The Broken Window

  New from Jeffery Deaver--be sure to read his critically acclaimed thriller

  THE BODIES LEFT BEHIND

  "A tour de force in which the suspense never flags. . . . Deaver . . . has no rivals in the realm of sneaky plot twists."

  --Kirkus Reviews

  "If somebody wants to destroy your life, there's nothing you can do about it."

  Drawing on today's very real threat of identity theft, Jeffery Deaver crafts a heart-pounding New York Times bestseller of frightening possibilities--featuring investigator Lincoln Rhyme

  THE BROKEN WINDOW

  "One of Deaver's best. . . . Riveting. . . . This is one scary novel. Everything in it seems as plausible and easy as buying a purse on eBay."

  --The Globe and Mail (Toronto)

  "Deaver's scarily believable depiction of identity theft in a total-surveillance society stokes our paranoia."

  --Entertainment Weekly

  "Deaver's thriller reminds us how vulnerable we really are."

  --Library Journal

  "[A] scary, scary book. . . . What Deaver--a painstaking researcher--reveals about data mining is terrifying."

  --San Jose Mercury News

  The Broken Window is available from Simon & Schuster Audio More praise for the Lincoln Rhyme thriller

  THE BROKEN WINDOW

  "One of the most unnerving of Deaver's Lincoln Rhyme novels . . . [with a] mad genius who is smarter and scarier than the genre's garden-variety nut jobs."

  --The New York Times

  "Entertaining. . . . The topical subject matter makes the story line particularly compelling."

  --Publishers Weekly

  Investigative agent Kathryn Dance pursues a terrifyingly elusive killer in

  THE SLEEPING DOLL

  "[An] intricately plotted thriller. . . . A dazzling mental contest."

  --Marilyn Stasio, The New York Times

  "The chase is on, and so are the surprises."

  --Sacramento Bee

  "[A] pulse-pounder. . . . The procedural scenes are fascinating."

  --Publishers Weekly

  Critics adore Jeffery Deaver's Lincoln Rhyme novels, "masterpieces of modern criminology"

  (Philadelphia Daily News)

  THE COLD MOON THE TWELFTH CARD THE VANISHED MAN

  THE STONE MONKEY THE EMPTY CHAIR THE COFFIN DANCER

  "Dazzling."

  --The New York Times

  "Ingenious. . . . Deaver is a mastermind of manipulation. . . . Readers will be shocked and amazed at the end result."

  --Library Journal

  "Devilishly intricate. . . . The likeably crusty Rhyme is always a delight."

  --Booklist

  "Absorbing. . . . Like the CBS hit CSI, Deaver's Lincoln Rhyme books have nearly fetishized crime-scene procedures and technology."

  --Entertainment Weekly

  "A crackling thriller."

  --Chicago Sun-Times

  "Devious and heart-stopping."

  --The Ottawa Citizen "This is as good as it gets. . . . The Lincoln Rhyme series is simply outstanding."

  --San Jose Mercury News

  And read Jeffery Deaver's explosive stand-alone bestsellers GARDEN OF BEASTS * SPEAKING IN TONGUES

  THE DEVIL'S TEARDROP * THE BLUE NOWHERE

  "A thrill ride between covers."

  --Los Angeles Times

  "This is prime Deaver, which means prime entertainment."

  --Publishers Weekly (starred review) "Deaver must have been born with a special plot-twist gene."

  --Booklist

  "Keeps the pulse racing while challenging the emotions. . . . A masterful job of conveying incipient evil."

  --The Orlando Sentinel (FL)

  "A fiendish suspense thriller. . . . Leaves us weak."

  --The New York Times Book Review

  "High-tension wired. . . . Deaver . . . fills every keystroke with suspense."

  --People

  Thank you for purchasing this Simon & Schuster eBook.

