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The Goldfinch

Donna Tartt


  like?”

  “I don’t know. Just… loud,” I added, when they kept on looking at me like they expected something more.

  In the silence that followed, I heard a stealthy clicking: Mrs. Barbour, with her head down, discreetly checking her BlackBerry for messages.

  Morris cleared his throat. “What about a smell?”

  “Excuse me?”

  “Did you notice any particular smell in the moments prior?”

  “I don’t think so.”

  “Nothing at all? You sure?”

  As the questioning wore on—the same stuff over and over, switched around a little to confuse me, with every now and then something new thrown in—I steeled myself and waited hopelessly for them to work around to the painting. I would simply have to admit it and face the consequences, no matter what the consequences were (probably fairly dire, since I was well on my way to becoming a Ward of the State). At a couple of points, I was on the verge of blurting it out, in my terror. But the more questions they asked (where was I when I’d hit my head? Who had I seen or spoken to on my way downstairs?) the more it dawned on me that they didn’t know a thing about what had happened to me—what room I’d been in when the bomb exploded, or even what exit I’d taken out of the building.

  They had a floor plan; the rooms had numbers instead of names, Gallery 19A and Gallery 19B, numbers and letters in a mazelike arrangement all the way up to 27. “Were you here when the initial blast occurred?” Ray said, pointing. “Or here?”

  “I don’t know.”

  “Take your time.”

  “I don’t know,” I repeated, a bit frantically. The diagram of the rooms had a confusing, computer-generated quality, like something from a video game or a reconstruction of Hitler’s bunker that I’d seen on the History Channel, that in truth didn’t make any sense or seem to represent the space as I remembered it.

  He pointed to a different spot. “This square?” he said. “That’s a display plinth, with paintings on it. I know these rooms all look alike, but maybe you can remember where you were in relation to that?”

  I stared hopelessly at the diagram and didn’t answer. (Part of the reason it looked so unfamiliar was that they were showing me the area where my mother’s body was found—rooms away from where I’d been when the bomb went off—although I didn’t realize that until later.)

  “You didn’t see anybody on your way out,” said Morris encouragingly, repeating what I’d already told them.

  I shook my head.

  “Nothing you remember at all?”

  “Well, I mean—bodies covered up. Equipment lying around.”

  “Nobody coming in or out of the area of the explosion.”

  “I didn’t see anybody,” I repeated doggedly. We had been over this.

  “So you never saw firemen or rescue personnel.”

  “No.”

  “I suppose we can establish, then, that they’d been ordered out of the building by the time you came to. So we’re talking about a time lapse of forty minutes to an hour and a half after the initial explosion. Is that a safe assumption?”

  I shrugged, limply.

  “Is that a yes or a no?”

  Staring at the floor. “I don’t know.”

  “What don’t you know?”

  “I don’t know,” I said again, and the silence that followed was so long and uncomfortable I thought I might break down crying.

  “Do you recall hearing the second blast?”

  “Pardon me for asking,” said Mr. Beeman, “but is this really necessary?”

  Ray, my questioner, turned. “Excuse me?”

  “I’m not sure I see the purpose of putting him through this.”

  With careful neutrality, Morris said: “We’re investigating a crime scene. It’s our job to find out what happened in there.”

  “Yes, but surely you must have other means of doing so for such routine matters. I would think they had all manner and variety of security cameras in there.”

  “Sure they do,” said Ray, rather sharply. “Except cameras can’t see through dust and smoke. Or if they’re blown up to face the ceiling. Now,” he said, settling back in his chair with a sigh. “You mentioned smoke. Did you smell it or see it?”

  I nodded.

  “Which one? Saw or smelled?”

  “Both.”

  “What direction do you think it was coming from?”

  I was about to say I didn’t know again, but Mr. Beeman had not finished making his point. “Forgive me, but I entirely fail to see the purpose in security cameras if they don’t operate in an emergency,” he said, to the room in general. “With technology today, and all that artwork—”

  Ray turned his head as if to say something angry, but Morris, standing in the corner, raised his hand and spoke up.

  “The boy’s an important witness. The surveillance system isn’t designed to withstand an event like this. Now, I’m sorry, but if you can’t stop it with the comments we’ll have to ask you to leave, sir.”

  “I’m here as this child’s advocate. I’ve the right to ask questions.”

  “Not unless they pertain directly to the child’s welfare.”

  “Oddly enough, I was under the impression that they did.”

  At this Ray, in the chair in front of me, turned around. “Sir? If you continue to obstruct the proceedings?” he said. “You will have to leave the room.”

