It, Page 31

  It was Dorsey as he had been buried, Dorsey in his blue blazer and gray pants, only now the blazer was in muddy tatters, Dorsey's shirt was yellow rags, Dorsey's pants clung wetly to legs as thin as broomsticks. And Dorsey's head was horribly slumped, as if it had been caved in at the back and consequently pushed up in the front.

  Dorsey was grinning.

  "Eddieeeee," his dead brother croaked, just like one of the dead people who were always coming back from the grave in the horror comics. Dorsey's grin widened. Yellow teeth gleamed, and somewhere way back in that darkness things seemed to be squirming.

  "Eddieeee... I came to see you Eddieeeeee...."

  Eddie tried to scream. Waves of gray shock rolled over him, and he had the curious sensation that he was floating. But it was not a dream; he was awake. The hand on his sneaker was as white as a trout's belly. His brother's bare feet clung somehow to the concrete. Something had bitten one of Dorsey's heels off.

  "Come on down Eddieeeee...."

  Eddie couldn't scream. His lungs didn't have enough air in them to manage a scream. He got out a curious reedy moaning sound. Anything louder seemed beyond him. That was all right. In a second or two his mind would snap and after that nothing would matter. Dorsey's hand was small but implacable. Eddie's buttocks were sliding over the concrete to the edge of the Canal.

  Still making that reedy moaning sound, he reached behind himself and grabbed the concrete edging and yanked himself backward. He felt the hand slide away momentarily, heard an angry hiss, and had time to think: That's not Dorsey. I don't know what it is, but it's not Dorsey. Then adrenaline flooded his body and he was crawling away, trying to run even before he was on his feet, his breath coming in short shrieky whistles.

  White hands appeared on the concrete lip of the Canal. There was a wet slapping sound. Drops of water flew upward in the moonlight from dead pallid skin. Now Dorsey's face appeared over the edge. Dim red sparks gleamed in his sunken eyes. His wet hair was plastered to his skull. Mud streaked his cheeks like warpaint.

  Eddie's chest finally unlocked. He hitched in breath and turned it into a scream. He got to his feet and ran. He ran looking back over his shoulder, needing to see where Dorsey was, and as a result he ran smack into a large elm tree.

  It felt as if someone--his old man, for instance--had set off a dynamite charge in his left shoulder. Stars shot and corkscrewed through his head. He fell at the base of the tree as if poleaxed, blood trickling from his left temple. He swam in the waters of semiconsciousness for perhaps ninety seconds. Then he managed to gain his feet again. A groan escaped him as he tried to raise his left arm. It didn't want to come. Felt all numb and far away. So he raised his right and rubbed his fiercely aching head.

  Then he remembered why he had happened to run full-tilt into the elm tree in the first place and looked around.

  There was the edge of the Canal, white as bone and straight as string in the moonlight. No sign of the thing from the Canal . . . if there ever had been a thing. He continued turning, working his way slowly through a complete three hundred and sixty degrees. Bassey Park was silent and as still as a black-and-white photograph. Weeping willows draggled their thin tenebrous arms, and anything could be standing, slumped and insane, within their shelter.

  Eddie began to walk, trying to look everywhere at once. His sprained shoulder throbbed in painful sync with his heartbeat.

  Eddieeeee, the breeze moaned through the trees, don't you want to see meeeee, Eddieeeee? He felt flabby corpse-fingers caress the side of his neck. He whirled, his hands going up. As his feet tangled together and he fell, he saw that it had only been willow-fronds moving in the breeze.

  He got up again. He wanted to run but when he tried another dynamite charge went off in his shoulder and he had to stop. He knew somehow that he should be getting over his fright by now, calling himself a stupid little baby who got spooked by a reflection or maybe fell asleep without knowing it and had a bad dream. That wasn't happening, though; quite the reverse, in fact. His heart was now beating so fast he could no longer distinguish the separate thuds, and he felt sure it would soon burst in terror. He couldn't run but when he got out of the willows he did manage a limping jogtrot.

