feast of emotional imagery awaits the reader of Beneath a Marble Sky, an unabashedly romantic novel set in seventeenth-century Hindustan, inside the warm sandstone of its Mughal palaces.”
—India West
“This sweeping love story takes place in seventeenth-century Hindustan during the building of the Taj Mahal. Princess Jahanara, the emperor’s daughter, tells her parents’ saga and shares her own story of forbidden love with the architect of the legendary building.”
—St. Paul Pioneer Press
“Shors . . . creates a vivid and striking world that feels as close as a plane ride. Most important, he manages to convey universal feelings in a tangible and intimate way. Shah Jahan’s grief isn’t just that of a man who lived centuries ago; it’s a well of emotion felt long before Mumatz Mahal ever lived, and is still felt today. Shors’s ability to tap into that well, and make it so alive, renders the novel as luminous a jewel as any that adorn the Taj Mahal’s walls.”
—ForeWord Magazine
ALSO BY JOHN SHORS
Beneath a Marble Sky
Beside a Burning Sea
Dragon House
NEW AMERICAN LIBRARY
Published by New American Library, a division of Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.)
Penguin Books Ltd., 80 Strand, London WC2R 0RL, England
Penguin Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd.)
Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty. Ltd.)
Penguin Books India Pvt. Ltd., 11 Community Centre, Panchsheel Park, New Delhi - 110 017, India
Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd.)
Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa
Penguin Books Ltd., Registered Offices:
80 Strand, London WC2R 0RL, England
First published by New American Library,
a division of Penguin Group (USA) Inc.
First Printing, September 2010
Copyright © John Shors, 2010
Readers Guide copyright © Penguin Group (USA) Inc., 2010
All rights reserved
REGISTERED TRADEMARK—MARCA REGISTRADA
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA:
Shors, John, 1969-
The wishing trees/John Shors.
eISBN : 978-1-101-45998-0
1. Fathers and daughters—Fiction. 3. Americans—Asia—Fiction. I. Title.
PS3619.H668W57 2010
813’.6—dc22 2010016227
Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.
PUBLISHER’S NOTE
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
The publisher does not have any control over and does not assume any responsibility for author or third-party Web sites or their content.
The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated.
http://us.penguingroup.com
For my family.
Allison—Thank you for wandering with me. I love you.
Sophie and Jack—Nothing makes me happier than your smiles.
AMERICA
Two as One
“WHEN ONE DOOR CLOSES, ANOTHER ONE OPENS.”
—AMERICAN SAYING
Ian watched Mattie sleep, her body curved as if still pressed against his, her arms resting on a pillow that he had carefully positioned alongside her torso. The pillow acted as his body double on many nights, comforting her in his absence, offering her warmth and the remnants of his scent. The king-sized bed made his ten-year-old daughter seem so small. She looked too fragile and lonely, as if she might come unbound without him beside her.
As it often did, the sight of Mattie sleeping brought tears to Ian’s eyes, since in most every way she was an image of her deceased mother. Several years earlier, Mattie had compared herself to what she saw in a nearby park. Her hair, she said, was the color of an oak tree’s bark. At some point the sky must have dripped into her eyes, she was certain, because they were the same hue as what she saw above. Her mother had then asked Mattie where her freckles came from, and Mattie had paused, glancing around the park. She finally replied that her freckles were tiny pieces of leaves that had fallen onto her face while she napped.
Ian reflected on how Mattie and Kate had often spoken like that— as if they shared the same mind and view of the world. Mattie didn’t try to copy her mother, to make her mother’s characteristics her own. Rather, Mattie just seemed to be a miniature Kate, as if Kate’s DNA had been neatly sorted and stacked into Mattie’s mannerisms and thoughts. Like her mother, Mattie was artistic and curious. Her heart was filled with her mother’s love and laughter. Most everywhere the three of them had gone together, Mattie and Kate held hands—even when Mattie’s friends became too old for such public displays of affection.
Ian lowered himself to the edge of the bed nearest Mattie. This had been Kate’s side, and he ran his fingers over the sheets that had once warmed her. Even though ten months had passed since he’d last touched her skin, the ache of her loss was as intense as if she had died the day before. He still felt empty and incomplete, as if his soul had tried to travel with hers but had been tethered to the world of stone and dirt. His soul remained trapped within him now, bereft of the magic that was once so sustaining. Through his will, and his love for Mattie, he had managed to repair parts of this trapped soul—fitting its pieces together as he might patch up a broken vase. But this element of him, he feared, would never soar again. At least not the way it once had. An injured bird might relearn how to fly, but never with the same sense of unbridled freedom. Whatever had brought the bird down would always loom in the distance.
Mattie stirred in her sleep, dislodging the sheet and blanket that Ian had pulled to her neck. He carefully repeated the process, then bent to kiss a freckle on her forehead. Glancing to make sure that both night-lights were on, he stood up and stepped toward the doorway. He reached an antique mirror that Kate had hung opposite their bed, and paused. His reflection had changed so much over the past year. His six-foot frame was now slightly stooped. His hair, recently the shade of shadows, had patches of gray near his temples, a color that was slowly spreading over him, as if it were ice subjugating a pond. He had lost twenty pounds, his body now more like a college student’s than a middle-aged man’s. Even his eyes had changed—still brown, but the flesh beneath them appearing bruised.
Ian shook his head, disliking his reflection. He left the bedroom. The rest of their brownstone was almost exactly the way Kate had arranged it. Every nook and open space rekindled memories, and he wondered if their real estate agent had fielded any calls that day. Ian couldn’t stay inside these walls much longer. And he didn’t think that Mattie could either. Their home, he felt, had
been murdered. Nothing remained but a skeleton.
His office gave him little comfort—only some of Mattie’s colorful sketches provided solace. He glanced at Kate’s photo, but for once his eyes didn’t linger on hers. Instead he opened his closet and picked up a neatly wrapped present, which Kate had given him ten months earlier, just three days before she died. She had asked him to promise not to open it until his birthday. And he’d kept his promise, despite many temptations.
Ian sat on a chair and placed the package on his lap. He smelled the wrapping paper, hoping that a trace of Kate might remain. He imagined her tying the bow and he kissed the neat little knot of fabric. A tear raced down his face, dropping next to the bow. Maybe her tears fell in the same spot, he thought, wishing that he could kiss her damp cheek once again.
The box carried no card, which he had thought about often over the past ten months. It wasn’t like Kate to forget something like that, as she had always loved letters. She’d detested e-mail and text messages, refusing to write to him in such a manner unless it was absolutely necessary. Her notes had come to him via pen and paper.
After taking a deep and measured breath, Ian moved his fingers to an edge of the wrapping paper. His heartbeat quickened. The back of his neck tingled. His right thumb edged back and forth as if it were on the dial of his BlackBerry. He was afraid that Kate’s gift, through no fault of her own, would wound him. And he didn’t have the strength to withstand being wounded again.
