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    NYPD Red 4

    Page 23
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    “Do you see them, Jack?” Tavia shouted.

      Through the shaky binoculars, I kept getting various glimpses of a thousand feet of black rock, but nothing—

      “There,” I said, spotting something bright yellow against the cliff several hundred feet below the summit and something red and white below that.

      “Jesus,” I said. “That’s bad.”

      The pilot flew us beneath the cables of the aerial tram that took tourists to the summit of Sugarloaf and hovered a hundred yards from the climbers, a man and a woman dangling by harness, rope, and piton. The man was lower than the woman by twenty or thirty feet.

      Neither of them moved their arms or legs, but through the binoculars I could see that the woman’s eyes were open. She was crying for help. The man appeared comatose. His rib cage rose and fell erratically.

      “I think we’re looking at possible spinal damage,” I said. “Does Rio have a search-and-rescue team?”

      “For something like this?” Tavia replied dubiously.

      “No,” da Silva answered. “Not for something like this.”

      “Then we need to land on top,” I said.

      “And do what?” the colonel demanded.

      “Mount a rescue,” I said.

      “You can do something like that, Jack?” Tavia asked.

      “I had a lot of rope training in my early Marine years,” I said. “If the right gear’s up there, yeah, I think I can.”

      Da Silva gave me a look of reappraisal and then shouted at the pilot to find a place to land on the mountain’s top. We spiraled up, away from the climbers. The pilot coordinated with security officers at the summit to clear the terrace, and we put down.

      An off-duty Rio police sergeant who’d been on the summit when the accident occurred led us around to the tram station, where one of the big gondolas was docked and empty.

      Next to the tram, a sandy-haired woman in her twenties sat with her back to the rail, sobbing. A wiry, olive-skinned man crouched next to her, staring off into space. Beside them, turned away from us, stood a taller, darker man who was looking over the railing. All three wore climbing gear.

      Ignoring the other people on the dock, we went straight to them and quickly learned what had happened. Alexandra Patrick was an American from Boulder, Colorado. Her older sister, Tamara, was the woman on the rope.

      The young man beside Alexandra was Tamara’s boyfriend, René Leroux, a French expatriate living in Denver. The three of them had been traveling around Brazil seeing various games in the World Cup tournament. All were experienced climbers.

      So was the tall Brazilian, Flavio Gomes, who worked for Victor Barros, the comatose man on the rope. Barros’s company had been guiding advanced climbers up the face of Sugarloaf the past eight years. Nothing even close to this had ever happened.

      “We set every anchor,” Gomes said. “We check them every time. It all looked solid. And then it wasn’t.”

      Gomes, Leroux, and Alexandra had been on a different, easier route than Tamara and Barros. Tamara was a better climber by far than her sister or boyfriend and had asked to go up a more difficult way. Gomes’s group had gone first and was one hundred and fifty vertical feet above the other two when, apparently, an anchor bolt gave way, and then another. Only Alexandra saw the entire event.

      “They fell at least fifty feet,” she whimpered. “And then they just kind of smashed into each other, whipsawed, and crashed into the wall. I could hear Tamara screaming for help, saying that she couldn’t feel her legs. There was nothing we could do from our position.”

      Gomes nodded, chagrined. “I’m a solid climber, but I only just started guiding, and I’ve never been on a rescue like this. It’s out of my league.”

      Leroux hung his head, said, “She’s gonna be paralyzed.”

      I ignored him, went to the rail, and saw an anchored nylon rope that went over a pad on the belly of the cliff and disappeared into the void.

      “Were they on this line?” I asked.

      “No, that line runs parallel to their rope, offset about eight inches,” Gomes said. “Another one of our normal safety measures.”

      Thinking about the position of the injured climbers, thinking about what I was going to have to do to get them off the cliff, I decided against going down the secondary rope.

      I looked at da Silva and said, “I need you to make a few things happen very fast, Colonel. Two lives depend on it.”

      About the Author

      James Patterson holds the Guinness World Record for the most number one New York Times bestsellers. He is a tireless champion of the power of books and reading, exemplified by his new children’s book imprint, JIMMY Patterson, whose mission is simple: he wants every kid who finishes a JIMMY book to say, “Please give me another book.” He has donated more than one million books to students and soldiers and has over four hundred James Patterson Teacher Education Scholarships at twenty-four colleges and universities. He has also donated millions to independent bookstores and school libraries. James will be investing his proceeds from the sales of JIMMY Patterson books in pro-reading initiatives.

      Marshall Karp has written for stage, screen, and TV and is the author of the Lomax and Biggs series. He is also the coauthor, with James Patterson, of the other books in the NYPD Red series.

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      Contents

      Cover

      Title Page

      Welcome

      Dedication

      Prologue: The Red, Red Carpet ONE

      TWO

      PART ONE: LONG DAYS. SHORT NIGHTS. CHAPTER 1

      CHAPTER 2

      CHAPTER 3

      CHAPTER 4

      CHAPTER 5

      CHAPTER 6

      CHAPTER 7

      CHAPTER 8

      CHAPTER 9

      CHAPTER 10

      CHAPTER 11

      CHAPTER 12

      CHAPTER 13

      CHAPTER 14

      CHAPTER 15

      CHAPTER 16

      CHAPTER 17

      CHAPTER 18

      CHAPTER 19

      CHAPTER 20

      PART TWO: BEST. MOM. EVER. CHAPTER 21

      CHAPTER 22

      CHAPTER 23

      CHAPTER 24

      CHAPTER 25

      CHAPTER 26

      CHAPTER 27

      CHAPTER 28

      CHAPTER 29

      CHAPTER 30

      CHAPTER 31

      CHAPTER 32

      CHAPTER 33

      CHAPTER 34

      CHAPTER 35

      CHAPTER 36

      CHAPTER 37

      CHAPTER 38

      CHAPTER 39

      CHAPTER 40

      PART THREE: SOME DAYS ARE DIAMONDS. CHAPTER 41

      CHAPTER 42

      CHAPTER 43

      CHAPTER 44

      CHAPTER 45

      CHAPTER 46

      CHAPTER 47

      CHAPTER 48

      CHAPTER 49

      CHAPTER 50

      CHAPTER 51

      CHAPTER 52

      CHAPTER 53

      CHAPTER 54

      CHAPTER 55

      CHAPTER 56

      CHAPTER 57

      CHAPTER 58

      CHAPTER 59

      CHAPTER 60

      CHAPTER 61

      CHAPTER 62

      CHAPTER 63

      CHAPTER 64

      CHAPTER 65

      CHAPTER 66

      CHAPTER 67

      CHAPTER 68

      CHAPTER 69

      CHAPTER 70

      CHAPTER 71

      CHAPTER 72

      CHAPTER 73

      CHAPTER 74

      CHAPTER 75

      PART FOUR: THE NEW NORMAL CHAPTER 76

      CHAPTER 77

      CHAPTER 78

      CHAPTER 79

      Acknowledgments

      An
    unsolved murder at the World Cup in Rio was just a warning. Now come the Olympics.

      About the Author

      Books by James Patterson

      Newsletters

      Copyright

      The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.

      Copyright © 2016 by James Patterson

      Excerpt from Private Rio © 2016 by James Patterson

      Cover design by Keith Hayes; art from Shutterstock

      Author photograph by Sue Patterson

      Cover copyright © 2016 Hachette Book Group, Inc.

      All rights reserved. In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher constitute unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at permissions@hbgusa.com. Thank you for your support of the author’s rights.

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