The Pier Falls, Page 2

  The winch is stowed and the helicopter swings away with all the children on board. Many of them have left parents on the pier. Several don’t know if their parents are alive. For all of them the hammering roar is a comfort, filling their heads so completely that they are unable to entertain the terrifying thoughts that will return only when they are helped down onto the tarmac and run through the wind from the rotors towards the women from the St. John’s Ambulance waiting for them outside the little terminal building.

  On the promenade a man in a dirty white apron squeezes through the crowd bearing hot dogs and sweet tea from the stand he runs beside the crazy golf. He returns with a second tray.

  Other boats are being drawn towards the pier, a Bristol motor cruiser, an aluminium launch with a Mercury outboard, two fibreglass Hornets. They idle just beyond the moraine of bodies and debris, unable either to help or to turn away.

  The boy of thirteen will not come out from the flooded forest because he knows that his sister is in there somewhere. He cannot find her. After thirty minutes he is hypothermic and feels desperately cold. Then, quite suddenly, he doesn’t feel cold at all. This doesn’t seem strange. Nothing seems strange anymore. He wants to take his clothes off but hardly has the energy to stay afloat. Out there, only yards away, the world continues—sunshine, boats, a helicopter. But he feels safe in here. He is not thinking about his sister anymore. He cannot remember having a sister. Only this deep need to be in the dark, to be contained, unseen, some primal circuit still alight on the dimming circuit board of the brainstem. He sinks into the water five times, coughs and forces himself back to the surface, but with less effort each time and with a less distinct sense of what he has just avoided. The sixth time there is so little left of his mind that he lets it go as easily as if it were a book falling from his sleeping hand.

  A journalist from the Argus stands in a phone box reading the shorthand he has scribbled onto four pages of a ring-bound notebook. “Shortly before five in the afternoon…”

  One of the men trapped on the far end of the pier is terrified of flying. He is wearing a Leeds United T-shirt. The prospect of being lifted into the helicopter is many times worse than that of the structure collapsing beneath him. He knows that his only other choice is to jump from the pier. He is a strong swimmer but the drop to the water is sixty feet. The two possibilities toggle at increasing speeds in his mind—fly, jump, fly, jump. He feels sick. His wife is airlifted in the second batch and in her absence his thoughts race at increasing speeds until he realises that he will lose his mind and that this possibility is worse than flying or jumping. At which point he sees himself turn away from the crowd and run towards the railing. The sensation of watching himself from a distance is so strong that he wants to cry out to this foolish man to remove his shoes and trousers first. He remembers nothing of the leap itself, only the terrible surprise of waking underwater with no memory of where he is or why. He fights his way to the surface, refills his lungs several times and forces off his double-knotted shoes. He can see now that he is at the seaside and that he is floating in the shadow of some vast object. He turns and the wrecked pier looms over him. He remembers what has happened and turns again and swims hard. After a hundred yards he stops and turns for a third time and finds that the distance has turned the pier into a part of the view. He looks towards the town, the crowds, the blue flashing lights, the Camden, the Royal. He is unaware that people saw him jump and that he is now starring in his own brief episode in the afternoon’s greater drama. He feels victorious, unburdened. He swims steadily towards the beach where he is cheered ashore, wrapped in a red blanket and led to an ambulance. His wife will spend three hours thinking he is dead and will not forgive him for a long time.

  There is now no one left on the far end of the pier.

  The final person dies, deep inside the tangle of planks and girders. He is fifteen years old. He helped his father on the helter-skelter, collecting the mats and going up the ladder at the back when kids got scared or started a fight inside. He has been unconscious since he fell.

  The lifeboat returns and the crew retrieve fifteen bodies from the water.

  An hour and a half. Sixty-four dead.

