The Complete Short Stories: Volume 1, Page 73

  'Malek,' he asked on the tenth move one morning, when he had completed his development and was relaxing for a moment. 'Tell me, do you know - when?'

  Malek looked up from the board, his large almost bovine eyes gazing blandly at Constantin. 'Yes, Mr Constantjn, I know when.' His voice was deep and functional, as expressionless as a weighing machine's.

  ***

  Constantin sat back reflectively. Outside the glass panes of the veranda the rain fell steadily on the solitary fir tree which had maintained a precarious purchase among the stones under the wall. A few miles to the south-west of the villa were the outskirts of the small port, one of the dismal so-called 'coastal resorts' where junior ministry men and party hacks were sent for their bi-annual holidays. The weather, however, seemed peculiarly inclement, the sun never shining through the morose clouds, and for a moment, before he checked himself, Constantin felt glad to be within the comparative warmth of the villa.

  'Let me get this straight,' he said to Malek. 'You don't merely know in a general sense - for example, after receiving an instruction from so-and-so - but you know specifically when?'

  'Exactly.' Malek moved his queen out of the game. His chess was sound but without flair or a personal style, suggesting that he had improved merely by practice - most of his opponents, Constantin realized with sardonic amusement, would have been players of a high class.

  'You know the day and the hour and the minute,' Constantin pressed. Malek nodded slowly, most of his attention upon the game, and Constantin rested his smooth sharp chin in one hand, watching his opponent. 'It could be within the next ten seconds, or again, it might not be for ten years?'

  'As you say.' Malek gestured at the board. 'Your move.'

  Constantin waved this aside. 'I know, but don't let's rush it. These games are played on many levels, Malek. People who talk about threedimensional chess obviously know nothing about the present form.' Occasionally he made these openings in the hope of loosening Malek's tongue, but conversation with him seemed to be impossible.

  Abruptly he sat forward across the board, his eyes searching Malek's. 'You alone know the date, Malek, and as you have said, it might not be for ten years - or twenty. Do you think you can keep such a secret to yourself for so long?'

  Malek made no attempt to answer this, and waited for Constantin to resume play. Now and then his eyes inspected the corners of the veranda, or glanced at the stone garden outside. From the kitchen came the occasional sounds of the orderly's boots scraping the floor as he lounged by the telephone on the deal table.

  As he scrutinized the board Constantin wondered how he could provoke any response whatever from Malek; the man had shown no reaction at the mention of ten years, although the period was ludicrously far ahead. In all probability their real game would be a short one. The indeterminate date of the execution, which imbued the procedure with such a bizarre flavour, was not intended to add an element of torture or suspense to the condemned's last days, but simply to obscure and confuse the very fact of his exit. If a definite date were known in advance there might be a last-minute rally of sympathy, an attempt to review the sentence and perhaps apportion the blame elsewhere, and the unconscious if not conscious sense of complicity in the condemned man's crimes might well provoke an agonized reappraisal and, after the execution of the sentence, a submerged sense of guilt upon which opportunists and intriguers could play to advantage.

  By means of the present system, however, all these dangers and unpleasant side-effects were obviated, the accused was removed from his place in the hierarchy when the opposition to him was at its zenith and conveniently handed over to the judiciary, and thence to one of the courts of star chamber whose proceedings were always held in camera and whose verdicts were never announced.

  As far as his former colleagues were concerned, he had disappeared into the endless corridor world of the bureaucratic purgatories, his case permanently on file but never irrevocably closed. Above all, the fact of his guilt was never established and confirmed. As Constantin was aware, he himself had been convicted upon a technicality in the margins of the main indictment against him, a mere procedural device, like a bad twist in the plot of a story, designed solely to bring the investigation to a close. Although he knew the real nature of his crime, Constantin had never been formally notified of his guilt; in fact the court had gone out of its way to avoid preferring any serious charges against him whatever.

  This ironic inversion of the classical Kafkaesque situation, by which, instead of admitting his guilt to a non-existent crime, he was forced to connive in a farce maintaining his innocence of offences he knew full well he had committed, was preserved in his present situation at the execution villa.

