All Hallows' Eve

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  PRAISE FOR THE WRITING OF CHARLES WILLIAMS

  “One of the most gifted and influential Christian writers England has produced this century.” —Time

  “[Williams has a] profound insight into Good and Evil, into the heights of Heaven and the depths of Hell, which provides both the immediate thrill, and the permanent message of his novels.” —T. S. Eliot

  “Reading Charles Williams is an unforgettable experience. It proves that one can write about the weird and fantastic in such a compelling manner as to appeal to any reader of modern novels.” —The Saturday Review of Literature

  “Charles Williams took the form of the thriller and used it to create an extraordinary genre that has sometimes been called ‘spiritual shockers.’ His books are immensely worth reading, even if you consider yourself unspiritual and immune to shock.” —Humphrey Carpenter, author of The Inklings: C. S. Lewis, J. R. R. Tolkien, Charles Williams, and Their Friends

  “With a powerful imagination fed by trinitarian and incarnational faith, Charles Williams used fiction to explore how people react when the supernatural enters their lives, and how then to find the path of peace. The fantasy novels that result make a riveting read.” —J. I. Packer, theologian and author of Knowing God

  All Hallows’ Eve

  “The work of a gifted man and obviously the expression of devoutly held convictions … No stranger novel has crossed my path in years.” —The New York Times

  “A story that makes a real word of supernatural … A tale of horror surpassing even the works of the recognized masters.” —Chicago Sunday Tribune

  “A strange story … poignant beauty such as prose fiction rarely achieves. The final impression is more as if the three books of the Divine Comedy had been compressed into one novel.” —The New York Times Book Review

  Many Dimensions

  “A great English believer unites the seen with the unseen in a glory and a terror that are unforgettable.” —New York Herald Tribune

  “It is satire, romance, thriller, morality and glimpses of eternity all rolled into one.” —The New York Times

  All Hallows’ Eve

  A Novel

  Charles Williams

  CONTENTS

  1. The New Life

  2. The Beetles

  3. Clerk Simon

  4. The Dream

  5. The Hall by Holborn

  6. The Wise Water

  7. The Magical Sacrifice

  8. The Magical Creation

  9. Telephone Conversations

  10. The Acts of the City

  About the Author

  Chapter One

  THE NEW LIFE

  She was standing on Westminster Bridge. It was twilight, but the City was no longer dark. The street lamps along the Embankment were still dimmed, but in the buildings shutters and blinds and curtains had been removed or left undrawn, and the lights were coming out there like the first faint stars above. Those lights were the peace. It was true that formal peace was not yet in being; all that had happened was that fighting had ceased. The enemy, as enemy, no longer existed and one more crisis of agony was done. Labor, intelligence, patience—much need for these; and much certainty of boredom and suffering and misery, but no longer the sick vigils and daily despair.

  Lester Furnival stood and looked at the City while the twilight deepened. The devastated areas were hidden; much was to be done but could be. In the distance she could hear an occasional plane. Its sound gave her a greater sense of relief than the silence. It was precisely not dangerous; it promised a truer safety than all the squadrons of fighters and bombers had held. Something was ended and those remote engines told her so. The moon was not yet risen; the river was dark below. She put her hand on the parapet and looked at it; it should make no more bandages if she could help it. It was not a bad hand, though it was neither so clean nor so smooth as it had been years ago, before the war. It was twenty-five now and to her that seemed a great age. She went on looking at it for a long while, in the silence and the peace, until it occurred to her that the silence was very prolonged, except for that recurrent solitary plane. No one, all the time she had been standing there, had crossed the bridge; no voice, no step, no car had sounded in the deepening night.

  She took her hand off the wall and turned. The bridge was as empty as the river; no vehicles or pedestrians here, no craft there. In all that City she might have been the only living thing. She had been so impressed by the sense of security and peace while she had been looking down at the river that only now did she begin to try and remember why she was there on the bridge. There was a confused sense in her mind that she was on her way somewhere; she was either going to or coming from her own flat. It might have been to meet Richard, though she had an idea that Richard, or someone with Richard, had told her not to come. But she could not think of anyone, except Richard, who was at all likely to do so, and anyhow she knew she had been determined to come. It was all mixed up with that crash which had put everything out of her head; and as she lifted her eyes, she saw beyond the Houses and the Abbey the cause of the crash, the plane lying half in the river and half on the Embankment. She looked at it with a sense of its importance to her, but she could not tell why it should seem so important. Her only immediate concern with it seemed to be that it might have blocked the direct road home to her flat, which lay beyond Millbank and was where Richard was or would be and her own chief affairs. She thought of it with pleasure; it was reasonably new and fresh, and they had been lucky to get it when Richard and she had been married yesterday. At least—yesterday? well, not yesterday but not very much longer than yesterday, only the other day. It had been the other day. The word for a moment worried her; it had been indeed another, a separate, day. She felt as if she had almost lost her memory of it, yet she knew she had not. She had been married and to Richard.