  A Baptist minister offers the use of his church hall. Survivors are escorted by policemen and firemen over the road, up Hope Street, through a door beside Whelan’s Marine Stores and into a large warm room with fluorescent lighting and a parquet floor. The lid of a tea urn is rattling and two ladies are making sandwiches in the kitchenette. People slump onto chairs and onto the floor. They are no longer being observed. They are among people who understand. Some weep openly, some sit and stare. Three children are unaccompanied, two boys and a girl. The parents of the younger boy have been airlifted to Shoreham. The other two children are now orphans. The girl saw her parents die and is inconsolable. The boy has concocted a story in which his parents fell into the sea and were picked up by a fishing boat, a story so detailed and told with such earnestness that the elderly woman to whom he is telling it doesn’t realise anything is wrong until he explains that they are now living in France.

  A policewoman moves quietly round the room, squatting beside each group in turn. “Are you missing anyone?”

  Outside, the lifeboat returns for a third time with a cargo of rope and orange buoys to keep away the curious and the ghoulish.

  Three hours and twenty minutes.

  Six men from the council works department erect shuttering around the pier entrance, big frames of two-by-four covered with sheets of chipboard.

  In the hospital most of the broken bones have been set and the girl with the shattered femur is having it pinned in surgery. A woman has had a splinter the size of a carving knife pulled from her chest.

  Evening comes. The front is unnaturally empty. No one wants to look at the pier anymore. They are elsewhere eating scampi and baked Alaska, watching The Railway Children at the Coronet, or driving to neighbouring resorts for evening walks against a view that can be comfortably ignored. In spite of which the conversation keeps circling back, because at sometime this week everyone has stood in a spot which is now empty air. Everyone can feel the thrilling shiver of the Reaper passing close, dampened rapidly by the thought of those poor people. But was it a bomb? Was there a man on the front with a radio control and a trip switch? Had they perhaps sat next to him?

  Nine people remain buried under wreckage. The authorities know about eight of these. The ninth is a girl of fifteen who ran away from her home in Stockport six months ago. Her parents will never connect her to the event in the newspaper and will spend the rest of their lives waiting for her to come home.

  The orphaned boy and girl are driven to the house of a couple who foster for the local social services until their grandparents arrive tomorrow. The boy still believes his parents are living in France.

  The reunited families have gone. The hall is almost empty now. The only people who remain are those waiting for family members who will never come.

  None of the survivors sleep well. They wake from dreams in which the floor beneath them vanishes. They wake from dreams of being trapped inside a cat’s cradle of iron and wood as the tide rises.

  2 a.m. Clear skies. The whole town so precise and blue that you could lean down and pick up that moored yacht between your thumb and forefinger. Only the surf moving and a single drunk shouting at the sea. The gaudy lights along the front have been turned off as a mark of respect, leaving a scattering of yellow windows and the hotel names in green and red neon. Excelsior, Camden, Royal.

  3 a.m. Mars just visible above the Downs and a choppy stripe of moon across the sea. There is a dull boom as the far end of the pier’s landward half drops and twists like a monster shifting in its sleep.

  The TV crews arrive at 5 a.m. They set up camp on the prom and outside the police station, smoking and telling jokes and drinking sugary coffee from Thermos flasks.

  Dawn comes and for a brief period the wrecked pier is beautiful, but the epicentre of the t
own is already moving eastwards, down the prom towards the dolphinarium and the saltwater swimming pool. The pier is already becoming something you walk past.

  People get their holiday snaps back from the chemist’s. Some of the pictures contain the final images of family members who are now dead. They smile, they shade their eyes, they eat chips and hold outsize teddy bears. They have only minutes to live. In one freakish photograph a teenage boy is already falling downwards, his mouth wide open as if he were singing.

  Funerals are held and the legal wrangle begins.

  Paint peels, metal rusts. Gulls gather on the roundabouts and the belvederes. Bulbs shatter, colours fade. Cormorants nest on the rotten decking. In high winds the gondolas on the big wheel sway and creak. The ghost train becomes a roost for pipistrelles and greater horseshoe bats; the tangled beams and girders underwater become a home for conger eels and octopus.