  The psychological basis was more obscure but in some way far more threatening, the executioner beckoning his victim towards him with a beguiling smile, reassuring him that all was forgiven. Here he played upon, not those unconscious feelings of anxiety and guilt, but that innate conviction of individual survival, that obsessive preoccupation with personal immortality which is merely a disguised form of the universal fear of the image of one's own death. It was this assurance that all was well, and the absence of any charges of guilt or responsibility, which had made so orderly the queues into the gas chambers.

  At present the paradoxical face of this diabolical device was worn by Malek, his lumpy amorphous features and neutral but ambiguous attitude making him seem less a separate personality than the personification of the apparat of the state. Perhaps the sardonic title of 'supervisor' was nearer the truth than had seemed at first sight, and that Malek's role was simply to officiate, or at the most serve as moderator, at a trial by ordeal in which Constantin was his own accused, prosecutor and judge.

  However, he reflected as he examined the board, aware of Malek's bulky presence across the pieces, this would imply that they had completely misjudged his own personality, with its buoyancy and almost gallic verve and panache. He, of all people, would be the last to take his own life in an orgy of self-confessed guilt. Not for him the neurotic suicide so loved of the Slav. As long as there were a way out he would cheerfully shoulder any burden of guilt, tolerant of his own weaknesses, ready to shrug them off with a quip. This insouciance had always been his strongest ally.

  His eyes searched the board, roving down the open files of the queens and bishops, as if the answer to the pressing enigma were to be found in these polished corridors.

  When? His own estimate was two months. Almost certainly, (and he had no fear here that he was rationalizing) it would not be within the next two or three days, nor even the next fortnight. Haste was always unseemly, quite apart from violating the whole purpose of the exercise. Two months would see him safely into limbo, and be sufficiently long for the suspense to break him down and reveal any secret allies, sufficiently brief to fit his particular crime.

  Two months? Not as long as he might have wished. As he translated his queen's bishop into play Constantin began to map out his strategy for defeating Malek. The first task, obviously, was to discover when Malek was to carry out the execution, partly to give him peace of mind, but also to allow him to adjust the context of his escape. A physical leap to freedom over the wall would be pointless. Contacts had to be established, pressure brought to bear at various sensitive points in the hierarchy, paving the way for a reconsideration of his case. All this would take time.

  His thoughts were interrupted by the sharp movement of Malek's left hand across the board, followed by a guttural grunt. Surprised by the speed and economy with which Malek had moved his piece as much by the fact that he himself was in check, Constantin sat forward and examined his position with more care. He glanced with grudging respect at Malek, who had sat back as impassively as ever, the knight he had deftly taken on the edge of the table in front of him. His eyes watched Constantin with their usual untroubled calm, like those of an immensely patient governess, his great shoulders hidden within the bulky suiting. But for a moment, when he had leaned across the
board, Constantin had seen the powerful extension and flexion of his shoulder musculature.

  Don't look so smug, my dear Malek, Constantin said to himself with a wry smile. At least I know now that you are left-handed. Malek had taken the knight with one hand, hooking the piece between the thick knuckles of his ring and centre fingers, and then substituting his queen with a smart tap, a movement not easily performed in the centre of the crowded board. Useful though the confirmation was - Constantin had noticed Malek apparently trying to conceal his left-handedness during their meals and when opening and closing the windows - he found this sinistral aspect of Malek's personality curiously disturbing, an indication that there would be nothing predictable about his opponent, or the ensuing struggle of wits between them. Even Malek's apparent lack of sharp intelligence was belied by the astuteness of his last move.

  Constantin was playing white, and had chosen the Queen's Gambit, END-GAME assuming that the fluid situation invariably resulting from the opening would be to his advantage and allow him to get on with the more serious task of planning his escape. But Malek had avoided any possible errors, steadily consolidating his position, and had even managed to launch a counter-gambit, offering a knight-to-bishop exchange which would soon undermine Constantin's position if he accepted.

