Kitty Raises Hell
Carrie Vaughn
This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.
Copyright © 2009 by Carrie Vaughn, LLC
Excerpt from Kitty’s House of Horrors copyright © 2009 by Carrie Vaughn, LLC
All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.
Grand Central Publishing
Hachette Book Group
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New York, NY 10017
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Grand Central Publishing is a division of Hachette Book Group, Inc. The Grand Central Publishing name and logo is a trademark of Hachette Book Group, Inc.
First eBook Edition: March 2009
ISBN: 978-0-446-54421-4
Contents
Copyright Page
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Epilogue
About the Author
A Preview of "Kitty Norville"
RAVES FOR CARRIE VAUGHN’S NOVELS
KITTY AND THE SILVER BULLET
“A wonderful story and great characters . . . the best novel in the series.”
—SFReader.com
“Fun paranormal chick lit.”
—Midwest Book Review
“Entertaining . . . a fast-paced, exciting urban fantasy populated with both likeable and realistic characters.”
—LoveVampires.com
“This book totally delivers.”
—CrookedBookshelf.com
“Carrie Vaughn is on my auto-buy list . . . If it’s a Kitty Norville book I know I’ll love it. This time was no exception.”
—VampireGenre.com
KITTY TAKES A HOLIDAY
“Strong on characterization, Vaughn creates characters worth visiting time after time in this compelling world.”
—Booklist
“Standout entertainment . . . truly memorable.”
—Romantic Times BOOKreviews Magazine
“Vaughn’s universe is convincing and imaginative.”
—Publishers Weekly
“With the expected wit, action, and romance, Kitty takes us on an enjoyable jaunt through a life most entertaining . . . a captivating urban fantasy.”
—RomRevToday.com
KITTY GOES TO WASHINGTON
“[A] fun read.”
—Kansas City Star
“Fans of Kitty and The Midnight Hour will be pleased with this fast-paced follow-up.”
—MonstersAndCritics.com
“The cunning sneakiness and courage that Kitty shows is something that most females strive for. This book is definitely a page-turner and well worth picking up.”
—HorrorChannel.com
“Carrie Vaughn is a real gem, and she’s definitely on my playlist.”
—BookFetish.org
KITTY AND THE MIDNIGHT HOUR
“Engaging . . . funny . . . very entertaining.”
—Denver Post
“I relished this book. Enough excitement, astonishment, pathos, and victory to satisfy any reader.”
—Charlaine Harris, New York Times bestselling author
“Fresh, hip, fantastic . . . Don’t miss this one. You’re in for a real treat!”
—L. A. Banks, author of
The Vampire Huntress Legends series
“Entertaining . . . a surprisingly human tale.”
—Publishers Weekly
“Kitty is a lively, engaging heroine with a strong independent streak.”
—Library Journal
BOOKS BY CARRIE VAUGHN
Kitty and The Midnight Hour
Kitty Goes to Washington
Kitty Takes a Holiday
Kitty and the Silver Bullet
Kitty and the Dead Man’s Hand
Kitty Raises Hell
To Kitty’s Pack of Readers,
You Rock
The Playlist
Eric Burdon & the Animals, “Paint It Black”
KT Tunstall, “Hold On”
Thompson Twins, “In the Name of Love”
Pretenders, “Day After Day”
Oingo Boingo, “Just Another Day”
Squirrel Nut Zippers, “Soon”
The Cardigans, “Happy Meal II”
Abby Travis, “Blythe”
Duran Duran, “View to a Kill”
They Might Be Giants, “Istanbul (Not Constantinople)” (Severe Tire Damage version)
Garbage, “As Heaven Is Wide”
Cyndi Lauper, “All Through the Night”
Chapter 1
I had to admit, this was pretty cool.
Rick had gotten us onto the roof of the Pepsi Center in downtown Denver. We sat near the edge, by a railing on a catwalk near the exclusive upper-story clubhouse. From here, we had a view of this whole side of downtown: Elitch’s amusement park to the west, the interstate beyond that, Coors Field to the north, and, to the south, Mile High Stadium. It felt like the center of the universe—at least, this little part of it. We could look downtown and see into the maze of skyscrapers. At night, the sky of stars, washed out in an evening haze of lights, seemed inverted, appearing around us in the lights of the city, in trails of moving cars.
When Rick had escorted me through the lobby and to the elevator, the security guards didn’t look twice at us. He had a passkey for the elevator. I’d asked him how he got that kind of access, the key and security codes—who he knew or what kind of favors he’d pulled in—but he only smiled. It wouldn’t have surprised me to find out he owned a share in the place. Vampires were like that; at least the powerful ones were: prone to quiet, conservative investing, working through layers of holding companies. They had time.
