Unlucky 13
James Patterson
Contents
About the Book
About the Authors
Also by James Patterson
Title Page
Dedication
Prologue: Ka-Boom
One
Two
Three
Part One: Save the Last Dance for Me
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Part Two: Look Out. Ol’ Mackie’s Back.
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Part Three: Red Sky in the Morning
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Chapter 67
Chapter 68
Chapter 69
Chapter 70
Chapter 71
Chapter 72
Chapter 73
Chapter 74
Chapter 75
Chapter 76
Chapter 77
Chapter 78
Chapter 79
Part Four: Where’s the Beef?
Chapter 80
Chapter 81
Chapter 82
Chapter 83
Chapter 84
Chapter 85
Chapter 86
Chapter 87
Chapter 88
Chapter 89
Chapter 90
Chapter 91
Chapter 92
Chapter 93
Chapter 94
Chapter 95
Chapter 96
Chapter 97
Chapter 98
Chapter 99
Chapter 100
Chapter 101
Chapter 102
Part Five: High Noon
Chapter 103
Chapter 104
Chapter 105
Chapter 106
Chapter 107
Chapter 108
Chapter 109
Chapter 110
Acknowledgments
Copyright
ABOUT THE BOOK
When two dead bodies are found inside a wrecked car on the Golden Gate Bridge, Detective Lindsay Boxer doubts it will be anything as simple as a traffic accident.
The scene is more gruesome than anything she has seen before. It definitely wasn’t the crash that killed these people.
While Lindsay starts to piece this case together, she gets a call she wasn’t expecting. Sightings of her ex-colleague-turned-ruthless-killer Mackie Morales have been reported.
Wanted for three murders, Mackie has been in hiding since she escaped from custody. But now she’s ready to return to San Francisco and pay a visit to some old friends …
ABOUT THE AUTHORS
JAMES PATTERSON is one of the best-known and biggest-selling writers of all time. He is the author of some of the most popular series of the past decade – the Alex Cross, Women’s Murder Club and Detective Michael Bennett novels – and he has written many other number one bestsellers including romance novels and stand-alone thrillers. He lives in Florida with his wife and son.
James is passionate about encouraging children to read. Inspired by his own son who was a reluctant reader, he also writes a range of books specifically for young readers. James is a founding partner of Booktrust’s Children’s Reading Fund in the UK. In 2010, he was voted Author of the Year at the Children’s Choice Book Awards in New York.
MAXINE PAETRO is the author of three novels and two works of non-fiction, and she is the co-author of more than a dozen books with James Patterson. She lives in New York with her husband.
Also by James Patterson
THE WOMEN’S MURDER CLUB SERIES
1st to Die • 2nd Chance (with Andrew Gross) • 3rd Degree (with Andrew Gross) • 4th of July (with Maxine Paetro) • The 5th Horseman (with Maxine Paetro) • The 6th Target (with Maxine Paetro) • 7th Heaven (with Maxine Paetro) • 8th Confession (with Maxine Paetro) • 9th Judgement (with Maxine Paetro) • 10th Anniversary (with Maxine Paetro) • 11th Hour (with Maxine Paetro) • 12th of Never (with Maxine Paetro)
ALEX CROSS NOVELS
Along Came a Spider • Kiss the Girls • Jack and Jill • Cat and Mouse • Pop Goes the Weasel • Roses are Red • Violets are Blue • Four Blind Mice • The Big Bad Wolf • London Bridges • Mary, Mary • Cross • Double Cross • Cross Country • Alex Cross’s Trial (with Richard DiLallo) • I, Alex Cross • Cross Fire • Kill Alex Cross • Merry Christmas, Alex Cross • Alex Cross, Run • Cross My Heart • Hope to Die (to be published November 2014)
DETECTIVE MICHAEL BENNETT SERIES
Step on a Crack (with Michael Ledwidge) • Run for Your Life (with Michael Ledwidge) • Worst Case (with Michael Ledwidge) • Tick Tock (with Michael Ledwidge) • I, Michael Bennett (with Michael Ledwidge) • Gone (with Michael Ledwidge) • Burn (with Michael Ledwidge, to be published September 2014)
PRIVATE NOVELS
Private (with Maxine Paetro) • Private London (with Mark Pearson) • Private Games (with Mark Sullivan) • Private: No. 1 Suspect (with Maxine Paetro) • Private Berlin (with Mark Sullivan) • Private Down Under (with Michael White) • Private L.A. (with Mark Sullivan)
NYPD RED SERIES
NYPD Red (with Marshall Karp) • NYPD Red 2 (with Marshall Karp, to be published June 2014)
STAND-ALONE THRILLERS
Sail (with Howard Roughan) • Swimsuit (with Maxine Paetro) • Don’t Blink (with Howard Roughan) • Postcard Killers (with Liza Marklund) • Toys (with Neil McMahon) • Now You See Her (with Michael Ledwidge) • Kill Me If You Can (with Marshall Karp) • Guilty Wives (with David Ellis) • Zoo (with Michael Ledwidge) • Second Honeymoon (with Howard Roughan) • Mistress (with David Ellis) • Invisible (with David Ellis, to be published July 2014)