  The plane, in the thickening darkness, was now but a thicker darkness, and distinguishable only because her eyes were still fixed on it. If she moved she would lose it. If she lost it, she would be left in the midst of this—this lull. She knew the sudden London lulls well enough, but this lull was lasting absurdly long. All the lulls she had ever known were not as deep as this, in which there seemed no movement at all, if the gentle agitation of the now visible stars were less than movement, or the steady flow of the river beneath her; she had at least seen that flowing—or had she? was that also still? She was alone with this night in the City—a night of peace and lights and stars, and of bridges and streets she knew, but all in a silence she did not know, so that if she yielded to the silence she would not know those other things, and the whole place would be different and dreadful.

  She stood up from the parapet against which she had been leaning, and shook herself impatiently. “I’m moithering,” she said in a word she had picked up from a Red Cross companion, and took a step forward. If she could not get directly along Millbank, she must go round. Fortunately the City was at least partially lit now. The lights in the houses shone out and by them she could see more clearly than in the bad old days. Also she could see into them; and somewhere in her there was a small desire to see someone—a woman reading, children playing, a man listening to the wireless; something of that humanity which must be near, but of which on that lonely bridge she could feel nothing. She turned her face towards Westminster and began to walk.

  She had hardly taken a dozen steps when she stopped. In the first moment, she thought it was only the echo of her own steps that she heard, but immediately she knew it was not. Someone else, at last, was there; someone else
was coming, and coming quickly. Her heart leaped and subsided; the sound at once delighted and frightened her. But she grew angry with this sort of dallying, this over-consciousness of sensation. It was more like Richard than herself. Richard could be aware of sensation so and yet take it in its stride; it was apt to distract her. She had admired him for it and still did; only now she was a little envious and irritated. She blamed Richard for her own incapacity. She had paused and before she could go on she knew the steps. They were his. Six months of marriage had not dulled the recognition; she knew the true time of it at once. It was Richard himself coming. She went quickly on.

  In a few moments she saw him; her eyes as well as her ears recognized him. Her relief increased her anger. Why had he let her in for this inconvenience? had they arranged to meet? if so, why had he not been there? why had she been kept waiting? and what had she been doing while she had been kept? The lingering lack of memory drove her on and increased her irritation. He was coming. His fair bare head shone dark-gold under a farther street lamp; under the nearer they came face to face.

  He stopped dead as he saw her and his face went white. Then he sprang towards her. She threw up her hand as if to keep him off. She said, with a coldness against her deeper will, but she could not help it, “Where have you been? what have you been doing? I’ve been waiting.”

  He said, “How did you get out? what do you mean—waiting?”

  The question startled her. She stared at him. His own gaze was troubled and almost inimical; there was something in him which scared her more. She wondered if she were going to faint, for he seemed almost to float before her in the air and to be far away. She said, “What do you mean? Where are you going? Richard!”

  For he was going—in another sense. Her hand still raised, in that repelling gesture, she saw him move backwards, uncertainly, out of the range of that dimmed light. She went after him; he should not evade her. She was almost up to him and she saw him throw out his hands towards her. She caught them; she knew she caught them, for she could see them in her own, but she could not feel them. They were terrifying and he was terrifying. She brought her hands against her breast and they grew fixed there, as, wide-eyed with anger and fear, she watched him disappearing before her. As if he were a ghost he faded; and with him faded all the pleasant human sounds—feet, voices, bells, engines, wheels—which now she knew that, while she had talked to him, she had again clearly heard. He had gone; all was silent. She choked on his name; it did not recall him. He had vanished and she stood once more alone.

  She could not tell how long she stood there, shocked and impotent to move. Her fear was at first part of her rage, but presently it separated itself, and was cold in her, and became a single definite thought. When at last she could move, could step again to the parapet and lean against it and rest her hands on it, the thought possessed her with its desolation. It dominated everything—anger and perplexity and the silence; it was in a word—“Dead,” she thought, “dead.” He could not otherwise have gone; never in all their quarrels had he gone or she; that certainty had allowed them a license they dared not otherwise have risked. She began to cry—unusually, helplessly, stupidly. She felt the tears on her face and peered at the parapet for her handbag and a handkerchief, since now she could not—O despair!—borrow his, as with her most blasting taunts she had sometimes done. It was not on the parapet. She took a step or two away, brushed with her hand the tears from her eyes, and looked about the pavement. It was not on the pavement. She was crying in the street and she had neither handkerchief nor powder. This was what happened when Richard was gone, was dead. He must be dead; how else could he be gone? how else could she be there, and so?

  Dead, and she had done it once too often. Dead, and this had been their parting. Dead; her misery swamped her penitence. They had told each other it made no difference and now it had made this. They had reassured each other in their reconciliations, for though they had been fools and quick-tempered, high egotists and bitter of tongue, they had been much in love and they had been fighting their way. But she felt her own inner mind had always foreboded this. Dead; separate; forever separate. It did not, in that separation, much matter who was dead. If it had been she——

  She. On the instant she knew it. The word still meant to her so much only this separation that the knowledge did not at first surprise her. One of them was; she was. Very well; she was. But then—she was. On that apparent bridge, beneath those apparent stars, she stood up and knew it. Her tears stopped and dried; she felt the stiffness and the stains on her apparent flesh. She did not now doubt the fact and was still not surprised. She remembered what had happened—herself setting out to meet Evelyn at the Tube, and instead coming across her just over there, and their stopping. And then the sudden loud noise, the shrieks, the violent pain. The plane had crashed on them. She had then, or very soon after, become what she now was.

