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Knights of the Black and White

Jack Whyte




  PENGUIN CANADA

  KNIGHTS OF THE BLACK AND WHITE

  JACK WHYTE is a Scots-born Canadian who has been around long enough by now to have done most of the things he ever wanted to do, and all of those seem to have been connected, in one way or another, to storytelling. His novels on King Arthur have been translated into a number of languages and are sold worldwide. Jack’s new trilogy examines the rise and fall of the Knights Templar. The first two volumes, Knights of the Black and White and Standard of Honor, are now available from Penguin. Jack Whyte lives with his wife, Beverley, in Kelowna, British Columbia.

  Also by Jack Whyte

  A DREAM OF EAGLES

  The Skystone

  The Singing Sword

  The Eagles’ Brood

  The Saxon Shore

  The Sorcerer, Volume I:

  The Fort at River’s Bend

  The Sorcerer, Volume II:

  Metamorphosis

  Uther

  THE GOLDEN EAGLE

  Clothar the Frank

  The Eagle

  THE TEMPLAR TRILOGY

  Standard of Honor

  PENGUIN CANADA

  Published by the Penguin Group

  Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Canada Inc.)

  Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A.

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  Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

  Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

  First published in a Viking Canada hardcover by Penguin Group (Canada), a division of Pearson Canada Inc., 2006. Published simultaneously in the United States by G. P. Putnam’s Sons, Penguin Group (USA) Inc. Published in this edition, 2007.

  2 3 4 5 6 7 8 9 10 (OPM)

  Copyright © Jack Whyte, 2006

  All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.

  Publisher’s note: This book is a work of fiction. Names, characters, places and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons living or dead, events, or locales is entirely coincidental.

  Manufactured in the U.S.A.

  LIBRARY AND ARCHIVES CANADA CATALOGUING IN PUBLICATION

  Whyte, Jack, 1940–

  Knights of the Black and White / Jack Whyte.

  (Templar trilogy ; bk. 1)

  ISBN 978-0-14-301736-3

  I. Title. II. Series: Whyte, Jack, 1940– Templar trilogy ; bk. 1.

  PS8595.H947K55 2007 jC813’.54 C2007-902889-6

  ISBN-13: 978-0-14-301736-3

  ISBN-10: 0-14-301736-5

  Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

  Visit the Penguin Group (Canada) website at www.penguin.ca

  Special and corporate bulk purchase rates available; please see www.penguin.ca/corporatesales or call 1-800-810-3104, ext. 477 or 474

  … fresh fields and pastures new …

  To my wife, Beverley, as always, and to the other two women in my life, Jeanne and Holly

  It has served us well, this myth of Christ.

  —Pope Leo X

  No other problem of our time is rooted so deeply in the past.

  —Report of the Royal Palestine

  Commission of Inquiry, 1937

  It is difficult to distinguish fact from legend … I have found no consensus on what is fact; it depends on the viewpoint. Interestingly enough, legend—which is by definition distorted—gives a far more acceptable view of events. Everyone agrees on legend, but nobody agrees on facts.

  —Michael Coney,

  The Celestial Steam Locomotive

  AUTHOR’S NOTE

  No other organization in history has captured the attention and curiosity of modern readers as completely and intriguingly as the medieval order of monks known as the Knights Templar. The beginnings of that popular fascination sprang from the 1982 publication of Holy Blood, Holy Grail by Michael Baigent, Richard Leigh, and Henry Lincoln. I know that my own interest in the Order of the Temple was kindled by reading that book, because although I had always been fascinated by the mystery and mysticism surrounding the Templars, it was only after reading Holy Blood, Holy Grail that I thought, There has to be a truly great story hidden in there somewhere, if a guy could just strip away all the layers of obfuscation and find a way to really look at who these people were and what made them tick. I had always believed that the Knights Templar were real, very human people, despite the fact that, back when I was a boy, the only pictures we had of them were stylized stone figures carved on medieval tombs, and the only reports we ever read of them told us they were a villainous and evil breed, condemned and excommunicated by the Church as heretics and apostates.

  The grasping Norman knights in Ivanhoe were all Templars, as were the lowering, black-visaged villains in several other tales I read in boyhood, and one seldom heard, or read, anything good about the Knights Templar. They were always evil, threatening stereo-types. And yet a quiet, logic-bound area of my awareness recognized other, seldom listed and infrequently mentioned aspects of Templar history: they existed as an order for less than two hundred years, and for most of that time they were the legitimate standing army of the Catholic Church; they invented and perfected the first sophisticated, credit-and-gold-bullion–based international banking system, and they financed all the kings and kingdoms of Christendom. They also amassed the largest and most impressive portfolio of real estate holdings known to history, and to protect their enormous trading fleet they developed the largest navy in the world. Their black and white naval ensign, a white skull and crossbones on a black field, struck the fear of God into pirates everywhere.

