When the Tripods Came

  To my many grandchildren

  with love

  Preface

  In 1985, when the Tripods had been around for a mere eighteen years, the British Broadcasting Corporation sponsored a television adaptation. It was an ambitious project, planned to feature three thirteen-part serials, covering each of the books of the trilogy in successive years. It had some initial success, but then faltered, for reasons which were never made clear. The BBC withdrew their support after the second series, and the third was never made. As the author of the books, I had mixed feelings about this: For the first half of the first series the producer had followed my story line reasonably closely, but in the second half he made a lot of changes, and in the second series even more. It eventually reached a point where I found it difficult to trace any connection with the original. Writers of books, of course, have little if any say in what happens to them when they are translated into films or television, and this is probably sensible. Making a film or television play requires very different skills from those you need in writing a book.

  While the second series was showing, it was discussed in a television program by a panel of viewers, among them the leading British science fiction author of the time. He was very critical of what he had seen on his screen. He commented on the fundamental improbability of the Tripods—who, he scornfully pointed out, had used mere searchlights in hunting the fugitive boys—being able to overcome the technological might of the human race. How could one take seriously an interplanetary invader who didn’t even have infrared?

  The remark about infrared is an interesting example of one of the basic weaknesses of science fiction: It is not very good at guessing the future, particularly in technical matters. When I wrote the books, infrared was little more than a laboratory tool; twenty years later it was in everyday use for switching television channels from the comfort of one’s armchair. (Some older readers may recall that the very first remote controls were not infrared but optical, projecting beams of light.) For every roughly accurate prediction (such as the use of tanks as a military weapon, by H. G. Wells), there are scores, probably hundreds, maybe thousands of failures. No science fiction writer in the sixties, for instance, ever dreamed of the late twentieth-century innovation which was going to fundamentally change our lives: the World Wide Web.

  What I also realized in regard to his criticism was that the famous science fiction writer seemed not to have read the books, or at least not closely. In The City of Gold and Lead, Will is forced to act as a personal attendant to one of the Masters. This particular Master is more curious and freethinking than the rest. (Though that does not count for a lot: As a species they are not particularly flexible in their attitudes.) He talks freely to his slave, and Will, seeking any scrap of information which might help his people in their struggle for liberation, listens closely. One of the things the Master talks about is the way in which they conquered the earth.

  The Masters had come from a world circling a distant star, seeking suitable places to colonize just as the western Europeans did in the fifteenth century. Their spaceship traveled at close to the speed of light, but despite the fact that their life span was much longer than ours, the journey had been long and irksome. They had had to endure many disappointments, finding many suns without planets, or with planets unsuitable for colonization. When, in the shape of our green and fertile earth, they finally found a suitable objective for their ambition, it proved also to be a planet inhabited by a species not very much inferior to their own. They had to think very carefully about the right way to overcome human resistance:

  They recognized that in man they had an enemy who might be formidable. . . . Men had already begun to build ships that would take them across the [interplanetary] emptiness. They had nothing like the ships of the Masters, but they had started, and they were learning fast. And they had weapons. . . . If they had brought their ship down to the earth, and made a bridgehead, that bridgehead would have been destroyed. They had to find a different method. The one they chose lay in a field of knowledge in which they were even more advanced than star traveling—the understanding and control of the mind. (The City of Gold and Lead, pages 144–145)

  The secret of success in battle lies often not so much in the use of one’s own strength but in the exploitation of the other side’s weaknesses. For years the Masters’ great spaceship orbited the earth, waiting and watching and listening. What was the particular weakness which would enable them to bypass the powerful human defenses, and strike home?

  • • •

  It seemed to me that it might be a good idea to go back and tell that story—the story of how it all began. Will and Henry, Beanpole and Fritz were born in a world under the shadow of the Tripods, and had to fight against a centuries-old tyranny to secure their personal freedoms and the freedom of the human race. What would it have been like to be a young person at the beginning, watching this terrible thing happen, fighting a losing battle?

  And yet it was a battle that seemed in the beginning almost comically easy to win. Laurie and his friend Andy, on a camping holiday, are witnesses to the first Tripod on earth. It is a frightening sight, bestriding the peaceful countryside, smashing a house into ruins, lifting a man with its thirty-foot tentacle into what looks like a mouth, carelessly destroying a barking dog. The Tripod deals just as ruthlessly with the tanks that are mustered to attack it. But then in come fighter-bombers, firing rockets. “I saw the long spindly legs shatter, the capsule tilt and sway and crash,” Laurie says. “I could hardly believe how quickly it was over—and how completely” (When the Tripods Came, page 11).

  The Invasion of the Tripods becomes the joke of the year, all around the world. Still laughing, people go back to their old ways—to watching television, particularly a new show that centers on poking fun at our would-be conquerors. Or is it really poking fun? In fact the joke is on us: The Masters have discovered our weakness and have found a way to exploit it. A long and daunting struggle lies ahead.