  'A good move, Malek,' he commented. 'But perhaps a little risky in the long run.' Declining the exchange, he lamely blocked the checking queen with a pawn.

  Malek stared stolidly at the board, his heavy policeman's face, with its almost square frame from one jaw angle to the other, betraying no sign of thought. His approach, Constantin reflected as he watched his opponent, would be that of the pragmatist, judging always by immediate capability rather than by any concealed intentions. As if confirming this diagnosis, Malek simply returned his queen to her former square, unwilling or unable to exploit the advantage he had gained and satisfied by the captured piece.

  Bored by the lower key on to which the game had descended, and the prospect of similar games ahead, Constantin castled his king to safety. For some reason, obviously irrational, he assumed that Malek would not kill him in the middle, of a game, particularly if he, Malek, were winning. He recognized that this was an unconscious reason for wanting to play chess in the first place, and had no doubt motivated the many others who had also sat with Malek on the veranda, listening to the late summer rain. Suppressing a sudden pang of fear, Constantin examined Malek's powerful hands protruding from his cuffs like two joints of meat. If Malek wanted to, he could probably kill Constantin with his bare hands.

  That raised a second question, almost as fascinating as the first.

  'Malek, another point.' Constantin sat back, searching in his pockets for imaginary cigarettes (none were allowed him). 'Forgive my curiosity, but I am an interested party, as it were - , He flashed Malek his brightest smile, a characteristically incisive thrust modulated by ironic self-deprecation which had been so successful with his secretaries and at ministry receptions, but the assay at humour failed to move Malek. 'Tell me, do you know.., how?' Searching for some euphemism, he repeated: 'Do you know how you are going to..?' and then gave up the attempt, cursing Malek to himself for lacking the social grace to rescue him from his awkwardness.

  Malek's chin rose slightly, a minimal nod. He showed no signs of being bored or irritated by Constantin's laboured catechism, or of having noticed his embarrassment.

  'What is it, then?' Constantin pressed, recovering himself. 'Pistol, pill or-' with a harsh laugh he pointed through the window '- do you set up a guillotine in the rain? I'd like to know.'

  Malek looked down at the chess-board, his features more glutinous and dough-like than ever. Flatly, he said: 'It has been decided.'

  Constantin snorted. 'What on earth does that mean?' he snapped belligerently. 'Is it painless?'

  For once Malek smiled, a thin sneer of amusement hung fleetingly around his mouth. 'Have you ever killed anything, Mr Constantin?' he asked quietly. 'Yourself, personally, I mean.'

  'Touch,' Constantin granted. He laughed deliberately, trying to dispel the tension. 'A perfect reply.' To himself he said: I mustn't let curiosity get the upper hand, the man was laughing at me.

  'Of course,' he went on, 'death is always painful. I merely wondered whether, in the legal sense of the term, it would be humane. But I can see that you are a professional, Malek, and the question answers itself. A great relief, believe me. There are so many sadists about, perverts and the like - ' again he watched carefully to see if the implied sneer provoked Malek '- that one can't be too grateful for a clean curtain fall. It's good to know. I can devote these last days to putting my affairs in order and coming to terms with the world. If only I knew how long there was left I could make my preparations accordingly. One can't be forever saying one's last prayers. You see my point?'

  Colourlessly, Malek said: 'The Prosecutor-General advised you to make your final arrangements immediately after the trial.'

  'But what does that mean?' Constantin asked, pitching his voice a calculated octave higher. 'I'm a human being, not a book-keeper's ledger that can be totted up and left to await the auditor's pleasure. I wonder if you realize, Malek, the courage this situation demands from me? It's easy for you to sit there - '

  Abruptly Malek stood up, sending a shiver of terror through Constantin. With a glance at the sealed windows, he moved around the chess table towards the lounge. 'We will postpone the game,' he said. Nodding to Constantin, he went off towards the kitchen where the orderly was preparing lunch.