  Most impressive of all, however, to a storyteller, was the awareness that their meteoric career effectively came to an end in a single day, on Friday the thirteenth of October 1307, a date, to paraphrase Franklin Roosevelt, that will live forever, if not in infamy, then at least in mystery. And so were born in my mind the elements of my tale of the Templars: The Beginnings, designed and brought about, history tells us, by nine penniless men—two of whose names we do not even know today—who spent years digging in the bowels of Jerusalem and unearthed a treasure that made them the most powerful and influential force on earth for two centuries; The Middle, when a corps of monks, all of them wearing the equal-armed cross of the Order of the Temple, formed a standing army in the Holy Land and fought to the death, hopelessly outnumbered by the swarming legions of Saladin’s Saracens
, in a vain attempt to preserve an impossible dream; and The End, when the order was overthrown in a single day by the sinister lieutenant of a grasping, ambitious king, and only a few escaped to foster and nurture a legend and a tradition of hope and regeneration.

  In writing these novels for modern readers, I have had to deal with the French names of my major characters. All the original Templar knights were French and nobly born, which meant that their names all had a “de” in the middle, as in Geoffroi de Bouillon, André de Montbard, Hugues (Hugh) de Payens, etc. Family names, or surnames, as we know them today, were not in common use that long ago, and most of the identifiable names that existed came from the family’s birthplace or region. If a man called Guillaume (William) was born in a certain town or city, such as Chartres in France, he would be known as William of Chartres … Guillaume de Chartres. That makes for tough reading in modern English, and so I have made allowances, dropping the “correct” French names in many, although not all, instances, in favor of simplifying things for modern readers. I have given all my characters “modern” sounding names, simply by anglicizing their first names wherever possible and dropping the “de” between their first and second names. Thus Geoffroi de St. Omer becomes simply Godfrey St. Omer, Archambaud de St. Agnan becomes Archibald St. Agnan, and Payen de Montdidier becomes Payn Montdidier, but Hugues de Payens, the founder of the Knights Templar, becomes Hugh, yet remains Hugh de Payens, because that is his historical identity.

  I also made a note to myself, back when I first started writing these stories, to be sure to explain a few of the things that were normal eight or nine hundred years ago but would seem utterly alien and incomprehensible to modern readers. For example, no one—neither the clergymen who planned the Crusades nor the warriors who fought in them—ever heard the words Crusades or Crusaders. Those words came along hundreds of years later, when historians began talking about the exploits of the Christian armies in the Middle East. And the Crusaders’ word for the Holy Land was Outremer—the land beyond the sea. In addition to that, medieval Europe was not called Europe. It was called Christendom, because all the countries in it were Christian. The name Europe would not come along for a few more centuries.

  Even more difficult for modern people to grasp is the idea that there was no middle class in medieval Europe, and only one, all-powerful Church. There was no capacity for religious protest and no Protestants. Martin Luther would not be born for hundreds of years. There were only two kinds of people in Christendom: the haves and the have-nots (some things never change), otherwise known as aristocrats and commoners, and both were male, because women had no rights and no identity in the world of medieval Christianity. The commoners, depending on which country they lived in, were known as peasants, serfs, slaves, and mesnes, and they were uneducated and largely valueless. The aristocrats, on the other hand, were the men who owned and ruled the lands, and they were divided into two halves—knights and clerics. There were no other options. If you were firstborn, you inherited. If you were not first born, you either became a knight or a cleric. From clerics, we get the modern word clergyman, because all clerics were priests and monks, but we also get the modern word clerk, because all clerics were expected to be both literate and numerate. Knights had no need to be literate. Their job was fighting, and they could hire clerics to keep their records straight. Knights represented the worldly order, whereas clerics represented God and the Church, and there was no love lost between the two orders. On the most basic level, knights existed solely to fight, and clerics existed to stop them from killing. That entailed the most fundamental kind of conflict and led to anarchy and chaos.

  The Knights Templar, for a multiplicity of reasons, became the first religious order ever entitled to kill in the name of God. They were the first and the greatest of their kind, and this is their story.

  Jack Whyte

  Kelowna, British Columbia, Canada

  May 2006

  BEGINNINGS

  ONE

  “S ir Hugh!”

  As the guards on either side of the doors ahead came to attention and saluted him, not even the rattling clatter of their armor penetrated the awareness of the frowning, mop-headed young man who walked towards them. He was deep in thought, head down and moving slowly, a heavy, sheathed broadsword slung across the back of his neck like a yoke, and his arms extended so that his hands hung loosely over both ends of the long weapon, at hilt and point. It was the guards’ movements that finally caught his attention as they stepped quickly forward and swung the wide, heavy doors open to admit him. He looked up, blinked, nodded cordially at the guard commander, and dropped one arm from the end of the sword, catching the hilt in his other hand at the same moment, so that the long blade swung upright before he allowed it to slope backward to rest on his shoulder again.