  She was no longer crying; her misery had frozen. The separation she endured was deeper than even she had believed. She had seen Richard for the last time, for now she herself was away, away beyond him. She was entirely cut off; she was dead. It was now a more foreign word than it had ever been, and it meant this. She could perhaps, if it was he who had been dead, have gone to him; now she could not. She could never get back to him, and he would never come to her. He could not: she had thrown him away. It was all quite proper; quite inevitable. She had pushed him away, and there was an end to Richard. But there was no end to her.

  Never in her life had she contemplated so final an end which was no end. All change had carried on some kind of memory which was encouragement. She had not always supposed it to be so; she had told herself, when she left school, when she was married, that she was facing a new life. But she had, on the whole, been fortunate in her passage and some pleasantness in her past had always offered her a promise in the future. This however was a quite new life. Her good fortune had preserved her from any experience of that state which is—almost adequately—called “death-in-life”; it had consequently little prepared her for this life-in-death. Her heart had not fallen—ever, ever—through an unfathomed emptiness, supported only on the fluttering wings of everyday life; and not even realizing that it was so supported. She was a quite ordinary, and rather lucky, girl and she was dead.

  Only the City lay silently around her; only the river flowed below, and the stars flickered above, and in the houses lights shone. It occurred to her presently to wonder vaguely—as in hopeless affliction men do wonder—why the lights were shining. If the City were as empty as it seemed, if there were no companion anywhere, why the lights? She gazed at them, and the wonder flickered and went away, and after a while returned and presently went away again, and so on for a long time. She remained standing there, for though she had been a reasonably intelligent and forceful creature, she had never in fact had to display any initiative—much less such initiative as was needed here. She had never much thought about death; she had never prepared for it; she had never related anything to it. She had nothing whatever to do with it, or (therefore) in it. As it seemed to have nothing to offer her except this wide prospect of London, she remained helpless. She knew it was a wide prospect, for after she had remained for a great while in the dark it had grown slowly light again. A kind of pale October day had dawned and the lights in the apparent houses had gone out; and then it had once more grown dark and they had shone—and so on—twenty or thirty times. There had been no sun. During the day she saw the River and the City; during the night, the stars. Nothing else.

  Why at last she began to move she could not have said. She was not hungry or thirsty or cold or tired—well, perhaps a little cold and tired, but only a little, and certainly not hungry or thirsty. But if Richard, in this new sense, were not coming, it presently seemed to her useless to wait. But besides Richard, the only thing in which she had been interested had been the apparatus of mortal life; not people—she had not cared for people particularly, except perhaps Evelyn; she was sincerely used to Evelyn,
whom she had known at school and since; but apart from Evelyn, not people—only the things they used and lived in, houses, dresses, furniture, gadgets of all kinds. That was what she had liked, and (if she wanted it now) that was what she had got. She did not, of course, know this, and she could not know that it was the sincerity of her interest that procured her this relaxation in the void. If Richard had died, this would have remained vivid to her. Since she was dead, it remained also, though not (stripped of all forms of men and women) particularly vivid.

  She began to walk. It did not much matter which way. Her first conscious movement—and even that was hardly a movement of volition—was to look over her shoulder in the seeming daylight to see if the plane were there. It was, though dimmer and smaller, as if it were fading. Would the whole City gradually fade and leave her to emptiness? Or would she too fade? She did not really attempt to grapple with the problem of her seeming body; death did not offer her problems of that sort. Her body in life had never been a problem; she had accepted it, inconveniences and all, as a thing that simply was. Her pride—and she had a good deal of pride, especially sexual—had kept her from commitments except with Richard. It was her willingness to commit herself with Richard that made her believe she (as she called it) loved Richard, though in her bad moments she definitely wished Richard, in that sense, to love her more than she loved him. But her bad moments were not many. She really did want, need and (so far) love Richard. Her lack and longing and despair and self-blame were sincere enough, and they did not surprise her. It had been plain honest passion, and plain honest passion it remained. But now the passion more and more took the form of one thought; she had done it again, she had done it once too often, and this was the unalterable result.

  She began to walk. She went up northward. That was instinct; she at least knew that part of London. Up from the bridge, up Whitehall—no one. Into Trafalgar Square—no one. In the shops, in the offices—no one. They were all full and furnished with everything but man. At moments, as she walked, a horrible fancy took her that those at which she was not, at the moment, looking were completely empty; that everything was but a façade, with nothing at all behind it; that if she had walked straight through one of those shops, she would come out into entire nothing. It was a creeping sensation of the void; she herself could not have put it into words. But there the suspicion was.