NON-FICTION
Torn Apart (with Hal and Cory Friedman) • The Murder of King Tut (with Martin Dugard)
ROMANCE
Sundays at Tiffany’s (with Gabrielle Charbonnet) • The Christmas Wedding (with Richard DiLallo) • First Love (with Emily Raymond)
FAMILY OF PAGE-TURNERS
MAXIMUM RIDE SERIES
The Angel Experiment • School’s Out Forever • Saving the World and Other Extreme Sports • The Final Warning • Max • Fang • Ange
l • Nevermore
CONFESSIONS SERIES
Confessions of a Murder Suspect (with Maxine Paetro) • Confessions: The Private School Murders (with Maxine Paetro)
WITCH & WIZARD SERIES
Witch & Wizard (with Gabrielle Charbonnet) • The Gift (with Ned Rust) • The Fire (with Jill Dembowski) • The Kiss (with Jill Dembowski)
DANIEL X SERIES
The Dangerous Days of Daniel X (with Michael Ledwidge) • Watch the Skies (with Ned Rust) • Demons and Druids (with Adam Sadler) • Game Over (with Ned Rust) • Armageddon (with Chris Grabenstein)
MIDDLE SCHOOL NOVELS
Middle School: The Worst Years of My Life (with Chris Tebbetts) • Middle School: Get Me Out of Here! (with Chris Tebbetts) • Middle School: My Brother Is a Big, Fat Liar (with Lisa Papademetriou) • Middle School: How I Survived Bullies, Broccoli, and Snake Hill (with Chris Tebbetts) • Middle School: Ultimate Showdown (with Julia Bergen, to be published May 2014) • Middle School: Save Rafe! (with Chris Tebbetts, to be published July 2014)
I FUNNY SERIES
I Funny (with Chris Grabenstein) • I Even Funnier (with Chris Grabenstein)
TREASURE HUNTERS
Treasure Hunters (with Chris Grabenstein)
GRAPHIC NOVELS
Daniel X: Alien Hunter (with Leopoldo Gout) • Maximum Ride: Manga Vol. 1–7 (with NaRae Lee)
For more information about James Patterson’s novels, visit www.jamespatterson.co.uk
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For Suzie and John, Brendan, Alex, and Jack
PROLOGUE
KA-BOOM
ONE
IT WAS AN ugly Monday just after noon. There had been no sign of sun so far, just a thick fog that had put the blocks to traffic around the Golden Gate. I was behind the wheel of the squad car, and Inspector Rich Conklin, my partner of many years, was in the seat beside me when Claire called my cell phone.
Claire Washburn is my closest friend, and also San Francisco’s Chief Medical Examiner. This call was strictly business.
“Lindsay,” Claire shouted over the braying of car horns. “I’ve got two DBs in a single-car smash-up and I don’t know what the hell I’m looking at. If you and Richie are in the neighborhood, I could use another opinion.”
She gave me her location, and I told her we’d be there as soon as weather and traffic permitted. I repeated to Rich what Claire had said and turned the car around.
My partner is smart, steady, a glass-full type of guy, and on this particular day, he was pretty happy with himself.
He said, “Claire wants us to look at a traffic fatality?”
“She doubts it’s an accident.”
I followed Lincoln through the Presidio and past the Crissy Field Overlook toward the bridge as Conklin called Brady and told him we were answering Claire’s call. He phoned Claire and said we were about eight minutes out, then picked up where he left off, asking my advice on his romantic dilemma.
“It’s Tina’s birthday. We’ve been together for two months,” he said. “So what do I get her that means ‘I like you a lot so far’?”
This line of conversation was tricky. Rich is like a younger brother to me. We’re tight. We talk about everything. But, his ex-girlfriend Cindy is my home girl. And Cindy was still suffering from their breakup six months ago. She hadn’t given up hope that she and Richie could get back together.
To tell the truth, I was hoping for that, too.
I kept my eyes on the road, staying on Lincoln, a two-laner flanked by historic buildings on the left and a parking lot on the right for visitors to the bridge. We drove slowly past the nifty old houses on Pilots’ Row and then hit a wall of traffic.
“Looks like we’re walking,” I said.
I braked on the shoulder, turned on the flashers, grabbed my Windbreaker, and locked up. Then my partner and I started up the incline. Richie didn’t miss a beat.
“So I was thinking I’d get her a pair of earrings. Or does the ring in earring send too much of a message?”
“Not unless they’re diamonds,” I said.
“Hah,” said Conklin.
I said, “Rich, in my humble opinion, you and Tina are at flowers and dinner. That’s safe, sweet, and her mother won’t send out invitations.”