  “I have no intention of obstructing you,” said Mr. Beeman in the tense silence that followed. “Nothing could be further from my mind, I assure you. Go on, please continue,” he said, with an irritated flick of the hand. “Far be it from me to stop you.”

  On the questioning dragged. What direction had the smoke come from? What color was the flash? Who went in and out of the area in the moments prior? Had I noticed anything unusual, anything at all, before or after? I looked at the pictures they showed me—innocent vacation faces, nobody I recognized. Passport photos of Asian tourists and senior citizens, moms and acned teenagers smiling against blue studio backgrounds—ordinary faces, unmemorable, yet all somehow smelling of tragedy. Then we went back to the diagram. Could I maybe just try, just one more time, to pinpoint my location on this map? Here, or here? What about here?

  “I don’t remember.” I kept on saying it: partly because I really wasn’t sure, partly because I was frightened and anxious for the interview to come to a close, but also because there was an air of restlessness and distinct impatience in the room; the other adults seemed already to have agreed silently among themselves that I didn’t know anything, and should be left alone.

  And then, before I knew it, it was over. “Theo,” said Ray, standing up and placing a meaty hand on my shoulder, “I want to thank you, buddy, for doing what you could for us.”

  “That’s okay,” I said, jarred by how abruptly it had all come to an end.

  “I know exactly how hard this was for you. Nobody but nobody wants to relive this type of stuff. It’s like—” he made a picture frame with his hands—“we’re putting together pieces of a jigsaw puzzle, trying to figure out what went on in there, and you’ve maybe got some pieces of the puzzle that nobody else has got. You really helped us a lot by letting us talk to you.”

  “If you remember anything else,” said Morris, leaning in to give me a card (which Mrs. Barbour quickly intercepted and tucked in her purse), “you’ll call us, won’t you? You’ll remind him, won’t you, miss,” he said to Mrs. Barbour, “to phone us if he has anything else to say? The office number’s right on that card but—” he took a pen from his pocket—“you don’t mind, can I have it back for a second, please?”

  Without a word, Mrs. Barbour opened her bag and handed the card back to him.

  “Right, right.” He clicked the pen out and scribbled a number on the back. “That’s my cell phone there. You can always leave a message at my office, but if you can’t reach me there, phone me on my cell, all right?”

  As everyone was milling around the entrance, Mr
s. Swanson floated up and put her arm around me, in the cozy way she had. “Hi there,” she said, confidentially, as if she were my tightest friend in the world. “How’s it going?”

  I looked away, made an okay, I guess face.

  She stroked my arm like I was her favorite cat. “Good for you. I know that must have been tough. Would you like to go to my office for a few minutes?”

  With dismay, I noticed Dave the psychiatrist hovering in the background, and behind him Enrique, hands on hips, with an expectant half-smile on his face.

  “Please,” I said, and my desperation must have been audible in my voice, “I want to get back to class.”

  She squeezed my arm, and—I noticed—threw a glance at Dave and Enrique. “Sure,” she said. “Where are you this period? I’ll walk you down.”

  ix.

  BY THEN IT WAS English—last class of the day. We were studying the poetry of Walt Whitman:

  Jupiter shall emerge, be patient, watch again another night, the Pleiades shall emerge,

  They are immortal, all those stars both silvery and golden shall shine out again

  Vacant faces. The classroom was hot and drowsy in the late afternoon, windows open, traffic noises floating up from West End Avenue. Kids leaned on their elbows and drew pictures in the margins of their spiral notebooks.

  I stared out the window, out at the grimy water tank on the roof opposite. The interrogation (as I thought of it) had disturbed me greatly, kicking up a wall of the disjointed sensations that crashed over me at unexpected moments: a choking burn of chemicals and smoke, sparks and wires, the blanched chill of emergency lights, overpowering enough to blank me out. It happened at random times, at school or out on the street—frozen in mid-step as it washed over me again, the girl’s eyes locked on mine in the queer, skewed instant before the world blew apart. Sometimes I’d come to, uncertain what had just been said to me, to find my lab partner in biology staring at me, or the guy whose way I was blocking in front of the cold-drinks case at the Korean market saying look kid, move it, I aint got all day.

  Then dearest child mournest thou only for Jupiter?

  Considerest thou alone the burial of the stars?