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  Contents

  Part I: Something in Common

  Chapter One

  Part II: Transactions

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Part III: The Fortune Teller

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-one

  Chapter Twenty-two

  Chapter Twenty-three

  Chapter Twenty-four

  Chapter Twenty-five

  Chapter Twenty-six

  Chapter Twenty-seven

  Chapter Twenty-eight

  Chapter Twenty-nine

  Chapter Thirty

  Chapter Thirty-one

  Chapter Thirty-two

  Part IV: Amelia 7303

  Chapter Thirty-three

  Chapter Thirty-four

  Chapter Thirty-five

  Chapter Thirty-six

  Chapter Thirty-seven

  Chapter Thirty-eight

  Chapter Thirty-nine

  Chapter Forty

  Chapter Forty-one

  Chapter Forty-two

  Chapter Forty-three

  Chapter Forty-four

  Chapter Forty-five

  Chapter Forty-six

  Chapter Forty-seven

  Chapter Forty-eight

  Chapter Forty-nine

  Part V: The Man Who Knows Everything

  Chapter Fifty

  Chapter Fifty-one

  Chapter Fifty-two

  Chapter Fifty-three

  Author's Note

  Acknowledgments

  'Roadside Crosses' Excerpt

  About Jeffery Deaver

  To a dear friend,

  the written word

  I

  SOMETHING IN COMMON

  THURSDAY, MAY 12

  Most privacy violations are not going to be caused by the exposure of huge personal secrets but by the publication of many little facts. . . . As with killer bees, one is an annoyance but a swarm can be deadly.

  --ROBERT O'HARROW, JR., No Place to Hide

  Chapter One Something nagged, yet she couldn't quite figure out what.

  Like a faint recurring ache somewhere in your body.

  Or a man on the street behind you as you near your apartment . . . Was he the same one who'd been glancing at you on the subway?

  Or a dark dot moving toward your bed but now vanished. A black widow spider?

  But then her visitor, sitting on her living room couch, glanced at her and smiled and Alice Sanderson forgot the concern--if concern it was. Arthur had a good mind and a solid body, sure. But he had a great smile, which counted for a lot more.

  "How 'bout some wine?" she asked, walking into her small kitchen.

  "Sure. Whatever you've got."

  "So, this's pretty fun--playing hooky on a weekday. Two grown adults. I like it."

  "Born to be wild," he joked.

  Outside the window, across the street, were rows of painted and natural brownstones. They could also see part of the Manhattan skyline, hazy on this pleasant
spring weekday. Air--fresh enough for the city--wafted in, carrying the scents of garlic and oregano from an Italian restaurant up the street. It was their favorite type of cuisine--one of the many common interests they'd discovered since they'd met several weeks ago at a wine tasting in SoHo. In late April, Alice had found herself in the crowd of about forty, listening to a sommelier lecture about the wines of Europe, when she'd heard a man's voice ask about a particular type of Spanish red wine.

  She had barked a quiet laugh. She happened to own a case of that very wine (well, part of a case now). It was made by a little-known vineyard. Perhaps not the best Rioja ever produced but the wine offered another bouquet: that of fond memory. She and a French lover had consumed plenty of it during a week in Spain--a perfect liaison, just the thing for a woman in her late twenties who'd recently broken up with her boyfriend. The vacation fling was passionate, intense and, of course, doomed, which made it all the better.

  Alice had leaned forward to see who'd mentioned the wine: a nondescript man in a business suit. After a few glasses of the featured selections she'd grown braver and, juggling a plate of finger food, had made her way across the room and asked him about his interest in the wine.

  He'd explained about a trip he'd taken to Spain a few years ago with an ex-girlfriend. How he'd come to enjoy the wine. They'd sat at a table and talked for some time. Arthur, it seemed, liked the same food she did, the same sports. They both jogged and spent an hour each morning in overpriced health clubs. "But," he said, "I wear the cheapest JCPenney shorts and T-shirts I can find. No designer garbage for me . . ." Then he'd blushed, realizing he'd possibly insulted her.