A constant breeze blew up here. I tucked the blond strands of my hair behind my ears yet again. I should have clipped it up. The air had its own scent, particular to this place and nowhere else: oil, gas, concrete, steel, rust, decay—usual city smells. But under it was the dry tint of prairie, a taste of air that had blown across tall grasses and cottonwoods. And under that was a hint of cold, of ancient stone and caves that sheltered ice year-round. The mountains. That was Denver, to the nose of a werewolf. Up here, I could smell it all. I closed my eyes and tipped my nose into the breeze, drinking it in.
“I thought you’d like it up here,” Rick said. I opened my eyes to find him watching me.
I sighed. Back to reality, back to the world. We weren’t here sightseeing. City sounds drifted to me, car engines, a distant siren, music from a bar somewhere. We had a view, but I was afraid that what we were looking for was too good at hiding for us to find from here.
“We’re not going to see anything,” I said, crossing my arms.
“You may not see anything. I’ll see patterns,” he said. Rick appeared to be in his late twenties, confident yet casual. He tended to walk tall, with his hands in his pockets, and look out at the world with a though
tful, vaguely amused detachment. Even now, when Denver was possibly under assault, he seemed laid-back. “Traffic on I-25’s thinning out. Downtown’s a mess, as usual. It’s like a tide. In an hour, when the theaters and concerts get out, the cars’ll all move back to the freeway. You watch for things moving against the tide. Pockets of motion where there shouldn’t be anything, of unusual quiet.”
He pointed to a hidden corner of the parking lot, tucked near Elitch’s security fence. Two cars had stopped, facing each other, the drivers’ windows pulled alongside each other. The headlights were off, but the motors were running. Hands reached out, traded something. One car pulled away, tires crunching quietly. A moment later, the other pulled away, as well.
I had a few ideas about what that might have been. It still didn’t seem relevant to our problem. “And what does that have to do with Tiamat?” I asked.
Not really Tiamat, which was an ancient Babylonian goddess of chaos. According to myth, newer gods, the forces of reason and order, rose up against her in an epic battle and destroyed her and her band of demons—the Band of Tiamat—and thereby created civilization. Really, I was talking about the whacked-out cult of her worshippers that I had pissed off on my recent trip to Las Vegas. Last week, I found the word Tiamat burned into the door of the restaurant I co-owned. I figured the pack of were-felines and the possibly four-thousand-year-old vampire who led them had come to Denver on the warpath.
We hadn’t learned who left the message on the door, one of the cult members or someone they’d hired. Rick, the Master vampire of Denver, and I had been keeping watch for another attack, but nothing else had happened yet. I was getting more anxious, not less.
“That? Nothing. I’m just showing you how much can happen under our noses. You said a vampire leads the cult. If a vampire is planning an attack in my city, I’ll see it.”
That was why Rick had gotten involved at all—the cult may have targeted me out of revenge, but Rick would take any invasion by another vampire personally. I was happy to have another ally.
I scanned all the way around, searching buildings, skyscrapers, parking lots, roads filled with cars, people walking to dinner, concerts, shopping. Someone laughed; it sounded like distant birdsong. Maybe Rick really could sense the movements of another vampire from up here, but I wasn’t having any luck. I didn’t have much room to pace, but I tried. A couple of steps along the catwalk, turn around, step back. I couldn’t stand the waiting. The modern Band of Tiamat was trying to kill me with anxiety.
“You know what the problem with this is? Wolves hunt by moving. I want to be out there looking for them. Tracking them down.”
“And vampires are like spiders,” Rick said. “We draw our quarry in and trap it. I like the image.”
I suddenly pictured Rick as a creature at the center of his web, patiently waiting, watching, ready to strike. A chill ran down my spine, and I shook the image away.
“What do you really expect to see up here?”
Absently, he shook his head. It wasn’t really an expression of denial. More like thoughtfulness. “If anything else out there is hunting, I’ll see it.”
I gave a crooked smile. “I can see you sitting like this in the bell tower of Notre Dame cathedral, looking out over Paris like a gargoyle.”
He gave me a sidelong glance, then turned his gaze back to the city. “I’ve never been to Paris.”
Which was an astonishing thing to hear from a five-hundred-year-old vampire.
I sat next to him. “Really? No family trips when you were a kid? Didn’t do the backpacking-around-Europe thing? Did people even do that in the sixteenth century?”
“Maybe not with backpacks. But New Spain sounded so much more interesting to a seventeen-year-old third son of very minor nobility with no prospects in 1539 Madrid.”
This was more detail about his past than he’d ever mentioned before. I didn’t say anything, hoping that he’d elaborate. He didn’t.
“Are you ever going to tell me the whole story?”
“It’s more fun watching your expression when I give it to you in bits and pieces.”
“I can see it now. It’s going to be the end of the world, everyone will be dead, all that’ll be left are vampires, and you won’t have anything to say to each other because you can’t stop being mysterious and secretive.”