  He fixed his eyes on the streetlight that marked the park's main gate. He headed in that direction, managing a little more speed, thinking: I'll make it to the light, and that's all right. I'll make it to the light, and that's all right. Bright light, no more fright, up all night, what a sight--

  Something was following him.

  Eddie could hear it bludgeoning its way through the willow grove. If he turned he would see it. It was gaining. He could hear its feet, a kind of shuffling, squelching stride, but he would not look back, no, he would look ahead at the light, the light was all right, he would just continue his flight to the light, and he was almost there, almost--

  The smell was what made him look back. The overwhelming smell, as if fish had been left to rot in a huge pile that had become carrion-slushy in the summer heat. It was the smell of a dead ocean.

  It wasn't Dorsey after him now; it was the Creature from the Black Lagoon. The thing's snout was long and pleated. Green fluid dripped from black gashes like vertical mouths in its cheeks. Its eyes were white and jellylike. Its webbed fingers were tipped with claws like razors. Its respiration was bubbly and deep, the sound of a diver with a bad regulator. As it saw Eddie looking, its green-black lips wrinkled back from huge fangs in a dead and vacant smile.

  It shambled after him, dripping, and Eddie suddenly understood. It meant to take him back to the Canal, to carry him down into the dank blackness of the Canal's underground passage. To eat him there.

  Eddie put on a burst of speed. The arc-sodium light at the gate drew closer. He could see its halo of bugs and moths. A truck went by, headed for Route 2, the driver working his way up through the gears, and it crossed Eddie's desperate, terrified mind that he could be drinking coffee from a paper cup and listening to a Buddy Holly tune on the radio, completely unaware that less than two hundred yards away there was a boy who might be dead in another twenty seconds.

  The stink. The overwhelming stink of it. Gaining. All around him.

  It was a park bench he tripped over. Some kids had casually pushed it over earlier that evening, heading toward their homes at a run to beat the curfew. Its seat poked an inch or two out of the grass, one shade of green on another, almost invisible in the moon-driven dark. The edge of the seat smacked Eddie in the shins, causing a burst of glassy, exquisite pain. His legs flipped out behind him and he thumped into the grass.

  He looked behind him and saw the Creature bearing down, its white poached-egg eyes glittering, its scales dripping slime the color of seaweed, the gills up and down its bulging neck and cheeks opening and closing.

  "Ag!" Eddie croaked. It seemed to be the only noise he could make. "Ag! Ag! Ag! Ag!"

  He crawled now, fingers hooking deep into the turf. His tongue hung out.

  In the second before the Creature's fish-smelling horny hands closed around his throat, a comforting thought came to him: This is a dream; it has to be. There's no real Creature, no real Black Lagoon, and even if there was, that was in South America or the Florida Everglades or someplace like that. This is only a dream and I'll wake up in my bed or maybe in the leaves under the bandstand and I--

  Then batrachian hands closed around his neck and Eddie's hoarse cries were choked off; as the Creature turned him over, the chitinous hooks which sprouted from those hands scrawled bleeding marks like calligraphy into his neck. He stared into its glowing white eyes. He felt the webs between its fingers pressing against his throat like constricting bands of living seaweed. His terror-sharpened gaze noted the fin, something like a rooster's comb and something like a hornpout's poisonous backfin, standing atop the Creature's hunched and plated head. As its hands clamped tight, shutting off his air, he was even able to see the way the white light from the arc-sodium lamp turned a smoky green as it passed through that membranous
headfin.

  "You're . . . not . . . real," Eddie choked, but clouds of grayness were closing in now, and he realized faintly that it was real enough, this Creature. It was, after all, killing him.

  And yet some rationality remained, even until the end: as the Creature hooked its claws into the soft meat of his neck, as his carotid artery let go in a warm and painless gout that splashed the thing's reptilian plating, Eddie's hands groped at the Creature's back, feeling for a zipper. They fell away only when the Creature tore his head from his shoulders with a low satisfied grunt.

  And as Eddie's picture of what It was began to fade, It began promptly to change into something else.

  4

  Unable to sleep, plagued by bad dreams, a boy named Michael Hanlon rose soon after first light on the first full day of summer vacation. The light was pale, bundled up in a low, thick mist that would lift by eight o'clock, taking the wraps off a perfect summer day.