  But she'd laughed. She took the same approach to workout clothes (in her case, bought at Target when visiting her family in Jersey). She'd quashed the urge to tell him this, though, worried about coming on too strong. They'd played that popular urban dating game: what we have in common. They'd rated restaurants, compared Curb Your Enthusiasm episodes and complained about their shrinks.

  A date ensued, then another. Art was funny and courteous. A little stiff, shy at times, reclusive, which she put down to what he described as the breakup from hell--a long-term girlfriend in the fashion business. And his grueling work schedule--he was a Manhattan businessman. He had little free time.

  Would anything come of it?

  He wasn't a boyfriend yet. But there were far worse people to spend time with. And when they'd kissed on their most recent date, she'd felt the low ping that meant, oh, yeah: chemistry. Tonight might or might not reveal exactly how much. She'd noticed that Arthur had furtively--he thought--been checking out the tight pink little number she'd bought at Bergdorf's especially for their date. And Alice had made some preparations in the bedroom in case kissing turned into something else.

  Then the faint uneasiness, the concern about the spider, returned.

  What was bothering her?

  Alice supposed it was nothing more than a residue of unpleasantness she'd experienced when a deliveryman had dropped off a package earlier. Shaved head and bushy eyebrows, smelling of cigarette smoke and speaking in a thick Eastern European accent. As she'd signed the papers, he'd looked her over--clearly flirting--and then asked for a glass of water. She brought it to him reluctantly and found him in the middle of her living room, staring at her sound system.

  She'd told him she was expecting company and he'd left, frowning, as if angry over a snub. Alice had watched out the window and noted that nearly ten minutes had passed before he got into the double-parked van and left.

  What had he been doing in the apartment building all that time? Checking out--

  "Hey, Earth to Alice . . ."

  "Sorry." She laughed, continued to the couch, then sat next to Arthur, their knees brushing. Thoughts of the deliveryman vanished. They touched glasses, these two people who were compatible in all-important areas--politics (they contributed virtually the same amount to the Dems and gave money during NPR pledge drives), movies, food, traveling. They were both lapsed Protestants.

  When their knees touched again, his rubbed seductively. Then Arthur smiled and asked, "Oh, that painting you bought, the Prescott? Did you get it?"

  Her eyes shone as she nodded. "Yep. I now own a Harvey Prescott."

  Alice Sanderson was not a wealthy woman by Manhattan standards but she'd invested well and indulged her true passion. She'd followed the career of Prescott, a painter from Oregon who specialized in photorealistic works of families--not existing people but ones he himself made up. Some traditional, some not so--single parent, mixed race or gay. Virtually none of his paintings were on the market in her price range but she was on the mailing lists of the galleries that occasionally sold his work. Last month she'd learned from one out west that a small early canvas might be coming available for $150,000. Sure enough, the owner decided to sell and she'd dipped into her investment account to come up with the cash.

  That was the delivery she'd received today. But the pleasure of owning the piece now diminished again with a flare-up of concern about the driver. She recalled his smell, his lascivious eyes. Alice rose, on the pretense of opening the curtains wider, and looked outside. No delivery trucks, no skinheads standing on the street corner and staring up at her apartment. She thought about closing and locking the window, but that seemed too paranoid and would require an explanation.

  She returned to Arthur, glanced at her walls and told him she wasn't sure where to hang the painting in her small apartment. A brief fantasy played out: Arthur's staying over one Saturday night and on Sunday, after brunch, helping her find the perfect place for the canvas.

  Her voice was filled with pleasure and pride as she said, "You want to see it?"

  "You bet."

  They rose and she walked toward the bedroom, believing that she heard footsteps in the corridor outside. All the other tenants should have been at work, this time of day.

  Could it be the deliveryman?

  Well, at least she wasn't alone.

  They got to the bedroom door.

  Which was when the black widow struck.

  With a jolt Alice now understood what had been bothering her, and it had nothing to do with the deliveryman. No, it was about Arthur. When they'd spoken yesterday he'd asked when the Prescott would be arriving.