He smiled like he thought this was funny.
I looked at my watch. “Not that this hasn’t been fun, but I have to get going. I have the show to do.” I headed back toward the roof’s access door. “I’ll find my way out. You keep looking.”
“Break a leg,” he said.
“Don’t say that when I’m standing on the roof of a very tall building.” Werewolves healed supernaturally quickly from horrible injuries, but I didn’t want to test if that included the injuries sustained from falling that far. “Let me know if you find anything?”
“Of course.”
I left him on the roof, scanning across the night, perched like Denver’s very own gargoyle.
For the next few hours I had the show to worry about, and all other anxieties stayed outside the studio door.
At this hour, we had the station to ourselves. Except for a security guy and the graveyard-shift DJ, it was just me and Matt, my engineer, tucked away to rule the night. The studio was like a cave, left dark and shadowy on purpose, most of the illumination coming from equipment: computer screens, soundboards, monitors. Matt had his space behind glass, screening calls and manning the board. I had my space, with my monitor, headset, microphone, and favorite cushy chair. When the on-air sign lit, the universe collapsed to this room, and I did my job.
“Hello, faithful listeners. This is Kitty Norville, and you’re listening to The Midnight Hour, everyone’s favorite talk show dealing in supernatural snark. Tonight I want to talk about magic. What’s the true story, what’s the real picture? Is it pastel fairy godmothers, is it meditating over a stack of crystals, or is it Faust making deals with the devil? What’s real, what isn’t, what works, what doesn’t?”
Once a week I did this, and had been doing it for going on three years. I’d have thought it would start to get old by now. Conveniently, the world kept producing more mysteries, and the public couldn’t get enough of it. As long as that stayed true, I’d still have a job.
The supernatural world was like an onion. You peel back the layers, only to find more layers, on and on, hopelessly trying to reach the mysterious core. Then you start crying.
“I have on the phone with me Dr. Edgar Olafson, a professor of anthropology from the University of Colorado, here to give us the accepted party line about magic. Professor Olafson, thanks for being on the show.”
“Thank you very much for inviting me, Kitty.”
Olafson was one of the younger, hipper professors I’d had during my time at CU. He was hip enough to appear on a cult radio show, which was good enough for me. He was also a scientist and spent a minute or so saying what I expected him to. “Belief in magic has been with human culture from the very beginning. It’s been a way to explain anything that people in early civilizations didn’t understand. Diseases were caused by curses, a spate of bad luck meant that something was magically wrong with the world. By the same token, magic gave people a way to feel like they had some control over these events. They could use talismans and amulets to protect against curses, they could concoct potions and rituals to combat bad luck and promote good luck.”
“That’s still true, isn’t it? People still have superstitions and carry good-luck charms, right?”
“Of course. But you have to wonder how many people do these things out of habit, built up in the culture over generations, and how many people really believe the habits produce magical effects.”
“And we’ll find out about that in a little bit when I open the line for calls. But let me ask you something: What about me?”
“I’m sorry, I’m not sure I understand the question.”
I hadn’t prepped him for this part.
Sometimes I was a little bit mean to my guests. They still agreed to come on the show. Served ’em right. “I’m a werewolf. I’ve got incontrovertible, public, and well-documented proof of that condition, validated by the NIH. I’ve had vampires on my show. I’ve talked to people claiming to be magicians, and some of them I’m totally willing to vouch that they are. While the NIH has identified lycanthropy as a disease, modern medical science hasn’t been able to explain it. So. This inexplicable sliver that you have to acknowledge as existing. Is it really magic? Not a metaphor, not habit, not superstition, but really some effect that contradicts our understanding of how the world works.” Whew. I took a big breath, because I’d managed to get that all out at once.
He chuckled nervously. “Well, we’ve gone a little bit outside my disciplines at this point. I certainly can’t argue with you. But if something’s out there, I’m sure someone’s studying it. Maybe even writing a PhD thesis on it.”
“I plan on getting ahold of that thesis just as soon as I can. Sorry for putting you on the spot, Professor. I’m just trying to get us a neutral baseline before the conversation goes completely out of control. Which it always does. Let’s go to the phones. Hello, you’re on the air.”
With great condescension, a man started in. “Hi, Kitty. Thanks for taking my call. With all due respect for your guest, this is exactly the kind of attitude that’s held human civilization back, that’s kept our species from taking the next step toward enlightenment—”
Away we went.
I had to butt in. “Here’s what I’m wondering: In this day and age, with the revelations of the last couple of years, isn’t it a mistake to think of magic and science as two different things, as polar opposites, and never the twain shall meet? Shouldn’t practitioners of both be working together toward greater understanding? What if there really is a scientific explanation for the weirder bits of magic? What if magic can explain the weirder bits of science?”