  ONE

  An explosion of noise woke me. It sounded as if a dozen express trains were about to hit the shed. I rolled over in my blanket, trying to get out of the way, and was aware of a blaze of orange, lighting up boxes and bits of old farm equipment and tackle. An ancient rusting tractor looked briefly like an overgrown insect.

  “What was that, Laurie?” Andy asked. I could see him sitting up, between me and the window.

  “I don’t know.”

  Both light and sound faded and died. A dog started barking—deep-throated, a Labrador maybe. I got up and walked to the window, banging my shin on something in the dark. It was dark outside, too, moon and stars hidden by cloud. A light came on in the farmhouse, which was a couple of hundred meters away, just below the ridge.

  I said, “It’s not raining. What was it?”

  “Didn’t someone at the camp say something about an artillery range on the moor?”

  “Nowhere near here, though.”

  “Whatever they were firing could have gone astray.”

  Rubbing my shin, I said, “It didn’t sound like a shell. And a shell wouldn’t produce fireworks like that.”

  “A rocket, maybe.” He yawned loudly. “It’s all quiet now, anyway. No sweat. Go to sleep. We’ve a long trek in the morning.”

  I stood by the window for a while. Eventually the light in the house went out: the farmer presumably took the same view as Andy. In the pitch black I felt my way to the pile of straw which served as a bed. This was less fun than it had seemed the previous evening; there was little protection from the hardness of the earth floor, and once awake I knew all about the aches in my muscles.

  Andy was already asleep. I blamed him for our being here—for volunteering us into the orienteeri
ng expedition in the first place, and then for insisting on a left fork which had taken us miles out of our way. It had looked as though we would have to spend the night on the moor, but we’d come across this isolated farm as dusk was thickening. The rules were not to ask for help, so we’d settled down in the shed.

  I thought my aches, and resenting Andy, would keep me awake, but I was dead tired. We had set out early from summer camp, and it had been a long day’s slog. Drifting into sleep again, I was half aware of another explosion, but it was a distant one, and I was too weary really to wake up—I couldn’t even be sure I wasn’t dreaming.

  • • •

  Andy woke me with the gray light of dawn filtering in. He said, “Listen.”

  “What?”

  “Listen!”

  I struggled into wakefulness. The noise was coming from the direction of the farmhouse, but further away, a succession of loud thumpings, heavy and mechanical.

  “Farm machinery?” I suggested.

  “I don’t think so.”

  Listening more carefully, I didn’t either. The thumps came at intervals of a second or less, and they were getting nearer. There was even a sensation of the ground shaking under me.

  “Something heading this way,” Andy said. “Something big, by the sound of it.”

  We crowded together at the small window of the shed. The sun hadn’t risen, but to the east the farmhouse was outlined against a pearly sky. Smoke from a chimney rose almost straight: farmers were early risers. It looked like a good day for the trek back to camp. Then I saw what was coming into view on the other side of the house.

  The top appeared first, an enormous gray-green hemispherical capsule, flat side down, which seemed to be floating ponderously in midair. But it wasn’t floating: a weird stiltlike leg moved in a vast arc across the sky and planted itself just to the right of the farmhouse. As it crashed down a second leg appeared, passing over the house and landing between it and the shed. I could see a third leg, too, which if it followed suit would come to ground close to us, if not on top of us. But at that point, it stopped. The gigantic object, more than twenty meters high, stood straddling the house.

  A band of bright green glassy panels ran horizontally along the side of the capsule. It produced an effect that was a cross between multiple staring eyes and a grinning mouth. It wasn’t a pleasant grin.

  “Someone’s making a film.” Andy’s voice was unsteady. I turned to him and he looked as scared as I felt. “That must be it. A science-fiction movie.”

  “So where are the cameras?” I felt my voice was coming out wrong, too.

  “They probably have to get it into position first.”

  I didn’t know whether he believed it. I didn’t.

  Something was moving beneath the capsule, curling and twisting and stretching out. It was like an elephant’s trunk, or a snake, except that it was silvery and metallic. It corkscrewed down towards the roof of the house and brushed lightly against it. Then it moved to the chimney stack and grasped it with a curling tip. Bricks sprayed like confetti, and we heard them crashing onto the slates.

  I was shivering. Inside the house a woman screamed. A door at the back burst open, and a man in shirt and trousers came out. He stared up at the machine looming above him and started running. Immediately a second tentacle uncurled, this time fast and purposeful. The tip caught him before he’d gone ten meters, fastened round his waist, and plucked him from the ground. He was screaming, too, now.

  The tentacle lifted him up in front of the row of panels, and his screams turned to muffled groaning. After a few moments the tentacle twisted back on itself. A lenslike opening appeared at the base of the capsule; it carried him towards it and thrust him through. I thought of someone holding a morsel of food on a fork before popping it into his mouth, and felt sick.

  His groans ended as the tentacle withdrew, and the opening closed. The woman in the house had also become quiet; but the silence was even more frightening. Resting on its spindly legs, the machine had the look of an insect digesting its prey. I remembered my glimpse of the derelict tractor in the night; this insect was as tall as King Kong.