  But that was for later. For now the world was all gray and rose, as silent as a cat walking on a carpet.

  Mike, dressed in corduroys, a tee-shirt, and black high-topped Keds, came downstairs, ate a bowl of Wheaties (he didn't really like Wheaties but had wanted the free prize in the box--a Captain Midnight Magic Decoder Ring), then hopped on his bike and pedaled toward town, riding on the sidewalks because of the fog. The fog changed everything, made the most ordinary things like fire hydrants and stop-signs into objects of mystery--things both strange and a trifle sinister. You could hear cars but not see them, and because of the fog's odd acoustic quality, you could not tell if they were far or near until you actually saw them come rolling out of the fog with ghost-halos of moisture ringing their headlamps.

  He turned right on Jackson Street, bypassing downtown, and then crossed to Main Street by way of Palmer Lane--and during his short ride down this little byway's one-block length he passed the house where he would live as an adult. He did not look at it; it was just a small two-story dwelling with a garage and a small lawn. It gave off no special vibration to the passing boy who would spend most of his adult life as its owner and only dweller.

  At Main Street he turned right and rode up to Bassey Park, still wandering, simply riding and enjoying the stillness of the early day. Once inside the main gate he dismounted his bike, pushed down the kickstand, and walked toward the Canal. He was still, as far as he knew, impelled by nothing more than purest whim. Certainly it did not occur to him to think that his dreams of the night before had anything to do with his current course; he did not even remember exactly what his dreams had been--only that one had followed another until he had awakened at five o'clock, sweaty but shivering, and with the idea that he ought to eat a fast breakfast and then take a bike-ride into town.

  Here in Bassey there was a smell in the fog he didn't like: a sea-smell, salty and old. He had smelled it before, of course. In the early-morning fogs you could often smell the ocean in Derry, although the coast was forty miles away. But the smell this morning seemed thicker, more vital. Almost dangerous.

  Something caught his eye. He bent down and picked up a cheap two-blade pocket knife. Someone had scratched the initials E.C. on the side. Mike looked at it thoughtfully for a moment or two and then pocketed it. Finders keepers, losers weepers.

  He glanced around. Here, near where he had found the knife, was an overturned park bench. He righted it, setting its iron footings back into the holes they had made over a period of months or years. Beyond the bench he saw a matted place in the grass . . . and leading away from it, two grooves. The grass was springing back up, but those grooves were still fairly clear. They went in the direction of the Canal.

  And there was blood.

  (the bird remember the bird remember the)

  But he did not want to remember the bird and so he pushed the thought away. Dogfight, that's all. One of em must have hurt the other one pretty bad. It was a convincing thought by which he was somehow not convinced. Thoughts of the bird kept wanting to come back--the one he had seen out at the Kitchener Ironworks, one Stan Uris never would have found in his bird-book.

  Stop it. Just get out of here.

  But instead of getting out he followed the grooves. As he did he made up a little story in his mind. It was a murder story. Here's this kid, out late, see. Out past the curfew. The killer gets him. And how does he get rid of the body? Drags it to the Canal and dumps it in, of course! Just like an Alfred Hitchcock Presents!

  The marks he was following could have been made by a dragging pair of shoes or sneakers, he supposed.

  Mike shivered and looked around uncertainly. The story was somehow a little too real.

  And suppose that it wasn't a man who did it but a monster. Like out of a horror comic or a horror book or a horror movie or

  (a bad dream)

  a fairy tale or something.

  He decided he didn't like the story. It was a stupid story. He tried to push it out of his mind but it wouldn't go. So what? Let it stay. It was dumb. Riding into town this morning had been dumb. Following these two matted grooves in the grass was dumb. His dad would have a lot of chores for him to do around the place today. He ought to get back and start in or when the hottest part of the afternoon rolled around he would be up the barn loft pitching hay. Yes, he ought to get back. And that's just what he was going to do.

  Sure you are, he thought. Want to bet?