  She'd told him she was getting a painting but had never mentioned the artist's name. Slowing now, at the bedroom door. Her hands were sweating. If he'd learned of the painting without her telling him, then maybe he'd found other facts about her life. What if all of the many things they had in common were lies? What if he'd known about her love of the Spanish wine ahead of time? What if he'd been at the tasting just to get close to her? All the restaurants they knew, the travel, the TV shows . . .

  My God, here she was leading a man she'd known for only a few weeks into her bedroom. All her defenses down . . .

  Breathing hard now . . . Shivering.

  "Oh, the painting," he whispered, looking past her. "It's beautiful."

  And, hearing his calm, pleasant voice, Alice laughed to herself. Are you crazy? She must have mentioned Prescott's name to Arthur. She tucked the uneasiness away. Calm down. You've been living alone too long. Remember his smiles, his joking. He thinks the way you think.

  Relax.

  A faint laugh. Alice stared at the two-by-two-foot canvas, the muted colors, a half dozen people at a dinner table looking out, some amused, some pensive, some troubled.

  "Incredible," he said.

  "The composition is wonderful but it's their expressions that he captures so perfectly. Don't you think?" Alice turned to him.

  Her smile vanished. "What's that, Arthur? What are you doing?" He'd put on beige cloth gloves and was reaching into his pocket. And then she looked into his eyes, which had hardened into dark pinpricks beneath furrowed brows, in a face she hardly recognized at all.

  II

  TRANSACTIONS

  SUNDAY, MAY 22

  You often hear the old legend that our body is worth $4.50,
stripped for parts. Our digital identity is worth far more.

  --ROBERT O'HARROW, JR.,

  No Place to Hide

  Chapter Two

  The trail had led from Scottsdale to San Antonio to a rest area in Delaware off Interstate 95, filled with truckers and restless families, then finally to the improbable destination of London.

  And the prey who'd taken this route? A professional killer Lincoln Rhyme had been pursuing for some time, a man he'd been able to stop from committing a terrible crime, but who'd managed to escape from the police with only minutes to spare, "waltzing," as Rhyme had put it bitterly, "out of the city like a goddamn tourist who had to be back at work Monday morning."

  The trail had dried up like dust and the police and FBI could learn nothing about where he was hiding or what he might be planning next. But a few weeks earlier Rhyme had heard from contacts in Arizona that this very man was the likely suspect in the murder of a U.S. Army soldier in Scottsdale. Leads suggested he'd headed east--to Texas, then Delaware.

  The name of the perp, which might have been real or a cover, was Richard Logan. It was likely that he came from the western portion of the United States or Canada. Intense searches turned up a number of Richard Logans, but none fit the profile of the killer.

  Then in a burst of happenstance (Lincoln Rhyme would never use the word "luck"), he'd learned from Interpol, the European criminal-information clearinghouse, that a professional killer from America had been hired for a job in England. He'd killed someone in Arizona to gain access to some military identification and information, met with associates in Texas and been given a down payment on his fee at some truck stop on the East Coast. He had flown to Heathrow and was now somewhere in the U.K., the exact location unknown.

  The subject of Richard Logan's "well-funded plot which originated at high levels"--Rhyme could only smile when he read the polished Interpol description--was a Protestant minister from Africa, who'd run a refugee camp and stumbled on a massive scam in which AIDS drugs were stolen and sold and the money used to purchase arms. The minister was relocated by security forces to London, having survived three attempts on his life in Nigeria and Liberia and even one in a transit lounge at Malpensa airport in Milan, where the Polizia di Stato, armed with stubby machine guns, scrutinize much and miss very little.

  The Reverend Samuel G. Goodlight (a better name for a man of the cloth Rhyme couldn't imagine) was now in a safe house in London, under the watchful eye of officers from Scotland Yard, the home of the Metropolitan Police Service, and was presently helping British and foreign intelligence connect the dots of the drugs-for-arms plan.