  “Practicing, m’lord?” The guard commander’s question was rhetorical, but Hugh de Payens stopped walking and glanced down at the sword he held, then flipped it forward, gripping the thick steel hilt with both hands and extending the sheathed blade straight-armed until its weight made the muscles in his enormous arms, neck, and shoulders stand out like ropes. Then he released it with his left hand and twirled it effortlessly with his right until the blade returned to rest on his right shoulder again.

  “Practicing, Sergeant? Aye, but not with the sword, not this time. I’ve been practicing with my memory … thinking.” He nodded to the other two guards and walked through the open doors, out of the bright afternoon light of the courtyard and into the castle’s central tower, where he paused, momentarily blinded by the sudden darkness. Then, his face growing solemn again, he moved ahead into the immense space of the room, keeping his eyes lowered to the floor ahead of him as his stride lengthened, the sword still angled casually backward, over his shoulder.

  Most young men his age would have strutted with such a magnificent sword, using its lethal beauty to enhance themselves, but Hugh de Payens did no such thing. He carried the weapon simply because he had set out with it earlier and thus had to continue carrying it until he could set it down somewhere without danger of its being lost, stolen, or forgotten, and now he headed towards his own quarters, where he could finally lay it down. He was so far removed from awareness of anything else that he walked past a group of brightly dressed, giggling young women huddled in one corner of the vast room without noticing them, despite their admiring glances and the greetings some of them called out to him.

  He also failed to notice the tall, broad-shouldered man who came striding towards him as their paths converged almost in the exact center of the room, and it was left to the other to notice that Hugh was making no attempt to slow down or yield as they came together. The man stopped walking and drew himself up to his full height, his eyebrows rising in astonishment, then slowly raised one hand high, fingers spread, and stepped out of Hugh’s way. Only as Hugh drew abreast of the taller man, who now reached out to grasp his shoulder, did he become aware of him, and he reared back as though under attack, whipping the sword down from his shoulder and seizing the sheath to pull it off, before looking to see who was accosting him. He grounded the point of his still-sheathed weapon immediately, his face flushing.

  “My lord St. Clair! Forgive me, sir. I was … wool-gathering.”

  The big man’s raised hand, even before Hugh’s reaction, had been a signal to the single, armed bodyguard behind him to remain where he was, and now as he looked at the young man in front of him, a hint of something that might have been either a smile or a scowl tugged at one corner of his mouth. “I could see that,” he replied, in a great, rumbling bass voice. “But even in the midst of grave concerns, young Hugh, a man should always try to keep one eye at least on his surroundings. What were you dreaming of, so many miles away?”

  “Nothing, my lord … I beg your pardon. I was practicing words in my head, for the Gathering tomorrow night. There is much to learn.”

  “Ah, the Responses. Aye, there is, as you say. Particularly for a young man in your p
osition. But you have the best teachers you could have, and I know they are not unhappy with your efforts.” His eyes dropped to the heavy, long-bladed weapon. “But why the sword, godson? Do you remember better with a weapon in your hand?”

  Hugh looked down in mild bewilderment at the weapon he was still holding point down on the ground. “No, sir, no, not at all. I went out to walk to the butts, to practice, but I never reached them. I merely kept walking … thinking about the work and practicing that instead.”

  “Aye, well, that sounds like time well used, considering how close you are to the testing. Where are you going now, then?”

  “Back to my quarters, my lord, to rid myself of this.” He indicated the sword.

  “Here, give it to me and come and walk with me instead.” St. Clair reached out and took Hugh’s sword, then tossed it casually to the armored guard standing several paces behind him, bidding him remain and look after the weapon. As the mail-clad man saluted and stepped back, St. Clair turned back to Hugh. “I was on my way to visit the scene of your trial when you came along, and so I think your arrival might have been a signal that we should visit it together. Seeing the place thus, as sponsor and supplicant, might give us both food for thought, albeit different foods and vastly differing thoughts.”

  Listening to the deep voice, Hugh de Payens thought he might have detected a note of humor in those words, but such was his awe of the other man that he could not quite bring himself to believe him ordinary enough to use humor, and so he merely nodded, his eyes downcast again, although this time in humility. He stepped forward to walk beside and slightly behind St. Clair, too abashed and unsure of himself to make any attempt to speak. Hugh was eighteen years old, big for his years and normally irrepressible, but he was awestruck by the fame and the worldly status of the man with whom he was now walking, a man who was also, beyond doubt, the largest, most physically impressive man Hugh had ever seen.