  Three years later a man walking his dog along the beach will find a sea-bleached skull washed up by a winter storm. It will be laid to rest with full funeral rites in a corner of the graveyard of St. Bartholomew’s Church under a stone inscribed with the words, “The kingdom of heaven is like unto a net, that was cast into the sea, and gathered of every kind.”

  Ten years after the disaster the pier is brought down in a series of controlled explosions, and over many months the remnants are lifted laboriously by a floating crane and towed to a marine breakers in Southampton. No other human remains are found.

  THE ISLAND

  She’s dreaming of the pines outside her window in the palace, the way the night wind turns them into a black sea that tumbles and breaks against the stone wall below the sill. She’s dreaming of the summer sound of trees being felled farther up the mountain, the hollow tock, tock, tock of the axe, the slow cracking of the trunk and that final thump, all that splintered yellow, still damp with life, the smell of fresh resin in the air and columns of midges rising and falling in the angled sunlight.

  She’s dreaming of the wood being split and planed and toothed home into a curved keel that will cut an ocean in half. She’s dreaming of this morning, standing on the prow with her husband-to-be, the oars churning the waves to foam and the fat sails slapping in the wind, over the horizon his city where they’ll marry, behind them the home she’ll never see again.

  She’s dreaming of the wedding, flames dancing in the sconces of a great hall. Flames multiplied in a hundred golden cups, painted plates heavy with roast meats and chickpeas, quinces and saffron and honey cakes.

  She’s dreaming of the bridal suite, a snowfall of Egyptian cotton on the bed. Hanging above the pillows is a tapestry, the work so fine she could be looking through a window. In the centre of the picture is a woman weeping on a beach, and far out, in the chop and glitter of the woven sea, a single ship sailing steadily towards the border and the world beyond.

  She moves a little closer so that she can see the woman’s face, and then it hits her like a punch. She’s looking at herself.

  She comes round like a drowning woman breaking the water’s surface, thrashing and gasping for air. The light hurts her eyes, her throat is dry and the world is foggy from drink, or drugs, or fever.

  She rolls over and finds herself in an empty bed. He must be awake and making preparations for today’s journey. She stands with difficulty and realises that she can hear nothing except the cry of gulls and guy ropes humming in the wind. She staggers to the door, uncouples the four leather ties which bind the canvas flaps and steps outside to find herself in a ghost camp, five squares of flattened, yellow grass, fishbones, a single sandal, the torched circle of last night’s fire and far out, in the chop and glitter of the sea, a single ship.

  She tries to scream but there is a weight on her chest which stops her filling her lungs. Her mind bucks and twists, searching for ways to make this right. He’s coming back. The crew have mutinied and kidnapped him or left him somewhere nearby, tied up, beaten, dead. Then she looks down and sees, beside her feet, a jug of water and a loaf of bread, and on the loaf is the ring she gave him as a sign of their eternal love. He has abandoned her.

  The sky revolves, she vomits on the wet grass and the world goes dark.

  When time begins again she’s skidding down the scree on bloody hands and knees towards the beach, then stumbling over the slip and clack of pebbles to the surf. She yells into the wind and her cry echoes round the rocky cove. Her heart thrashes like a netted bird.

  The boat shrinks. She has become the woman in the tapestry.

  He is the only man she’s ever loved, and he has dumped her like ballast. She needs to find an explanation that does not make her a fool and him an animal, but every thought of him is a knife turning in the wound love made. She wants to hurl a stack of figured bowls across a room. She wants to weep till someone comes to comfort her. She wants to find a man who’ll track him down and break his neck or make him realise he’s wrong and bring him back.

  She turns to take it in, this godforsaken place, bracken and sea pink, rye grass jerking in the wind, slabs of basalt rusty with lichen. Lying in a shallow pool, she sees the bloody head of a seal pup hacked off by the men last night then hurled off the cliff before they cooked the body. Its blind eyes have turned white.

