Moon Over Soho

  PRAISE FOR

  “Fresh, original, and a wonderful read. I loved it.”

  —CHARLAINE HARRIS

  “Midnight Riot is what would happen if Harry Potter grew up and joined the Fuzz. A hilarious, keenly imagined caper.”

  —DIANA GABALDON

  “Filled with detail and imagination, a consummate story of real policing in a vividly real world intersecting the decidedly unreal. The quality of this achievement stands out, making Aaronovitch a name to watch.”

  —PETER F. HAMILTON

  “An invocation to everything that is hidden, haunted, and forgotten in London, Midnight Riot is a ghost story with teeth. Aaronovitch crafts a tale with more twists than a foggy back alley, and I guarantee you’ll stay up all night reading.”

  —CAITLIN KITTREDGE,

  author of the Black London series

  “A witty and inventive twist to urban fantasy. Hooked me with its charm. Reeled me in with its creepy violence. Wouldn’t let go until the last page.”

  —MARIO ACEVEDO,

  author of Werewolf Smackdown

  BY BEN AARONOVITCH

  Midnight Riot

  Moon Over Soho

  Moon Over Soho is a work of fiction. Names, characters, places, and incidents are the products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.

  Copyright © 2011 by Ben Aaronovitch

  Simultaneously published in Great Britain under the same title.

  All rights reserved.

  Published in the United States by Del Rey, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.

  DEL REY is a registered trademark and the Del Rey colophon is a trademark of Random House, Inc.

  eISBN: 978-0-345-52460-7

  www.delreybooks.com

  Cover illustration: Wes Youssi/M80 Design

  v3.1

  For Karifa, because every father

  yearns to be a hero for his son

  Contents

  Cover

  Other Books by This Author

  Title Page

  Copyright

  Dedication

  Acknowledgments

  Epigraph

  Chapter 1 - Body and Soul

  Chapter 2 - The Spice of Life

  Chapter 3 - A Long Drink of the Blues

  Chapter 4 - One-Tenth of My Ashes

  Chapter 5 - The Night Gate

  Chapter 6 - The Empress of Pleasure

  Chapter 7 - Almost Like Being in Love

  Chapter 8 - Smoke Gets in Your Eyes

  Chapter 9 - The Forcing House

  Chapter 10 - Funland

  Chapter 11 - These Foolish Things

  Chapter 12 - It Don’t Mean a Thing

  Chapter 13 - Autumn Leaves

  Chapter 14 - I Woke up this Morning

  Historical Note

  ACKNOWLEDGMENTS

  THANKS to everyone from the last book plus the staff of the Metropolitan Archive and Sarah for sneaking me into the Groucho.

  Men have died for this music. You can’t get more serious than that.

  —Dizzy Gillespie

  IT’S A sad fact of modern life that if you drive long enough, sooner or later you must leave London behind. If you drive northeast up the A12 you eventually come to Colchester, Britain’s first Roman capital and the first city to be burned down by that redheaded chavette from Norfolk known as Boudicca. I knew all this because I’d been reading the Annals of Tacitus as part of my Latin training. He’s surprisingly sympathetic to the revolting Brits and scathing about the unpreparedness of the Roman generals who thought more of what was agreeable than expedient. The classically educated chinless wonders who run the British army obviously took this admonition to heart because Colchester is now the home of their toughest soldiers—the parachute regiment. Having spent many a Saturday night as a probationary PC wrestling squaddie in Leicester Square, I made sure I stayed on the main road and bypassed the city altogether.

  Beyond Colchester I turned south and, with the help of the GPS on my phone, got myself onto the B1029 heading down the wedged-shaped bit of dry ground jammed between the River Colne and Flag Creek. At the end of the road lay Brightlingsea–lining the coast, so Leslie had always told me, like a collection of rubbish stranded at the high-water mark. Actually I didn’t think it was that bad. It had been raining in London but after Colchester I’d driven into clear blue skies and the sun lit up the rows of well-kept Victorian terraces that ran down to the sea.