  Instead of going back to his bike and getting on and riding home and starting his chores, he followed the grooves in the grass. There were more drops of drying blood here and there. Not much, though. Not as much as there had been in that matted place back there by the park bench he had set to rights.

  Mike could hear the Canal now, running quiet. A moment later he saw the concrete edge materialize out of the fog.

  Here was something else in the grass. My goodness, it's certainly your day for finding things, his mind said with dubious geniality, and then a gull screamed somewhere and Mike flinched, thinking again of the bird he had seen that day, that day just this spring.

  Whatever that is in the grass, I don't even want to look at it. And that was oh so very true, but here he was, already bending over it, hands planted just above his knees, to see what it was.

  A tattered bit of cloth with a drop of blood on it.

  The seagull screamed again. Mike stared at the bloody scrap of cloth and remembered what had happened to him in the spring.

  5

  Each year during April and May the Hanlon farm woke up from its winter doze.

  Mike would let himself know that spring had come again not when the first crocuses showed under his mom's kitchen windows or when kids started bringing immies and croakers to school or even when the Washington Senators kicked off the baseball season (usually getting themselves shellacked in the process), but only when his father hollered for Mike to help him push their mongrel truck out of the barn. The front half was an old Model-A Ford car, the back end a pick-up truck with a tailgate which was the remainder of the old henhouse door. If the winter hadn't been too cold, the two of them could often get it going by pushing it down the driveway. The truck's cab had no doors; likewise there was no windshield. The seat was half of an old sofa that Will Hanlon had scrounged from the Derry dump. The stick-shift ended in a glass doorknob.

  They would push it down the driveway, one on each side, and when it got rolling good, Will would jump in, turn on the switch, retard the spark, step down on the clutch, punch the shift into first gear with his big hand clamped over the doorknob. Then he would holler: "Put me over the hump!" He'd pop the clutch and the old Ford engine would cough, choke, chug, backfire . . . and sometimes actually start to run, rough at first, then smoothing out. Will would roar down the road toward Rhulin Farms, turn around in their driveway (if he had gone the other way, Henry Bowers's crazy father Butch probably would have blown his head off with a shotgun), and then roar back, the unmuffled engine blatting stridently while Mike jumped up and down with excitement, cheering, and his mom stood in the kitchen
doorway, wiping her hands on a dishtowel and pretending a disgust she didn't really feel.

  Other times the truck wouldn't roll-start and Mike would have to wait until his father came back from the barn, carrying the crank and muttering under his breath. Mike was quite sure that some of the words so muttered were swears, and he would be a little frightened of his daddy then. (It wasn't until much later, during one of those interminable visits to the hospital room where Will Hanlon lay dying, that he found out his father muttered because he was afraid of the crank: once it had kicked back viciously, flown out of its socket, and torn the side of his mouth open.)

  "Stand back, Mikey," he would say, slipping the crank into its socket at the base of the radiator. And when the A was finally running, he'd say that next year he was going to trade it for a Chevrolet, but he never did. That old A-Ford hybrid was still in back of the home place, up to its axles and henhouse tailgate in weeds.

  When it was running, and Mike was sitting in the passenger seat, smelling hot oil and blue exhaust, excited by the keen breeze that washed in through the glassless hole where the windshield had once been, he would think: Spring's here again. We're all waking up. And in his soul he would raise a silent cheer that shook the walls of that mostly cheerful room. He felt love for everything around him, and most of all for his dad, who would grin over at him and holler: "Hold on, Mikey! We gone wind this baby up! We gone make some birds run for cover!"

  Then he would tear up the driveway, the A's rear wheels spitting back black dirt and gray clods of clay, both of them jouncing up and down on the sofa-seat inside the open cab, laughing like stark natural-born fools. Will would run the A through the high grass of the back field, which was kept for hay, toward either the south field (potatoes), the west field (corn and beans), or the east field (peas, squash, and pumpkins). As they went, birds would burst up out of the grass before the truck, squawking in terror. Once a partridge flew up, a magnificent bird as brown as late-autumn oaks, the explosive coughing whirr of its wings audible even over the pounding engine.

  Those rides were Mike Hanlon's door into spring.