  Constantin listened to his shoes squeaking faintly across the unpolished floor, then irritably cleared the pieces off the board and sat back with the black king in his hand. At least he had provoked Malek into leaving him. Thinking this over, he wondered whether to throw caution to the winds and begin to make life intolerable for Malek - it would be easy to pursue him around the villa, arguing hysterically and badgering him with neurotic questions. Sooner or later Malek would snap back, and might give away something of his intentions. Alternatively, Constantin could try to freeze him out, treating him with contempt as the hired killer he was, refusing to share a room or his meals with him and insisting on his rights as a former member of the central committee. The method might well be successful. Almost certainly Malek was telling the truth when he said he knew the exact day and minute of Constantin's execution. The order would have been given to him and he would have no discretion to advance or delay the date to suit himself. Malek would be reluctant to report Constantin for difficult behaviour - the reflection on himself was too obvious and his present post was not one from which he could graciously retire - and in addition not even the Police-President would be able to vary the execution date now that it had been set without convening several meetings. There was then the danger of reopening Constantin's case. He was not without his allies, or at least those who were prepared to use him for their own advantage.

  But despite these considerations, the whole business of play-acting lacked appeal for Constantin. His approach was more serpentine. Besides, if he provoked Malek, uncertainties were introduced, of which there were already far too many.

  He noticed the supervisor enter the lounge and sit down quietly in one of the grey armchairs, his face, half-hidden in the shadows, turned towards Constantin. He seemed indifferent to the normal pressures of boredom and fatigue (luckily for himself, Constantin reflected - an impatient man would have pulled the trigger on the morning of the second day), and content to sit about in the armchairs, watching Constantin as the grey rain fell outside and the damp leaves gathered against the walls. The difficulties of establishing a relationship with Malek - and some sort of relationship was essential before Constantin could begin to think of escape - seemed insuperable, only the games of chess offering an opportunity.

  Placing the black king on his own king's square, Constantin called out: 'Malek, I'm ready for another game, if you are.'

  Malek pushed himself out of the chair with his long arms, and then took his pl
ace across the board. For a moment he scrutinized Constantin with a level glance, as if ascertaining that there would be no further outbursts of temper, and then began to set up the white pieces, apparently prepared to ignore the fact that Constantin had cleared the previous game before its completion.

  He opened with a stolid Ruy Lopez, an over-analysed and uninteresting attack, but a dozen moves later, when they broke off for lunch, he had already forced Constantin to castle on the Queen's side and had established a powerful position in the centre.

  As they took their lunch together at the card table behind the sofa in the lounge, Constantin reflected upon this curious element which had been introduced into his relationship with Malek. While trying to check any tendency to magnify an insignificant triviality into a major symbol, he realized that Malek's proficiency at chess, and his ability to produce powerful combinations out of pedestrian openings, was symptomatic of his concealed power over Constantin.

  The drab villa in the thin autumn rain, the faded furniture and unimaginative food they were now mechanically consuming, the whole grey limbo with its slender telephone connection with the outside world were, like his chess, exact extensions of Malek's personality, yet permeated with secret passages and doors. The unexpected thrived in such an ambience. At any moment, as he shaved, the mirror might retract to reveal the flaming Malek started to ask him for the salt and Constantin almost choked to death.

  The ironic humour of this near-fatality reminded Constantin that almost half of his two-month sentence had elapsed. But his crude attempts to obtain a pencil from the orderly and later, failing this, to mark the letters in a page torn from one of the novels were intercepted by Malek, and he realized that short of defeating the two policemen in singlehanded combat he had no means of escaping his ever more imminent fate.

  Latterly he had noticed that Malek's movements and general activity around the villa seemed to have quickened. He still sat for long periods in the armchair, observing Constantin, but his formerly impassive presence was graced by gestures and inclinations of the head that seemed to reflect a heightened cerebral activity, as if he were preparing himself for some long-awaited denouement. Even the heavy musculature of his face seemed to have relaxed and grown sleeker, his sharp mobile eyes, like those of an experienced senior inspector of police, roving constantly about the rooms.