  Chez May was easy to spot, a 1970s brick-built fake Edwardian cottage that had been carriage-lamped and pebble-dashed within an inch of its life. The front door was flanked on one side by a hanging basket full of blue flowers and on the other by the house number inscribed on a ceramic plate in the shape of a sailing yacht. I paused and checked the garden; there were gnomes loitering near the ornamental birdbath. I took a breath and rang the doorbell.

  There was an immediate chorus of female yelling from inside. Through the reproduction stained-glass window in the front door I could just make out blurry figures running back and forth at the far end of the hall. Somebody yelled, “It’s your boyfriend!” which earned a shush and a sotto voce reprimand from someone else. A white blur marched up the hallway until it filled the view through the window from side to side. I took a step backward and the door opened. It was Henry May—Leslie’s father.

  He was a large man, and driving big trucks and hauling heavy gear had given him broad shoulders and heavily muscled arms. Too many transport café breakfasts and standing his round at the pub had put a tire around his waist. He had a square face and had dealt with a receding hairline by shaving his hair down to a brown fuzz. His eyes were blue and clever. Leslie had gotten her eyes from her dad.

  Having four daughters meant that he had parental looming down to a fine art, and I fought the urge to ask whether Leslie could come out and play.

  “Hello, Peter,” he said.

  “Mr. May,” I said.

  He made no effort to unblock the doorway; nor did he invite me in.

  “Leslie will be out in a minute,” he said.

  “She all right?” I asked. It was a stupid question and Leslie’s dad didn’t embarrass either of us by trying to answer it. I heard someone coming down the stairs and braced myself.

  There’d been severe damage to the maxilla, nasal spine, ramus, and mandible, Dr. Walid had said. And although much of the underlying muscle and tendons had survived, the surgeons at UCH had been unable to save much of the skin surface. They’d put in a temporary scaffold to allow her to breathe and ingest food, and there was a chance that she might benefit from a partial face transplant—if they could find a suitable donor. Given that what was left of her jaw was currently held together by a filigree of hypoallergenic metal, talking was out of the question. Dr. Walid had said that once the bones were sufficiently fused, they might be able to restore enough functionality to the jaw to allow for speech. But it all sounded a bit conditional to me. Whatever you see, he’d said, take as long a look as you need to get used to it, to accept it, and then move on as if nothing has changed.

  “Here she is,” said Leslie’s dad and turned sideways to allow a slim figure to squeeze past him. She wore a blue-and-white-striped hoodie with the hood up, drawstring pulled tight so that it hid her forehead and chin. The lower face was covered by a matching blue-and-white-patterned scarf and her eyes by a pair of unfashionably large sunglasses I suspected had been looted from her mum’s forgotten-clothes drawer. I stared but there was nothing to see.

  “You should have said we were going out robbing,” I said. “I’d have brought a balaclava.”

  She gave me a
disgusted look—I recognized it from the tilt of her head and the way she held her shoulders. I felt a stutter in my chest and took a deep breath.

  “Fancy a walk then?” I asked.

  She nodded to her dad, took me firmly by the arm, and led me away from the house.

  I felt her dad’s eyes on my back as we walked off.

  If you don’t count the boatbuilding and the light engineering, Brightlingsea is not a noisy town even in the summer. Now, two weeks after the end of the school holidays, it was almost silent, just the occasional car and the sound of the gulls. I stayed quiet until we’d crossed the high street where Leslie pulled her police-issue notebook out of her bag, flipped it open to the last page, and showed it to me.

  What have you been up to? was written in black Biro across the page.

  “You don’t want to know,” I said.

  She made it clear through hand gestures that yeah, she did want to know.

  So I told her about the guy that had had his dick bitten off by a woman with teeth in her vagina, which seemed to amuse Leslie, and about the rumors that DCI Seawoll was being investigated by the IPCC about his conduct during the Covent Garden riots, which did not. I also didn’t tell her that Terrence Pottsley, the only other victim to survive the magic that had damaged Leslie’s face, had topped himself as soon as his family’s backs were turned.