  For what seemed a long time, nothing happened. The thing didn’t stir, and there was no sound or movement from the house. All was still; not even a bird chirped. The tentacle hovered in midair, motionless and rigid.

  When, after a minute or so, the tentacle did move, it raised itself higher, as though making a salute. For a second or two it hung in the air, before slamming down violently against the roof. Slates scattered, and rafters showed through a gaping hole. The woman started to shriek again.

  Methodically the tentacle smashed the house, and as methodically picked over the ruins, like a scavenger going through a garbage can. The shrieking stopped, leaving just the din of demolition. A second tentacle set to work alongside the first, and a third joined them.

  They probed deep into the rubble, lifting things up to the level of the panels. Most of what was picked up was dropped or tossed aside—chairs, a sideboard, a double bed, a bathtub dangling the metal pipes from which it had been ripped. A few were taken inside: I noticed an electric kettle and a television set.

  At last it was over, and dust settled as the tentacles retracted under the capsule.

  “I think we ought to get away from here,” Andy said. His voice was so low I could hardly hear him.

  “How far do you think it can see?”

  “I don’t know. But if we dodge out quickly, and get round the back . . .”

  I gripped his arm. Something was moving at the base of the rubble that had been the farmhouse: a black dog wriggled free and started running across the farmyard. It covered about ten meters before a tentacle arrowed towards it. The dog was lifted, howling, in front of the panels, and held there. I thought it was going to be taken inside, as the man had been; instead the tentacle flicked it away. Briefly the dog was a black blur against the dawn light, then a crumpled silent heap.

  The sick feeling was back, and one of my legs was trembling. I thought of my first sight of the Eiffel Tower, the summer my mother left and Ilse came to live with us—and my panicky feeling over the way it stretched so far up into the sky. This was as if the Eiffel Tower had moved—had smashed a house to bits and swallowed up a man . . . tossed a dog to its death the way you might throw away an apple core.

  Time passed more draggingly than I ever remembered. I looked at my watch, and the display read 05:56. I looked again after what seemed like half an hour, and it said 05:58. The sky was getting lighter and there was first a point of gold, then a sliver, finally a disk of sun beyond the ruins of the house. I looked at my watch again. It was 06:07.

  Andy said, “Look!”

  The legs hadn’t moved but the capsule was tilting upwards and beginning a slow rotation. The row of panels was moving to the left. Soon we might be out of the field of vision and have a chance of sneaking away. But as the rotation continued, a second row of panels came into view. It could see all round.

  When it had traversed a hundred and eighty degrees, the rotation stopped. After that, nothing happened. The monster just stayed there, fixed, as leaden minutes crawled by.

  The first plane came over soon after eight. A fighter made two runs, east to west and then west to east at a lower level. The thing didn’t move. A quarter of an hour later a helicopter circled round, taking photographs, probably. It was nearly midday before the armored brigade arrived. Tanks and other tracked vehicles drew up on open farmland, and, in the bit of the farm lane in view, we could see an important-looking car and some trucks, including a TV van, all keeping a careful distance.

  After that, nothing happened for another long time. We learned later this was the period in which our side was attempting to make radio contact, trying different frequencies without result. Andy got impatient, and again suggested making a run for it, towards the tanks.

  I said, “The fact it hasn’t moved doesn’t mean it won’t. Remember the dog.”

  “I do.
It might also decide to smash this hut.”

  “And if we run, and it starts something and the army starts something back . . . we’re likely to catch it from both sides.”

  He reluctantly accepted that. “Why hasn’t the army done something?”

  “What do you think they ought to do?”

  “Well, not just sit there.”

  “I suppose they don’t want to rush things. . . .”

  I broke off as an engine started up, followed by a rumble of tracks. We ran to the window. A single tank was moving forward. It had a pole attached to its turret, and a white flag fluttering from the pole.

  The tank lurched across the field and stopped almost directly beneath the capsule. The engine switched off, and I heard a sparrow chirruping outside the shed. Then, unexpectedly, there was a burst of classical music.

  I asked, “Where’s that coming from?”

  “From the tank, I think.”

  “But why?”

  “Maybe they want to demonstrate that we’re civilized, not barbarians. It’s that bit from a Beethoven symphony, isn’t it—the one that’s sung as a European anthem?”

  “That’s crazy,” I said.

  “I don’t know.” Andy pointed. “Look.”

  The machine was showing signs of movement. Beneath the capsule a tentacle uncurled. It extended down towards the tank and began waving gently.

  “What’s it doing?” I asked.

  “Maybe it’s keeping time.”

  The weird thing was, he was right; it was moving in rhythm with the music. A second tentacle emerged, dipped, and brushed against the turret. As though it were getting the hang of things, the first tentacle started moving faster, in a more positive beat. The second felt its way round the tank from front to rear, then made a second approach from the side, moving over it and probing underneath. The tip dug down, rocking the tank slightly, and reemerged to complete an embrace. The tank rocked more violently as it was lifted, at first just clear of the ground, then sharply upward.