  She crouches on the hard, wet stones and hugs herself. No one has any idea that she is here except the crew of the departing ship, and no one else would give a damn. She does not know the name of this island. She knows only that this is the place in which she will die. She is off the heart’s map and her compass is spinning.

  Minutes pass. Water breaks and fizzes on the pebbles. The wind sings and the cold begins to bite. She stands and starts the long climb to the bed they will never share again.

  She is a princess. In twenty years she has never been alone, never cooked a meal, never cleaned a floor. She has bathed in clean, warm water every morning. Twice a day newly laundered clothes have been laid on her bed. She realises that this will be hard. She does not know the meaning of the word.

  She enters the tent and sees his body’s imprint on the sheets and has to turn away. She eats the bread and drinks the water, then lies down and waits, as if an easy death is one more luxury some nameless servant will provide.

  She cannot believe that anyone is able to bear this kind of pain. She thinks of shepherds sleepless in the blue snow, their furs pulled tight around their shoulders, waiting for the wolves, armed only with a slingshot. She thinks of the soldiers who come back from every summer’s campaign with legs and arms missing, the stumps like melted wax. She thinks of women giving birth in stone sheds with leaking roofs and mud floors. She thinks about what it must take to lead such lives, and she starts to understand that wealth has deprived her of the one skill that she needs now.

  The light begins to die and the dark thickens slowly to a colour she has never seen before. Then the shearwaters come, two hundred thousand birds returning from a day at sea to run the gauntlet of the black-backed gulls, and suddenly the tent is inside a hurricane of screams, the noise that makes young sailors think they have drifted near the mouth of hell. She dares not go outside for fear of what she might find. She covers her ears and curls into a ball in the centre of the single rug and waits for claws and teeth to tear the flimsy canvas walls and shred her body like a deer’s. She waits, and waits, and when the silence finally comes it is worse, for she has been stripped of everything that used to shield her from a hard world where every action has a consequence. She has no one else to blame. This is her punishment. She helped him kill her brother. Now it is her turn. When her bones are picked clean the scales will be level once again.

  She should have listened to her maids and walked around the palace grounds, but she had walked around the palace grounds a thousand times. She knew in tedious detail every carved fountain, every lavender bush with its halo of bees, every shaded bower. She wanted the bustle of the quays, those overflowing baskets of squid and mackerel, the stacked crates and coiled ropes, the shouting and the knock of tarred
hulls, that childhood fantasy of walking up a gangplank, casting off and slipping through the cupped hands of the breakwater into the white light of a world outside her family’s orbit.

  They came at every summer’s end, a war-price Athens paid to keep the peace, just one more ceremony in a calendar of ceremonies, the Leaping of the Bulls, the Festival of Poppies. Twelve young men and women taken from their ship and housed in the barn above the orchard while this year’s pit was dug beside the last, then led out and lined up to have their throats slit and die on top of one another. They were human cattle, and they knew this, shuffling with heads down, already half dead. She gave them no more thought than she gave the enemies her father and her cousins killed in battle.

  But her eyes locked briefly with the eyes of the one man who held his head high and she realised that there were many worlds beyond this world and that her own was very small indeed.

  Later that night she woke repeatedly, thinking he was standing in the room or lying beside her. She was terrified at first, then disappointed. She felt alive in a way that she had never felt alive before. The cold flags on the floor, the cicadas, the pocked coin of the moon, her own skin…She had never seen these things clearly until now.

  Shortly after dawn she slipped past the maids in the outer room and walked round the orchard to the stables. She told the guards she wanted to talk to the prisoners and they could think of no adequate reply to this unexpected request. The last of the night was pooling in the big stone rooms, the window slits no wider than a hand. There was sand on the floor and the sound of breathing. She felt the stir her presence caused, warm bodies shifting nervously in the dark. It was a small thing to be brave about but she had never needed to be brave before and mastering her fear was thrilling.