  We didn’t go straight to the shore. Instead Leslie led me the back way down Oyster Tank Road and through a grassy car park where rows of dinghies were parked on their trailers. A brisk wind from the sea moaned through the rigging and clonked the metal fittings together like cowbells. Hand in hand, we picked our way through the boats and out onto the windswept concrete esplanade. On one side cement steps led down to a beach carved into narrow strips by rotting breakwaters; on the other stood a line of brightly colored huts. Most were closed up tight but I did see one family determined to stretch the summer as far as it would go, the parents drinking tea in the shelter of their doorway while the kids kicked a soccer ball on the beach.

  Between the end of the beach huts and the open-air swimming pool was a strip of grass and a shelter where we finally got to sit down. Constructed in the 1930s when people had realistic expectations of the British climate, it was brick-built and solid enough to serve as a tank trap. We sat down out of the wind on the bench that ran along the back of the alcove. The inside had been decorated with a mural of the seafront, blue sky, white clouds, red sails. Some total wanker had graffitied BMX across the sky and there was a list of names crudely painted down the side wall—BROOKE T., EMILY B., and LESLIE M. They were just in the right location to have been painted by a bored teenager slumped on the corner of the bench. You didn’t need to be a copper to see that this was where the yoofs of Brightlingsea came to hang out in that difficult gap between the age of criminal responsibility and that of legal drinking.

  Leslie pulled an iPad clone out of her bag and fired it up. She typed in keyboard mode and the iPad spoke—somebody in her family must have installed a speech synthesizer. It was a basic model with an American accent that made Leslie sound like an autistic surfer dude, but at least we could have an almost normal conversation.

  She didn’t bother with small talk.

  “Can magic fix?” she asked.

  “I thought Dr. Walid had talked to you about that.” I’d been dreading this question.

  “Want you say,” she said.

  “What?”

  Leslie leaned over her pad and stabbed deliberately at the screen with her finger. She typed several separate lines before hitting return.

  “I want to hear it from you,” said the iPad.

  “Why?”

  “Because I trust you.”

  I took a breath. A pair of old-age pensioners raced past the shelter on mobility scooters.

  “As far as I can tell magic works within the same framework of physical laws as everything else,” I said.

  “What magic do,” said the iPad, “magic can undo.”

  “If you burn your hand on fire or electricity it’s still a burn—you fix it with bandages and cream and stuff like that. You don’t use more electricity or more fire. You …”

  Had the skin and muscles of your face been pulled out of shape by a fucking malevolent spirit—your jaw was all smashed up and the whole thing was held together with magic and when that ran out your face fell off. Your beautiful face. I was there, I watched it happen. And there was nothing I could do.

  “Can’t just wish it away,” I said.

  “Know everything?” asked the iPad.

  “No,” I said. “And I don’t think Nightingale does either.”

  She sat silent and unmoving for a long while. I wanted to put my arm around her but I didn’t know how she’d react. I was just about to reach out when she nodded to herself and picked up the iPad again.

  “Show me,” said the iPad.

  “Leslie …”

  “Show me.” She hit the repeat button several times. “Show me, show me, show me …”

  “Wait,” I said and reached for her iPad, but she pulled it out of my reach.

  “I have to take the battery out,” I said. “Or the magic will blow the chips.”

  Leslie flipped the iPad, cracked it open, and pulled the battery. After going through five phones in a row I’d retrofitted my latest Samsung with a hardware cutoff that kept it safe but meant that the case was held together with elastic bands. Leslie shuddered when she saw it and made a snorting sound that I suspected was laughter.

  I made the shape of the appropriate forma in my mind, opened my hand, and brought forth a werelight. Not a big one but enough to cast a pale light that was reflected in Leslie’s sunglasses. She stopped laughing. I closed my hand and the light went out.