  They had shown me no photographs I recognized of the girl—or of the old man either. Quietly, I put my left hand in my jacket pocket and felt around for the ring. On our vocabulary list a few days before we’d had the word consanguinity: joined in blood. The old man’s face had been so torn up and ruined I couldn’t even say exactly what he’d looked like, and yet I remembered all too well the warm slick feel of his blood on my hands—especially since in some way the blood was still there, I could still smell it and taste it in my mouth, and it made me understand why people talked about blood brothers and how blood bound people together. My English class had read Macbeth in the fall, but only now was it starting to make sense why Lady Macbeth could never scrub the blood off her hands, why it was still there after she washed it away.

  x.

  BECAUSE, APPARENTLY, SOMETIMES I woke Andy by thrashing and crying out in my sleep, Mrs. Barbour had started giving me a little green pill called Elavil that she explained would keep me from being scared at night. This was embarrassing, especially since my dreams weren’t even full-blown nightmares but only troubled interludes where my mother was working late and stranded without a ride—sometimes upstate, in some burned-out area with junked cars and chained dogs barking in the yards. Uneasily I searched for her in service elevators and abandoned buildings, waited for her in the dark at strange bus stops, glimpsed women who looked like her in the windows of passing trains and just missed grabbing up the telephone when she called me at the Barbours’ house—disappointments and near-misses that thumped me around and woke me with a sharp hiss of breath, lying queasy and sweaty in the morning light. The bad part wasn’t trying to find her, but waking up and remembering she was dead.

  With the green pills, even these dreams faded into airless murk. (It strikes me now, though it didn’t then, that Mrs. Barbour was well out of line by giving me unprescribed medication on top of the yellow capsules and tiny orange footballs Dave the Shrink had prescribed me.) Sleep, when it came, was like tumbling into a pit, and often I had a hard time waking up in the morning.

  “Black tea, that’s the ticket,” said Mr. Barbour one morning when I was nodding off at breakfast, pouring me a cup from his own well-stewed pot. “Assam Supreme. As strong as Mother makes it. It’ll flush the medication right out of your system. Judy Garland? Before shows? Well, my grandmother told me that Sid Luft used to always phone down to the Chinese restaurant for a big pot of tea to knock all the barbs out of her system, this was London, I believe, the Palladium, and strong tea was the only thing that did the trick, sometimes they’d have a hard time waking her up, you know, just getting her out of bed and dressed—”

  “He can’t drink that, it’s like battery acid,” said Mrs. Barbour, dropping in two sugar cubes and pouring in a heavy slug of cream before she handed the cup over to me. “Theo, I hate to keep harping on this, but you really must eat something.”

  “Okay,” I said sleepily, but without moving to take a bite of my blueberry muffin. Food tasted like cardboard; I hadn’t been hungry in weeks.

  “Would you rather have cinnamon toast? Or oatmeal?”

  “It’s completely ridiculous that you won’t let us have coffee,” said Andy, who was in the habit of buying himself a huge Starbucks on the way to school and on the way home every afternoon, without his parents’ knowledge. “You’re very behind the times on this.”

  “Possibly,” Mrs. Barbour said coldly.

  “Even half a cup would help. It’s unreasonable for you to expect me to go into Advanced Placement Chemistry at 8:45 in the morning with no caffeine.”

  “Sob, sob,” said Mr. Barbour, without looking up from the paper.

  “Your attitude is very unhelpful. Everyone else is allowed to drink it.”

  “I happen to know that’s not true,” said Mrs. Barbour. “Betsy Ingersoll told me—”

  “Maybe Mrs. Ingersoll doesn’t let Sabine drink coffee, but it would take a whole lot more than a cup of coffee to get Sabine Ingersoll into Advanced Placement anything.”

  “That’s uncalled for, Andy, and very unkind.”

  “Well, it’s only the truth,” said Andy coolly. “Sabine is as dumb as a post. I suppose she may as well safeguard her health since she has so little else going for her.”

  “Brains aren’t everything, darling. Would you eat an egg if Etta poached you one?” Mrs. Barbour said, turning to me. “Or fried? Or scrambled? Or whatever you like?”

  “I like scrambled eggs!” Toddy said. “I can eat four!”

  “No you can’t, pal,” said Mr. Barbour.

  “Yes I can! I can eat six! I can eat the whole box!”

  “It’s not as if I’m asking for Dexedrine,” Andy said. “Although I could get it at school if I felt like it.”

  “Theo?” said Mrs. Barbour. Etta the cook, I noticed, was standing in the door. “What about that egg?”

  “Nobody ever asks us what we want for breakfast,” Kitsey said; and even though she said it in a very loud voice, everyone pretended not to hear.

  xi.