“Okay. And do I sign the card love or not?”
I couldn’t help it. I rolled my eyes and threw a sigh.
“Richie, do you love her? Or don’t you? You have to figure that one out.”
He laughed.
“Could you stop giggling?” I said.
He gave me a salute and said, “Yes, ma’am, Sergeant Boxer, ma’am. And could you put in for a sense of humor?”
“You’re asking for it,” I said.
I gave him a little shove, and he laughed some more, and we kept walking up the incline, passing cars that were inching forward and passengers who were getting out, shouting curses into the fog.
My cell phone rang again.
Claire said, “Hurry up, okay? I can’t hold off the damned Bridge Authority much longer. The tow truck is here.”
TWO
THE SCENE WAS surreal, and I don’t use the term lightly.
From what I could see, a late-model red Jeep had lost control in the outside northbound lane and then careered across five lanes before hitting the walkway barrier and slamming into the railing, which was bulging to accommodate the Jeep’s front end.
All but one lane had been closed, and a narrow ribbon of traffic was open to alternating northbound and southbound traffic that crawled past the Jeep, which was swallowed by fog up to its tail lights.
Law enforcement vehicles were haphazardly parked on the roadway: Bridge Authority SUVs, Fire Department, CHP vehicles, black-and-whites, and personnel to match were all clumped up around the Jeep. I saw people I knew from the ME’s Office shooting pictures of the accident. A traffic cop heaved over the railing.
At the same time, a tow truck was pulling into position to remove the Jeep, in prep for reopening the road, the only thoroughfare between San Francisco and Sausalito.
A Bridge Authority uni checked out our badges and called out, “Dr. Washburn, you got company.”
Claire came out from behind her van, shaking her head, and said, “Hey, you guys. Welcome to some kind of crazy. Let me give you the tour.”
She looked worried, and as we closed in on the Jeep, I saw why. The windshield had exploded outward, the front end was crushed accordion-style, and as I peered into the passenger compartment, my scalp actually crawled.
I’ve seen a lot of gruesome scenes in my fourteen years in Homicide, and this one vaulted to the top of the “most gruesome” list. I mean, number one.
Two adults, white male in the driver’s seat, white female in the passenger seat, both looked to be in their late teens or early twenties. Their arms were akimbo and their heads thrown back, mouths open in silent screams.
But what drew my attention directly were the victims’ midsections, which were gaping, bloody holes. And I could see where the blood and guts had gone.
The driver’s side was plastered with bits of human debris mixed with fragments of clothing and other detritus I couldn’t identify. One air bag was draped over the steering wheel. The other covered the passenger from the thighs down.
Claire said, “We’ve got blood and particles of human tissue stuck all over everywhere. We’ve got damage to the seat belts and the dashboard and the instrument panel, and that’s a button projectile stuck in the visor. Also, we’ve got a dusting of particulate from the air bags sugaring everything.
“These areas right here,” she said, pointing to the blown-out abdomens of the deceased, “this is what I’m calling explosive points of origin.”
“Aw, Christ,” Rich said. “They had bombs on their laps? What a desperate way to kill yourself.”
“I’m not ready to call manner of death, but I’m getting a handle on cause. Look at this,” Claire said. She got an arm around the passenger and leaned the
young woman’s body forward. I saw spinal tissue, bone, and blood against the back of the seat.
My morning coffee was now threatening to climb out of my throat, and the air around me seemed to get very bright. I turned away, took a couple of deep breaths, and when I turned back, I had the presence of mind to say, “So, this bomb, or should I say bombs plural, blew all the way through the bodies?”
Claire said, “Correct, Lindsay. That’s why my premature but still educated opinion is that we’re looking at a bomb that exploded from inside the abdomen. Abdomens, plural.
“I’m thinking belly bombs.”
THREE
THE LUNCH-HOUR RUSH had escalated from peeved to highly outraged. Traffic cops were taking crap from irate drivers, and TV choppers buzzed overhead like houseflies circling a warm apple pie.
The tow truck operator called out in my direction, “Hey. Like, can someone extract the victims? We gotta open the bridge.”
Here’s what I knew for sure: I was the ranking homicide cop on the scene, the primary investigator until the case was permanently assigned. Right now, my job was to protect the scene from contamination, and, no joke, the scene was a six-lane highway.
I marched over to the tow-truck driver and told him, “Thanks, but the wreck is staying here and please extract your truck from my bridge.”
As the tow truck moved out, I addressed my fellow law enforcement officers, saying, “Whatever this is, it’s not an accident. I’m locking the bridge down.”
“Bravo,” Claire said. “We agree.”
I dismissed nonessential personnel and phoned Charlie Clapper, head of CSU. I told him to drop whatever he might be doing and hustle over.
“Jam on the gas and jack up the sirens,” I said.
I reported in to Brady, told him what I knew. He said he would get hold of the chief and the mayor, and would be on scene ASAP.