  Leslie stared at my hand for a moment and then made the same gesture, repeating it twice, slowly and methodically. When nothing happened she looked up at me and I knew, underneath the glasses and scarf, that she was frowning.

  “It’s not that easy,” I said. “I practiced every morning for four hours for a month and a half before I could do that and that’s just the first thing you have to learn. Have I told you about the Latin, the Greek …?”

  We sat in silence for a moment, then she poked me in the arm. I sighed and produced another werelight. I could practically do it in my sleep by then. She copied the gesture and got nothing. I’m not joking about how long it takes to learn.

  The OAPs returned, drag racing past on the esplanade. I put the light out but Leslie carried on making the gesture, the movements becoming more impatient with every try. I stood it as long as I could before I took her hand in mine and made her stop.

  We walked back to her house soon afterward. When we reached her porch she patted me on the arm, stepped inside, and shut the door in my face. Through the stained glass I watched her blurry shape retreat quickly down the hallway. Then she was gone.

  I was about to turn away when the door opened and Leslie’s father stepped out.

  “Peter,” he said. Embarrassment doesn’t come easily to men like Henry May, so they don’t hide it well. “I thought we might get a cup of tea—there’s a café on the high street.”

  “Thanks,” I said. “But I’ve got to get back to London.”

  “Oh,” he said and stepped closer. “She doesn’t want you to see her with the mask off …” He waved his hands vaguely in the direction of the house. “She knows if you come inside she’s going to have to take it off and she doesn’t want you to see her. You can understand that, right?”

  I nodded.

  “She don’t want you to see how bad it is,” he said.

  “How bad is it?”

  “About as bad as it could be,” said Henry.

  “I’m sorry.”

  Henry shrugged. “I just wanted you to know that you weren’t being sent away,” he said. “You weren’t being punished or something.”

  But I was being sent away, so I said good-bye, climbed back into the Jag and drove ba
ck to London.

  I’d just managed to find my way back onto the A12 when Dr. Walid called me and said he had a body he wanted me to look at. I put my foot down. It was work and I was grateful to get it.

  EVERY HOSPITAL I’ve ever been to has had the same smell, that whiff of disinfectant, vomit, and mortality. The UCH was brand new, less than ten years old, but the smell was already beginning to creep in at the edges except, ironically, downstairs in the basement where they kept the dead people. Down there the paint on the walls was still crisp and the pale blue lino still squeaky underfoot.

  The mortuary entrance was halfway down a long corridor hung with framed pictures of the old Middlesex Hospital from back in the days when doctors washing their hands between patients was the cutting edge of medical science. It was guarded by a pair of electronically locked fire doors with a sign saying—NO UNAUTHORIZED ACCESS; STOP; MORTUARY STAFF ONLY. Another sign ordered me to press the buzzer on the entry phone, which I did. The speaker gave a squawk and on the off chance that this was a question I told them that it was Constable Peter Grant to see Dr. Walid. It squawked again, I waited, and Dr. Abdul Haqq Walid, world-renowned gastroenterologist, cryptopathologist, and practicing Scot, opened the door.

  “Peter,” he said. “How was Leslie?”

  “All right, I suppose,” I said.

  Inside the mortuary was much the same as the rest of the hospital only with fewer people complaining about the state of the National Health Service. Dr. Walid walked me past the security at reception and introduced me to today’s dead body.

  “Who is he?” I asked.

  “Cyrus Wilkinson,” he said. “He collapsed in a pub in Cambridge Circus day before yesterday, was ambulanced to A&E, pronounced dead on arrival, and sent down here for a routine postmortem.”

  Poor old Cyrus Wilkinson didn’t look that bad apart from, of course, the Y-shaped incision that split him from chest to crotch. Thankfully Dr. Walid had finished rummaging around in his organs and zipped him up before I’d gotten there. He was a white guy in what looked like a well-preserved midforties, bit of a beer belly but still some definition on his arms and legs—he looked like a jogger to me.