  ONE SUNDAY MORNING, I climbed up to the light from a weighty and complicated dream, nothing of it left but a ringing in my ears and the ache of something slipped from my grasp and fallen into a crevasse where I would not see it again. Yet somehow—in the midst of this profound sinking, snapped threads, fragments lost and untrackable—a sentence stood out, ticking across the darkness like a news crawler at the bottom of a TV screen: Hobart and Blackwell. Ring the green bell.

  I lay staring at the ceiling, not wanting to stir. The words were as clear and crisp as if someone had handed them to me typed on a slip of paper. And yet—most wonderfully—an expanse of forgotten memory had opened up and floated to the surface with them, like one of those paper pellets from Chinatown that bloom and swell into flowers when dropped into a glass o
f water.

  Adrift in an air of charged significance, doubt struck me: was it a real memory, had he really spoken those words to me, or was I dreaming? Not long before my mother died, I’d woken convinced that a (nonexistent) schoolteacher named Mrs. Malt had put ground glass in my food because I had no discipline—in the world of my dream, a perfectly logical series of events—and I’d lain in a muddle of worry for two or three minutes before I came to my senses.

  “Andy?” I said, and then leaned over and peered at the lower bunk, which was empty.

  After lying wide-eyed for several moments, staring at the ceiling, I climbed down and retrieved the ring from the pocket of my school jacket and held it up to the light to look at the inscription. Then, quickly, I put it away and dressed. Andy was already up with the rest of the Barbours, at breakfast—Sunday breakfast was a big deal for them, I could hear them all in the dining room, Mr. Barbour rambling on indistinctly as he sometimes did, holding forth a bit. After pausing in the hall, I walked the other way, to the family room, and got the White Pages in its needlepoint cover from the cabinet under the telephone.

  Hobart and Blackwell. There it was—clearly a business, though the listing didn’t say what sort. I felt a bit dizzy. Seeing the name in black and white gave me a strange thrill, as of unseen cards falling into place.

  The address was in the Village, West Tenth Street. After some hesitation, and with a great deal of anxiety, I dialed the number.

  As the phone rang, I stood fiddling with a brass carriage clock on the table in the family room, chewing my lower lip, looking at the framed prints of water birds over the telephone table: Noddy Tern, Townsend’s Cormorant, Common Osprey, Least Water Rail. I wasn’t quite sure how I was going to explain who I was or ask what I needed to know.

  “Theo?”

  I jumped, guiltily. Mrs. Barbour—in gossamer-gray cashmere—had come in, coffee cup in hand.

  “What are you doing?”

  The phone was still ringing away on the other end. “Nothing,” I said.

  “Well, hurry up. Your breakfast is getting cold. Etta’s made French toast.”

  “Thanks,” I said, “I’ll be right there,” just as a mechanical voice from the phone company came on the line and told me to try my call again later.

  I joined the Barbours, preoccupied—I had hoped that at least a machine would pick up—and was surprised to see none other than Platt Barbour (much bigger and redder in the face than the last time I’d seen him) in the place where I usually sat.

  “Ah,” said Mr. Barbour—interrupting himself mid-sentence, blotting his lips with his napkin and jumping up—“here we are, here we are. Good morning. You remember Platt, don’t you? Platt, this is Theodore Decker—Andy’s friend, remember?” As he was speaking, he had wandered off and returned with an extra chair, which he wedged in awkwardly for me at the sharp corner of the table.

  As I sat down on the outskirts of the group—three or four inches lower than everyone else, in a spindly bamboo chair that didn’t match the others—Platt met my gaze without much interest and looked away. He had come home from school for a party, and he looked hung over.

  Mr. Barbour had sat down again and resumed talking about his favorite topic: sailing. “As I was saying. It all boils down to lack of confidence. You’re unsure of yourself on the keelboat, Andy,” he said, “and there’s just no darn reason you should be, except you’re short of experience on single-hand sailing.”

  “No,” said Andy, in his faraway voice. “The problem essentially is that I despise boats.”

  “Horsefeathers,” said Mr. Barbour, winking at me as if I were in on the joke, which I wasn’t. “I don’t buy that ho-hum attitude! Look at that picture on the wall in there, down in Sanibel two springs ago! That boy wasn’t bored by the sea and the sky and the stars, no sir.”

  Andy sat contemplating the snow scene on the maple syrup bottle while his father rhapsodized in his dizzying, hard-to-follow way about how sailing built discipline and alertness in boys, and strength of character as in mariners of old. In past years, Andy had told me, he hadn’t minded going on the boat quite so much because he’d been able to stay down in the cabin, reading and playing card games with his younger siblings. But now he was old enough to help crew—which meant long, stressful, sun-blinded days toiling on deck alongside the bullying